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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFF24A it is the complementary color #300DB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFF24A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFF24A shade: #D4F245, #E5FF58, #F6FF6B, #FFFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFF24A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFF24A shade: #CFF24A, #BEE037, #ADCE24, #9CBC11 and #8BAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFF24A shade: #CFF249, #F2E849, #F2BA49, #F28D49 and #F25F49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFF24A shade: #CFF249, #A1F249, #74F249, #49F24C and #49F27A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFF24A shade matches the following richer shades: #CFF249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFF24A shade: #CFF249, #C6E259, #BCD369, #B3C378 and #AAB388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFF24A shade: #F2BA49, #F2E749, #D0F249, #A3F249 and #76F249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFF24A shade: #B0DA0F, #C5EF23, #CFF249, #D9F570 and #E3F796

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFF24A shade: #CFF24A, #49F28D and #D049F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFF24A shade: #CFF24A, #49D0F2 and #F249D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFF24A shade: #CFF24A, #49F28D, #6B49F2 and #F249AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFF24A shade: #CFF24A, #49F2BF, #6B49F2 and #F2497C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 69 / 5

HEX #CFF24A

RGB 207 242 74

HSL 72.5, 0.87%, 0.62%

LAB 90.44, -32.96, 73.16

 

Complementary color

CMYK 73 / 93 / 0 / 29

HEX #300DB5

RGB 48 13 181

HSL 252.5, 0.87%, 0.38%

LAB 24.49, 59.16, -78.08

 

CMYK 12 / 0 / 71 / 5

HEX #D4F245

RGB 212 242 69

HSL 70.4, 0.87%, 0.61%

LAB 90.75, -31.26, 75.29

 

CMYK 10 / 0 / 65 / 0

HEX #E5FF58

RGB 229 255 88

HSL 69.34, 1%, 0.67%

LAB 95.53, -29.56, 73.69

 

CMYK 4 / 0 / 58 / 0

HEX #F6FF6B

RGB 246 255 107

HSL 63.65, 1%, 0.71%

LAB 96.89, -21.67, 67.95

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 14 / 0 / 69 / 5

HEX #CFF24A

RGB 207 242 74

HSL 72.5, 0.87%, 0.62%

LAB 90.44, -32.96, 73.16

 

CMYK 15 / 0 / 75 / 12

HEX #BEE037

RGB 190 224 55

HSL 72.07, 0.73%, 0.55%

LAB 84.24, -32.31, 73.08

 

CMYK 16 / 0 / 83 / 19

HEX #ADCE24

RGB 173 206 36

HSL 71.65, 0.7%, 0.47%

LAB 77.97, -31.51, 72.26

 

CMYK 17 / 0 / 91 / 26

HEX #9CBC11

RGB 156 188 17

HSL 71.23, 0.83%, 0.4%

LAB 71.61, -30.52, 70.29

 

CMYK 18 / 0 / 100 / 33

HEX #8BAA00

RGB 139 170 0

HSL 70.94, 1%, 0.33%

LAB 65.15, -29.34, 66.94

 

CMYK 14 / 0 / 70 / 5

HEX #CFF249

RGB 207 242 73

HSL 72.43, 0.87%, 0.62%

LAB 90.44, -33.01, 73.5

 

CMYK 0 / 4 / 70 / 5

HEX #F2E849

RGB 242 232 73

HSL 56.45, 0.87%, 0.62%

LAB 90.35, -14.15, 74.29

 

CMYK 0 / 23 / 70 / 5

HEX #F2BA49

RGB 242 186 73

HSL 40.12, 0.87%, 0.62%

LAB 78.74, 9.26, 62.64

 

CMYK 0 / 42 / 70 / 5

HEX #F28D49

RGB 242 141 73

HSL 24.14, 0.87%, 0.62%

LAB 68.32, 32.9, 51.61

 

CMYK 0 / 61 / 70 / 5

HEX #F25F49

RGB 242 95 73

HSL 7.81, 0.87%, 0.62%

LAB 59.47, 55.26, 41.7

 

CMYK 14 / 0 / 70 / 5

HEX #CFF249

RGB 207 242 73

HSL 72.43, 0.87%, 0.62%

LAB 90.44, -33.01, 73.5

 

CMYK 33 / 0 / 70 / 5

HEX #A1F249

RGB 161 242 73

HSL 88.76, 0.87%, 0.62%

LAB 87.76, -50.02, 69.94

 

CMYK 52 / 0 / 70 / 5

HEX #74F249

RGB 116 242 73

HSL 104.73, 0.87%, 0.62%

LAB 85.86, -63.85, 67.38

 

CMYK 70 / 0 / 69 / 5

HEX #49F24C

RGB 73 242 76

HSL 121.07, 0.87%, 0.62%

LAB 84.71, -72.99, 64.73

 

CMYK 70 / 0 / 50 / 5

HEX #49F27A

RGB 73 242 122

HSL 137.4, 0.87%, 0.62%

LAB 85.16, -67.66, 45.43

 

CMYK 14 / 0 / 70 / 5

HEX #CFF249

RGB 207 242 73

HSL 72.43, 0.87%, 0.62%

LAB 90.44, -33.01, 73.5

 

CMYK 14 / 0 / 70 / 5

HEX #CFF249

RGB 207 242 73

HSL 72.43, 0.87%, 0.62%

LAB 90.44, -33.01, 73.5

 

CMYK 12 / 0 / 61 / 11

HEX #C6E259

RGB 198 226 89

HSL 72.26, 0.7%, 0.62%

LAB 85.56, -28.08, 62.09

 

