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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE3B9 it is the complementary color #301C46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE3B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE3B9 shade: #D4E3B4, #E5F5C7, #F6FFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE3B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE3B9 shade: #CFE3B9, #BED1A6, #ADBF93, #9CAD80 and #8B9B6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE3B9 shade: #CFE3B9, #DAE3B9, #E3E0B9, #E3D5B9 and #E3CAB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE3B9 shade: #CFE3B9, #C4E3B9, #B9E3BA, #B9E3C5 and #B9E3D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE3B9 shade matches the following richer shades: #CFE3B9, #CFEBB1, #D0F3AA and #D0FAA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE3B9 shade: #CFE3B9, #CFDBC1, #CED3C9, #CECBD1 and #CEC4D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE3B9 shade: #E3E0B9, #DBE3B9, #CFE3B9, #C4E3B9 and #B9E3B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE3B9 shade: #A7CB7E, #BBD79C, #CFE3B9, #E3EFD7 and #F7FAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE3B9 shade: #CFE3B9, #B9E3D5 and #E3B9E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE3B9 shade: #CFE3B9, #B9CFE3 and #E3B9CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE3B9 shade: #CFE3B9, #B9E3D5, #CDB9E3 and #E3B9C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE3B9 shade: #CFE3B9, #B9E3E1, #CDB9E3 and #E3B9BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

Complementary color

CMYK 31 / 60 / 0 / 73

HEX #301C46

RGB 48 28 70

HSL 268.57, 0.43%, 0.19%

LAB 14.96, 19.86, -22.8

 

CMYK 7 / 0 / 21 / 11

HEX #D4E3B4

RGB 212 227 180

HSL 79.15, 0.46%, 0.8%

LAB 88.08, -12.99, 21.32

 

CMYK 7 / 0 / 19 / 4

HEX #E5F5C7

RGB 229 245 199

HSL 80.87, 0.7%, 0.87%

LAB 94.35, -13.04, 20.42

 

CMYK 4 / 0 / 15 / 0

HEX #F6FFDA

RGB 246 255 218

HSL 74.59, 1%, 0.93%

LAB 98.5, -9.15, 16.69

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 9 / 0 / 21 / 18

HEX #BED1A6

RGB 190 209 166

HSL 86.51, 0.32%, 0.74%

LAB 81.46, -13.99, 19.23

 

CMYK 9 / 0 / 23 / 25

HEX #ADBF93

RGB 173 191 147

HSL 84.55, 0.26%, 0.66%

LAB 74.98, -13.98, 20.19

 

CMYK 10 / 0 / 26 / 32

HEX #9CAD80

RGB 156 173 128

HSL 82.67, 0.22%, 0.59%

LAB 68.4, -13.96, 21.21

 

CMYK 10 / 0 / 30 / 39

HEX #8B9B6D

RGB 139 155 109

HSL 80.87, 0.19%, 0.52%

LAB 61.69, -13.94, 22.29

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 4 / 0 / 19 / 11

HEX #DAE3B9

RGB 218 227 185

HSL 72.86, 0.43%, 0.81%

LAB 88.61, -10.09, 19.53

 

CMYK 0 / 1 / 19 / 11

HEX #E3E0B9

RGB 227 224 185

HSL 55.71, 0.43%, 0.81%

LAB 88.52, -5.31, 19.5

 

CMYK 0 / 6 / 19 / 11

HEX #E3D5B9

RGB 227 213 185

HSL 40, 0.43%, 0.81%

LAB 85.72, 0.33, 15.58

 

CMYK 0 / 11 / 19 / 11

HEX #E3CAB9

RGB 227 202 185

HSL 24.29, 0.43%, 0.81%

LAB 82.95, 6.07, 11.68

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 14 / 0 / 19 / 11

HEX #C4E3B9

RGB 196 227 185

HSL 104.29, 0.43%, 0.81%

LAB 87.08, -17.83, 17.17

 

CMYK 19 / 0 / 18 / 11

HEX #B9E3BA

RGB 185 227 186

HSL 121.43, 0.43%, 0.81%

LAB 86.4, -21.38, 15.59

 

CMYK 19 / 0 / 13 / 11

HEX #B9E3C5

RGB 185 227 197

HSL 137.14, 0.43%, 0.81%

LAB 86.64, -19.42, 10.17

 

CMYK 19 / 0 / 8 / 11

HEX #B9E3D0

RGB 185 227 208

HSL 152.86, 0.43%, 0.81%

LAB 86.9, -17.35, 4.77

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 12 / 0 / 25 / 8

HEX #CFEBB1

RGB 207 235 177

HSL 88.97, 0.59%, 0.81%

LAB 89.79, -19.19, 25.18

 

CMYK 14 / 0 / 30 / 5

HEX #D0F3AA

RGB 208 243 170

HSL 88.77, 0.75%, 0.81%

LAB 91.87, -23.72, 31.57

 

