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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFF1DF it is the complementary color #300E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFF1DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFF1DF shade: #D4F1DA, #E5FFED and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFF1DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFF1DF shade: #CFF1DF, #BEDFCC, #ADCDB9, #9CBBA6 and #8BA993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFF1DF shade: #CFF1DF, #CFF1D6, #D1F1CF, #DAF1CF and #E4F1CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFF1DF shade: #CFF1DF, #CFF1E8, #CFF0F1, #CFE7F1 and #CFDEF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFF1DF shade matches the following richer shades: #CFF1DF, #CAF6DF and #C5FBDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFF1DF shade: #CFF1DF, #D4ECDF, #D9E7DF, #DEE2E0 and #E3DDE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFF1DF shade: #D1F1CF, #CFF1D6, #CFF1DF, #CFF1E8 and #CFF1F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFF1DF shade: #8FDEB4, #AFE7CA, #CFF1DF and #EFFAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFF1DF shade: #CFF1DF, #CFDAF1 and #F1D1CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFF1DF shade: #CFF1DF, #DFCFF1 and #F1DFCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFF1DF shade: #CFF1DF, #CFDAF1, #F1CFE1 and #F1E6CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFF1DF shade: #CFF1DF, #CFD0F1, #F1CFE1 and #F1F0CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

Complementary color

CMYK 0 / 71 / 33 / 81

HEX #300E20

RGB 48 14 32

HSL 328.24, 0.55%, 0.12%

LAB 9.37, 19.74, -4.01

 

CMYK 12 / 0 / 10 / 5

HEX #D4F1DA

RGB 212 241 218

HSL 132.41, 0.51%, 0.89%

LAB 92.56, -13.71, 7.92

 

CMYK 10 / 0 / 7 / 0

HEX #E5FFED

RGB 229 255 237

HSL 138.46, 1%, 0.95%

LAB 97.75, -11.7, 5.73

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 15 / 0 / 9 / 13

HEX #BEDFCC

RGB 190 223 204

HSL 145.45, 0.34%, 0.81%

LAB 86.05, -14.49, 5.68

 

CMYK 16 / 0 / 10 / 20

HEX #ADCDB9

RGB 173 205 185

HSL 142.5, 0.24%, 0.74%

LAB 79.64, -14.57, 6.4

 

CMYK 17 / 0 / 11 / 27

HEX #9CBBA6

RGB 156 187 166

HSL 139.35, 0.19%, 0.67%

LAB 73.13, -14.67, 7.15

 

CMYK 18 / 0 / 13 / 34

HEX #8BA993

RGB 139 169 147

HSL 136, 0.15%, 0.6%

LAB 66.5, -14.78, 7.95

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 14 / 0 / 11 / 5

HEX #CFF1D6

RGB 207 241 214

HSL 132.35, 0.55%, 0.88%

LAB 92.15, -16.07, 9.35

 

CMYK 13 / 0 / 14 / 5

HEX #D1F1CF

RGB 209 241 207

HSL 116.47, 0.55%, 0.88%

LAB 92.12, -16.63, 12.96

 

CMYK 10 / 0 / 14 / 5

HEX #DAF1CF

RGB 218 241 207

HSL 100.59, 0.55%, 0.88%

LAB 92.72, -13.59, 13.89

 

CMYK 5 / 0 / 14 / 5

HEX #E4F1CF

RGB 228 241 207

HSL 82.94, 0.55%, 0.88%

LAB 93.41, -10.15, 14.97

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 14 / 0 / 4 / 5

HEX #CFF1E8

RGB 207 241 232

HSL 164.12, 0.55%, 0.88%

LAB 92.58, -12.73, 0.63

 

CMYK 14 / 0 / 0 / 5

HEX #CFF0F1

RGB 207 240 241

HSL 181.76, 0.55%, 0.88%

LAB 92.55, -10.46, -4.09

 

CMYK 14 / 4 / 0 / 5

HEX #CFE7F1

RGB 207 231 241

HSL 197.65, 0.55%, 0.88%

LAB 90.21, -5.89, -7.54

 

CMYK 14 / 8 / 0 / 5

HEX #CFDEF1

RGB 207 222 241

HSL 213.53, 0.55%, 0.88%

LAB 87.9, -1.25, -10.97

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 18 / 0 / 9 / 4

HEX #CAF6DF

RGB 202 246 223

HSL 148.64, 0.71%, 0.88%

LAB 93.36, -18.5, 6.4

 

