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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D014AB it is the complementary color #2FEB54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D014AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D014AB shade: #D514A6, #E626B9, #F738CC, #FF4ADF and #FF5CF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D014AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D014AB shade: #D014AB, #BF0298, #AE0085, #9D0072 and #8C005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D014AB shade: #D014AB, #D01479, #D01446 and #D01414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D014AB shade: #D014AB, #C314D0, #9014D0, #5D14D0 and #2A14D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D014AB shade matches the following richer shades: #D014AB and #E302B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D014AB shade: #D014AB, #BE27A0, #AB3995, #994C8A and #865E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D014AB shade: #8E14D0, #C114D0, #D014AE, #D0147C and #D01449

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D014AB shade: #850D6E, #AB108C, #D014AB, #E925C2 and #ED4ACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D014AB shade: #D014AB, #D05C14 and #14D0A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D014AB shade: #D014AB, #AED014 and #14AED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D014AB shade: #D014AB, #D05C14, #14D037 and #1488D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D014AB shade: #D014AB, #D09514, #14D037 and #1450D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

Complementary color

CMYK 80 / 0 / 64 / 8

HEX #2FEB54

RGB 47 235 84

HSL 131.81, 0.82%, 0.55%

LAB 82.2, -73.69, 58.76

 

CMYK 0 / 91 / 22 / 16

HEX #D514A6

RGB 213 20 166

HSL 314.61, 0.83%, 0.46%

LAB 48.76, 77.78, -28.68

 

CMYK 0 / 83 / 20 / 10

HEX #E626B9

RGB 230 38 185

HSL 314.06, 0.79%, 0.53%

LAB 53.72, 80.57, -31.87

 

CMYK 0 / 77 / 17 / 3

HEX #F738CC

RGB 247 56 204

HSL 313.51, 0.92%, 0.59%

LAB 58.94, 82.41, -34.45

 

CMYK 0 / 71 / 13 / 0

HEX #FF4ADF

RGB 255 74 223

HSL 310.61, 1%, 0.65%

LAB 62.92, 81.52, -38.89

 

CMYK 0 / 64 / 5 / 0

HEX #FF5CF2

RGB 255 92 242

HSL 304.79, 1%, 0.68%

LAB 66, 78.06, -44.63

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 0 / 99 / 20 / 25

HEX #BF0298

RGB 191 2 152

HSL 312.38, 0.98%, 0.38%

LAB 43.34, 73.62, -29.06

 

CMYK 0 / 100 / 24 / 32

HEX #AE0085

RGB 174 0 133

HSL 314.14, 1%, 0.34%

LAB 39.06, 68.23, -24.38

 

CMYK 0 / 100 / 27 / 38

HEX #9D0072

RGB 157 0 114

HSL 316.43, 1%, 0.31%

LAB 34.77, 62.56, -19.41

 

CMYK 0 / 100 / 32 / 45

HEX #8C005F

RGB 140 0 95

HSL 319.29, 1%, 0.27%

LAB 30.4, 56.81, -14.21

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 0 / 90 / 42 / 18

HEX #D01479

RGB 208 20 121

HSL 327.77, 0.82%, 0.45%

LAB 46.03, 71.98, -5.74

 

CMYK 0 / 90 / 66 / 18

HEX #D01446

RGB 208 20 70

HSL 344.04, 0.82%, 0.45%

LAB 44.73, 68.39, 24.13

 

CMYK 0 / 90 / 90 / 18

HEX #D01414

RGB 208 20 20

HSL 0, 0.82%, 0.45%

LAB 44.18, 66.8, 51.29

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 6 / 90 / 0 / 18

HEX #C314D0

RGB 195 20 208

HSL 295.85, 0.82%, 0.45%

LAB 47.82, 80.32, -54.91

 

CMYK 31 / 90 / 0 / 18

HEX #9014D0

RGB 144 20 208

HSL 279.57, 0.82%, 0.45%

LAB 39.55, 72.74, -68.71

 

CMYK 55 / 90 / 0 / 18

HEX #5D14D0

RGB 93 20 208

HSL 263.3, 0.82%, 0.45%

LAB 32.66, 67.19, -80.3

 

CMYK 80 / 90 / 0 / 18

HEX #2A14D0

RGB 42 20 208

HSL 247.02, 0.82%, 0.45%

LAB 28.24, 64.2, -87.77

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 0 / 99 / 19 / 11

HEX #E302B7

RGB 227 2 183

HSL 311.73, 0.98%, 0.45%

LAB 51.6, 84.08, -34.06

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 0 / 79 / 16 / 25

HEX #BE27A0

RGB 190 39 160

HSL 311.92, 0.66%, 0.45%

LAB 45.55, 68.61, -30.43

 

