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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D016C9 it is the complementary color #2FE936. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D016C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D016C9 shade: #D516C4, #E628D7, #F73AEA, #FF4CFD and #FF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D016C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D016C9 shade: #D016C9, #BF04B6, #AE00A3, #9D0090 and #8C007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D016C9 shade: #CF15C8, #CF1596, #CF1564, #CF1532 and #CF1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D016C9 shade: #CF15C8, #A415CF, #7215CF, #4015CF and #1515CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D016C9 shade matches the following richer shades: #CF15C8 and #E203D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D016C9 shade: #CF15C8, #BD28B7, #AA3AA6, #974D95 and #856084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D016C9 shade: #7215CF, #A415CF, #CF15C9, #CF1597 and #CF1566

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D016C9 shade: #850D80, #AA11A4, #CF15C8, #E826E0 and #EC4BE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D016C9 shade: #D016C9, #CF4115 and #15CF8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D016C9 shade: #D016C9, #C9CF15 and #15C9CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D016C9 shade: #D016C9, #CF4115, #15CF1B and #15A4CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D016C9 shade: #D016C9, #CF7815, #15CF1B and #156CCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 3 / 18

HEX #D016C9

RGB 208 22 201

HSL 302.26, 0.81%, 0.45%

LAB 49.74, 81.21, -47.69

 

Complementary color

CMYK 80 / 0 / 77 / 9

HEX #2FE936

RGB 47 233 54

HSL 122.26, 0.81%, 0.55%

LAB 81.37, -75.62, 68.72

 

CMYK 0 / 90 / 8 / 16

HEX #D516C4

RGB 213 22 196

HSL 305.34, 0.81%, 0.46%

LAB 50.34, 81.39, -43.78

 

CMYK 0 / 83 / 7 / 10

HEX #E628D7

RGB 230 40 215

HSL 304.74, 0.79%, 0.53%

LAB 55.33, 84.15, -46.6

 

CMYK 0 / 77 / 5 / 3

HEX #F73AEA

RGB 247 58 234

HSL 304.13, 0.92%, 0.6%

LAB 60.55, 85.99, -48.86

 

CMYK 0 / 70 / 1 / 0

HEX #FF4CFD

RGB 255 76 253

HSL 300.67, 1%, 0.65%

LAB 64.58, 85.26, -52.95

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 89 / 3 / 18

HEX #D016C9

RGB 208 22 201

HSL 302.26, 0.81%, 0.45%

LAB 49.74, 81.21, -47.69

 

CMYK 0 / 98 / 5 / 25

HEX #BF04B6

RGB 191 4 182

HSL 302.89, 0.96%, 0.38%

LAB 45, 77.41, -44.34

 

CMYK 0 / 100 / 6 / 32

HEX #AE00A3

RGB 174 0 163

HSL 303.79, 1%, 0.34%

LAB 40.64, 72.17, -40.16

 

CMYK 0 / 100 / 8 / 38

HEX #9D0090

RGB 157 0 144

HSL 304.97, 1%, 0.31%

LAB 36.33, 66.47, -35.67

 

CMYK 0 / 100 / 11 / 45

HEX #8C007D

RGB 140 0 125

HSL 306.43, 1%, 0.27%

LAB 31.93, 60.66, -31.04

 

CMYK 0 / 90 / 3 / 19

HEX #CF15C8

RGB 207 21 200

HSL 302.26, 0.82%, 0.45%

LAB 49.46, 81.02, -47.56

 

CMYK 0 / 90 / 28 / 19

HEX #CF1596

RGB 207 21 150

HSL 318.39, 0.82%, 0.45%

LAB 46.98, 74.57, -21.96

 

CMYK 0 / 90 / 52 / 19

HEX #CF1564

RGB 207 21 100

HSL 334.52, 0.82%, 0.45%

LAB 45.25, 69.87, 6.11

 

CMYK 0 / 90 / 76 / 19

HEX #CF1532

RGB 207 21 50

HSL 350.65, 0.82%, 0.45%

LAB 44.28, 67.13, 35.69

 

CMYK 0 / 90 / 90 / 19

HEX #CF1515

RGB 207 21 21

HSL 0, 0.82%, 0.45%

LAB 44.03, 66.41, 50.67

 

CMYK 0 / 90 / 3 / 19

HEX #CF15C8

RGB 207 21 200

HSL 302.26, 0.82%, 0.45%

LAB 49.46, 81.02, -47.56

 

CMYK 21 / 90 / 0 / 19

HEX #A415CF

RGB 164 21 207

HSL 286.13, 0.82%, 0.45%

LAB 42.66, 75.18, -62.93

 

CMYK 45 / 90 / 0 / 19

HEX #7215CF

RGB 114 21 207

HSL 270, 0.82%, 0.45%

LAB 35.24, 68.75, -75.37

 

CMYK 69 / 90 / 0 / 19

HEX #4015CF

RGB 64 21 207

HSL 253.87, 0.82%, 0.45%

LAB 29.74, 64.65, -84.64

 

CMYK 90 / 90 / 0 / 19

HEX #1515CF

RGB 21 21 207

HSL 240, 0.82%, 0.45%

LAB 27.3, 63.08, -88.78

 

CMYK 0 / 90 / 3 / 19

HEX #CF15C8

RGB 207 21 200

HSL 302.26, 0.82%, 0.45%

LAB 49.46, 81.02, -47.56

 

CMYK 0 / 99 / 4 / 11

HEX #E203D9

RGB 226 3 217

HSL 302.42, 0.97%, 0.45%

LAB 53.22, 88.22, -51.14

 

CMYK 0 / 90 / 3 / 19

HEX #CF15C8

RGB 207 21 200

HSL 302.26, 0.82%, 0.45%

LAB 49.46, 81.02, -47.56

 

