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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3AF72 it is the complementary color #2C508D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3AF72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3AF72 shade: #D8AF6D, #E9C180, #FAD393, #FFE5A6 and #FFF7B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3AF72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3AF72 shade: #D3AF72, #C29D5F, #B18B4C, #A07939 and #8F6726

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3AF72 shade: #D2AF73, #D29573, #D27C73 and #D27373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3AF72 shade: #D2AF73, #D2C973, #C2D273, #A9D273 and #8FD273

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3AF72 shade matches the following richer shades: #D2AF73, #E1B364 and #F0B755

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3AF72 shade: #D2AF73, #C4AB82, #B5A791, #A6A4A0 and #97A0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3AF72 shade: #D27B73, #D29473, #D2AE73, #D2C773 and #C4D273

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3AF72 shade: #B98A3A, #C99D54, #D2AF73, #DCC192 and #E6D3B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3AF72 shade: #D3AF72, #84D273 and #8873D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3AF72 shade: #D3AF72, #73D2AE and #AE73D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3AF72 shade: #D3AF72, #84D273, #7398D2 and #C173D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3AF72 shade: #D3AF72, #73D27E, #7398D2 and #D273C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 46 / 17

HEX #D3AF72

RGB 211 175 114

HSL 37.73, 0.52%, 0.64%

LAB 73.37, 5.17, 36.08

 

Complementary color

CMYK 69 / 43 / 0 / 45

HEX #2C508D

RGB 44 80 141

HSL 217.73, 0.52%, 0.36%

LAB 34.39, 8.28, -37.71

 

CMYK 0 / 19 / 50 / 15

HEX #D8AF6D

RGB 216 175 109

HSL 37.01, 0.58%, 0.64%

LAB 73.78, 6.74, 39.29

 

CMYK 0 / 17 / 45 / 9

HEX #E9C180

RGB 233 193 128

HSL 37.14, 0.7%, 0.71%

LAB 80.19, 5.96, 37.99

 

CMYK 0 / 16 / 41 / 2

HEX #FAD393

RGB 250 211 147

HSL 37.28, 0.91%, 0.78%

LAB 86.51, 5.29, 36.75

 

CMYK 0 / 10 / 35 / 0

HEX #FFE5A6

RGB 255 229 166

HSL 42.47, 1%, 0.83%

LAB 91.71, 0.11, 34

 

CMYK 0 / 3 / 27 / 0

HEX #FFF7B9

RGB 255 247 185

HSL 53.14, 1%, 0.86%

LAB 96.53, -6.62, 30.84

 

CMYK 0 / 17 / 46 / 17

HEX #D3AF72

RGB 211 175 114

HSL 37.73, 0.52%, 0.64%

LAB 73.37, 5.17, 36.08

 

CMYK 0 / 19 / 51 / 24

HEX #C29D5F

RGB 194 157 95

HSL 37.58, 0.45%, 0.57%

LAB 66.83, 5.97, 37.41

 

CMYK 0 / 21 / 57 / 31

HEX #B18B4C

RGB 177 139 76

HSL 37.43, 0.4%, 0.5%

LAB 60.19, 6.92, 38.79

 

CMYK 0 / 24 / 64 / 37

HEX #A07939

RGB 160 121 57

HSL 37.28, 0.47%, 0.43%

LAB 53.43, 8.06, 40.18

 

CMYK 0 / 28 / 73 / 44

HEX #8F6726

RGB 143 103 38

HSL 37.14, 0.58%, 0.35%

LAB 46.55, 9.46, 41.42

 

CMYK 0 / 17 / 45 / 18

HEX #D2AF73

RGB 210 175 115

HSL 37.89, 0.51%, 0.64%

LAB 73.28, 4.86, 35.44

 

CMYK 0 / 29 / 45 / 18

HEX #D29573

RGB 210 149 115

HSL 21.47, 0.51%, 0.64%

LAB 66.85, 18.89, 27.07

 

