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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3DD53 it is the complementary color #2C22AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3DD53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3DD53 shade: #D8DD4E, #E9EF61, #FAFF74, #FFFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3DD53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3DD53 shade: #D3DD53, #C2CB40, #B1B92D, #A0A71A and #8F9507

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3DD53 shade: #D3DD54, #DDC254, #DD9D54, #DD7854 and #DD5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3DD53 shade: #D3DD54, #AEDD54, #89DD54, #64DD54 and #54DD69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3DD53 shade matches the following richer shades: #D3DD54, #E1ED44 and #EFFE33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3DD53 shade: #D3DD54, #C5CC65, #B7BC75, #A9AB86 and #9A9B96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3DD53 shade: #DD9D54, #DDC254, #D4DD54, #AFDD54 and #8BDD54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3DD53 shade: #AFBA24, #CAD632, #D3DD54, #DCE477 and #E5EA99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3DD53 shade: #D3DD53, #54DD79 and #AF54DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3DD53 shade: #D3DD53, #54D4DD and #DD54D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3DD53 shade: #D3DD53, #54DD79, #5D54DD and #DD54B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3DD53 shade: #D3DD53, #54DDA2, #5D54DD and #DD548F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 62 / 13

HEX #D3DD53

RGB 211 221 83

HSL 64.35, 0.67%, 0.6%

LAB 85.09, -20.9, 64.33

 

Complementary color

CMYK 74 / 80 / 0 / 33

HEX #2C22AC

RGB 44 34 172

HSL 244.35, 0.67%, 0.4%

LAB 25.74, 48.47, -70.62

 

CMYK 2 / 0 / 65 / 13

HEX #D8DD4E

RGB 216 221 78

HSL 62.1, 0.68%, 0.59%

LAB 85.43, -19.17, 66.8

 

CMYK 3 / 0 / 59 / 6

HEX #E9EF61

RGB 233 239 97

HSL 62.54, 0.82%, 0.66%

LAB 91.65, -19.84, 66.11

 

CMYK 2 / 0 / 55 / 0

HEX #FAFF74

RGB 250 255 116

HSL 62.16, 1%, 0.73%

LAB 97.27, -19.44, 64.63

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD53

RGB 211 221 83

HSL 64.35, 0.67%, 0.6%

LAB 85.09, -20.9, 64.33

 

CMYK 4 / 0 / 68 / 20

HEX #C2CB40

RGB 194 203 64

HSL 63.88, 0.57%, 0.52%

LAB 78.78, -20.21, 64.85

 

CMYK 4 / 0 / 76 / 27

HEX #B1B92D

RGB 177 185 45

HSL 63.43, 0.61%, 0.45%

LAB 72.38, -19.36, 64.86

 

CMYK 4 / 0 / 84 / 35

HEX #A0A71A

RGB 160 167 26

HSL 62.98, 0.73%, 0.38%

LAB 65.89, -18.32, 63.98

 

CMYK 4 / 0 / 95 / 42

HEX #8F9507

RGB 143 149 7

HSL 62.54, 0.91%, 0.31%

LAB 59.3, -17.03, 61.64

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD54

RGB 211 221 84

HSL 64.38, 0.67%, 0.6%

LAB 85.1, -20.84, 63.93

 

CMYK 0 / 12 / 62 / 13

HEX #DDC254

RGB 221 194 84

HSL 48.18, 0.67%, 0.6%

LAB 78.81, -3.12, 57.37

 

CMYK 0 / 29 / 62 / 13

HEX #DD9D54

RGB 221 157 84

HSL 31.97, 0.67%, 0.6%

LAB 69.56, 16.46, 46.95

 

CMYK 0 / 46 / 62 / 13

HEX #DD7854

RGB 221 120 84

HSL 15.77, 0.67%, 0.6%

LAB 61.17, 36.14, 37

 

CMYK 0 / 62 / 62 / 13

HEX #DD5454

RGB 221 84 84

HSL 0, 0.67%, 0.6%

LAB 54.4, 53.53, 28.57

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD54

RGB 211 221 84

HSL 64.38, 0.67%, 0.6%

LAB 85.1, -20.84, 63.93

 

CMYK 21 / 0 / 62 / 13

HEX #AEDD54

RGB 174 221 84

HSL 80.58, 0.67%, 0.6%

LAB 82.57, -35.42, 60.46

 

CMYK 38 / 0 / 62 / 13

HEX #89DD54

RGB 137 221 84

HSL 96.79, 0.67%, 0.6%

LAB 80.56, -48.58, 57.68

 

CMYK 55 / 0 / 62 / 13

HEX #64DD54

RGB 100 221 84

HSL 112.99, 0.67%, 0.6%

LAB 79.08, -59.42, 55.62

 

CMYK 62 / 0 / 52 / 13

HEX #54DD69

RGB 84 221 105

HSL 129.2, 0.67%, 0.6%

LAB 78.82, -60.65, 45.74

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD54

RGB 211 221 84

HSL 64.38, 0.67%, 0.6%

LAB 85.1, -20.84, 63.93

 

CMYK 5 / 0 / 71 / 7

HEX #E1ED44

RGB 225 237 68

HSL 64.26, 0.82%, 0.6%

LAB 90.32, -23.76, 75.52

 

CMYK 6 / 0 / 80 / 0

HEX #EFFE33

RGB 239 254 51

HSL 64.43, 0.99%, 0.6%

LAB 95.78, -26.78, 85.82

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD54

RGB 211 221 84

HSL 64.38, 0.67%, 0.6%

LAB 85.1, -20.84, 63.93

 

