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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3C981 it is the complementary color #2C367E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3C981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3C981 shade: #D8C97C, #E9DB8F, #FAEDA2, #FFFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3C981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3C981 shade: #D3C981, #C2B76E, #B1A55B, #A09348 and #8F8135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3C981 shade: #D3C982, #D3B382, #D39D82, #D38882 and #D38282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3C981 shade: #D3C982, #C7D382, #B1D382, #9BD382 and #85D382

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3C981 shade matches the following richer shades: #D3C982, #E0D374, #EEDD67 and #FCE859

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3C981 shade: #D3C982, #C5BF90, #B8B49D, #AAAAAB and #9CA0B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3C981 shade: #D39D82, #D3B282, #D3C882, #C8D382 and #B2D382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3C981 shade: #BDAF45, #C8BC63, #D3C982, #DDD6A0 and #E8E3BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3C981 shade: #D3C981, #82D387 and #A882D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3C981 shade: #D3C981, #82D3C8 and #C882D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3C981 shade: #D3C981, #82D387, #828DD3 and #D382CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3C981 shade: #D3C981, #82D3A0, #828DD3 and #D382B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 39 / 17

HEX #D3C981

RGB 211 201 129

HSL 52.68, 0.48%, 0.67%

LAB 80.3, -6.88, 37.22

 

Complementary color

CMYK 65 / 57 / 0 / 51

HEX #2C367E

RGB 44 54 126

HSL 232.68, 0.48%, 0.33%

LAB 25.8, 20.26, -42.22

 

CMYK 0 / 7 / 43 / 15

HEX #D8C97C

RGB 216 201 124

HSL 50.22, 0.54%, 0.67%

LAB 80.64, -5.43, 40.29

 

CMYK 0 / 6 / 39 / 9

HEX #E9DB8F

RGB 233 219 143

HSL 50.67, 0.67%, 0.74%

LAB 86.98, -5.89, 39.1

 

CMYK 0 / 5 / 35 / 2

HEX #FAEDA2

RGB 250 237 162

HSL 51.14, 0.9%, 0.81%

LAB 93.23, -6.28, 37.96

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 5 / 39 / 17

HEX #D3C981

RGB 211 201 129

HSL 52.68, 0.48%, 0.67%

LAB 80.3, -6.88, 37.22

 

CMYK 0 / 6 / 43 / 24

HEX #C2B76E

RGB 194 183 110

HSL 52.14, 0.41%, 0.6%

LAB 73.84, -6.43, 38.43

 

CMYK 0 / 7 / 49 / 31

HEX #B1A55B

RGB 177 165 91

HSL 51.63, 0.36%, 0.53%

LAB 67.29, -5.89, 39.67

 

CMYK 0 / 8 / 55 / 37

HEX #A09348

RGB 160 147 72

HSL 51.14, 0.38%, 0.45%

LAB 60.61, -5.23, 40.91

 

CMYK 0 / 10 / 63 / 44

HEX #8F8135

RGB 143 129 53

HSL 50.67, 0.46%, 0.38%

LAB 53.81, -4.41, 42.08

 

CMYK 0 / 5 / 38 / 17

HEX #D3C982

RGB 211 201 130

HSL 52.59, 0.48%, 0.67%

LAB 80.31, -6.77, 36.73

 

CMYK 0 / 15 / 38 / 17

HEX #D3B382

RGB 211 179 130

HSL 36.3, 0.48%, 0.67%

LAB 74.64, 4.75, 29.32

 

CMYK 0 / 26 / 38 / 17

HEX #D39D82

RGB 211 157 130

HSL 20, 0.48%, 0.67%

LAB 69.17, 16.6, 21.98

 

CMYK 0 / 36 / 38 / 17

HEX #D38882

RGB 211 136 130

HSL 4.44, 0.48%, 0.67%

LAB 64.22, 27.99, 15.17

 

CMYK 0 / 38 / 38 / 17

HEX #D38282

RGB 211 130 130

HSL 0, 0.48%, 0.67%

LAB 62.87, 31.21, 13.29

 

CMYK 0 / 5 / 38 / 17

HEX #D3C982

RGB 211 201 130

HSL 52.59, 0.48%, 0.67%

LAB 80.31, -6.77, 36.73

 

CMYK 6 / 0 / 38 / 17

HEX #C7D382

RGB 199 211 130

HSL 68.89, 0.48%, 0.67%

LAB 82.02, -16.54, 38.74

 

CMYK 16 / 0 / 38 / 17

HEX #B1D382

RGB 177 211 130

HSL 85.19, 0.48%, 0.67%

LAB 80.49, -24.88, 36.46

 

CMYK 27 / 0 / 38 / 17

HEX #9BD382

RGB 155 211 130

HSL 101.48, 0.48%, 0.67%

LAB 79.14, -32.78, 34.45

 

CMYK 37 / 0 / 38 / 17

HEX #85D382

RGB 133 211 130

HSL 117.78, 0.48%, 0.67%

LAB 77.99, -40.04, 32.72

 

CMYK 0 / 5 / 38 / 17

HEX #D3C982

RGB 211 201 130

HSL 52.59, 0.48%, 0.67%

LAB 80.31, -6.77, 36.73

 

CMYK 0 / 6 / 48 / 12

HEX #E0D374

RGB 224 211 116

HSL 52.78, 0.64%, 0.67%

LAB 83.81, -8.1, 48.32

 

CMYK 0 / 7 / 57 / 7

HEX #EEDD67

RGB 238 221 103

HSL 52.44, 0.8%, 0.67%

LAB 87.42, -8.53, 58.92

 

CMYK 0 / 8 / 65 / 1

HEX #FCE859

RGB 252 232 89

HSL 52.64, 0.96%, 0.67%

LAB 91.29, -9.21, 69.45

 

