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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D00FC2 it is the complementary color #2FF03D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D00FC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D00FC2 shade: #D50FBD, #E621D0, #F733E3, #FF45F6 and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D00FC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D00FC2 shade: #D00FC2, #BF00AF, #AE009C, #9D0089 and #8C0076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D00FC2 shade: #D10EC3, #D10E8F, #D10E5A, #D10E25 and #D10E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D00FC2 shade: #D10EC3, #AB0ED1, #760ED1, #420ED1 and #0E0ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D00FC2 shade matches the following richer shades: #D10EC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D00FC2 shade: #D10EC3, #BF20B4, #AD32A4, #9B4595 and #895785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D00FC2 shade: #760ED1, #AA0ED1, #D10EC4, #D10E90 and #D10E5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D00FC2 shade: #84097B, #AB0B9F, #D10EC3, #EF1ADF and #F141E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D00FC2 shade: #D00FC2, #D1420E and #0ED190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D00FC2 shade: #D00FC2, #C4D10E and #0EC4D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D00FC2 shade: #D00FC2, #D1420E, #0ED11B and #0E9DD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D00FC2 shade: #D00FC2, #D17D0E, #0ED11B and #0E63D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 7 / 18

HEX #D00FC2

RGB 208 15 194

HSL 304.35, 0.87%, 0.44%

LAB 49.06, 81.05, -44.7

 

Complementary color

CMYK 80 / 0 / 75 / 6

HEX #2FF03D

RGB 47 240 61

HSL 124.35, 0.87%, 0.56%

LAB 83.58, -77.18, 68.68

 

CMYK 0 / 93 / 11 / 16

HEX #D50FBD

RGB 213 15 189

HSL 307.27, 0.87%, 0.45%

LAB 49.69, 81.26, -40.74

 

CMYK 0 / 86 / 10 / 10

HEX #E621D0

RGB 230 33 208

HSL 306.7, 0.8%, 0.52%

LAB 54.52, 84.48, -43.89

 

CMYK 0 / 79 / 8 / 3

HEX #F733E3

RGB 247 51 227

HSL 306.12, 0.92%, 0.58%

LAB 59.61, 86.71, -46.43

 

CMYK 0 / 73 / 4 / 0

HEX #FF45F6

RGB 255 69 246

HSL 302.9, 1%, 0.64%

LAB 63.48, 86.32, -50.82

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 93 / 7 / 18

HEX #D00FC2

RGB 208 15 194

HSL 304.35, 0.87%, 0.44%

LAB 49.06, 81.05, -44.7

 

CMYK 0 / 100 / 8 / 25

HEX #BF00AF

RGB 191 0 175

HSL 305.03, 1%, 0.37%

LAB 44.48, 76.79, -41.03

 

CMYK 0 / 100 / 10 / 32

HEX #AE009C

RGB 174 0 156

HSL 306.21, 1%, 0.34%

LAB 40.24, 71.19, -36.57

 

CMYK 0 / 100 / 13 / 38

HEX #9D0089

RGB 157 0 137

HSL 307.64, 1%, 0.31%

LAB 35.93, 65.49, -31.98

 

CMYK 0 / 100 / 16 / 45

HEX #8C0076

RGB 140 0 118

HSL 309.43, 1%, 0.27%

LAB 31.54, 59.68, -27.24

 

CMYK 0 / 93 / 7 / 18

HEX #D10EC3

RGB 209 14 195

HSL 304.31, 0.87%, 0.44%

LAB 49.26, 81.46, -44.95

 

CMYK 0 / 93 / 32 / 18

HEX #D10E8F

RGB 209 14 143

HSL 320.31, 0.87%, 0.44%

LAB 46.78, 75.08, -18.01

 

CMYK 0 / 93 / 57 / 18

HEX #D10E5A

RGB 209 14 90

HSL 336.62, 0.87%, 0.44%

LAB 45.09, 70.54, 12.18

 

CMYK 0 / 93 / 82 / 18

HEX #D10E25

RGB 209 14 37

HSL 352.92, 0.87%, 0.44%

LAB 44.24, 68.17, 43.17

 

CMYK 0 / 93 / 93 / 18

HEX #D10E0E

RGB 209 14 14

HSL 0, 0.87%, 0.44%

LAB 44.09, 67.76, 53.61

 

CMYK 0 / 93 / 7 / 18

HEX #D10EC3

RGB 209 14 195

HSL 304.31, 0.87%, 0.44%

LAB 49.26, 81.46, -44.95

 

CMYK 18 / 93 / 0 / 18

HEX #AB0ED1

RGB 171 14 209

HSL 288.31, 0.87%, 0.44%

LAB 43.62, 77.53, -62.48

 

CMYK 44 / 93 / 0 / 18

HEX #760ED1

RGB 118 14 209

HSL 272, 0.87%, 0.44%

LAB 35.54, 70.92, -76.02

 

CMYK 68 / 93 / 0 / 18

HEX #420ED1

RGB 66 14 209

HSL 256, 0.87%, 0.44%

LAB 29.6, 66.94, -86.03

 

CMYK 93 / 93 / 0 / 18

HEX #0E0ED1

RGB 14 14 209

HSL 240, 0.87%, 0.44%

LAB 26.77, 65.43, -90.84

 

CMYK 0 / 93 / 7 / 18

HEX #D10EC3

RGB 209 14 195

HSL 304.31, 0.87%, 0.44%

LAB 49.26, 81.46, -44.95

 

CMYK 0 / 93 / 7 / 18

HEX #D10EC3

RGB 209 14 195

HSL 304.31, 0.87%, 0.44%

LAB 49.26, 81.46, -44.95

 

