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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3AE96 it is the complementary color #2C5169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3AE96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3AE96 shade: #D8AE91, #E9C0A4, #FAD2B7, #FFE4CA and #FFF6DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3AE96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3AE96 shade: #D3AE96, #C29C83, #B18A70, #A0785D and #8F664A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3AE96 shade: #D3AE96, #D39E96 and #D39696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3AE96 shade: #D3AE96, #D3BE96, #D3CF96, #C7D396 and #B6D396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3AE96 shade matches the following richer shades: #D3AE96, #DFAC8A, #EBA97E and #F7A672

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3AE96 shade: #D3AE96, #C7B1A2, #BBB3AE, #AFB6BA and #A3B8C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3AE96 shade: #D3969F, #D39D96, #D3AD96, #D3BE96 and #D3CE96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3AE96 shade: #BB815C, #C79879, #D3AE96, #DFC5B3 and #EBDBD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3AE96 shade: #D3AE96, #AFD396 and #9697D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3AE96 shade: #D3AE96, #96D3AD and #AD96D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3AE96 shade: #D3AE96, #AFD396, #96BCD3 and #BA96D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3AE96 shade: #D3AE96, #9DD396, #96BCD3 and #CC96D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

Complementary color

CMYK 58 / 23 / 0 / 59

HEX #2C5169

RGB 44 81 105

HSL 203.61, 0.41%, 0.29%

LAB 32.79, -5.5, -17.91

 

CMYK 0 / 19 / 33 / 15

HEX #D8AE91

RGB 216 174 145

HSL 24.51, 0.48%, 0.71%

LAB 74.14, 11.22, 20.68

 

CMYK 0 / 18 / 30 / 9

HEX #E9C0A4

RGB 233 192 164

HSL 24.35, 0.61%, 0.78%

LAB 80.57, 10.63, 19.61

 

CMYK 0 / 16 / 27 / 2

HEX #FAD2B7

RGB 250 210 183

HSL 24.18, 0.87%, 0.85%

LAB 86.92, 10.11, 18.61

 

CMYK 0 / 11 / 21 / 0

HEX #FFE4CA

RGB 255 228 202

HSL 29.43, 1%, 0.9%

LAB 92.14, 5.28, 16.06

 

CMYK 0 / 4 / 13 / 0

HEX #FFF6DD

RGB 255 246 221

HSL 44.12, 1%, 0.93%

LAB 96.98, -1.05, 13.1

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 0 / 20 / 32 / 24

HEX #C29C83

RGB 194 156 131

HSL 23.81, 0.34%, 0.64%

LAB 67.19, 10.51, 18.44

 

CMYK 0 / 22 / 37 / 31

HEX #B18A70

RGB 177 138 112

HSL 24, 0.29%, 0.57%

LAB 60.51, 11.19, 19.61

 

CMYK 0 / 25 / 42 / 37

HEX #A0785D

RGB 160 120 93

HSL 24.18, 0.26%, 0.5%

LAB 53.7, 11.98, 20.89

 

CMYK 0 / 29 / 48 / 44

HEX #8F664A

RGB 143 102 74

HSL 24.35, 0.32%, 0.43%

LAB 46.76, 12.93, 22.32

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 0 / 25 / 29 / 17

HEX #D39E96

RGB 211 158 150

HSL 7.87, 0.41%, 0.71%

LAB 69.83, 18.58, 11.87

 

CMYK 0 / 29 / 29 / 17

HEX #D39696

RGB 211 150 150

HSL 0, 0.41%, 0.71%

LAB 67.92, 22.93, 9.16

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 0 / 10 / 29 / 17

HEX #D3BE96

RGB 211 190 150

HSL 39.34, 0.41%, 0.71%

LAB 77.8, 1.4, 22.94

 

CMYK 0 / 2 / 29 / 17

HEX #D3CF96

RGB 211 207 150

HSL 56.07, 0.41%, 0.71%

LAB 82.2, -7.44, 28.9

 

CMYK 6 / 0 / 29 / 17

HEX #C7D396

RGB 199 211 150

HSL 71.8, 0.41%, 0.71%

LAB 82.34, -14.03, 28.92

 

CMYK 14 / 0 / 29 / 17

HEX #B6D396

RGB 182 211 150

HSL 88.52, 0.41%, 0.71%

LAB 81.15, -20.31, 27.11

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 0 / 23 / 38 / 13

HEX #DFAC8A

RGB 223 172 138

HSL 24, 0.57%, 0.71%

LAB 74.21, 14.19, 24.67

 

CMYK 0 / 28 / 46 / 8

HEX #EBA97E

RGB 235 169 126

HSL 23.67, 0.73%, 0.71%

LAB 74.54, 19.26, 31.76

 

