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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D00645 it is the complementary color #2FF9BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D00645. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D00645 shade: #D50640, #E61853, #F72A66, #FF3C79 and #FF4E8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D00645. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D00645 shade: #D00645, #BF0032, #AE001F, #9D000C and #8C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D00645 shade: #CF0645, #CF060E and #CF0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D00645 shade: #CF0645, #CF067B, #CF06B1, #B706CF and #8106CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D00645 shade matches the following richer shades: #CF0645

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D00645 shade: #CF0645, #BE174B, #AD2952, #9B3A58 and #8A4B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D00645 shade: #CF06B1, #CF067B, #CF0646, #CF0610 and #CF3206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D00645 shade: #7F032A, #A70537, #CF0645, #F70852 and #F8306E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D00645 shade: #D00645, #CFB806 and #0696CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D00645 shade: #D00645, #46CF06 and #0646CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D00645 shade: #D00645, #CFB806, #06CF90 and #061DCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D00645 shade: #D00645, #AACF06, #06CF90 and #2B06CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 67 / 18

HEX #D00645

RGB 208 6 69

HSL 341.29, 0.94%, 0.42%

LAB 44.19, 69.86, 24.06

 

Complementary color

CMYK 81 / 0 / 25 / 2

HEX #2FF9BA

RGB 47 249 186

HSL 161.29, 0.94%, 0.58%

LAB 87.92, -61.41, 17.03

 

CMYK 0 / 97 / 70 / 16

HEX #D50640

RGB 213 6 64

HSL 343.19, 0.95%, 0.43%

LAB 45.15, 70.83, 28.57

 

CMYK 0 / 90 / 64 / 10

HEX #E61853

RGB 230 24 83

HSL 342.82, 0.81%, 0.5%

LAB 49.62, 73.9, 23.33

 

CMYK 0 / 83 / 59 / 3

HEX #F72A66

RGB 247 42 102

HSL 342.44, 0.93%, 0.57%

LAB 54.44, 75.97, 18.84

 

CMYK 0 / 76 / 53 / 0

HEX #FF3C79

RGB 255 60 121

HSL 341.23, 1%, 0.62%

LAB 57.92, 74.83, 12.55

 

CMYK 0 / 69 / 45 / 0

HEX #FF4E8C

RGB 255 78 140

HSL 338.98, 1%, 0.65%

LAB 60.43, 70.66, 4.95

 

CMYK 0 / 97 / 67 / 18

HEX #D00645

RGB 208 6 69

HSL 341.29, 0.94%, 0.42%

LAB 44.19, 69.86, 24.06

 

CMYK 0 / 100 / 74 / 25

HEX #BF0032

RGB 191 0 50

HSL 344.29, 1%, 0.37%

LAB 40.09, 65.5, 30.02

 

CMYK 0 / 100 / 82 / 32

HEX #AE001F

RGB 174 0 31

HSL 349.31, 1%, 0.34%

LAB 36.17, 60.67, 36.15

 

CMYK 0 / 100 / 92 / 38

HEX #9D000C

RGB 157 0 12

HSL 355.41, 1%, 0.31%

LAB 32.25, 55.92, 41.3

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 97 / 67 / 19

HEX #CF0645

RGB 207 6 69

HSL 341.19, 0.94%, 0.42%

LAB 43.98, 69.62, 23.75

 

CMYK 0 / 97 / 93 / 19

HEX #CF060E

RGB 207 6 14

HSL 357.61, 0.94%, 0.42%

LAB 43.4, 68.02, 52.99

 

CMYK 0 / 97 / 97 / 19

HEX #CF0606

RGB 207 6 6

HSL 0, 0.94%, 0.42%

LAB 43.37, 67.95, 55.52

 

CMYK 0 / 97 / 67 / 19

HEX #CF0645

RGB 207 6 69

HSL 341.19, 0.94%, 0.42%

LAB 43.98, 69.62, 23.75

 

CMYK 0 / 97 / 41 / 19

HEX #CF067B

RGB 207 6 123

HSL 325.07, 0.94%, 0.42%

LAB 45.39, 73.41, -7.94

 

CMYK 0 / 97 / 14 / 19

HEX #CF06B1

RGB 207 6 177

HSL 308.96, 0.94%, 0.42%

LAB 47.71, 79.38, -36.9

 

CMYK 12 / 97 / 0 / 19

HEX #B706CF

RGB 183 6 207

HSL 292.84, 0.94%, 0.42%

LAB 45.22, 79.74, -58.63

 

CMYK 38 / 97 / 0 / 19

HEX #8106CF

RGB 129 6 207

HSL 276.72, 0.94%, 0.42%

LAB 36.56, 72.72, -73.12

 

CMYK 0 / 97 / 67 / 19

HEX #CF0645

RGB 207 6 69

HSL 341.19, 0.94%, 0.42%

LAB 43.98, 69.62, 23.75

 

CMYK 0 / 97 / 67 / 19

HEX #CF0645

RGB 207 6 69

HSL 341.19, 0.94%, 0.42%

LAB 43.98, 69.62, 23.75

 

CMYK 0 / 88 / 61 / 25

HEX #BE174B

RGB 190 23 75

HSL 341.32, 0.78%, 0.42%

LAB 41.32, 63.64, 15.83

 

