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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D008BB it is the complementary color #2FF744. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D008BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D008BB shade: #D508B6, #E61AC9, #F72CDC, #FF3EEF and #FF50FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D008BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D008BB shade: #D008BB, #BF00A8, #AE0095, #9D0082 and #8C006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D008BB shade: #CE07B9, #CE0784, #CE074E, #CE0718 and #CE0707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D008BB shade: #CE07B9, #AD07CE, #7807CE, #4207CE and #0C07CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D008BB shade matches the following richer shades: #CE07B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D008BB shade: #CE07B9, #BD18AC, #AC2A9E, #9A3B90 and #894C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D008BB shade: #7807CE, #AD07CE, #CE07BA, #CE0785 and #CE0750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D008BB shade: #7F0472, #A60696, #CE07B9, #F609DD and #F731E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D008BB shade: #D008BB, #CE4307 and #07CE92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D008BB shade: #D008BB, #BACE07 and #07BACE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D008BB shade: #D008BB, #CE4307, #07CE1B and #0792CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D008BB shade: #D008BB, #CE7F07, #07CE1B and #0757CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 10 / 18

HEX #D008BB

RGB 208 8 187

HSL 306.3, 0.93%, 0.42%

LAB 48.48, 80.71, -41.56

 

Complementary color

CMYK 81 / 0 / 72 / 3

HEX #2FF744

RGB 47 247 68

HSL 126.3, 0.93%, 0.58%

LAB 85.78, -78.7, 68.56

 

CMYK 0 / 96 / 15 / 16

HEX #D508B6

RGB 213 8 182

HSL 309.07, 0.93%, 0.43%

LAB 49.13, 80.95, -37.54

 

CMYK 0 / 89 / 13 / 10

HEX #E61AC9

RGB 230 26 201

HSL 308.53, 0.8%, 0.5%

LAB 53.79, 84.63, -41.02

 

CMYK 0 / 82 / 11 / 3

HEX #F72CDC

RGB 247 44 220

HSL 307.98, 0.93%, 0.57%

LAB 58.74, 87.27, -43.86

 

CMYK 0 / 76 / 6 / 0

HEX #FF3EEF

RGB 255 62 239

HSL 304.97, 1%, 0.62%

LAB 62.45, 87.25, -48.56

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 96 / 10 / 18

HEX #D008BB

RGB 208 8 187

HSL 306.3, 0.93%, 0.42%

LAB 48.48, 80.71, -41.56

 

CMYK 0 / 100 / 12 / 25

HEX #BF00A8

RGB 191 0 168

HSL 307.23, 1%, 0.37%

LAB 44.09, 75.84, -37.48

 

CMYK 0 / 100 / 14 / 32

HEX #AE0095

RGB 174 0 149

HSL 308.62, 1%, 0.34%

LAB 39.86, 70.25, -32.93

 

CMYK 0 / 100 / 17 / 38

HEX #9D0082

RGB 157 0 130

HSL 310.32, 1%, 0.31%

LAB 35.56, 64.55, -28.23

 

CMYK 0 / 100 / 21 / 45

HEX #8C006F

RGB 140 0 111

HSL 312.43, 1%, 0.27%

LAB 31.17, 58.75, -23.36

 

CMYK 0 / 97 / 10 / 19

HEX #CE07B9

RGB 206 7 185

HSL 306.33, 0.93%, 0.42%

LAB 47.98, 80.17, -41.2

 

CMYK 0 / 97 / 36 / 19

HEX #CE0784

RGB 206 7 132

HSL 322.31, 0.93%, 0.42%

LAB 45.55, 73.96, -13.24

 

CMYK 0 / 97 / 62 / 19

HEX #CE074E

RGB 206 7 78

HSL 338.59, 0.93%, 0.42%

LAB 43.98, 69.77, 18.08

 

CMYK 0 / 97 / 88 / 19

HEX #CE0718

RGB 206 7 24

HSL 354.87, 0.93%, 0.42%

LAB 43.27, 67.82, 48.69

 

CMYK 0 / 97 / 97 / 19

HEX #CE0707

RGB 206 7 7

HSL 0, 0.93%, 0.42%

LAB 43.2, 67.61, 55

 

CMYK 0 / 97 / 10 / 19

HEX #CE07B9

RGB 206 7 185

HSL 306.33, 0.93%, 0.42%

LAB 47.98, 80.17, -41.2

 

CMYK 16 / 97 / 0 / 19

HEX #AD07CE

RGB 173 7 206

HSL 290.05, 0.93%, 0.42%

LAB 43.5, 78.02, -60.93

 

CMYK 42 / 97 / 0 / 19

HEX #7807CE

RGB 120 7 206

HSL 274.07, 0.93%, 0.42%

LAB 35.2, 71.45, -74.82

 

CMYK 68 / 97 / 0 / 19

HEX #4207CE

RGB 66 7 206

HSL 257.79, 0.93%, 0.42%

LAB 28.82, 67.47, -85.6

 

CMYK 94 / 97 / 0 / 19

HEX #0C07CE

RGB 12 7 206

HSL 241.51, 0.93%, 0.42%

LAB 25.82, 66.08, -90.67

 

CMYK 0 / 97 / 10 / 19

HEX #CE07B9

RGB 206 7 185

HSL 306.33, 0.93%, 0.42%

LAB 47.98, 80.17, -41.2

 

CMYK 0 / 97 / 10 / 19

HEX #CE07B9

RGB 206 7 185

HSL 306.33, 0.93%, 0.42%

LAB 47.98, 80.17, -41.2

 

