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Color name
HEX #D0146C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0146C it is the complementary color #2FEB93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0146C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0146C shade: #D51467, #E6267A, #F7388D, #FF4AA0 and #FF5CB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0146C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0146C shade: #D0146C, #BF0259, #AE0046, #9D0033 and #8C0020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0146C shade: #D0146C, #D0143A and #D01414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0146C shade: #D0146C, #D0149F, #CF14D0, #9C14D0 and #6914D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0146C shade matches the following richer shades: #D0146C and #E3026B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0146C shade: #D0146C, #BE276D, #AB396F, #994C70 and #865E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0146C shade: #CD14D0, #D014A1, #D0146F, #D0143D and #D01E14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0146C shade: #850D45, #AB1059, #D0146C, #E92581 and #ED4A96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0146C shade: #D0146C, #D09B14 and #14BAD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0146C shade: #D0146C, #6FD014 and #146FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0146C shade: #D0146C, #D09B14, #14D075 and #1449D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0146C shade: #D0146C, #CDD014, #14D075 and #1714D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

Complementary color

CMYK 80 / 0 / 37 / 8

HEX #2FEB93

RGB 47 235 147

HSL 151.91, 0.82%, 0.55%

LAB 82.98, -64.39, 30.23

 

CMYK 0 / 91 / 52 / 16

HEX #D51467

RGB 213 20 103

HSL 334.2, 0.83%, 0.46%

LAB 46.48, 71.65, 6.16

 

CMYK 0 / 83 / 47 / 10

HEX #E6267A

RGB 230 38 122

HSL 333.75, 0.79%, 0.53%

LAB 51.4, 74.04, 2.03

 

CMYK 0 / 77 / 43 / 3

HEX #F7388D

RGB 247 56 141

HSL 333.3, 0.92%, 0.59%

LAB 56.61, 75.51, -1.36

 

CMYK 0 / 71 / 37 / 0

HEX #FF4AA0

RGB 255 74 160

HSL 331.49, 1%, 0.65%

LAB 60.51, 73.93, -6.58

 

CMYK 0 / 64 / 30 / 0

HEX #FF5CB3

RGB 255 92 179

HSL 327.98, 1%, 0.68%

LAB 63.48, 69.47, -13.09

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 99 / 53 / 25

HEX #BF0259

RGB 191 2 89

HSL 332.38, 0.98%, 0.38%

LAB 40.96, 67.45, 6.47

 

CMYK 0 / 100 / 60 / 32

HEX #AE0046

RGB 174 0 70

HSL 335.86, 1%, 0.34%

LAB 36.82, 62.41, 12.35

 

CMYK 0 / 100 / 68 / 38

HEX #9D0033

RGB 157 0 51

HSL 340.51, 1%, 0.31%

LAB 32.72, 57.19, 18.65

 

CMYK 0 / 100 / 77 / 45

HEX #8C0020

RGB 140 0 32

HSL 346.29, 1%, 0.27%

LAB 28.59, 52.02, 25.19

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 90 / 72 / 18

HEX #D0143A

RGB 208 20 58

HSL 347.87, 0.82%, 0.45%

LAB 44.54, 67.84, 31.25

 

CMYK 0 / 90 / 90 / 18

HEX #D01414

RGB 208 20 20

HSL 0, 0.82%, 0.45%

LAB 44.18, 66.8, 51.29

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 90 / 24 / 18

HEX #D0149F

RGB 208 20 159

HSL 315.64, 0.82%, 0.45%

LAB 47.51, 75.95, -26.52

 

CMYK 0 / 90 / 0 / 18

HEX #CF14D0

RGB 207 20 208

HSL 299.68, 0.82%, 0.45%

LAB 49.88, 82.31, -51.5

 

CMYK 25 / 90 / 0 / 18

HEX #9C14D0

RGB 156 20 208

HSL 283.4, 0.82%, 0.45%

LAB 41.41, 74.37, -65.6

 

CMYK 50 / 90 / 0 / 18

HEX #6914D0

RGB 105 20 208

HSL 267.13, 0.82%, 0.45%

LAB 34.1, 68.28, -77.87

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 99 / 53 / 11

HEX #E3026B

RGB 227 2 107

HSL 332, 0.98%, 0.45%

LAB 48.8, 76.83, 7.38

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 79 / 43 / 25

HEX #BE276D

RGB 190 39 109

HSL 332.19, 0.66%, 0.45%

LAB 43.51, 62.65, -2.43

 

