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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3E181 it is the complementary color #2C1E7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3E181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3E181 shade: #D8E17C, #E9F38F, #FAFFA2, #FFFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3E181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3E181 shade: #D3E181, #C2CF6E, #B1BD5B, #A0AB48 and #8F9935

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3E181 shade: #D2E07E, #E0D47E, #E0BA7E, #E09F7E and #E0857E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3E181 shade: #D2E07E, #B8E07E, #9DE07E, #83E07E and #7EE094

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3E181 shade matches the following richer shades: #D2E07E, #DBED72 and #E4FA65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3E181 shade: #D2E07E, #C9D48B, #C0C798, #B7BAA5 and #AEADB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3E181 shade: #E0B97E, #E0D37E, #D3E07E, #B9E07E and #9FE07E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3E181 shade: #BBD13C, #C7D95D, #D2E07E, #DEE8A0 and #E9F0C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3E181 shade: #D3E181, #7EE09F and #C67EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3E181 shade: #D3E181, #7ED3E0 and #E07ED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3E181 shade: #D3E181, #7EE09F, #8C7EE0 and #E07EC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3E181 shade: #D3E181, #7EE0BD, #8C7EE0 and #E07EA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 43 / 12

HEX #D3E181

RGB 211 225 129

HSL 68.75, 0.62%, 0.69%

LAB 86.64, -18.94, 45.26

 

Complementary color

CMYK 65 / 76 / 0 / 51

HEX #2C1E7E

RGB 44 30 126

HSL 248.75, 0.62%, 0.31%

LAB 19.92, 35.8, -51.81

 

CMYK 4 / 0 / 45 / 12

HEX #D8E17C

RGB 216 225 124

HSL 65.35, 0.63%, 0.68%

LAB 86.95, -17.51, 48.15

 

CMYK 4 / 0 / 41 / 5

HEX #E9F38F

RGB 233 243 143

HSL 66, 0.81%, 0.76%

LAB 93.19, -17.81, 47

 

CMYK 2 / 0 / 36 / 0

HEX #FAFFA2

RGB 250 255 162

HSL 63.23, 1%, 0.82%

LAB 97.81, -15.16, 43.9

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 6 / 0 / 43 / 12

HEX #D3E181

RGB 211 225 129

HSL 68.75, 0.62%, 0.69%

LAB 86.64, -18.94, 45.26

 

CMYK 6 / 0 / 47 / 19

HEX #C2CF6E

RGB 194 207 110

HSL 68.04, 0.5%, 0.62%

LAB 80.3, -18.66, 46.41

 

CMYK 6 / 0 / 52 / 26

HEX #B1BD5B

RGB 177 189 91

HSL 67.35, 0.43%, 0.55%

LAB 73.87, -18.32, 47.55

 

CMYK 6 / 0 / 58 / 33

HEX #A0AB48

RGB 160 171 72

HSL 66.67, 0.41%, 0.48%

LAB 67.33, -17.87, 48.61

 

CMYK 7 / 0 / 65 / 40

HEX #8F9935

RGB 143 153 53

HSL 66, 0.49%, 0.4%

LAB 60.67, -17.29, 49.45

 

CMYK 6 / 0 / 44 / 12

HEX #D2E07E

RGB 210 224 126

HSL 68.57, 0.61%, 0.69%

LAB 86.27, -19.15, 46.24

 

CMYK 0 / 5 / 44 / 12

HEX #E0D47E

RGB 224 212 126

HSL 52.65, 0.61%, 0.69%

LAB 84.19, -7.65, 43.9

 

CMYK 0 / 17 / 44 / 12

HEX #E0BA7E

RGB 224 186 126

HSL 36.73, 0.61%, 0.69%

LAB 77.56, 5.83, 35.47

 

CMYK 0 / 29 / 44 / 12

HEX #E09F7E

RGB 224 159 126

HSL 20.2, 0.61%, 0.69%

LAB 70.97, 20.23, 26.83

 