CMYK 3 / 0 / 50 / 20

HEX #C5CC65

RGB 197 204 101

HSL 64.08, 0.5%, 0.6%

LAB 79.61, -16.82, 49.95

 

CMYK 3 / 0 / 38 / 26

HEX #B7BC75

RGB 183 188 117

HSL 64.23, 0.35%, 0.6%

LAB 74.39, -12.69, 35.35

 

CMYK 1 / 0 / 22 / 33

HEX #A9AB86

RGB 169 171 134

HSL 63.24, 0.18%, 0.6%

LAB 68.96, -7.03, 18.87

 

CMYK 1 / 0 / 3 / 39

HEX #9A9B96

RGB 154 155 150

HSL 72, 0.02%, 0.6%

LAB 63.77, -1.31, 2.48

 

CMYK 0 / 29 / 62 / 13

HEX #DD9D54

RGB 221 157 84

HSL 31.97, 0.67%, 0.6%

LAB 69.56, 16.46, 46.95

 

CMYK 0 / 12 / 62 / 13

HEX #DDC254

RGB 221 194 84

HSL 48.18, 0.67%, 0.6%

LAB 78.81, -3.12, 57.37

 

CMYK 4 / 0 / 62 / 13

HEX #D4DD54

RGB 212 221 84

HSL 63.94, 0.67%, 0.6%

LAB 85.17, -20.43, 64.03

 

CMYK 21 / 0 / 62 / 13

HEX #AFDD54

RGB 175 221 84

HSL 80.15, 0.67%, 0.6%

LAB 82.63, -35.04, 60.54

 

CMYK 37 / 0 / 62 / 13

HEX #8BDD54

RGB 139 221 84

HSL 95.91, 0.67%, 0.6%

LAB 80.65, -47.92, 57.81

 

CMYK 6 / 0 / 81 / 27

HEX #AFBA24

RGB 175 186 36

HSL 64.4, 0.68%, 0.44%

LAB 72.47, -21.06, 67.54

 

CMYK 6 / 0 / 77 / 16

HEX #CAD632

RGB 202 214 50

HSL 64.39, 0.67%, 0.52%

LAB 82.31, -22.91, 73.12

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD54

RGB 211 221 84

HSL 64.38, 0.67%, 0.6%

LAB 85.1, -20.84, 63.93

 

CMYK 4 / 0 / 48 / 11

HEX #DCE477

RGB 220 228 119

HSL 64.4, 0.67%, 0.68%

LAB 87.99, -17.9, 51.85

 

CMYK 2 / 0 / 35 / 8

HEX #E5EA99

RGB 229 234 153

HSL 63.7, 0.66%, 0.76%

LAB 90.69, -13.81, 38.83

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD53

RGB 211 221 83

HSL 64.35, 0.67%, 0.6%

LAB 85.09, -20.9, 64.33

 

CMYK 62 / 0 / 45 / 13

HEX #54DD79

RGB 84 221 121

HSL 136.2, 0.67%, 0.6%

LAB 79.03, -58.31, 38.25

 

CMYK 21 / 62 / 0 / 13

HEX #AF54DD

RGB 175 84 221

HSL 279.85, 0.67%, 0.6%

LAB 52.59, 58.93, -54.85

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD53

RGB 211 221 83

HSL 64.35, 0.67%, 0.6%

LAB 85.09, -20.9, 64.33

 

CMYK 62 / 4 / 0 / 13

HEX #54D4DD

RGB 84 212 221

HSL 183.94, 0.67%, 0.6%

LAB 78.57, -32.17, -14.93

 

CMYK 0 / 62 / 4 / 13

HEX #DD54D4

RGB 221 84 212

HSL 303.94, 0.67%, 0.6%

LAB 58.48, 68.31, -40.02

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD53

RGB 211 221 83

HSL 64.35, 0.67%, 0.6%

LAB 85.09, -20.9, 64.33

 

CMYK 62 / 0 / 45 / 13

HEX #54DD79

RGB 84 221 121

HSL 136.2, 0.67%, 0.6%

LAB 79.03, -58.31, 38.25

 

CMYK 58 / 62 / 0 / 13

HEX #5D54DD

RGB 93 84 221

HSL 243.94, 0.67%, 0.6%

LAB 44.07, 42.07, -69.04

 

CMYK 0 / 62 / 17 / 13

HEX #DD54B8

RGB 221 84 184

HSL 316.2, 0.67%, 0.6%

LAB 57.24, 64.04, -25.94

 

CMYK 5 / 0 / 62 / 13

HEX #D3DD53

RGB 211 221 83

HSL 64.35, 0.67%, 0.6%

LAB 85.09, -20.9, 64.33

 

CMYK 62 / 0 / 27 / 13

HEX #54DDA2

RGB 84 221 162

HSL 154.16, 0.67%, 0.6%

LAB 79.73, -50.76, 18.17

 

CMYK 58 / 62 / 0 / 13

HEX #5D54DD

RGB 93 84 221

HSL 243.94, 0.67%, 0.6%

LAB 44.07, 42.07, -69.04

 

CMYK 0 / 62 / 35 / 13

HEX #DD548F

RGB 221 84 143

HSL 334.16, 0.67%, 0.6%

LAB 55.78, 58.77, -4.26

 

Description

Color code: HEX #D3DD53 | qconv.com Color code: HEX #D3DD53 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 221 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 221 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 62 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 62% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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