CMYK 0 / 79 / 3 / 26

HEX #BD28B7

RGB 189 40 183

HSL 302.42, 0.65%, 0.45%

LAB 46.65, 71.48, -42.32

 

CMYK 0 / 66 / 2 / 33

HEX #AA3AA6

RGB 170 58 166

HSL 302.14, 0.49%, 0.45%

LAB 44.7, 58.63, -35.57

 

CMYK 0 / 49 / 1 / 41

HEX #974D95

RGB 151 77 149

HSL 301.62, 0.32%, 0.45%

LAB 44.31, 41.53, -26.22

 

CMYK 0 / 28 / 1 / 48

HEX #856084

RGB 133 96 132

HSL 301.62, 0.16%, 0.45%

LAB 45.66, 21.47, -14.13

 

CMYK 45 / 90 / 0 / 19

HEX #7215CF

RGB 114 21 207

HSL 270, 0.82%, 0.45%

LAB 35.24, 68.75, -75.37

 

CMYK 21 / 90 / 0 / 19

HEX #A415CF

RGB 164 21 207

HSL 286.13, 0.82%, 0.45%

LAB 42.66, 75.18, -62.93

 

CMYK 0 / 90 / 3 / 19

HEX #CF15C9

RGB 207 21 201

HSL 301.94, 0.82%, 0.45%

LAB 49.52, 81.16, -48.05

 

CMYK 0 / 90 / 27 / 19

HEX #CF1597

RGB 207 21 151

HSL 318.06, 0.82%, 0.45%

LAB 47.02, 74.68, -22.5

 

CMYK 0 / 90 / 51 / 19

HEX #CF1566

RGB 207 21 102

HSL 333.87, 0.82%, 0.45%

LAB 45.31, 70.02, 4.94

 

CMYK 0 / 90 / 4 / 48

HEX #850D80

RGB 133 13 128

HSL 302.5, 0.82%, 0.29%

LAB 31.42, 57.83, -33.82

 

CMYK 0 / 90 / 4 / 33

HEX #AA11A4

RGB 170 17 164

HSL 302.35, 0.82%, 0.37%

LAB 40.62, 69.68, -40.84

 

CMYK 0 / 90 / 3 / 19

HEX #CF15C8

RGB 207 21 200

HSL 302.26, 0.82%, 0.45%

LAB 49.46, 81.02, -47.56

 

CMYK 0 / 84 / 3 / 9

HEX #E826E0

RGB 232 38 224

HSL 302.47, 0.81%, 0.53%

LAB 56.01, 86.19, -50.6

 

CMYK 0 / 68 / 3 / 7

HEX #EC4BE6

RGB 236 75 230

HSL 302.24, 0.81%, 0.61%

LAB 60.41, 77.99, -46.96

 

CMYK 0 / 89 / 3 / 18

HEX #D016C9

RGB 208 22 201

HSL 302.26, 0.81%, 0.45%

LAB 49.74, 81.21, -47.69

 

CMYK 0 / 69 / 90 / 19

HEX #CF4115

RGB 207 65 21

HSL 14.19, 0.82%, 0.45%

LAB 48.39, 54.2, 53.81

 

CMYK 90 / 0 / 33 / 19

HEX #15CF8B

RGB 21 207 139

HSL 158.06, 0.82%, 0.45%

LAB 73.96, -57.95, 22.15

 

CMYK 0 / 89 / 3 / 18

HEX #D016C9

RGB 208 22 201

HSL 302.26, 0.81%, 0.45%

LAB 49.74, 81.21, -47.69

 

CMYK 3 / 0 / 90 / 19

HEX #C9CF15

RGB 201 207 21

HSL 61.94, 0.82%, 0.45%

LAB 80.23, -20.72, 77.91

 

CMYK 90 / 3 / 0 / 19

HEX #15C9CF

RGB 21 201 207

HSL 181.94, 0.82%, 0.45%

LAB 73.83, -37.7, -14.63

 

CMYK 0 / 89 / 3 / 18

HEX #D016C9

RGB 208 22 201

HSL 302.26, 0.81%, 0.45%

LAB 49.74, 81.21, -47.69

 

CMYK 0 / 69 / 90 / 19

HEX #CF4115

RGB 207 65 21

HSL 14.19, 0.82%, 0.45%

LAB 48.39, 54.2, 53.81

 

CMYK 90 / 0 / 87 / 19

HEX #15CF1B

RGB 21 207 27

HSL 121.94, 0.82%, 0.45%

LAB 72.8, -72.01, 67.65

 

CMYK 90 / 21 / 0 / 19

HEX #15A4CF

RGB 21 164 207

HSL 193.87, 0.82%, 0.45%

LAB 62.69, -19.47, -31.64

 

CMYK 0 / 89 / 3 / 18

HEX #D016C9

RGB 208 22 201

HSL 302.26, 0.81%, 0.45%

LAB 49.74, 81.21, -47.69

 

CMYK 0 / 42 / 90 / 19

HEX #CF7815

RGB 207 120 21

HSL 31.94, 0.82%, 0.45%

LAB 58.74, 27.76, 61.53

 

CMYK 90 / 0 / 87 / 19

HEX #15CF1B

RGB 21 207 27

HSL 121.94, 0.82%, 0.45%

LAB 72.8, -72.01, 67.65

 

CMYK 90 / 48 / 0 / 19

HEX #156CCF

RGB 21 108 207

HSL 211.94, 0.82%, 0.45%

LAB 46.16, 13.4, -57.8

 

Description

Color code: HEX #D016C9 | qconv.com Color code: HEX #D016C9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 22 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 22 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 3 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 3% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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