CMYK 0 / 5 / 38 / 17

HEX #D3C982

RGB 211 201 130

HSL 52.59, 0.48%, 0.67%

LAB 80.31, -6.77, 36.73

 

CMYK 0 / 3 / 27 / 23

HEX #C5BF90

RGB 197 191 144

HSL 53.21, 0.31%, 0.67%

LAB 76.77, -5.34, 24.53

 

CMYK 0 / 2 / 15 / 28

HEX #B8B49D

RGB 184 180 157

HSL 51.11, 0.16%, 0.67%

LAB 73.07, -2.55, 12.25

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 15 / 13 / 0 / 28

HEX #9CA0B8

RGB 156 160 184

HSL 231.43, 0.16%, 0.67%

LAB 66.27, 3.55, -12.86

 

CMYK 0 / 26 / 38 / 17

HEX #D39D82

RGB 211 157 130

HSL 20, 0.48%, 0.67%

LAB 69.17, 16.6, 21.98

 

CMYK 0 / 16 / 38 / 17

HEX #D3B282

RGB 211 178 130

HSL 35.56, 0.48%, 0.67%

LAB 74.38, 5.29, 28.98

 

CMYK 0 / 5 / 38 / 17

HEX #D3C882

RGB 211 200 130

HSL 51.85, 0.48%, 0.67%

LAB 80.05, -6.26, 36.39

 

CMYK 5 / 0 / 38 / 17

HEX #C8D382

RGB 200 211 130

HSL 68.15, 0.48%, 0.67%

LAB 82.1, -16.16, 38.85

 

CMYK 16 / 0 / 38 / 17

HEX #B2D382

RGB 178 211 130

HSL 84.44, 0.48%, 0.67%

LAB 80.55, -24.51, 36.56

 

CMYK 0 / 7 / 63 / 26

HEX #BDAF45

RGB 189 175 69

HSL 53, 0.48%, 0.51%

LAB 70.81, -7.81, 54.45

 

CMYK 0 / 6 / 51 / 22

HEX #C8BC63

RGB 200 188 99

HSL 52.87, 0.48%, 0.59%

LAB 75.54, -7.63, 46.13

 

CMYK 0 / 5 / 38 / 17

HEX #D3C982

RGB 211 201 130

HSL 52.59, 0.48%, 0.67%

LAB 80.31, -6.77, 36.73

 

CMYK 0 / 3 / 28 / 13

HEX #DDD6A0

RGB 221 214 160

HSL 53.11, 0.47%, 0.75%

LAB 85, -5.92, 27.6

 

CMYK 0 / 2 / 18 / 9

HEX #E8E3BF

RGB 232 227 191

HSL 52.68, 0.47%, 0.83%

LAB 89.79, -4.14, 18.22

 

CMYK 0 / 5 / 39 / 17

HEX #D3C981

RGB 211 201 129

HSL 52.68, 0.48%, 0.67%

LAB 80.3, -6.88, 37.22

 

CMYK 38 / 0 / 36 / 17

HEX #82D387

RGB 130 211 135

HSL 123.7, 0.48%, 0.67%

LAB 77.92, -40.18, 30.05

 

CMYK 20 / 38 / 0 / 17

HEX #A882D3

RGB 168 130 211

HSL 268.15, 0.48%, 0.67%

LAB 60.78, 30.46, -36.32

 

CMYK 0 / 5 / 39 / 17

HEX #D3C981

RGB 211 201 129

HSL 52.68, 0.48%, 0.67%

LAB 80.3, -6.88, 37.22

 

CMYK 38 / 0 / 5 / 17

HEX #82D3C8

RGB 130 211 200

HSL 171.85, 0.48%, 0.67%

LAB 79.33, -27.29, -2.38

 

CMYK 5 / 38 / 0 / 17

HEX #C882D3

RGB 200 130 211

HSL 291.85, 0.48%, 0.67%

LAB 64.12, 40.16, -30.86

 

CMYK 0 / 5 / 39 / 17

HEX #D3C981

RGB 211 201 129

HSL 52.68, 0.48%, 0.67%

LAB 80.3, -6.88, 37.22

 

CMYK 38 / 0 / 36 / 17

HEX #82D387

RGB 130 211 135

HSL 123.7, 0.48%, 0.67%

LAB 77.92, -40.18, 30.05

 

CMYK 38 / 33 / 0 / 17

HEX #828DD3

RGB 130 141 211

HSL 231.85, 0.48%, 0.67%

LAB 60.34, 13.23, -37.24

 

CMYK 0 / 38 / 3 / 17

HEX #D382CD

RGB 211 130 205

HSL 304.44, 0.48%, 0.67%

LAB 65.14, 42.45, -25.83

 

CMYK 0 / 5 / 39 / 17

HEX #D3C981

RGB 211 201 129

HSL 52.68, 0.48%, 0.67%

LAB 80.3, -6.88, 37.22

 

CMYK 38 / 0 / 24 / 17

HEX #82D3A0

RGB 130 211 160

HSL 142.22, 0.48%, 0.67%

LAB 78.39, -35.79, 17.6

 

CMYK 38 / 33 / 0 / 17

HEX #828DD3

RGB 130 141 211

HSL 231.85, 0.48%, 0.67%

LAB 60.34, 13.23, -37.24

 

CMYK 0 / 38 / 14 / 17

HEX #D382B5

RGB 211 130 181

HSL 322.22, 0.48%, 0.67%

LAB 64.28, 38.35, -13.63

 

Description

Color code: HEX #D3C981 | qconv.com Color code: HEX #D3C981 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 201 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 201 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 39 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 39% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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