CMYK 0 / 41 / 44 / 12

HEX #E0857E

RGB 224 133 126

HSL 4.29, 0.61%, 0.69%

LAB 65.06, 34.1, 18.84

 

CMYK 6 / 0 / 44 / 12

HEX #D2E07E

RGB 210 224 126

HSL 68.57, 0.61%, 0.69%

LAB 86.27, -19.15, 46.24

 

CMYK 18 / 0 / 44 / 12

HEX #B8E07E

RGB 184 224 126

HSL 84.49, 0.61%, 0.69%

LAB 84.49, -29, 43.63

 

CMYK 30 / 0 / 44 / 12

HEX #9DE07E

RGB 157 224 126

HSL 101.02, 0.61%, 0.69%

LAB 82.91, -38.58, 41.31

 

CMYK 42 / 0 / 44 / 12

HEX #83E07E

RGB 131 224 126

HSL 116.94, 0.61%, 0.69%

LAB 81.64, -46.87, 39.44

 

CMYK 44 / 0 / 34 / 12

HEX #7EE094

RGB 126 224 148

HSL 133.47, 0.61%, 0.69%

LAB 81.78, -44.87, 28.47

 

CMYK 6 / 0 / 44 / 12

HEX #D2E07E

RGB 210 224 126

HSL 68.57, 0.61%, 0.69%

LAB 86.27, -19.15, 46.24

 

CMYK 8 / 0 / 52 / 7

HEX #DBED72

RGB 219 237 114

HSL 68.78, 0.77%, 0.69%

LAB 90.25, -23.1, 56.83

 

CMYK 9 / 0 / 60 / 2

HEX #E4FA65

RGB 228 250 101

HSL 68.86, 0.94%, 0.69%

LAB 94.23, -26.78, 67.16

 

CMYK 6 / 0 / 44 / 12

HEX #D2E07E

RGB 210 224 126

HSL 68.57, 0.61%, 0.69%

LAB 86.27, -19.15, 46.24

 

CMYK 5 / 0 / 34 / 17

HEX #C9D48B

RGB 201 212 139

HSL 69.04, 0.46%, 0.69%

LAB 82.58, -15.2, 34.92

 

CMYK 4 / 0 / 24 / 22

HEX #C0C798

RGB 192 199 152

HSL 68.94, 0.3%, 0.69%

LAB 78.65, -10.27, 22.78

 

CMYK 2 / 0 / 11 / 27

HEX #B7BAA5

RGB 183 186 165

HSL 68.57, 0.13%, 0.69%

LAB 74.76, -4.79, 10.29

 

CMYK 2 / 3 / 0 / 30

HEX #AEADB2

RGB 174 173 178

HSL 252, 0.03%, 0.69%

LAB 70.94, 1.31, -2.44

 

CMYK 0 / 17 / 44 / 12

HEX #E0B97E

RGB 224 185 126

HSL 36.12, 0.61%, 0.69%

LAB 77.31, 6.35, 35.15

 

CMYK 0 / 6 / 44 / 12

HEX #E0D37E

RGB 224 211 126

HSL 52.04, 0.61%, 0.69%

LAB 83.94, -7.15, 43.57

 

CMYK 6 / 0 / 44 / 12

HEX #D3E07E

RGB 211 224 126

HSL 67.96, 0.61%, 0.69%

LAB 86.34, -18.77, 46.34

 

CMYK 17 / 0 / 44 / 12

HEX #B9E07E

RGB 185 224 126

HSL 83.88, 0.61%, 0.69%

LAB 84.55, -28.63, 43.73

 

CMYK 29 / 0 / 44 / 12

HEX #9FE07E

RGB 159 224 126

HSL 99.8, 0.61%, 0.69%

LAB 83.01, -37.9, 41.47

 

