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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFFB7D it is the complementary color #300482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFFB7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFFB7D shade: #D4FB78, #E5FF8B, #F6FF9E, #FFFFB1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFFB7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFFB7D shade: #CFFB7D, #BEE96A, #ADD757, #9CC544 and #8BB331

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFFB7D shade: #CFFB7E, #F1FB7E, #FBE37E, #FBC17E and #FBA07E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFFB7D shade: #CFFB7E, #ADFB7E, #8CFB7E, #7EFB92 and #7EFBB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFFB7D shade matches the following richer shades: #CFFB7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFFB7D shade: #CFFB7E, #CCF089, #C9E593, #C5DA9E and #C2D0A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFFB7D shade: #FBE27E, #F2FB7E, #D1FB7E, #B0FB7E and #8EFB7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFFB7D shade: #B1F82E, #C0F956, #CFFB7E, #DEFCA6 and #EDFDCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFFB7D shade: #CFFB7D, #7EFBC0 and #F27EFB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFFB7D shade: #CFFB7D, #7ED1FB and #FB7ED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFFB7D shade: #CFFB7D, #7EFBC0, #A77EFB and #FB7EB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFFB7D shade: #CFFB7D, #7EFBE6, #A77EFB and #FB7E93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 50 / 2

HEX #CFFB7D

RGB 207 251 125

HSL 80.95, 0.94%, 0.74%

LAB 93.34, -33.2, 55.27

 

Complementary color

CMYK 63 / 97 / 0 / 49

HEX #300482

RGB 48 4 130

HSL 260.95, 0.94%, 0.26%

LAB 17.12, 48.17, -58.98

 

CMYK 16 / 0 / 52 / 2

HEX #D4FB78

RGB 212 251 120

HSL 77.86, 0.94%, 0.73%

LAB 93.6, -31.82, 57.93

 

CMYK 10 / 0 / 45 / 0

HEX #E5FF8B

RGB 229 255 139

HSL 73.45, 1%, 0.77%

LAB 96.01, -25.48, 52.35

 

CMYK 4 / 0 / 38 / 0

HEX #F6FF9E

RGB 246 255 158

HSL 65.57, 1%, 0.81%

LAB 97.46, -17.1, 45.34

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 18 / 0 / 50 / 2

HEX #CFFB7D

RGB 207 251 125

HSL 80.95, 0.94%, 0.74%

LAB 93.34, -33.2, 55.27

 

CMYK 18 / 0 / 55 / 9

HEX #BEE96A

RGB 190 233 106

HSL 80.31, 0.74%, 0.66%

LAB 87.13, -33.03, 56.31

 

CMYK 20 / 0 / 60 / 16

HEX #ADD757

RGB 173 215 87

HSL 79.69, 0.62%, 0.59%

LAB 80.84, -32.8, 57.26

 

CMYK 21 / 0 / 65 / 23

HEX #9CC544

RGB 156 197 68

HSL 79.07, 0.53%, 0.52%

LAB 74.46, -32.47, 58.01

 

CMYK 22 / 0 / 73 / 30

HEX #8BB331

RGB 139 179 49

HSL 78.46, 0.57%, 0.45%

LAB 67.98, -32.02, 58.36

 

CMYK 18 / 0 / 50 / 2

HEX #CFFB7E

RGB 207 251 126

HSL 81.12, 0.94%, 0.74%

LAB 93.35, -33.1, 54.82

 

CMYK 4 / 0 / 50 / 2

HEX #F1FB7E

RGB 241 251 126

HSL 64.8, 0.94%, 0.74%

LAB 95.66, -20.22, 58.14

 

CMYK 0 / 10 / 50 / 2

HEX #FBE37E

RGB 251 227 126

HSL 48.48, 0.94%, 0.74%

LAB 90.3, -4.48, 51.92

 

CMYK 0 / 23 / 50 / 2

HEX #FBC17E

RGB 251 193 126

HSL 32.16, 0.94%, 0.74%

LAB 81.92, 12.99, 41.57

 

CMYK 0 / 36 / 50 / 2

HEX #FBA07E

RGB 251 160 126

HSL 16.32, 0.94%, 0.74%

LAB 74.29, 30.28, 31.78

 

CMYK 18 / 0 / 50 / 2

HEX #CFFB7E

RGB 207 251 126

HSL 81.12, 0.94%, 0.74%

LAB 93.35, -33.1, 54.82

 

CMYK 31 / 0 / 50 / 2

HEX #ADFB7E

RGB 173 251 126

HSL 97.44, 0.94%, 0.74%

LAB 91.41, -45.06, 52.03

 

CMYK 44 / 0 / 50 / 2

HEX #8CFB7E

RGB 140 251 126

HSL 113.28, 0.94%, 0.74%

LAB 89.89, -55.31, 49.83

 

CMYK 50 / 0 / 42 / 2

HEX #7EFB92

RGB 126 251 146

HSL 129.6, 0.94%, 0.74%

LAB 89.63, -56.33, 39.81

 

CMYK 50 / 0 / 29 / 2

HEX #7EFBB3

RGB 126 251 179

HSL 145.44, 0.94%, 0.74%

LAB 90.18, -50.72, 24.02

 

CMYK 18 / 0 / 50 / 2

HEX #CFFB7E

RGB 207 251 126

HSL 81.12, 0.94%, 0.74%

LAB 93.35, -33.1, 54.82

 

CMYK 18 / 0 / 50 / 2

HEX #CFFB7E

RGB 207 251 126

HSL 81.12, 0.94%, 0.74%

LAB 93.35, -33.1, 54.82

 

