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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D00FCA it is the complementary color #2FF035. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D00FCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D00FCA shade: #D50FC5, #E621D8, #F733EB, #FF45FE and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D00FCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D00FCA shade: #D00FCA, #BF00B7, #AE00A4, #9D0091 and #8C007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D00FCA shade: #D10ECB, #D10E97, #D10E62, #D10E2D and #D10E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D00FCA shade: #D10ECB, #A30ED1, #6E0ED1, #390ED1 and #0E0ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D00FCA shade matches the following richer shades: #D10ECB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D00FCA shade: #D10ECB, #BF20BA, #AD32A9, #9B4598 and #895787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D00FCA shade: #6C0ED1, #A10ED1, #D10ECE, #D10E9A and #D10E66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D00FCA shade: #840980, #AB0BA6, #D10ECB, #EF1AE8 and #F141EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D00FCA shade: #D00FCA, #D1380E and #0ED186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D00FCA shade: #D00FCA, #CED10E and #0ECED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D00FCA shade: #D00FCA, #D1380E, #0ED111 and #0EA7D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D00FCA shade: #D00FCA, #D1730E, #0ED111 and #0E6CD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 3 / 18

HEX #D00FCA

RGB 208 15 202

HSL 301.87, 0.87%, 0.44%

LAB 49.52, 82.18, -48.62

 

Complementary color

CMYK 80 / 0 / 78 / 6

HEX #2FF035

RGB 47 240 53

HSL 121.87, 0.87%, 0.56%

LAB 83.54, -77.71, 71.09

 

CMYK 0 / 93 / 8 / 16

HEX #D50FC5

RGB 213 15 197

HSL 304.85, 0.87%, 0.45%

LAB 50.12, 82.34, -44.71

 

CMYK 0 / 86 / 6 / 10

HEX #E621D8

RGB 230 33 216

HSL 304.26, 0.8%, 0.52%

LAB 54.94, 85.58, -47.79

 

CMYK 0 / 79 / 5 / 3

HEX #F733EB

RGB 247 51 235

HSL 303.67, 0.92%, 0.58%

LAB 60.01, 87.83, -50.27

 

CMYK 0 / 73 / 0 / 0

HEX #FF45FE

RGB 255 69 254

HSL 300.32, 1%, 0.64%

LAB 63.89, 87.52, -54.59

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 93 / 3 / 18

HEX #D00FCA

RGB 208 15 202

HSL 301.87, 0.87%, 0.44%

LAB 49.52, 82.18, -48.62

 

CMYK 0 / 100 / 4 / 25

HEX #BF00B7

RGB 191 0 183

HSL 302.51, 1%, 0.37%

LAB 44.93, 77.91, -45.03

 

CMYK 0 / 100 / 6 / 32

HEX #AE00A4

RGB 174 0 164

HSL 303.45, 1%, 0.34%

LAB 40.7, 72.31, -40.67

 

CMYK 0 / 100 / 8 / 38

HEX #9D0091

RGB 157 0 145

HSL 304.59, 1%, 0.31%

LAB 36.39, 66.61, -36.19

 

CMYK 0 / 100 / 10 / 45

HEX #8C007E

RGB 140 0 126

HSL 306, 1%, 0.27%

LAB 31.99, 60.8, -31.58

 

CMYK 0 / 93 / 3 / 18

HEX #D10ECB

RGB 209 14 203

HSL 301.85, 0.87%, 0.44%

LAB 49.72, 82.59, -48.87

 

CMYK 0 / 93 / 28 / 18

HEX #D10E97

RGB 209 14 151

HSL 317.85, 0.87%, 0.44%

LAB 47.11, 75.94, -22.33

 

CMYK 0 / 93 / 53 / 18

HEX #D10E62

RGB 209 14 98

HSL 334.15, 0.87%, 0.44%

LAB 45.29, 71.08, 7.47

 

CMYK 0 / 93 / 78 / 18

HEX #D10E2D

RGB 209 14 45

HSL 350.46, 0.87%, 0.44%

LAB 44.32, 68.39, 38.77

 

CMYK 0 / 93 / 93 / 18

HEX #D10E0E

RGB 209 14 14

HSL 0, 0.87%, 0.44%

LAB 44.09, 67.76, 53.61

 

CMYK 0 / 93 / 3 / 18

HEX #D10ECB

RGB 209 14 203

HSL 301.85, 0.87%, 0.44%

LAB 49.72, 82.59, -48.87

 

CMYK 22 / 93 / 0 / 18

HEX #A30ED1

RGB 163 14 209

HSL 285.85, 0.87%, 0.44%

LAB 42.31, 76.39, -64.66

 

CMYK 47 / 93 / 0 / 18

HEX #6E0ED1

RGB 110 14 209

HSL 269.54, 0.87%, 0.44%

LAB 34.46, 70.13, -77.83

 

CMYK 73 / 93 / 0 / 18

HEX #390ED1

RGB 57 14 209

HSL 253.23, 0.87%, 0.44%

LAB 28.87, 66.52, -87.27

 

CMYK 93 / 93 / 0 / 18

HEX #0E0ED1

RGB 14 14 209

HSL 240, 0.87%, 0.44%

LAB 26.77, 65.43, -90.84

 

CMYK 0 / 93 / 3 / 18

HEX #D10ECB

RGB 209 14 203

HSL 301.85, 0.87%, 0.44%

LAB 49.72, 82.59, -48.87

 

CMYK 0 / 93 / 3 / 18

HEX #D10ECB

RGB 209 14 203

HSL 301.85, 0.87%, 0.44%

LAB 49.72, 82.59, -48.87

 

