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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D02E5B it is the complementary color #2FD1A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D02E5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D02E5B shade: #D52E56, #E64069, #F7527C, #FF648F and #FF76A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D02E5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D02E5B shade: #D02E5B, #BF1C48, #AE0A35, #9D0022 and #8C000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D02E5B shade: #D12D5B, #D12D2F and #D12D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D02E5B shade: #D12D5B, #D12D87, #D12DB3, #C22DD1 and #962DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D02E5B shade matches the following richer shades: #D12D5B, #E51952 and #FA0448

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D02E5B shade: #D12D5B, #BC4264, #A7576D, #936B76 and #7E807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D02E5B shade: #D12DB3, #D12D87, #D12D5C, #D12D30 and #D1562D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D02E5B shade: #8D1F3D, #AF264C, #D12D5B, #D84F75 and #DF7190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D02E5B shade: #D02E5B, #D1C32D and #2D9DD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D02E5B shade: #D02E5B, #5CD12D and #2D5CD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D02E5B shade: #D02E5B, #D1C32D, #2DD1A2 and #2D3BD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D02E5B shade: #D02E5B, #ADD12D, #2DD1A2 and #512DD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 56 / 18

HEX #D02E5B

RGB 208 46 91

HSL 343.33, 0.64%, 0.5%

LAB 47.13, 64.02, 14.34

 

Complementary color

CMYK 78 / 0 / 22 / 18

HEX #2FD1A4

RGB 47 209 164

HSL 163.33, 0.64%, 0.5%

LAB 75.38, -50.92, 10.88

 

CMYK 0 / 78 / 60 / 16

HEX #D52E56

RGB 213 46 86

HSL 345.63, 0.67%, 0.51%

LAB 47.97, 65.06, 18.71

 

CMYK 0 / 72 / 54 / 10

HEX #E64069

RGB 230 64 105

HSL 345.18, 0.77%, 0.58%

LAB 53.5, 65.55, 15.26

 

CMYK 0 / 67 / 50 / 3

HEX #F7527C

RGB 247 82 124

HSL 344.73, 0.91%, 0.65%

LAB 59.22, 65.52, 12.4

 

CMYK 0 / 61 / 44 / 0

HEX #FF648F

RGB 255 100 143

HSL 343.35, 1%, 0.7%

LAB 63.64, 62.38, 7.81

 

CMYK 0 / 54 / 36 / 0

HEX #FF76A2

RGB 255 118 162

HSL 340.73, 1%, 0.73%

LAB 67.15, 56.34, 2.01

 

CMYK 0 / 78 / 56 / 18

HEX #D02E5B

RGB 208 46 91

HSL 343.33, 0.64%, 0.5%

LAB 47.13, 64.02, 14.34

 

CMYK 0 / 85 / 62 / 25

HEX #BF1C48

RGB 191 28 72

HSL 343.8, 0.74%, 0.43%

LAB 41.81, 62.73, 18.4

 

CMYK 0 / 94 / 70 / 32

HEX #AE0A35

RGB 174 10 53

HSL 344.27, 0.89%, 0.36%

LAB 36.88, 60.3, 23.4

 

CMYK 0 / 100 / 78 / 38

HEX #9D0022

RGB 157 0 34

HSL 347.01, 1%, 0.31%

LAB 32.44, 56.46, 29.29

 

CMYK 0 / 100 / 89 / 45

HEX #8C000F

RGB 140 0 15

HSL 353.57, 1%, 0.27%

LAB 28.41, 51.53, 35.24

 

CMYK 0 / 78 / 56 / 18

HEX #D12D5B

RGB 209 45 91

HSL 343.17, 0.65%, 0.5%

LAB 47.22, 64.58, 14.5

 

CMYK 0 / 78 / 78 / 18

HEX #D12D2F

RGB 209 45 47

HSL 359.27, 0.65%, 0.5%

LAB 46.5, 62.31, 39.93

 

CMYK 0 / 78 / 78 / 18

HEX #D12D2D

RGB 209 45 45

HSL 0, 0.65%, 0.5%

LAB 46.47, 62.24, 41.02

 

CMYK 0 / 78 / 56 / 18

HEX #D12D5B

RGB 209 45 91

HSL 343.17, 0.65%, 0.5%

LAB 47.22, 64.58, 14.5

 

CMYK 0 / 78 / 35 / 18

HEX #D12D87

RGB 209 45 135

HSL 327.07, 0.65%, 0.5%

LAB 48.49, 68.44, -10.58

 

CMYK 0 / 78 / 14 / 18

HEX #D12DB3

RGB 209 45 179

HSL 310.98, 0.65%, 0.5%

LAB 50.32, 73.78, -33.96

 

CMYK 7 / 78 / 0 / 18

HEX #C22DD1

RGB 194 45 209

HSL 294.51, 0.65%, 0.5%

LAB 49.43, 75.29, -52.91

 

CMYK 28 / 78 / 0 / 18

HEX #962DD1

RGB 150 45 209

HSL 278.41, 0.65%, 0.5%

LAB 42.71, 67.41, -64.11

 

CMYK 0 / 78 / 56 / 18

HEX #D12D5B

RGB 209 45 91

HSL 343.17, 0.65%, 0.5%

LAB 47.22, 64.58, 14.5

 

CMYK 0 / 89 / 64 / 10

HEX #E51952

RGB 229 25 82

HSL 343.24, 0.8%, 0.5%

LAB 49.45, 73.46, 23.68

 