CMYK 0 / 67 / 35 / 33

HEX #AB396F

RGB 171 57 111

HSL 331.58, 0.5%, 0.45%

LAB 42.36, 51.34, -5.76

 

CMYK 0 / 50 / 27 / 40

HEX #994C70

RGB 153 76 112

HSL 331.95, 0.34%, 0.45%

LAB 42.93, 36.52, -5.83

 

CMYK 0 / 30 / 16 / 47

HEX #865E71

RGB 134 94 113

HSL 331.5, 0.18%, 0.45%

LAB 44.61, 19.43, -4.22

 

CMYK 1 / 90 / 0 / 18

HEX #CD14D0

RGB 205 20 208

HSL 299.04, 0.82%, 0.45%

LAB 49.54, 81.98, -52.07

 

CMYK 0 / 90 / 23 / 18

HEX #D014A1

RGB 208 20 161

HSL 315, 0.82%, 0.45%

LAB 47.6, 76.19, -27.57

 

CMYK 0 / 90 / 47 / 18

HEX #D0146F

RGB 208 20 111

HSL 330.96, 0.82%, 0.45%

LAB 45.71, 71.11, -0.03

 

CMYK 0 / 90 / 71 / 18

HEX #D0143D

RGB 208 20 61

HSL 346.91, 0.82%, 0.45%

LAB 44.59, 67.97, 29.48

 

CMYK 0 / 86 / 90 / 18

HEX #D01E14

RGB 208 30 20

HSL 3.19, 0.82%, 0.45%

LAB 44.79, 65.06, 51.71

 

CMYK 0 / 90 / 48 / 48

HEX #850D45

RGB 133 13 69

HSL 332, 0.82%, 0.29%

LAB 28.65, 50.38, 0.22

 

CMYK 0 / 91 / 48 / 33

HEX #AB1059

RGB 171 16 89

HSL 331.74, 0.83%, 0.37%

LAB 37.39, 61.11, 0.8

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 84 / 45 / 9

HEX #E92581

RGB 233 37 129

HSL 331.84, 0.82%, 0.53%

LAB 52.1, 75.55, -1.11

 

CMYK 0 / 69 / 37 / 7

HEX #ED4A96

RGB 237 74 150

HSL 332.02, 0.82%, 0.61%

LAB 57.18, 68.06, -6.02

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 25 / 90 / 18

HEX #D09B14

RGB 208 155 20

HSL 43.09, 0.82%, 0.45%

LAB 67.2, 9.25, 68.25

 

CMYK 90 / 11 / 0 / 18

HEX #14BAD0

RGB 20 186 208

HSL 187.02, 0.82%, 0.45%

LAB 69.34, -30.35, -21.97

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 47 / 0 / 90 / 18

HEX #6FD014

RGB 111 208 20

HSL 90.96, 0.82%, 0.45%

LAB 75.17, -55.43, 71.74

 

CMYK 90 / 47 / 0 / 18

HEX #146FD0

RGB 20 111 208

HSL 210.96, 0.82%, 0.45%

LAB 47.07, 11.83, -56.91

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 25 / 90 / 18

HEX #D09B14

RGB 208 155 20

HSL 43.09, 0.82%, 0.45%

LAB 67.2, 9.25, 68.25

 

CMYK 90 / 0 / 44 / 18

HEX #14D075

RGB 20 208 117

HSL 150.96, 0.82%, 0.45%

LAB 73.9, -62.69, 33.45

 

CMYK 90 / 65 / 0 / 18

HEX #1449D0

RGB 20 73 208

HSL 223.09, 0.82%, 0.45%

LAB 36.87, 36.52, -73.5

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 1 / 0 / 90 / 18

HEX #CDD014

RGB 205 208 20

HSL 60.96, 0.82%, 0.45%

LAB 80.82, -19.53, 78.65

 

CMYK 90 / 0 / 44 / 18

HEX #14D075

RGB 20 208 117

HSL 150.96, 0.82%, 0.45%

LAB 73.9, -62.69, 33.45

 

CMYK 89 / 90 / 0 / 18

HEX #1714D0

RGB 23 20 208

HSL 240.96, 0.82%, 0.45%

LAB 27.4, 63.69, -89.19

 

Description

Color code: HEX #D0146C | qconv.com Color code: HEX #D0146C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 20 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 20 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 48 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 48% 18% C M Y K

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