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Color name
HEX #D3F346

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3F346 it is the complementary color #2C0CB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3F346. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3F346 shade: #D8F341, #E9FF54, #FAFF67, #FFFF7A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3F346. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3F346 shade: #D3F346, #C2E133, #B1CF20, #A0BD0D and #8FAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3F346 shade: #D2F344, #F3E444, #F3B544, #F38544 and #F35644

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3F346 shade: #D2F344, #A3F344, #74F344, #45F344 and #44F372

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3F346 shade matches the following richer shades: #D2F344

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3F346 shade: #D2F344, #C8E254, #BED264, #B4C274 and #AAB284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3F346 shade: #F3B544, #F3E444, #D2F344, #A4F344 and #75F344

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3F346 shade: #B1D60D, #C9F01D, #D2F344, #DBF56A and #E5F891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3F346 shade: #D3F346, #44F387 and #CD44F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3F346 shade: #D3F346, #44D2F3 and #F344D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3F346 shade: #D3F346, #44F387, #6444F3 and #F344AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3F346 shade: #D3F346, #44F3BB, #6444F3 and #F3447B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 71 / 5

HEX #D3F346

RGB 211 243 70

HSL 71.1, 0.88%, 0.61%

LAB 90.96, -32.06, 75.13

 

Complementary color

CMYK 76 / 94 / 0 / 27

HEX #2C0CB9

RGB 44 12 185

HSL 251.1, 0.88%, 0.39%

LAB 24.64, 60.28, -80.22

 

CMYK 11 / 0 / 73 / 5

HEX #D8F341

RGB 216 243 65

HSL 69.1, 0.88%, 0.6%

LAB 91.27, -30.33, 77.19

 

CMYK 9 / 0 / 67 / 0

HEX #E9FF54

RGB 233 255 84

HSL 67.72, 1%, 0.66%

LAB 95.78, -28.22, 75.51

 

CMYK 2 / 0 / 60 / 0

HEX #FAFF67

RGB 250 255 103

HSL 61.97, 1%, 0.7%

LAB 97.16, -20.36, 69.98

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 13 / 0 / 71 / 5

HEX #D3F346

RGB 211 243 70

HSL 71.1, 0.88%, 0.61%

LAB 90.96, -32.06, 75.13

 

CMYK 14 / 0 / 77 / 12

HEX #C2E133

RGB 194 225 51

HSL 70.69, 0.74%, 0.54%

LAB 84.77, -31.35, 74.85

 

CMYK 14 / 0 / 85 / 19

HEX #B1CF20

RGB 177 207 32

HSL 70.29, 0.73%, 0.47%

LAB 78.51, -30.47, 73.74

 

CMYK 15 / 0 / 93 / 26

HEX #A0BD0D

RGB 160 189 13

HSL 69.89, 0.87%, 0.4%

LAB 72.16, -29.41, 71.4

 

CMYK 16 / 0 / 100 / 33

HEX #8FAB00

RGB 143 171 0

HSL 69.82, 1%, 0.34%

LAB 65.72, -28.13, 67.49

 

CMYK 14 / 0 / 72 / 5

HEX #D2F344

RGB 210 243 68

HSL 71.31, 0.88%, 0.61%

LAB 90.88, -32.56, 75.7

 

CMYK 0 / 6 / 72 / 5

HEX #F3E444

RGB 243 228 68

HSL 54.86, 0.88%, 0.61%

LAB 89.37, -12, 75.11

 

CMYK 0 / 26 / 72 / 5

HEX #F3B544

RGB 243 181 68

HSL 38.74, 0.88%, 0.61%

LAB 77.59, 12.06, 63.56

 

CMYK 0 / 45 / 72 / 5

HEX #F38544

RGB 243 133 68

HSL 22.29, 0.88%, 0.61%

LAB 66.71, 37.18, 52.3

 

CMYK 0 / 65 / 72 / 5

HEX #F35644

RGB 243 86 68

HSL 6.17, 0.88%, 0.61%

LAB 58.16, 59.17, 42.94

 

CMYK 14 / 0 / 72 / 5

HEX #D2F344

RGB 210 243 68

HSL 71.31, 0.88%, 0.61%

LAB 90.88, -32.56, 75.7

 

CMYK 33 / 0 / 72 / 5

HEX #A3F344

RGB 163 243 68

HSL 87.43, 0.88%, 0.61%

LAB 88.12, -50.05, 72.06

 

CMYK 52 / 0 / 72 / 5

HEX #74F344

RGB 116 243 68

HSL 103.54, 0.88%, 0.61%

LAB 86.12, -64.56, 69.41

 

CMYK 72 / 0 / 72 / 5

HEX #45F344

RGB 69 243 68

HSL 119.66, 0.88%, 0.61%

LAB 84.89, -74.61, 67.76

 

CMYK 72 / 0 / 53 / 5

HEX #44F372

RGB 68 243 114

HSL 135.77, 0.88%, 0.61%

LAB 85.27, -69.9, 49.29

 

CMYK 14 / 0 / 72 / 5

HEX #D2F344

RGB 210 243 68

HSL 71.31, 0.88%, 0.61%

LAB 90.88, -32.56, 75.7

 

CMYK 14 / 0 / 72 / 5

HEX #D2F344

RGB 210 243 68

HSL 71.31, 0.88%, 0.61%

LAB 90.88, -32.56, 75.7

 

CMYK 12 / 0 / 63 / 11

HEX #C8E254

RGB 200 226 84

HSL 70.99, 0.71%, 0.61%

LAB 85.66, -27.65, 64.29

 