CMYK 0 / 41 / 45 / 18

HEX #D27C73

RGB 210 124 115

HSL 5.68, 0.51%, 0.64%

LAB 61.09, 32.39, 19.34

 

CMYK 0 / 45 / 45 / 18

HEX #D27373

RGB 210 115 115

HSL 0, 0.51%, 0.64%

LAB 59.16, 37.14, 16.69

 

CMYK 0 / 17 / 45 / 18

HEX #D2AF73

RGB 210 175 115

HSL 37.89, 0.51%, 0.64%

LAB 73.28, 4.86, 35.44

 

CMYK 0 / 4 / 45 / 18

HEX #D2C973

RGB 210 201 115

HSL 54.32, 0.51%, 0.64%

LAB 80.02, -8.74, 43.9

 

CMYK 8 / 0 / 45 / 18

HEX #C2D273

RGB 194 210 115

HSL 70.11, 0.51%, 0.64%

LAB 81.18, -19.64, 45.06

 

CMYK 20 / 0 / 45 / 18

HEX #A9D273

RGB 169 210 115

HSL 85.89, 0.51%, 0.64%

LAB 79.48, -29.2, 42.57

 

CMYK 32 / 0 / 45 / 18

HEX #8FD273

RGB 143 210 115

HSL 102.32, 0.51%, 0.64%

LAB 77.98, -38.45, 40.37

 

CMYK 0 / 17 / 45 / 18

HEX #D2AF73

RGB 210 175 115

HSL 37.89, 0.51%, 0.64%

LAB 73.28, 4.86, 35.44

 

CMYK 0 / 20 / 56 / 12

HEX #E1B364

RGB 225 179 100

HSL 37.92, 0.68%, 0.64%

LAB 75.56, 7.56, 46.21

 

CMYK 0 / 24 / 65 / 6

HEX #F0B755

RGB 240 183 85

HSL 37.94, 0.84%, 0.64%

LAB 77.9, 10.66, 56.45

 

CMYK 0 / 17 / 45 / 18

HEX #D2AF73

RGB 210 175 115

HSL 37.89, 0.51%, 0.64%

LAB 73.28, 4.86, 35.44

 

CMYK 0 / 13 / 34 / 23

HEX #C4AB82

RGB 196 171 130

HSL 37.27, 0.36%, 0.64%

LAB 71.2, 3.04, 24.47

 

CMYK 0 / 8 / 20 / 29

HEX #B5A791

RGB 181 167 145

HSL 36.67, 0.2%, 0.64%

LAB 69.12, 1.42, 13.21

 

CMYK 0 / 1 / 4 / 35

HEX #A6A4A0

RGB 166 164 160

HSL 40, 0.03%, 0.64%

LAB 67.42, -0.02, 2.32

 

CMYK 13 / 8 / 0 / 32

HEX #97A0AE

RGB 151 160 174

HSL 216.52, 0.12%, 0.64%

LAB 65.57, -0.29, -8.35

 

CMYK 0 / 41 / 45 / 18

HEX #D27B73

RGB 210 123 115

HSL 5.05, 0.51%, 0.64%

LAB 60.87, 32.92, 19.04

 

CMYK 0 / 30 / 45 / 18

HEX #D29473

RGB 210 148 115

HSL 20.84, 0.51%, 0.64%

LAB 66.61, 19.43, 26.75

 

CMYK 0 / 17 / 45 / 18

HEX #D2AE73

RGB 210 174 115

HSL 37.26, 0.51%, 0.64%

LAB 73.03, 5.39, 35.11

 

CMYK 0 / 5 / 45 / 18

HEX #D2C773

RGB 210 199 115

HSL 53.05, 0.51%, 0.64%

LAB 79.49, -7.72, 43.25

 

CMYK 7 / 0 / 45 / 18

HEX #C4D273

RGB 196 210 115

HSL 68.84, 0.51%, 0.64%

LAB 81.33, -18.86, 45.27

 

