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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D003AF it is the complementary color #2FFC50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D003AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D003AF shade: #D503AA, #E615BD, #F727D0, #FF39E3 and #FF4BF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D003AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D003AF shade: #D003AF, #BF009C, #AE0089, #9D0076 and #8C0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D003AF shade: #CD03AD, #CD0376, #CD033F, #CD0309 and #CD0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D003AF shade: #CD03AD, #B703CD, #8103CD, #4A03CD and #1303CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D003AF shade matches the following richer shades: #CD03AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D003AF shade: #CD03AD, #BD14A1, #AC2496, #9B358A and #8A467F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D003AF shade: #8003CD, #B603CD, #CD03AF, #CD0379 and #CD0343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D003AF shade: #7C0168, #A5028B, #CD03AD, #F603CF and #FB27D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D003AF shade: #D003AF, #CD4A03 and #03CD9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D003AF shade: #D003AF, #AFCD03 and #03AFCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D003AF shade: #D003AF, #CD4A03, #03CD21 and #0386CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D003AF shade: #D003AF, #CD8603, #03CD21 and #034ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 16 / 18

HEX #D003AF

RGB 208 3 175

HSL 309.66, 0.97%, 0.41%

LAB 47.71, 79.55, -35.71

 

Complementary color

CMYK 81 / 0 / 68 / 1

HEX #2FFC50

RGB 47 252 80

HSL 129.66, 0.97%, 0.59%

LAB 87.39, -79.15, 65.94

 

CMYK 0 / 99 / 20 / 16

HEX #D503AA

RGB 213 3 170

HSL 312.29, 0.97%, 0.42%

LAB 48.4, 79.86, -31.6

 

CMYK 0 / 91 / 18 / 10

HEX #E615BD

RGB 230 21 189

HSL 311.77, 0.83%, 0.49%

LAB 52.99, 83.75, -35.34

 

CMYK 0 / 84 / 16 / 3

HEX #F727D0

RGB 247 39 208

HSL 311.25, 0.93%, 0.56%

LAB 57.83, 86.66, -38.47

 

CMYK 0 / 78 / 11 / 0

HEX #FF39E3

RGB 255 57 227

HSL 308.48, 1%, 0.61%

LAB 61.42, 86.86, -43.48

 

CMYK 0 / 71 / 4 / 0

HEX #FF4BF6

RGB 255 75 246

HSL 303, 1%, 0.65%

LAB 64.12, 84.51, -49.82

 

CMYK 0 / 99 / 16 / 18

HEX #D003AF

RGB 208 3 175

HSL 309.66, 0.97%, 0.41%

LAB 47.71, 79.55, -35.71

 

CMYK 0 / 100 / 18 / 25

HEX #BF009C

RGB 191 0 156

HSL 310.99, 1%, 0.37%

LAB 43.47, 74.3, -31.27

 

CMYK 0 / 100 / 21 / 32

HEX #AE0089

RGB 174 0 137

HSL 312.76, 1%, 0.34%

LAB 39.25, 68.71, -26.54

 

CMYK 0 / 100 / 25 / 38

HEX #9D0076

RGB 157 0 118

HSL 314.9, 1%, 0.31%

LAB 34.96, 63.04, -21.65

 

CMYK 0 / 100 / 29 / 45

HEX #8C0063

RGB 140 0 99

HSL 317.57, 1%, 0.27%

LAB 30.58, 57.27, -16.54

 

CMYK 0 / 99 / 16 / 20

HEX #CD03AD

RGB 205 3 173

HSL 309.5, 0.97%, 0.41%

LAB 47.05, 78.75, -35.6

 

CMYK 0 / 99 / 42 / 20

HEX #CD0376

RGB 205 3 118

HSL 325.84, 0.97%, 0.41%

LAB 44.73, 72.8, -5.88

 

CMYK 0 / 99 / 69 / 20

HEX #CD033F

RGB 205 3 63

HSL 342.18, 0.97%, 0.41%

LAB 43.36, 69.14, 26.61

 

CMYK 0 / 99 / 96 / 20

HEX #CD0309

RGB 205 3 9

HSL 358.22, 0.97%, 0.41%

LAB 42.86, 67.76, 54.09

 

CMYK 0 / 99 / 99 / 20

HEX #CD0303

RGB 205 3 3

HSL 0, 0.97%, 0.41%

LAB 42.84, 67.7, 56.02

 

CMYK 0 / 99 / 16 / 20

HEX #CD03AD

RGB 205 3 173

HSL 309.5, 0.97%, 0.41%

LAB 47.05, 78.75, -35.6

 

CMYK 11 / 99 / 0 / 20

HEX #B703CD

RGB 183 3 205

HSL 293.47, 0.97%, 0.41%

LAB 45, 79.69, -57.84

 

CMYK 37 / 99 / 0 / 20

HEX #8103CD

RGB 129 3 205

HSL 277.43, 0.97%, 0.41%

LAB 36.25, 72.69, -72.46

 

CMYK 64 / 99 / 0 / 20

HEX #4A03CD

RGB 74 3 205

HSL 261.09, 0.97%, 0.41%

LAB 29.23, 68.31, -84.3

 

CMYK 91 / 99 / 0 / 20

HEX #1303CD

RGB 19 3 205

HSL 244.75, 0.97%, 0.41%

LAB 25.6, 66.71, -90.45

 

CMYK 0 / 99 / 16 / 20

HEX #CD03AD

RGB 205 3 173

HSL 309.5, 0.97%, 0.41%

LAB 47.05, 78.75, -35.6

 

CMYK 0 / 99 / 16 / 20

HEX #CD03AD

RGB 205 3 173

HSL 309.5, 0.97%, 0.41%

LAB 47.05, 78.75, -35.6

 