CMYK 0 / 67 / 13 / 33

HEX #AB3995

RGB 171 57 149

HSL 311.58, 0.5%, 0.45%

LAB 43.88, 56.53, -26.67

 

CMYK 0 / 50 / 10 / 40

HEX #994C8A

RGB 153 76 138

HSL 311.69, 0.34%, 0.45%

LAB 43.91, 40.68, -20.2

 

CMYK 0 / 30 / 6 / 47

HEX #865E7E

RGB 134 94 126

HSL 312, 0.18%, 0.45%

LAB 45.05, 21.83, -11.42

 

CMYK 32 / 90 / 0 / 18

HEX #8E14D0

RGB 142 20 208

HSL 278.94, 0.82%, 0.45%

LAB 39.25, 72.48, -69.22

 

CMYK 7 / 90 / 0 / 18

HEX #C114D0

RGB 193 20 208

HSL 295.21, 0.82%, 0.45%

LAB 47.48, 80, -55.48

 

CMYK 0 / 90 / 16 / 18

HEX #D014AE

RGB 208 20 174

HSL 310.85, 0.82%, 0.45%

LAB 48.22, 77.8, -34.33

 

CMYK 0 / 90 / 40 / 18

HEX #D0147C

RGB 208 20 124

HSL 326.81, 0.82%, 0.45%

LAB 46.13, 72.25, -7.43

 

CMYK 0 / 90 / 65 / 18

HEX #D01449

RGB 208 20 73

HSL 343.09, 0.82%, 0.45%

LAB 44.79, 68.54, 22.34

 

CMYK 0 / 90 / 17 / 48

HEX #850D6E

RGB 133 13 110

HSL 311.5, 0.82%, 0.29%

LAB 30.4, 55.15, -24.03

 

CMYK 0 / 91 / 18 / 33

HEX #AB108C

RGB 171 16 140

HSL 312, 0.83%, 0.37%

LAB 39.45, 66.65, -28.12

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 0 / 84 / 17 / 9

HEX #E925C2

RGB 233 37 194

HSL 311.94, 0.82%, 0.53%

LAB 54.6, 82.5, -35.68

 

CMYK 0 / 69 / 14 / 7

HEX #ED4ACD

RGB 237 74 205

HSL 311.78, 0.82%, 0.61%

LAB 59.26, 74.86, -34.64

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 0 / 56 / 90 / 18

HEX #D05C14

RGB 208 92 20

HSL 22.98, 0.82%, 0.45%

LAB 53.07, 42.57, 57.65

 

CMYK 90 / 0 / 19 / 18

HEX #14D0A8

RGB 20 208 168

HSL 167.23, 0.82%, 0.45%

LAB 74.88, -51.62, 7.99

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 16 / 0 / 90 / 18

HEX #AED014

RGB 174 208 20

HSL 70.85, 0.82%, 0.45%

LAB 78.56, -32.44, 75.9

 

CMYK 90 / 16 / 0 / 18

HEX #14AED0

RGB 20 174 208

HSL 190.85, 0.82%, 0.45%

LAB 65.73, -24.37, -27.5

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 0 / 56 / 90 / 18

HEX #D05C14

RGB 208 92 20

HSL 22.98, 0.82%, 0.45%

LAB 53.07, 42.57, 57.65

 

CMYK 90 / 0 / 74 / 18

HEX #14D037

RGB 20 208 55

HSL 131.17, 0.82%, 0.45%

LAB 73.24, -70.7, 60.26

 

CMYK 90 / 35 / 0 / 18

HEX #1488D0

RGB 20 136 208

HSL 202.98, 0.82%, 0.45%

LAB 54.36, -3.51, -45.27

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 0 / 28 / 90 / 18

HEX #D09514

RGB 208 149 20

HSL 41.17, 0.82%, 0.45%

LAB 65.71, 12.49, 67.11

 

CMYK 90 / 0 / 74 / 18

HEX #14D037

RGB 20 208 55

HSL 131.17, 0.82%, 0.45%

LAB 73.24, -70.7, 60.26

 

CMYK 90 / 62 / 0 / 18

HEX #1450D0

RGB 20 80 208

HSL 220.85, 0.82%, 0.45%

LAB 38.62, 31.99, -70.63

 

Description

Color code: HEX #D014AB | qconv.com Color code: HEX #D014AB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 20 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 20 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 18 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 18% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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