CMYK 15 / 0 / 43 / 6

HEX #CCF089

RGB 204 240 137

HSL 80.97, 0.77%, 0.74%

LAB 90.3, -27.92, 45.85

 

CMYK 12 / 0 / 36 / 10

HEX #C9E593

RGB 201 229 147

HSL 80.49, 0.61%, 0.74%

LAB 87.27, -22.57, 37

 

CMYK 10 / 0 / 28 / 15

HEX #C5DA9E

RGB 197 218 158

HSL 81, 0.45%, 0.74%

LAB 84.22, -17.16, 27.27

 

CMYK 7 / 0 / 19 / 18

HEX #C2D0A9

RGB 194 208 169

HSL 81.54, 0.29%, 0.74%

LAB 81.54, -11.57, 17.8

 

CMYK 0 / 10 / 50 / 2

HEX #FBE27E

RGB 251 226 126

HSL 48, 0.94%, 0.74%

LAB 90.05, -3.97, 51.61

 

CMYK 4 / 0 / 50 / 2

HEX #F2FB7E

RGB 242 251 126

HSL 64.32, 0.94%, 0.74%

LAB 95.74, -19.84, 58.25

 

CMYK 17 / 0 / 50 / 2

HEX #D1FB7E

RGB 209 251 126

HSL 80.16, 0.94%, 0.74%

LAB 93.47, -32.36, 55.01

 

CMYK 30 / 0 / 50 / 2

HEX #B0FB7E

RGB 176 251 126

HSL 96, 0.94%, 0.74%

LAB 91.56, -44.05, 52.25

 

CMYK 43 / 0 / 50 / 2

HEX #8EFB7E

RGB 142 251 126

HSL 112.32, 0.94%, 0.74%

LAB 89.98, -54.74, 49.95

 

CMYK 29 / 0 / 81 / 3

HEX #B1F82E

RGB 177 248 46

HSL 81.09, 0.94%, 0.58%

LAB 90.17, -48.2, 80.61

 

CMYK 23 / 0 / 65 / 2

HEX #C0F956

RGB 192 249 86

HSL 80.98, 0.93%, 0.66%

LAB 91.52, -41.07, 69.54

 

CMYK 18 / 0 / 50 / 2

HEX #CFFB7E

RGB 207 251 126

HSL 81.12, 0.94%, 0.74%

LAB 93.35, -33.1, 54.82

 

CMYK 12 / 0 / 34 / 1

HEX #DEFCA6

RGB 222 252 166

HSL 80.93, 0.93%, 0.82%

LAB 95.12, -23.56, 38.05

 

CMYK 6 / 0 / 19 / 1

HEX #EDFDCE

RGB 237 253 206

HSL 80.43, 0.92%, 0.9%

LAB 97.11, -13.13, 20.77

 

CMYK 18 / 0 / 50 / 2

HEX #CFFB7D

RGB 207 251 125

HSL 80.95, 0.94%, 0.74%

LAB 93.34, -33.2, 55.27

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBC0

RGB 126 251 192

HSL 151.68, 0.94%, 0.74%

LAB 90.43, -48.2, 17.73

 

CMYK 4 / 50 / 0 / 2

HEX #F27EFB

RGB 242 126 251

HSL 295.68, 0.94%, 0.74%

LAB 70.01, 61.71, -43.41

 

CMYK 18 / 0 / 50 / 2

HEX #CFFB7D

RGB 207 251 125

HSL 80.95, 0.94%, 0.74%

LAB 93.34, -33.2, 55.27

 

CMYK 50 / 17 / 0 / 2

HEX #7ED1FB

RGB 126 209 251

HSL 200.16, 0.94%, 0.74%

LAB 80.18, -14.15, -28.38

 

CMYK 0 / 50 / 17 / 2

HEX #FB7ED1

RGB 251 126 209

HSL 320.16, 0.94%, 0.74%

LAB 69.49, 57.42, -20.96

 

CMYK 18 / 0 / 50 / 2

HEX #CFFB7D

RGB 207 251 125

HSL 80.95, 0.94%, 0.74%

LAB 93.34, -33.2, 55.27

 

CMYK 50 / 0 / 24 / 2

HEX #7EFBC0

RGB 126 251 192

HSL 151.68, 0.94%, 0.74%

LAB 90.43, -48.2, 17.73

 

CMYK 33 / 50 / 0 / 2

HEX #A77EFB

RGB 167 126 251

HSL 259.68, 0.94%, 0.74%

LAB 61.74, 42.11, -57.02

 

CMYK 0 / 50 / 27 / 2

HEX #FB7EB8

RGB 251 126 184

HSL 332.16, 0.94%, 0.74%

LAB 68.67, 53.94, -8.22

 

CMYK 18 / 0 / 50 / 2

HEX #CFFB7D

RGB 207 251 125

HSL 80.95, 0.94%, 0.74%

LAB 93.34, -33.2, 55.27

 

CMYK 50 / 0 / 8 / 2

HEX #7EFBE6

RGB 126 251 230

HSL 169.92, 0.94%, 0.74%

LAB 91.3, -39.9, -0.67

 

CMYK 33 / 50 / 0 / 2

HEX #A77EFB

RGB 167 126 251

HSL 259.68, 0.94%, 0.74%

LAB 61.74, 42.11, -57.02

 

CMYK 0 / 50 / 41 / 2

HEX #FB7E93

RGB 251 126 147

HSL 349.92, 0.94%, 0.74%

LAB 67.68, 49.59, 11.19

 

Description

Color code: HEX #CFFB7D | qconv.com Color code: HEX #CFFB7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 251 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 251 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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