CMYK 0 / 83 / 3 / 25

HEX #BF20BA

RGB 191 32 186

HSL 301.89, 0.71%, 0.44%

LAB 46.52, 74.2, -44.27

 

CMYK 0 / 71 / 2 / 32

HEX #AD32A9

RGB 173 50 169

HSL 301.95, 0.55%, 0.44%

LAB 44.28, 62.82, -37.99

 

CMYK 0 / 55 / 2 / 39

HEX #9B4598

RGB 155 69 152

HSL 302.09, 0.38%, 0.44%

LAB 43.5, 47.32, -29.26

 

CMYK 0 / 36 / 1 / 46

HEX #895787

RGB 137 87 135

HSL 302.4, 0.22%, 0.44%

LAB 44.07, 28.75, -18.33

 

CMYK 48 / 93 / 0 / 18

HEX #6C0ED1

RGB 108 14 209

HSL 268.92, 0.87%, 0.44%

LAB 34.2, 69.94, -78.27

 

CMYK 23 / 93 / 0 / 18

HEX #A10ED1

RGB 161 14 209

HSL 285.23, 0.87%, 0.44%

LAB 41.99, 76.12, -65.2

 

CMYK 0 / 93 / 1 / 18

HEX #D10ECE

RGB 209 14 206

HSL 300.92, 0.87%, 0.44%

LAB 49.89, 83.02, -50.32

 

CMYK 0 / 93 / 26 / 18

HEX #D10E9A

RGB 209 14 154

HSL 316.92, 0.87%, 0.44%

LAB 47.24, 76.28, -23.94

 

CMYK 0 / 93 / 51 / 18

HEX #D10E66

RGB 209 14 102

HSL 332.92, 0.87%, 0.44%

LAB 45.4, 71.38, 5.13

 

CMYK 0 / 93 / 3 / 48

HEX #840980

RGB 132 9 128

HSL 301.95, 0.87%, 0.28%

LAB 31.02, 58.27, -34.48

 

CMYK 0 / 94 / 3 / 33

HEX #AB0BA6

RGB 171 11 166

HSL 301.88, 0.88%, 0.36%

LAB 40.66, 70.93, -41.97

 

CMYK 0 / 93 / 3 / 18

HEX #D10ECB

RGB 209 14 203

HSL 301.85, 0.87%, 0.44%

LAB 49.72, 82.59, -48.87

 

CMYK 0 / 89 / 3 / 6

HEX #EF1AE8

RGB 239 26 232

HSL 301.97, 0.87%, 0.52%

LAB 56.99, 90.43, -53.48

 

CMYK 0 / 73 / 2 / 5

HEX #F141EC

RGB 241 65 236

HSL 301.7, 0.86%, 0.6%

LAB 60.37, 83.15, -50.33

 

CMYK 0 / 93 / 3 / 18

HEX #D00FCA

RGB 208 15 202

HSL 301.87, 0.87%, 0.44%

LAB 49.52, 82.18, -48.62

 

CMYK 0 / 73 / 93 / 18

HEX #D1380E

RGB 209 56 14

HSL 12.92, 0.87%, 0.44%

LAB 47.51, 58.08, 55.71

 

CMYK 93 / 0 / 36 / 18

HEX #0ED186

RGB 14 209 134

HSL 156.92, 0.87%, 0.44%

LAB 74.45, -60.06, 25.43

 

CMYK 0 / 93 / 3 / 18

HEX #D00FCA

RGB 208 15 202

HSL 301.87, 0.87%, 0.44%

LAB 49.52, 82.18, -48.62

 

CMYK 1 / 0 / 93 / 18

HEX #CED10E

RGB 206 209 14

HSL 60.92, 0.87%, 0.44%

LAB 81.16, -19.69, 79.72

 

CMYK 93 / 1 / 0 / 18

HEX #0ECED1

RGB 14 206 209

HSL 180.92, 0.87%, 0.44%

LAB 75.35, -39.65, -13.43

 

CMYK 0 / 93 / 3 / 18

HEX #D00FCA

RGB 208 15 202

HSL 301.87, 0.87%, 0.44%

LAB 49.52, 82.18, -48.62

 

CMYK 0 / 73 / 93 / 18

HEX #D1380E

RGB 209 56 14

HSL 12.92, 0.87%, 0.44%

LAB 47.51, 58.08, 55.71

 

CMYK 93 / 0 / 92 / 18

HEX #0ED111

RGB 14 209 17

HSL 120.92, 0.87%, 0.44%

LAB 73.37, -73.28, 69.83

 

CMYK 93 / 20 / 0 / 18

HEX #0EA7D1

RGB 14 167 209

HSL 192.92, 0.87%, 0.44%

LAB 63.62, -20.67, -31.32

 

CMYK 0 / 93 / 3 / 18

HEX #D00FCA

RGB 208 15 202

HSL 301.87, 0.87%, 0.44%

LAB 49.52, 82.18, -48.62

 

CMYK 0 / 45 / 93 / 18

HEX #D1730E

RGB 209 115 14

HSL 31.08, 0.87%, 0.44%

LAB 57.89, 31.15, 62.67

 

CMYK 93 / 0 / 92 / 18

HEX #0ED111

RGB 14 209 17

HSL 120.92, 0.87%, 0.44%

LAB 73.37, -73.28, 69.83

 

CMYK 93 / 48 / 0 / 18

HEX #0E6CD1

RGB 14 108 209

HSL 211.08, 0.87%, 0.44%

LAB 46.21, 13.87, -58.87

 

Description

Color code: HEX #D00FCA | qconv.com Color code: HEX #D00FCA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 15 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 15 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 3 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 3% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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