CMYK 0 / 87 / 9 / 26

HEX #BD18AC

RGB 189 24 172

HSL 306.18, 0.77%, 0.42%

LAB 44.87, 73.29, -38.65

 

CMYK 0 / 76 / 8 / 33

HEX #AC2A9E

RGB 172 42 158

HSL 306.46, 0.61%, 0.42%

LAB 42.6, 63.48, -34.07

 

CMYK 0 / 62 / 6 / 40

HEX #9A3B90

RGB 154 59 144

HSL 306.32, 0.45%, 0.42%

LAB 41.23, 50.32, -27.98

 

CMYK 0 / 45 / 4 / 46

HEX #894C83

RGB 137 76 131

HSL 305.9, 0.29%, 0.42%

LAB 41.42, 34.22, -19.98

 

CMYK 42 / 97 / 0 / 19

HEX #7807CE

RGB 120 7 206

HSL 274.07, 0.93%, 0.42%

LAB 35.2, 71.45, -74.82

 

CMYK 16 / 97 / 0 / 19

HEX #AD07CE

RGB 173 7 206

HSL 290.05, 0.93%, 0.42%

LAB 43.5, 78.02, -60.93

 

CMYK 0 / 97 / 10 / 19

HEX #CE07BA

RGB 206 7 186

HSL 306.03, 0.93%, 0.42%

LAB 48.03, 80.3, -41.7

 

CMYK 0 / 97 / 35 / 19

HEX #CE0785

RGB 206 7 133

HSL 322.01, 0.93%, 0.42%

LAB 45.59, 74.06, -13.8

 

CMYK 0 / 97 / 61 / 19

HEX #CE0750

RGB 206 7 80

HSL 337.99, 0.93%, 0.42%

LAB 44.02, 69.88, 16.88

 

CMYK 0 / 97 / 10 / 50

HEX #7F0472

RGB 127 4 114

HSL 306.34, 0.94%, 0.26%

LAB 28.94, 55.97, -28.97

 

CMYK 0 / 96 / 10 / 35

HEX #A60696

RGB 166 6 150

HSL 306, 0.93%, 0.34%

LAB 38.62, 68.26, -35.6

 

CMYK 0 / 97 / 10 / 19

HEX #CE07B9

RGB 206 7 185

HSL 306.33, 0.93%, 0.42%

LAB 47.98, 80.17, -41.2

 

CMYK 0 / 96 / 10 / 4

HEX #F609DD

RGB 246 9 221

HSL 306.33, 0.93%, 0.5%

LAB 57.08, 91.69, -47.05

 

CMYK 0 / 80 / 9 / 3

HEX #F731E2

RGB 247 49 226

HSL 306.36, 0.93%, 0.58%

LAB 59.4, 87.02, -46.2

 

CMYK 0 / 96 / 10 / 18

HEX #D008BB

RGB 208 8 187

HSL 306.3, 0.93%, 0.42%

LAB 48.48, 80.71, -41.56

 

CMYK 0 / 67 / 97 / 19

HEX #CE4307

RGB 206 67 7

HSL 18.09, 0.93%, 0.42%

LAB 48.45, 52.89, 57.81

 

CMYK 97 / 0 / 29 / 19

HEX #07CE92

RGB 7 206 146

HSL 161.91, 0.93%, 0.42%

LAB 73.72, -56.62, 18.09

 

CMYK 0 / 96 / 10 / 18

HEX #D008BB

RGB 208 8 187

HSL 306.3, 0.93%, 0.42%

LAB 48.48, 80.71, -41.56

 

CMYK 10 / 0 / 97 / 19

HEX #BACE07

RGB 186 206 7

HSL 66.03, 0.93%, 0.42%

LAB 78.81, -26.74, 77.96

 

CMYK 97 / 10 / 0 / 19

HEX #07BACE

RGB 7 186 206

HSL 186.03, 0.93%, 0.42%

LAB 69.2, -31.45, -21.1

 

CMYK 0 / 96 / 10 / 18

HEX #D008BB

RGB 208 8 187

HSL 306.3, 0.93%, 0.42%

LAB 48.48, 80.71, -41.56

 

CMYK 0 / 67 / 97 / 19

HEX #CE4307

RGB 206 67 7

HSL 18.09, 0.93%, 0.42%

LAB 48.45, 52.89, 57.81

 

CMYK 97 / 0 / 87 / 19

HEX #07CE1B

RGB 7 206 27

HSL 126.03, 0.93%, 0.42%

LAB 72.41, -72.42, 67.27

 

CMYK 97 / 29 / 0 / 19

HEX #0792CE

RGB 7 146 206

HSL 198.09, 0.93%, 0.42%

LAB 57.13, -10.54, -39.76

 

CMYK 0 / 96 / 10 / 18

HEX #D008BB

RGB 208 8 187

HSL 306.3, 0.93%, 0.42%

LAB 48.48, 80.71, -41.56

 

CMYK 0 / 38 / 97 / 19

HEX #CE7F07

RGB 206 127 7

HSL 36.18, 0.93%, 0.42%

LAB 60.17, 23.38, 65.28

 

CMYK 97 / 0 / 87 / 19

HEX #07CE1B

RGB 7 206 27

HSL 126.03, 0.93%, 0.42%

LAB 72.41, -72.42, 67.27

 

CMYK 97 / 58 / 0 / 19

HEX #0757CE

RGB 7 87 206

HSL 215.88, 0.93%, 0.42%

LAB 40.11, 26.14, -67.05

 

Description

Color code: HEX #D008BB | qconv.com Color code: HEX #D008BB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 8 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 8 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 10 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 10% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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