CMYK 11 / 0 / 50 / 17

HEX #BCD369

RGB 188 211 105

HSL 73.02, 0.55%, 0.62%

LAB 80.91, -23.48, 49.43

 

CMYK 8 / 0 / 38 / 24

HEX #B3C378

RGB 179 195 120

HSL 72.8, 0.38%, 0.62%

LAB 76.05, -17.46, 35.87

 

CMYK 5 / 0 / 24 / 30

HEX #AAB388

RGB 170 179 136

HSL 72.56, 0.22%, 0.62%

LAB 71.26, -10.56, 20.96

 

CMYK 0 / 23 / 70 / 5

HEX #F2BA49

RGB 242 186 73

HSL 40.12, 0.87%, 0.62%

LAB 78.74, 9.26, 62.64

 

CMYK 0 / 5 / 70 / 5

HEX #F2E749

RGB 242 231 73

HSL 56.09, 0.87%, 0.62%

LAB 90.1, -13.66, 74.04

 

CMYK 14 / 0 / 70 / 5

HEX #D0F249

RGB 208 242 73

HSL 72.07, 0.87%, 0.62%

LAB 90.5, -32.62, 73.59

 

CMYK 33 / 0 / 70 / 5

HEX #A3F249

RGB 163 242 73

HSL 88.05, 0.87%, 0.62%

LAB 87.86, -49.33, 70.07

 

CMYK 51 / 0 / 70 / 5

HEX #76F249

RGB 118 242 73

HSL 104.02, 0.87%, 0.62%

LAB 85.92, -63.31, 67.48

 

CMYK 19 / 0 / 93 / 15

HEX #B0DA0F

RGB 176 218 15

HSL 72.41, 0.87%, 0.46%

LAB 81.52, -36.3, 78.96

 

CMYK 18 / 0 / 85 / 6

HEX #C5EF23

RGB 197 239 35

HSL 72.35, 0.86%, 0.54%

LAB 88.79, -37.07, 82.29

 

CMYK 14 / 0 / 70 / 5

HEX #CFF249

RGB 207 242 73

HSL 72.43, 0.87%, 0.62%

LAB 90.44, -33.01, 73.5

 

CMYK 11 / 0 / 54 / 4

HEX #D9F570

RGB 217 245 112

HSL 72.63, 0.87%, 0.7%

LAB 92.23, -27.83, 60

 

CMYK 8 / 0 / 39 / 3

HEX #E3F796

RGB 227 247 150

HSL 72.37, 0.86%, 0.78%

LAB 93.91, -21.25, 44.42

 

CMYK 14 / 0 / 69 / 5

HEX #CFF24A

RGB 207 242 74

HSL 72.5, 0.87%, 0.62%

LAB 90.44, -32.96, 73.16

 

CMYK 70 / 0 / 42 / 5

HEX #49F28D

RGB 73 242 141

HSL 144.14, 0.87%, 0.62%

LAB 85.43, -64.66, 36.54

 

CMYK 14 / 70 / 0 / 5

HEX #D049F2

RGB 208 73 242

HSL 287.93, 0.87%, 0.62%

LAB 56.67, 74.79, -59.87

 

CMYK 14 / 0 / 69 / 5

HEX #CFF24A

RGB 207 242 74

HSL 72.5, 0.87%, 0.62%

LAB 90.44, -32.96, 73.16

 

CMYK 70 / 14 / 0 / 5

HEX #49D0F2

RGB 73 208 242

HSL 192.07, 0.87%, 0.62%

LAB 77.84, -25.67, -27.32

 

CMYK 0 / 70 / 14 / 5

HEX #F249D0

RGB 242 73 208

HSL 312.07, 0.87%, 0.62%

LAB 60.07, 76.79, -35.03

 

CMYK 14 / 0 / 69 / 5

HEX #CFF24A

RGB 207 242 74

HSL 72.5, 0.87%, 0.62%

LAB 90.44, -32.96, 73.16

 

CMYK 70 / 0 / 42 / 5

HEX #49F28D

RGB 73 242 141

HSL 144.14, 0.87%, 0.62%

LAB 85.43, -64.66, 36.54

 

CMYK 56 / 70 / 0 / 5

HEX #6B49F2

RGB 107 73 242

HSL 252.07, 0.87%, 0.62%

LAB 44.66, 56.62, -79.91

 

CMYK 0 / 70 / 28 / 5

HEX #F249AE

RGB 242 73 174

HSL 324.14, 0.87%, 0.62%

LAB 58.69, 72.42, -17.65

 

CMYK 14 / 0 / 69 / 5

HEX #CFF24A

RGB 207 242 74

HSL 72.5, 0.87%, 0.62%

LAB 90.44, -32.96, 73.16

 

CMYK 70 / 0 / 21 / 5

HEX #49F2BF

RGB 73 242 191

HSL 161.89, 0.87%, 0.62%

LAB 86.35, -54.64, 12.28

 

CMYK 56 / 70 / 0 / 5

HEX #6B49F2

RGB 107 73 242

HSL 252.07, 0.87%, 0.62%

LAB 44.66, 56.62, -79.91

 

CMYK 0 / 70 / 49 / 5

HEX #F2497C

RGB 242 73 124

HSL 341.89, 0.87%, 0.62%

LAB 57.17, 67.37, 9.39

 

Description

Color code: HEX #CFF24A | qconv.com Color code: HEX #CFF24A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 242 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 242 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 69 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 69% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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