CMYK 0 / 25 / 69 / 27

HEX #B98A3A

RGB 185 138 58

HSL 37.8, 0.52%, 0.48%

LAB 60.6, 9.72, 48.35

 

CMYK 0 / 22 / 58 / 21

HEX #C99D54

RGB 201 157 84

HSL 37.44, 0.52%, 0.56%

LAB 67.41, 8.01, 43.89

 

CMYK 0 / 17 / 45 / 18

HEX #D2AF73

RGB 210 175 115

HSL 37.89, 0.51%, 0.64%

LAB 73.28, 4.86, 35.44

 

CMYK 0 / 12 / 34 / 14

HEX #DCC192

RGB 220 193 146

HSL 38.11, 0.51%, 0.72%

LAB 79.29, 2.81, 27.21

 

CMYK 0 / 8 / 23 / 10

HEX #E6D3B2

RGB 230 211 178

HSL 38.08, 0.51%, 0.8%

LAB 85.31, 1.46, 18.74

 

CMYK 0 / 17 / 46 / 17

HEX #D3AF72

RGB 211 175 114

HSL 37.73, 0.52%, 0.64%

LAB 73.37, 5.17, 36.08

 

CMYK 37 / 0 / 45 / 18

HEX #84D273

RGB 132 210 115

HSL 109.26, 0.51%, 0.64%

LAB 77.42, -42.07, 39.55

 

CMYK 35 / 45 / 0 / 18

HEX #8873D2

RGB 136 115 210

HSL 253.26, 0.51%, 0.64%

LAB 54.18, 29.84, -46.33

 

CMYK 0 / 17 / 46 / 17

HEX #D3AF72

RGB 211 175 114

HSL 37.73, 0.52%, 0.64%

LAB 73.37, 5.17, 36.08

 

CMYK 45 / 0 / 17 / 18

HEX #73D2AE

RGB 115 210 174

HSL 157.26, 0.51%, 0.64%

LAB 77.75, -36.55, 9.17

 

CMYK 17 / 45 / 0 / 18

HEX #AE73D2

RGB 174 115 210

HSL 277.26, 0.51%, 0.64%

LAB 57.95, 40.36, -40.13

 

CMYK 0 / 17 / 46 / 17

HEX #D3AF72

RGB 211 175 114

HSL 37.73, 0.52%, 0.64%

LAB 73.37, 5.17, 36.08

 

CMYK 37 / 0 / 45 / 18

HEX #84D273

RGB 132 210 115

HSL 109.26, 0.51%, 0.64%

LAB 77.42, -42.07, 39.55

 

CMYK 45 / 28 / 0 / 18

HEX #7398D2

RGB 115 152 210

HSL 216.63, 0.51%, 0.64%

LAB 62.3, 2.67, -33.69

 

CMYK 8 / 45 / 0 / 18

HEX #C173D2

RGB 193 115 210

HSL 289.26, 0.51%, 0.64%

LAB 60.12, 45.85, -36.59

 

CMYK 0 / 17 / 46 / 17

HEX #D3AF72

RGB 211 175 114

HSL 37.73, 0.52%, 0.64%

LAB 73.37, 5.17, 36.08

 

CMYK 45 / 0 / 40 / 18

HEX #73D27E

RGB 115 210 126

HSL 126.95, 0.51%, 0.64%

LAB 76.83, -45.59, 33.1

 

CMYK 45 / 28 / 0 / 18

HEX #7398D2

RGB 115 152 210

HSL 216.63, 0.51%, 0.64%

LAB 62.3, 2.67, -33.69

 

CMYK 0 / 45 / 5 / 18

HEX #D273C7

RGB 210 115 199

HSL 306.95, 0.51%, 0.64%

LAB 61.73, 48.85, -27.71

 

Description

Color code: HEX #D3AF72 | qconv.com Color code: HEX #D3AF72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 175 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 175 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 46 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 46% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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