CMYK 0 / 83 / 6 / 25

HEX #BF20B4

RGB 191 32 180

HSL 304.15, 0.71%, 0.44%

LAB 46.18, 73.31, -41.27

 

CMYK 0 / 71 / 5 / 32

HEX #AD32A4

RGB 173 50 164

HSL 304.39, 0.55%, 0.44%

LAB 44.01, 62.01, -35.43

 

CMYK 0 / 55 / 4 / 39

HEX #9B4595

RGB 155 69 149

HSL 304.19, 0.38%, 0.44%

LAB 43.35, 46.78, -27.68

 

CMYK 0 / 36 / 3 / 46

HEX #895785

RGB 137 87 133

HSL 304.8, 0.22%, 0.44%

LAB 43.99, 28.35, -17.24

 

CMYK 44 / 93 / 0 / 18

HEX #760ED1

RGB 118 14 209

HSL 272, 0.87%, 0.44%

LAB 35.54, 70.92, -76.02

 

CMYK 19 / 93 / 0 / 18

HEX #AA0ED1

RGB 170 14 209

HSL 288, 0.87%, 0.44%

LAB 43.45, 77.39, -62.76

 

CMYK 0 / 93 / 6 / 18

HEX #D10EC4

RGB 209 14 196

HSL 304, 0.87%, 0.44%

LAB 49.32, 81.6, -45.45

 

CMYK 0 / 93 / 31 / 18

HEX #D10E90

RGB 209 14 144

HSL 320, 0.87%, 0.44%

LAB 46.82, 75.18, -18.56

 

CMYK 0 / 93 / 56 / 18

HEX #D10E5C

RGB 209 14 92

HSL 336, 0.87%, 0.44%

LAB 45.14, 70.67, 11

 

CMYK 0 / 93 / 7 / 48

HEX #84097B

RGB 132 9 123

HSL 304.39, 0.87%, 0.28%

LAB 30.71, 57.5, -31.81

 

CMYK 0 / 94 / 7 / 33

HEX #AB0B9F

RGB 171 11 159

HSL 304.5, 0.88%, 0.36%

LAB 40.25, 69.91, -38.42

 

CMYK 0 / 93 / 7 / 18

HEX #D10EC3

RGB 209 14 195

HSL 304.31, 0.87%, 0.44%

LAB 49.26, 81.46, -44.95

 

CMYK 0 / 89 / 7 / 6

HEX #EF1ADF

RGB 239 26 223

HSL 304.51, 0.87%, 0.52%

LAB 56.5, 89.18, -49.18

 

CMYK 0 / 73 / 5 / 5

HEX #F141E4

RGB 241 65 228

HSL 304.43, 0.86%, 0.6%

LAB 59.96, 81.95, -46.49

 

CMYK 0 / 93 / 7 / 18

HEX #D00FC2

RGB 208 15 194

HSL 304.35, 0.87%, 0.44%

LAB 49.06, 81.05, -44.7

 

CMYK 0 / 68 / 93 / 18

HEX #D1420E

RGB 209 66 14

HSL 16, 0.87%, 0.44%

LAB 48.86, 54.38, 56.57

 

CMYK 93 / 0 / 31 / 18

HEX #0ED190

RGB 14 209 144

HSL 160, 0.87%, 0.44%

LAB 74.64, -57.94, 20.43

 

CMYK 0 / 93 / 7 / 18

HEX #D00FC2

RGB 208 15 194

HSL 304.35, 0.87%, 0.44%

LAB 49.06, 81.05, -44.7

 

CMYK 6 / 0 / 93 / 18

HEX #C4D10E

RGB 196 209 14

HSL 64, 0.87%, 0.44%

LAB 80.39, -23.91, 78.8

 

CMYK 93 / 6 / 0 / 18

HEX #0EC4D1

RGB 14 196 209

HSL 184, 0.87%, 0.44%

LAB 72.35, -35.05, -17.95

 

CMYK 0 / 93 / 7 / 18

HEX #D00FC2

RGB 208 15 194

HSL 304.35, 0.87%, 0.44%

LAB 49.06, 81.05, -44.7

 

CMYK 0 / 68 / 93 / 18

HEX #D1420E

RGB 209 66 14

HSL 16, 0.87%, 0.44%

LAB 48.86, 54.38, 56.57

 

CMYK 93 / 0 / 87 / 18

HEX #0ED11B

RGB 14 209 27

HSL 124, 0.87%, 0.44%

LAB 73.4, -72.95, 68.16

 

CMYK 93 / 25 / 0 / 18

HEX #0E9DD1

RGB 14 157 209

HSL 196, 0.87%, 0.44%

LAB 60.61, -15.32, -35.99

 

CMYK 0 / 93 / 7 / 18

HEX #D00FC2

RGB 208 15 194

HSL 304.35, 0.87%, 0.44%

LAB 49.06, 81.05, -44.7

 

CMYK 0 / 40 / 93 / 18

HEX #D17D0E

RGB 209 125 14

HSL 34.15, 0.87%, 0.44%

LAB 60.12, 25.82, 64.24

 

CMYK 93 / 0 / 87 / 18

HEX #0ED11B

RGB 14 209 27

HSL 124, 0.87%, 0.44%

LAB 73.4, -72.95, 68.16

 

CMYK 93 / 53 / 0 / 18

HEX #0E63D1

RGB 14 99 209

HSL 213.85, 0.87%, 0.44%

LAB 43.68, 19.69, -62.96

 

Description

Color code: HEX #D00FC2 | qconv.com Color code: HEX #D00FC2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 15 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 15 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 7 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 7% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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