CMYK 0 / 33 / 54 / 3

HEX #F7A672

RGB 247 166 114

HSL 23.46, 0.89%, 0.71%

LAB 74.99, 24.54, 38.93

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 0 / 11 / 19 / 22

HEX #C7B1A2

RGB 199 177 162

HSL 24.32, 0.25%, 0.71%

LAB 73.67, 5.47, 10.55

 

CMYK 0 / 4 / 7 / 27

HEX #BBB3AE

RGB 187 179 174

HSL 23.08, 0.09%, 0.71%

LAB 73.46, 1.95, 3.55

 

CMYK 6 / 2 / 0 / 27

HEX #AFB6BA

RGB 175 182 186

HSL 201.82, 0.07%, 0.71%

LAB 73.62, -1.65, -2.88

 

CMYK 18 / 7 / 0 / 22

HEX #A3B8C6

RGB 163 184 198

HSL 204, 0.23%, 0.71%

LAB 73.64, -4.22, -9.51

 

CMYK 0 / 29 / 25 / 17

HEX #D3969F

RGB 211 150 159

HSL 351.15, 0.41%, 0.71%

LAB 68.14, 24.19, 4.45

 

CMYK 0 / 26 / 29 / 17

HEX #D39D96

RGB 211 157 150

HSL 6.89, 0.41%, 0.71%

LAB 69.59, 19.13, 11.53

 

CMYK 0 / 18 / 29 / 17

HEX #D3AD96

RGB 211 173 150

HSL 22.62, 0.41%, 0.71%

LAB 73.51, 10.46, 17.02

 

CMYK 0 / 10 / 29 / 17

HEX #D3BE96

RGB 211 190 150

HSL 39.34, 0.41%, 0.71%

LAB 77.8, 1.4, 22.94

 

CMYK 0 / 2 / 29 / 17

HEX #D3CE96

RGB 211 206 150

HSL 55.08, 0.41%, 0.71%

LAB 81.94, -6.93, 28.55

 

CMYK 0 / 31 / 51 / 27

HEX #BB815C

RGB 187 129 92

HSL 23.37, 0.41%, 0.55%

LAB 59.01, 18.15, 28.99

 

CMYK 0 / 24 / 39 / 22

HEX #C79879

RGB 199 152 121

HSL 23.85, 0.41%, 0.63%

LAB 66.5, 13.47, 23.1

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 0 / 12 / 20 / 13

HEX #DFC5B3

RGB 223 197 179

HSL 24.55, 0.41%, 0.79%

LAB 81.22, 6.33, 12.38

 

CMYK 0 / 7 / 11 / 8

HEX #EBDBD0

RGB 235 219 208

HSL 24.44, 0.4%, 0.87%

LAB 88.39, 3.67, 7.37

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 17 / 0 / 29 / 17

HEX #AFD396

RGB 175 211 150

HSL 95.41, 0.41%, 0.71%

LAB 80.69, -22.83, 26.41

 

CMYK 29 / 28 / 0 / 17

HEX #9697D3

RGB 150 151 211

HSL 239.02, 0.41%, 0.71%

LAB 64.42, 13.11, -30.77

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 29 / 0 / 18 / 17

HEX #96D3AD

RGB 150 211 173

HSL 142.62, 0.41%, 0.71%

LAB 79.66, -27.28, 12.65

 

CMYK 18 / 29 / 0 / 17

HEX #AD96D3

RGB 173 150 211

HSL 262.62, 0.41%, 0.71%

LAB 66.06, 20.67, -28.09

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 17 / 0 / 29 / 17

HEX #AFD396

RGB 175 211 150

HSL 95.41, 0.41%, 0.71%

LAB 80.69, -22.83, 26.41

 

CMYK 29 / 11 / 0 / 17

HEX #96BCD3

RGB 150 188 211

HSL 202.62, 0.41%, 0.71%

LAB 74.29, -7.37, -15.7

 

CMYK 12 / 29 / 0 / 17

HEX #BA96D3

RGB 186 150 211

HSL 275.41, 0.41%, 0.71%

LAB 67.24, 24.77, -26.16

 

CMYK 0 / 18 / 29 / 17

HEX #D3AE96

RGB 211 174 150

HSL 23.61, 0.41%, 0.71%

LAB 73.75, 9.93, 17.37

 

CMYK 26 / 0 / 29 / 17

HEX #9DD396

RGB 157 211 150

HSL 113.11, 0.41%, 0.71%

LAB 79.59, -29.07, 24.74

 

CMYK 29 / 11 / 0 / 17

HEX #96BCD3

RGB 150 188 211

HSL 202.62, 0.41%, 0.71%

LAB 74.29, -7.37, -15.7

 

CMYK 3 / 29 / 0 / 17

HEX #CC96D3

RGB 204 150 211

HSL 293.11, 0.41%, 0.71%

LAB 69.01, 30.56, -23.31

 

Description

Color code: HEX #D3AE96 | qconv.com Color code: HEX #D3AE96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 174 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 174 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 29 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 29% 17% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Главная - TeamIdea
Link: http://teamidea.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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