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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFEB89 it is the complementary color #301476. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFEB89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFEB89 shade: #D4EB84, #E5FD97, #F6FFAA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFEB89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFEB89 shade: #CFEB89, #BED976, #ADC763, #9CB550 and #8BA33D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFEB89 shade: #CFEB89, #E9EB89, #EBD289, #EBB789 and #EB9D89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFEB89 shade: #CFEB89, #B4EB89, #9AEB89, #89EB92 and #89EBAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFEB89 shade matches the following richer shades: #CFEB89 and #D3F67E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFEB89 shade: #CFEB89, #CADF94, #C5D49F, #C0C9AA and #BCBEB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFEB89 shade: #EBD289, #E9EB89, #CFEB89, #B5EB89 and #9BEB89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFEB89 shade: #B2DF42, #C0E565, #CFEB89, #DDF1AC and #EBF6CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFEB89 shade: #CFEB89, #89EBB8 and #DF89EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFEB89 shade: #CFEB89, #89CFEB and #EB89CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFEB89 shade: #CFEB89, #89EBB8, #A489EB and #EB89BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFEB89 shade: #CFEB89, #89EBD5, #A489EB and #EB899E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

Complementary color

CMYK 59 / 83 / 0 / 54

HEX #301476

RGB 48 20 118

HSL 257.14, 0.71%, 0.27%

LAB 17.63, 39.07, -50.47

 

CMYK 10 / 0 / 44 / 8

HEX #D4EB84

RGB 212 235 132

HSL 73.4, 0.72%, 0.72%

LAB 89.43, -23.1, 47.29

 

CMYK 9 / 0 / 40 / 1

HEX #E5FD97

RGB 229 253 151

HSL 74.12, 0.96%, 0.79%

LAB 95.64, -23.26, 46.16

 

CMYK 4 / 0 / 33 / 0

HEX #F6FFAA

RGB 246 255 170

HSL 66.35, 1%, 0.83%

LAB 97.64, -15.73, 39.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 12 / 0 / 46 / 15

HEX #BED976

RGB 190 217 118

HSL 76.36, 0.57%, 0.66%

LAB 82.85, -24.29, 45.59

 

CMYK 13 / 0 / 50 / 22

HEX #ADC763

RGB 173 199 99

HSL 75.6, 0.47%, 0.58%

LAB 76.46, -24.1, 46.72

 

CMYK 14 / 0 / 56 / 29

HEX #9CB550

RGB 156 181 80

HSL 74.85, 0.41%, 0.51%

LAB 69.96, -23.84, 47.81

 

CMYK 15 / 0 / 63 / 36

HEX #8BA33D

RGB 139 163 61

HSL 74.12, 0.46%, 0.44%

LAB 63.36, -23.48, 48.75

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 1 / 0 / 42 / 8

HEX #E9EB89

RGB 233 235 137

HSL 61.22, 0.71%, 0.73%

LAB 91.03, -14.52, 47.2

 

CMYK 0 / 11 / 42 / 8

HEX #EBD289

RGB 235 210 137

HSL 44.69, 0.71%, 0.73%

LAB 84.77, -1.14, 39.32

 

CMYK 0 / 22 / 42 / 8

HEX #EBB789

RGB 235 183 137

HSL 28.16, 0.71%, 0.73%

LAB 78.07, 12.96, 30.59

 

CMYK 0 / 33 / 42 / 8

HEX #EB9D89

RGB 235 157 137

HSL 12.24, 0.71%, 0.73%

LAB 71.95, 26.77, 22.37

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 23 / 0 / 42 / 8

HEX #B4EB89

RGB 180 235 137

HSL 93.67, 0.71%, 0.73%

LAB 87.45, -34.24, 41.93

 

CMYK 34 / 0 / 42 / 8

HEX #9AEB89

RGB 154 235 137

HSL 109.59, 0.71%, 0.73%

LAB 86.05, -42.96, 39.86

 

CMYK 42 / 0 / 38 / 8

HEX #89EB92

RGB 137 235 146

HSL 125.51, 0.71%, 0.73%

LAB 85.41, -46.79, 34.39

 

CMYK 42 / 0 / 27 / 8

HEX #89EBAC

RGB 137 235 172

HSL 141.43, 0.71%, 0.73%

LAB 85.86, -42.36, 21.74

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 14 / 0 / 49 / 4

HEX #D3F67E

RGB 211 246 126

HSL 77.5, 0.87%, 0.73%

LAB 92.25, -29.3, 53.56

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 9 / 0 / 34 / 13

HEX #CADF94

RGB 202 223 148

HSL 76.8, 0.54%, 0.73%

LAB 85.74, -19.15, 34.5

 