CMYK 10 / 0 / 52 / 18

HEX #BED264

RGB 190 210 100

HSL 70.91, 0.55%, 0.61%

LAB 80.72, -22.67, 51.59

 

CMYK 7 / 0 / 40 / 24

HEX #B4C274

RGB 180 194 116

HSL 70.77, 0.39%, 0.61%

LAB 75.79, -17.04, 37.6

 

CMYK 4 / 0 / 26 / 30

HEX #AAB284

RGB 170 178 132

HSL 70.43, 0.23%, 0.61%

LAB 70.91, -10.63, 22.64

 

CMYK 0 / 26 / 72 / 5

HEX #F3B544

RGB 243 181 68

HSL 38.74, 0.88%, 0.61%

LAB 77.59, 12.06, 63.56

 

CMYK 0 / 6 / 72 / 5

HEX #F3E444

RGB 243 228 68

HSL 54.86, 0.88%, 0.61%

LAB 89.37, -12, 75.11

 

CMYK 14 / 0 / 72 / 5

HEX #D2F344

RGB 210 243 68

HSL 71.31, 0.88%, 0.61%

LAB 90.88, -32.56, 75.7

 

CMYK 33 / 0 / 72 / 5

HEX #A4F344

RGB 164 243 68

HSL 87.09, 0.88%, 0.61%

LAB 88.17, -49.71, 72.13

 

CMYK 52 / 0 / 72 / 5

HEX #75F344

RGB 117 243 68

HSL 103.2, 0.88%, 0.61%

LAB 86.16, -64.3, 69.46

 

CMYK 17 / 0 / 94 / 16

HEX #B1D60D

RGB 177 214 13

HSL 71.04, 0.89%, 0.45%

LAB 80.44, -34.11, 78.37

 

CMYK 16 / 0 / 88 / 6

HEX #C9F01D

RGB 201 240 29

HSL 71.09, 0.88%, 0.53%

LAB 89.31, -36.09, 83.9

 

CMYK 14 / 0 / 72 / 5

HEX #D2F344

RGB 210 243 68

HSL 71.31, 0.88%, 0.61%

LAB 90.88, -32.56, 75.7

 

CMYK 11 / 0 / 57 / 4

HEX #DBF56A

RGB 219 245 106

HSL 71.22, 0.87%, 0.69%

LAB 92.31, -27.55, 62.74

 

CMYK 8 / 0 / 42 / 3

HEX #E5F891

RGB 229 248 145

HSL 71.07, 0.88%, 0.77%

LAB 94.24, -21.53, 47.3

 

CMYK 13 / 0 / 71 / 5

HEX #D3F346

RGB 211 243 70

HSL 71.1, 0.88%, 0.61%

LAB 90.96, -32.06, 75.13

 

CMYK 72 / 0 / 44 / 5

HEX #44F387

RGB 68 243 135

HSL 142.97, 0.88%, 0.61%

LAB 85.54, -66.76, 39.62

 

CMYK 16 / 72 / 0 / 5

HEX #CD44F3

RGB 205 68 243

HSL 286.97, 0.88%, 0.61%

LAB 55.67, 76.17, -62.06

 

CMYK 13 / 0 / 71 / 5

HEX #D3F346

RGB 211 243 70

HSL 71.1, 0.88%, 0.61%

LAB 90.96, -32.06, 75.13

 

CMYK 72 / 14 / 0 / 5

HEX #44D2F3

RGB 68 210 243

HSL 191.31, 0.88%, 0.61%

LAB 78.34, -26.99, -27.09

 

CMYK 0 / 72 / 14 / 5

HEX #F344D2

RGB 243 68 210

HSL 311.31, 0.88%, 0.61%

LAB 59.75, 78.91, -36.66

 

CMYK 13 / 0 / 71 / 5

HEX #D3F346

RGB 211 243 70

HSL 71.1, 0.88%, 0.61%

LAB 90.96, -32.06, 75.13

 

CMYK 72 / 0 / 44 / 5

HEX #44F387

RGB 68 243 135

HSL 142.97, 0.88%, 0.61%

LAB 85.54, -66.76, 39.62

 

CMYK 59 / 72 / 0 / 5

HEX #6444F3

RGB 100 68 243

HSL 250.97, 0.88%, 0.61%

LAB 43.23, 58.5, -82.84

 

CMYK 0 / 72 / 28 / 5

HEX #F344AF

RGB 243 68 175

HSL 323.31, 0.88%, 0.61%

LAB 58.31, 74.45, -18.81

 

CMYK 13 / 0 / 71 / 5

HEX #D3F346

RGB 211 243 70

HSL 71.1, 0.88%, 0.61%

LAB 90.96, -32.06, 75.13

 

CMYK 72 / 0 / 23 / 5

HEX #44F3BB

RGB 68 243 187

HSL 160.8, 0.88%, 0.61%

LAB 86.46, -56.62, 14.51

 

CMYK 59 / 72 / 0 / 5

HEX #6444F3

RGB 100 68 243

HSL 250.97, 0.88%, 0.61%

LAB 43.23, 58.5, -82.84

 

CMYK 0 / 72 / 49 / 5

HEX #F3447B

RGB 243 68 123

HSL 341.14, 0.88%, 0.61%

LAB 56.7, 69.28, 9.35

 

Description

Color code: HEX #D3F346 | qconv.com Color code: HEX #D3F346 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 243 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 243 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 71 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 71% 5% C M Y K

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