CMYK 11 / 0 / 71 / 18

HEX #BBD13C

RGB 187 209 60

HSL 68.86, 0.62%, 0.53%

LAB 79.89, -26.22, 67.22

 

CMYK 8 / 0 / 57 / 15

HEX #C7D95D

RGB 199 217 93

HSL 68.71, 0.62%, 0.61%

LAB 83.21, -23.08, 57.78

 

CMYK 6 / 0 / 44 / 12

HEX #D2E07E

RGB 210 224 126

HSL 68.57, 0.61%, 0.69%

LAB 86.27, -19.15, 46.24

 

CMYK 4 / 0 / 31 / 9

HEX #DEE8A0

RGB 222 232 160

HSL 68.33, 0.61%, 0.77%

LAB 89.76, -14.6, 33.98

 

CMYK 3 / 0 / 20 / 6

HEX #E9F0C1

RGB 233 240 193

HSL 68.94, 0.61%, 0.85%

LAB 93.23, -10.04, 21.98

 

CMYK 6 / 0 / 43 / 12

HEX #D3E181

RGB 211 225 129

HSL 68.75, 0.62%, 0.69%

LAB 86.64, -18.94, 45.26

 

CMYK 44 / 0 / 29 / 12

HEX #7EE09F

RGB 126 224 159

HSL 140.2, 0.61%, 0.69%

LAB 81.97, -42.93, 23.05

 

CMYK 12 / 44 / 0 / 12

HEX #C67EE0

RGB 198 126 224

HSL 284.08, 0.61%, 0.69%

LAB 63.6, 44.29, -38.94

 

CMYK 6 / 0 / 43 / 12

HEX #D3E181

RGB 211 225 129

HSL 68.75, 0.62%, 0.69%

LAB 86.64, -18.94, 45.26

 

CMYK 44 / 6 / 0 / 12

HEX #7ED3E0

RGB 126 211 224

HSL 187.96, 0.61%, 0.69%

LAB 79.84, -22.41, -14.48

 

CMYK 0 / 44 / 6 / 12

HEX #E07ED3

RGB 224 126 211

HSL 307.96, 0.61%, 0.69%

LAB 66.11, 49.58, -27.55

 

CMYK 6 / 0 / 43 / 12

HEX #D3E181

RGB 211 225 129

HSL 68.75, 0.62%, 0.69%

LAB 86.64, -18.94, 45.26

 

CMYK 44 / 0 / 29 / 12

HEX #7EE09F

RGB 126 224 159

HSL 140.2, 0.61%, 0.69%

LAB 81.97, -42.93, 23.05

 

CMYK 38 / 44 / 0 / 12

HEX #8C7EE0

RGB 140 126 224

HSL 248.57, 0.61%, 0.69%

LAB 57.92, 28.23, -48.27

 

CMYK 0 / 44 / 14 / 12

HEX #E07EC0

RGB 224 126 192

HSL 319.59, 0.61%, 0.69%

LAB 65.42, 46.45, -17.96

 

CMYK 6 / 0 / 43 / 12

HEX #D3E181

RGB 211 225 129

HSL 68.75, 0.62%, 0.69%

LAB 86.64, -18.94, 45.26

 

CMYK 44 / 0 / 16 / 12

HEX #7EE0BD

RGB 126 224 189

HSL 158.57, 0.61%, 0.69%

LAB 82.6, -36.93, 8.2

 

CMYK 38 / 44 / 0 / 12

HEX #8C7EE0

RGB 140 126 224

HSL 248.57, 0.61%, 0.69%

LAB 57.92, 28.23, -48.27

 

CMYK 0 / 44 / 28 / 12

HEX #E07EA2

RGB 224 126 162

HSL 337.96, 0.61%, 0.69%

LAB 64.47, 42.06, -2.41

 

Description

Color code: HEX #D3E181 | qconv.com Color code: HEX #D3E181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 225 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 225 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 43 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 43% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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