CMYK 17 / 0 / 35 / 2

HEX #D0FAA2

RGB 208 250 162

HSL 88.64, 0.9%, 0.81%

LAB 93.62, -28.13, 37.9

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 5 / 0 / 12 / 14

HEX #CFDBC1

RGB 207 219 193

HSL 87.69, 0.27%, 0.81%

LAB 85.9, -8.65, 11.41

 

CMYK 2 / 0 / 5 / 17

HEX #CED3C9

RGB 206 211 201

HSL 90, 0.1%, 0.81%

LAB 83.93, -3.5, 4.34

 

CMYK 1 / 3 / 0 / 18

HEX #CECBD1

RGB 206 203 209

HSL 270, 0.06%, 0.81%

LAB 82.08, 2.13, -2.62

 

CMYK 5 / 10 / 0 / 15

HEX #CEC4D9

RGB 206 196 217

HSL 268.57, 0.22%, 0.81%

LAB 80.52, 7.37, -9.2

 

CMYK 0 / 1 / 19 / 11

HEX #E3E0B9

RGB 227 224 185

HSL 55.71, 0.43%, 0.81%

LAB 88.52, -5.31, 19.5

 

CMYK 4 / 0 / 19 / 11

HEX #DBE3B9

RGB 219 227 185

HSL 71.43, 0.43%, 0.81%

LAB 88.69, -9.73, 19.65

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 14 / 0 / 19 / 11

HEX #C4E3B9

RGB 196 227 185

HSL 104.29, 0.43%, 0.81%

LAB 87.08, -17.83, 17.17

 

CMYK 19 / 0 / 19 / 11

HEX #B9E3B9

RGB 185 227 185

HSL 120, 0.43%, 0.81%

LAB 86.38, -21.56, 16.08

 

CMYK 18 / 0 / 38 / 20

HEX #A7CB7E

RGB 167 203 126

HSL 88.05, 0.43%, 0.65%

LAB 77.54, -25.22, 34.55

 

CMYK 13 / 0 / 27 / 16

HEX #BBD79C

RGB 187 215 156

HSL 88.47, 0.42%, 0.73%

LAB 82.68, -19.6, 26.12

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 5 / 0 / 10 / 6

HEX #E3EFD7

RGB 227 239 215

HSL 90, 0.43%, 0.89%

LAB 93, -8.18, 10.24

 

CMYK 1 / 0 / 2 / 2

HEX #F7FAF4

RGB 247 250 244

HSL 90, 0.37%, 0.97%

LAB 97.9, -2.04, 2.51

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 19 / 0 / 6 / 11

HEX #B9E3D5

RGB 185 227 213

HSL 160, 0.43%, 0.81%

LAB 87.02, -16.38, 2.31

 

CMYK 0 / 19 / 1 / 11

HEX #E3B9E0

RGB 227 185 224

HSL 304.29, 0.43%, 0.81%

LAB 79.85, 21.62, -13.79

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 19 / 9 / 0 / 11

HEX #B9CFE3

RGB 185 207 227

HSL 208.57, 0.43%, 0.81%

LAB 82.1, -3.22, -12.37

 

CMYK 0 / 19 / 9 / 11

HEX #E3B9CF

RGB 227 185 207

HSL 328.57, 0.43%, 0.81%

LAB 79.35, 18.63, -5.36

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 19 / 0 / 6 / 11

HEX #B9E3D5

RGB 185 227 213

HSL 160, 0.43%, 0.81%

LAB 87.02, -16.38, 2.31

 

CMYK 10 / 19 / 0 / 11

HEX #CDB9E3

RGB 205 185 227

HSL 268.57, 0.43%, 0.81%

LAB 78.01, 14.94, -18.37

 

CMYK 0 / 19 / 12 / 11

HEX #E3B9C7

RGB 227 185 199

HSL 340, 0.43%, 0.81%

LAB 79.13, 17.29, -1.35

 

CMYK 9 / 0 / 19 / 11

HEX #CFE3B9

RGB 207 227 185

HSL 88.57, 0.43%, 0.81%

LAB 87.83, -14, 18.32

 

CMYK 19 / 0 / 1 / 11

HEX #B9E3E1

RGB 185 227 225

HSL 177.14, 0.43%, 0.81%

LAB 87.33, -13.96, -3.55

 

CMYK 10 / 19 / 0 / 11

HEX #CDB9E3

RGB 205 185 227

HSL 268.57, 0.43%, 0.81%

LAB 78.01, 14.94, -18.37

 

CMYK 0 / 19 / 18 / 11

HEX #E3B9BB

RGB 227 185 187

HSL 357.14, 0.43%, 0.81%

LAB 78.82, 15.38, 4.69

 

Description

Color code: HEX #CFE3B9 | qconv.com Color code: HEX #CFE3B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 227 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 227 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 19 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 19% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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