CMYK 22 / 0 / 12 / 2

HEX #C5FBDE

RGB 197 251 222

HSL 147.78, 0.87%, 0.88%

LAB 94.37, -22.69, 8.33

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 10 / 0 / 6 / 7

HEX #D4ECDF

RGB 212 236 223

HSL 147.5, 0.39%, 0.88%

LAB 91.38, -10.3, 3.61

 

CMYK 6 / 0 / 3 / 9

HEX #D9E7DF

RGB 217 231 223

HSL 145.71, 0.23%, 0.88%

LAB 90.43, -6.11, 2.27

 

CMYK 2 / 0 / 1 / 11

HEX #DEE2E0

RGB 222 226 224

HSL 150, 0.06%, 0.88%

LAB 89.54, -1.7, 0.5

 

CMYK 0 / 3 / 1 / 11

HEX #E3DDE0

RGB 227 221 224

HSL 330, 0.1%, 0.88%

LAB 88.65, 2.57, -0.75

 

CMYK 13 / 0 / 14 / 5

HEX #D1F1CF

RGB 209 241 207

HSL 116.47, 0.55%, 0.88%

LAB 92.12, -16.63, 12.96

 

CMYK 14 / 0 / 11 / 5

HEX #CFF1D6

RGB 207 241 214

HSL 132.35, 0.55%, 0.88%

LAB 92.15, -16.07, 9.35

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 14 / 0 / 4 / 5

HEX #CFF1E8

RGB 207 241 232

HSL 164.12, 0.55%, 0.88%

LAB 92.58, -12.73, 0.63

 

CMYK 14 / 0 / 0 / 5

HEX #CFF1F1

RGB 207 241 241

HSL 180, 0.55%, 0.88%

LAB 92.81, -10.97, -3.71

 

CMYK 36 / 0 / 19 / 13

HEX #8FDEB4

RGB 143 222 180

HSL 148.1, 0.54%, 0.72%

LAB 82.58, -33.25, 13.02

 

CMYK 24 / 0 / 13 / 9

HEX #AFE7CA

RGB 175 231 202

HSL 148.93, 0.54%, 0.8%

LAB 87.26, -23.63, 8.35

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 4 / 0 / 2 / 2

HEX #EFFAF4

RGB 239 250 244

HSL 147.27, 0.52%, 0.96%

LAB 97.33, -4.68, 1.61

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 14 / 10 / 0 / 5

HEX #CFDAF1

RGB 207 218 241

HSL 220.59, 0.55%, 0.88%

LAB 86.88, 0.84, -12.5

 

CMYK 0 / 13 / 14 / 5

HEX #F1D1CF

RGB 241 209 207

HSL 3.53, 0.55%, 0.88%

LAB 86.41, 10.85, 5.11

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 7 / 14 / 0 / 5

HEX #DFCFF1

RGB 223 207 241

HSL 268.24, 0.55%, 0.88%

LAB 85.33, 11.76, -14.68

 

CMYK 0 / 7 / 14 / 5

HEX #F1DFCF

RGB 241 223 207

HSL 28.24, 0.55%, 0.88%

LAB 89.85, 3.57, 10.05

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 14 / 10 / 0 / 5

HEX #CFDAF1

RGB 207 218 241

HSL 220.59, 0.55%, 0.88%

LAB 86.88, 0.84, -12.5

 

CMYK 0 / 14 / 7 / 5

HEX #F1CFE1

RGB 241 207 225

HSL 328.24, 0.55%, 0.88%

LAB 86.39, 14.85, -4.47

 

CMYK 0 / 5 / 14 / 5

HEX #F1E6CF

RGB 241 230 207

HSL 40.59, 0.55%, 0.88%

LAB 91.59, -0.02, 12.54

 

CMYK 14 / 0 / 7 / 5

HEX #CFF1DF

RGB 207 241 223

HSL 148.24, 0.55%, 0.88%

LAB 92.36, -14.43, 4.98

 

CMYK 14 / 14 / 0 / 5

HEX #CFD0F1

RGB 207 208 241

HSL 238.24, 0.55%, 0.88%

LAB 84.34, 6.11, -16.3

 

CMYK 0 / 14 / 7 / 5

HEX #F1CFE1

RGB 241 207 225

HSL 328.24, 0.55%, 0.88%

LAB 86.39, 14.85, -4.47

 

CMYK 0 / 0 / 14 / 5

HEX #F1F0CF

RGB 241 240 207

HSL 58.24, 0.55%, 0.88%

LAB 94.11, -5.1, 16.09

 

Description

Color code: HEX #CFF1DF | qconv.com Color code: HEX #CFF1DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 241 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 241 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 7 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 7% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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