CMYK 7 / 0 / 25 / 17

HEX #C5D49F

RGB 197 212 159

HSL 76.98, 0.38%, 0.73%

LAB 82.63, -14.01, 24.6

 

CMYK 4 / 0 / 15 / 21

HEX #C0C9AA

RGB 192 201 170

HSL 77.42, 0.22%, 0.73%

LAB 79.55, -8.53, 14.46

 

CMYK 1 / 0 / 5 / 25

HEX #BCBEB5

RGB 188 190 181

HSL 73.33, 0.06%, 0.73%

LAB 76.59, -2.33, 4.29

 

CMYK 0 / 11 / 42 / 8

HEX #EBD289

RGB 235 210 137

HSL 44.69, 0.71%, 0.73%

LAB 84.77, -1.14, 39.32

 

CMYK 1 / 0 / 42 / 8

HEX #E9EB89

RGB 233 235 137

HSL 61.22, 0.71%, 0.73%

LAB 91.03, -14.52, 47.2

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 23 / 0 / 42 / 8

HEX #B5EB89

RGB 181 235 137

HSL 93.06, 0.71%, 0.73%

LAB 87.51, -33.89, 42.02

 

CMYK 34 / 0 / 42 / 8

HEX #9BEB89

RGB 155 235 137

HSL 108.98, 0.71%, 0.73%

LAB 86.1, -42.64, 39.94

 

CMYK 20 / 0 / 70 / 13

HEX #B2DF42

RGB 178 223 66

HSL 77.2, 0.71%, 0.57%

LAB 83.25, -36, 68.21

 

CMYK 16 / 0 / 56 / 10

HEX #C0E565

RGB 192 229 101

HSL 77.34, 0.71%, 0.65%

LAB 86.1, -30.86, 57.39

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 8 / 0 / 29 / 5

HEX #DDF1AC

RGB 221 241 172

HSL 77.39, 0.71%, 0.81%

LAB 92.25, -17.82, 31.22

 

CMYK 4 / 0 / 16 / 4

HEX #EBF6CF

RGB 235 246 207

HSL 76.92, 0.68%, 0.89%

LAB 95.19, -10.21, 17.56

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 42 / 0 / 22 / 8

HEX #89EBB8

RGB 137 235 184

HSL 148.78, 0.71%, 0.73%

LAB 86.1, -40.07, 15.85

 

CMYK 5 / 42 / 0 / 8

HEX #DF89EB

RGB 223 137 235

HSL 292.65, 0.71%, 0.73%

LAB 69.17, 47.96, -36.13

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 42 / 12 / 0 / 8

HEX #89CFEB

RGB 137 207 235

HSL 197.14, 0.71%, 0.73%

LAB 79.58, -14.85, -20.71

 

CMYK 0 / 42 / 12 / 8

HEX #EB89CF

RGB 235 137 207

HSL 317.14, 0.71%, 0.73%

LAB 69.51, 46.73, -20.01

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 42 / 0 / 22 / 8

HEX #89EBB8

RGB 137 235 184

HSL 148.78, 0.71%, 0.73%

LAB 86.1, -40.07, 15.85

 

CMYK 30 / 42 / 0 / 8

HEX #A489EB

RGB 164 137 235

HSL 256.53, 0.71%, 0.73%

LAB 63.16, 31.12, -45.96

 

CMYK 0 / 42 / 20 / 8

HEX #EB89BB

RGB 235 137 187

HSL 329.39, 0.71%, 0.73%

LAB 68.85, 43.65, -9.85

 

CMYK 12 / 0 / 42 / 8

HEX #CFEB89

RGB 207 235 137

HSL 77.14, 0.71%, 0.73%

LAB 89.15, -24.43, 44.44

 

CMYK 42 / 0 / 9 / 8

HEX #89EBD5

RGB 137 235 213

HSL 166.53, 0.71%, 0.73%

LAB 86.77, -33.94, 1.64

 

CMYK 30 / 42 / 0 / 8

HEX #A489EB

RGB 164 137 235

HSL 256.53, 0.71%, 0.73%

LAB 63.16, 31.12, -45.96

 

CMYK 0 / 42 / 33 / 8

HEX #EB899E

RGB 235 137 158

HSL 347.14, 0.71%, 0.73%

LAB 68.04, 39.72, 5.22

 

Description

Color code: HEX #CFEB89 | qconv.com Color code: HEX #CFEB89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 235 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 235 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 42 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 42% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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