CMYK 0 / 89 / 15 / 26

HEX #BD14A1

RGB 189 20 161

HSL 309.94, 0.81%, 0.41%

LAB 44.08, 72.42, -33.34

 

CMYK 0 / 79 / 13 / 33

HEX #AC2496

RGB 172 36 150

HSL 309.71, 0.65%, 0.41%

LAB 41.59, 64.03, -30.85

 

CMYK 0 / 66 / 11 / 39

HEX #9B358A

RGB 155 53 138

HSL 310, 0.49%, 0.41%

LAB 40.16, 52.2, -25.98

 

CMYK 0 / 49 / 8 / 46

HEX #8A467F

RGB 138 70 127

HSL 309.71, 0.33%, 0.41%

LAB 40.11, 37.09, -19.53

 

CMYK 38 / 99 / 0 / 20

HEX #8003CD

RGB 128 3 205

HSL 277.13, 0.97%, 0.41%

LAB 36.1, 72.58, -72.72

 

CMYK 11 / 99 / 0 / 20

HEX #B603CD

RGB 182 3 205

HSL 293.17, 0.97%, 0.41%

LAB 44.83, 79.54, -58.13

 

CMYK 0 / 99 / 15 / 20

HEX #CD03AF

RGB 205 3 175

HSL 308.91, 0.97%, 0.41%

LAB 47.16, 79.01, -36.62

 

CMYK 0 / 99 / 41 / 20

HEX #CD0379

RGB 205 3 121

HSL 324.95, 0.97%, 0.41%

LAB 44.84, 73.06, -7.58

 

CMYK 0 / 99 / 67 / 20

HEX #CD0343

RGB 205 3 67

HSL 340.99, 0.97%, 0.41%

LAB 43.43, 69.32, 24.21

 

CMYK 0 / 99 / 16 / 51

HEX #7C0168

RGB 124 1 104

HSL 309.76, 0.98%, 0.25%

LAB 27.59, 54.45, -24.7

 

CMYK 0 / 99 / 16 / 35

HEX #A5028B

RGB 165 2 139

HSL 309.57, 0.98%, 0.33%

LAB 37.67, 67.02, -30.37

 

CMYK 0 / 99 / 16 / 20

HEX #CD03AD

RGB 205 3 173

HSL 309.5, 0.97%, 0.41%

LAB 47.05, 78.75, -35.6

 

CMYK 0 / 99 / 16 / 4

HEX #F603CF

RGB 246 3 207

HSL 309.63, 0.98%, 0.49%

LAB 56.25, 90.31, -40.39

 

CMYK 0 / 84 / 14 / 2

HEX #FB27D9

RGB 251 39 217

HSL 309.62, 0.96%, 0.57%

LAB 58.95, 88.58, -41.78

 

CMYK 0 / 99 / 16 / 18

HEX #D003AF

RGB 208 3 175

HSL 309.66, 0.97%, 0.41%

LAB 47.71, 79.55, -35.71

 

CMYK 0 / 64 / 99 / 20

HEX #CD4A03

RGB 205 74 3

HSL 21.09, 0.97%, 0.41%

LAB 49.35, 49.57, 59.21

 

CMYK 99 / 0 / 24 / 20

HEX #03CD9B

RGB 3 205 155

HSL 165.15, 0.97%, 0.41%

LAB 73.58, -54.27, 13.1

 

CMYK 0 / 99 / 16 / 18

HEX #D003AF

RGB 208 3 175

HSL 309.66, 0.97%, 0.41%

LAB 47.71, 79.55, -35.71

 

CMYK 15 / 0 / 99 / 20

HEX #AFCD03

RGB 175 205 3

HSL 68.91, 0.97%, 0.41%

LAB 77.75, -30.87, 77.2

 

CMYK 99 / 15 / 0 / 20

HEX #03AFCD

RGB 3 175 205

HSL 188.91, 0.97%, 0.41%

LAB 65.82, -26.48, -25.72

 

CMYK 0 / 99 / 16 / 18

HEX #D003AF

RGB 208 3 175

HSL 309.66, 0.97%, 0.41%

LAB 47.71, 79.55, -35.71

 

CMYK 0 / 64 / 99 / 20

HEX #CD4A03

RGB 205 74 3

HSL 21.09, 0.97%, 0.41%

LAB 49.35, 49.57, 59.21

 

CMYK 99 / 0 / 84 / 20

HEX #03CD21

RGB 3 205 33

HSL 128.91, 0.97%, 0.41%

LAB 72.09, -72.03, 65.65

 

CMYK 99 / 35 / 0 / 20

HEX #0386CD

RGB 3 134 205

HSL 201.09, 0.97%, 0.41%

LAB 53.47, -4.12, -44.99

 

CMYK 0 / 99 / 16 / 18

HEX #D003AF

RGB 208 3 175

HSL 309.66, 0.97%, 0.41%

LAB 47.71, 79.55, -35.71

 

CMYK 0 / 35 / 99 / 20

HEX #CD8603

RGB 205 134 3

HSL 38.91, 0.97%, 0.41%

LAB 61.69, 19.1, 66.87

 

CMYK 99 / 0 / 84 / 20

HEX #03CD21

RGB 3 205 33

HSL 128.91, 0.97%, 0.41%

LAB 72.09, -72.03, 65.65

 

CMYK 99 / 64 / 0 / 20

HEX #034ACD

RGB 3 74 205

HSL 218.91, 0.97%, 0.41%

LAB 36.6, 34.18, -72.22

 

Description

Color code: HEX #D003AF | qconv.com Color code: HEX #D003AF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 3 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 3 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 16 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 16% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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