CMYK 0 / 76 / 53 / 32

HEX #AD2952

RGB 173 41 82

HSL 341.36, 0.62%, 0.42%

LAB 39.71, 55, 8.64

 

CMYK 0 / 63 / 43 / 39

HEX #9B3A58

RGB 155 58 88

HSL 341.44, 0.46%, 0.42%

LAB 39.07, 43.19, 3.49

 

CMYK 0 / 46 / 31 / 46

HEX #8A4B5F

RGB 138 75 95

HSL 340.95, 0.3%, 0.42%

LAB 40.02, 29.12, 0.15

 

CMYK 0 / 97 / 14 / 19

HEX #CF06B1

RGB 207 6 177

HSL 308.96, 0.94%, 0.42%

LAB 47.71, 79.38, -36.9

 

CMYK 0 / 97 / 41 / 19

HEX #CF067B

RGB 207 6 123

HSL 325.07, 0.94%, 0.42%

LAB 45.39, 73.41, -7.94

 

CMYK 0 / 97 / 66 / 19

HEX #CF0646

RGB 207 6 70

HSL 340.9, 0.94%, 0.42%

LAB 44, 69.67, 23.15

 

CMYK 0 / 97 / 92 / 19

HEX #CF0610

RGB 207 6 16

HSL 357.01, 0.94%, 0.42%

LAB 43.41, 68.05, 52.26

 

CMYK 0 / 76 / 97 / 19

HEX #CF3206

RGB 207 50 6

HSL 13.13, 0.94%, 0.42%

LAB 46.39, 59.37, 57.03

 

CMYK 0 / 98 / 67 / 50

HEX #7F032A

RGB 127 3 42

HSL 341.13, 0.95%, 0.25%

LAB 25.99, 48.59, 14.65

 

CMYK 0 / 97 / 67 / 35

HEX #A70537

RGB 167 5 55

HSL 341.48, 0.94%, 0.34%

LAB 35.2, 59.24, 19.67

 

CMYK 0 / 97 / 67 / 19

HEX #CF0645

RGB 207 6 69

HSL 341.19, 0.94%, 0.42%

LAB 43.98, 69.62, 23.75

 

CMYK 0 / 97 / 67 / 3

HEX #F70852

RGB 247 8 82

HSL 341.42, 0.94%, 0.5%

LAB 52.46, 79.5, 28.27

 

CMYK 0 / 81 / 56 / 3

HEX #F8306E

RGB 248 48 110

HSL 341.4, 0.93%, 0.58%

LAB 55.27, 75.38, 15.22

 

CMYK 0 / 97 / 67 / 18

HEX #D00645

RGB 208 6 69

HSL 341.29, 0.94%, 0.42%

LAB 44.19, 69.86, 24.06

 

CMYK 0 / 11 / 97 / 19

HEX #CFB806

RGB 207 184 6

HSL 53.13, 0.94%, 0.42%

LAB 74.55, -6.73, 75.65

 

CMYK 97 / 28 / 0 / 19

HEX #0696CF

RGB 6 150 207

HSL 197.01, 0.94%, 0.42%

LAB 58.37, -12.45, -38.38

 

CMYK 0 / 97 / 67 / 18

HEX #D00645

RGB 208 6 69

HSL 341.29, 0.94%, 0.42%

LAB 44.19, 69.86, 24.06

 

CMYK 66 / 0 / 97 / 19

HEX #46CF06

RGB 70 207 6

HSL 100.9, 0.94%, 0.42%

LAB 73.51, -66, 71.51

 

CMYK 97 / 66 / 0 / 19

HEX #0646CF

RGB 6 70 207

HSL 220.9, 0.94%, 0.42%

LAB 35.84, 37.62, -74.63

 

CMYK 0 / 97 / 67 / 18

HEX #D00645

RGB 208 6 69

HSL 341.29, 0.94%, 0.42%

LAB 44.19, 69.86, 24.06

 

CMYK 0 / 11 / 97 / 19

HEX #CFB806

RGB 207 184 6

HSL 53.13, 0.94%, 0.42%

LAB 74.55, -6.73, 75.65

 

CMYK 97 / 0 / 30 / 19

HEX #06CF90

RGB 6 207 144

HSL 161.19, 0.94%, 0.42%

LAB 73.98, -57.47, 19.52

 

CMYK 97 / 86 / 0 / 19

HEX #061DCF

RGB 6 29 207

HSL 233.13, 0.94%, 0.42%

LAB 27.91, 60.02, -87.77

 

CMYK 0 / 97 / 67 / 18

HEX #D00645

RGB 208 6 69

HSL 341.29, 0.94%, 0.42%

LAB 44.19, 69.86, 24.06

 

CMYK 18 / 0 / 97 / 19

HEX #AACF06

RGB 170 207 6

HSL 71.04, 0.94%, 0.42%

LAB 77.98, -33.8, 76.95

 

CMYK 97 / 0 / 30 / 19

HEX #06CF90

RGB 6 207 144

HSL 161.19, 0.94%, 0.42%

LAB 73.98, -57.47, 19.52

 

CMYK 79 / 97 / 0 / 19

HEX #2B06CF

RGB 43 6 207

HSL 251.04, 0.94%, 0.42%

LAB 27.15, 67.06, -88.99

 

Description

Color code: HEX #D00645 | qconv.com Color code: HEX #D00645 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 6 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 6 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 67 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 67% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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