CMYK 0 / 98 / 71 / 2

HEX #FA0448

RGB 250 4 72

HSL 343.41, 0.97%, 0.5%

LAB 52.82, 80.05, 34.82

 

CMYK 0 / 78 / 56 / 18

HEX #D12D5B

RGB 209 45 91

HSL 343.17, 0.65%, 0.5%

LAB 47.22, 64.58, 14.5

 

CMYK 0 / 65 / 47 / 26

HEX #BC4264

RGB 188 66 100

HSL 343.28, 0.48%, 0.5%

LAB 46.32, 51.68, 7.15

 

CMYK 0 / 48 / 35 / 35

HEX #A7576D

RGB 167 87 109

HSL 343.5, 0.31%, 0.5%

LAB 47.15, 35.27, 2.43

 

CMYK 0 / 27 / 20 / 42

HEX #936B76

RGB 147 107 118

HSL 343.5, 0.16%, 0.5%

LAB 49.53, 17.7, 0.18

 

CMYK 2 / 0 / 1 / 50

HEX #7E807F

RGB 126 128 127

HSL 150, 0.01%, 0.5%

LAB 53.39, -0.94, 0.27

 

CMYK 0 / 78 / 14 / 18

HEX #D12DB3

RGB 209 45 179

HSL 310.98, 0.65%, 0.5%

LAB 50.32, 73.78, -33.96

 

CMYK 0 / 78 / 35 / 18

HEX #D12D87

RGB 209 45 135

HSL 327.07, 0.65%, 0.5%

LAB 48.49, 68.44, -10.58

 

CMYK 0 / 78 / 56 / 18

HEX #D12D5C

RGB 209 45 92

HSL 342.8, 0.65%, 0.5%

LAB 47.24, 64.65, 13.91

 

CMYK 0 / 78 / 77 / 18

HEX #D12D30

RGB 209 45 48

HSL 358.9, 0.65%, 0.5%

LAB 46.51, 62.34, 39.38

 

CMYK 0 / 59 / 78 / 18

HEX #D1562D

RGB 209 86 45

HSL 15, 0.65%, 0.5%

LAB 52.29, 46.46, 46.92

 

CMYK 0 / 78 / 57 / 45

HEX #8D1F3D

RGB 141 31 61

HSL 343.64, 0.64%, 0.34%

LAB 31.76, 47.16, 10.19

 

CMYK 0 / 78 / 57 / 31

HEX #AF264C

RGB 175 38 76

HSL 343.36, 0.64%, 0.42%

LAB 39.62, 56.05, 12.38

 

CMYK 0 / 78 / 56 / 18

HEX #D12D5B

RGB 209 45 91

HSL 343.17, 0.65%, 0.5%

LAB 47.22, 64.58, 14.5

 

CMYK 0 / 63 / 46 / 15

HEX #D84F75

RGB 216 79 117

HSL 343.36, 0.64%, 0.58%

LAB 53.47, 56.64, 7.68

 

CMYK 0 / 49 / 35 / 13

HEX #DF7190

RGB 223 113 144

HSL 343.09, 0.63%, 0.66%

LAB 61.23, 46.03, 3.16

 

CMYK 0 / 78 / 56 / 18

HEX #D02E5B

RGB 208 46 91

HSL 343.33, 0.64%, 0.5%

LAB 47.13, 64.02, 14.34

 

CMYK 0 / 7 / 78 / 18

HEX #D1C32D

RGB 209 195 45

HSL 54.88, 0.65%, 0.5%

LAB 77.74, -10.69, 70.7

 

CMYK 78 / 25 / 0 / 18

HEX #2D9DD1

RGB 45 157 209

HSL 199.02, 0.65%, 0.5%

LAB 61.02, -13.15, -35.32

 

CMYK 0 / 78 / 56 / 18

HEX #D02E5B

RGB 208 46 91

HSL 343.33, 0.64%, 0.5%

LAB 47.13, 64.02, 14.34

 

CMYK 56 / 0 / 78 / 18

HEX #5CD12D

RGB 92 209 45

HSL 102.8, 0.65%, 0.5%

LAB 74.87, -60.21, 65.53

 

CMYK 78 / 56 / 0 / 18

HEX #2D5CD1

RGB 45 92 209

HSL 222.8, 0.65%, 0.5%

LAB 42.48, 26.37, -64.87

 

CMYK 0 / 78 / 56 / 18

HEX #D02E5B

RGB 208 46 91

HSL 343.33, 0.64%, 0.5%

LAB 47.13, 64.02, 14.34

 

CMYK 0 / 7 / 78 / 18

HEX #D1C32D

RGB 209 195 45

HSL 54.88, 0.65%, 0.5%

LAB 77.74, -10.69, 70.7

 

CMYK 78 / 0 / 22 / 18

HEX #2DD1A2

RGB 45 209 162

HSL 162.8, 0.65%, 0.5%

LAB 75.31, -51.61, 11.84

 

CMYK 78 / 72 / 0 / 18

HEX #2D3BD1

RGB 45 59 209

HSL 234.88, 0.65%, 0.5%

LAB 34.58, 47.02, -77.83

 

CMYK 0 / 78 / 56 / 18

HEX #D02E5B

RGB 208 46 91

HSL 343.33, 0.64%, 0.5%

LAB 47.13, 64.02, 14.34

 

CMYK 17 / 0 / 78 / 18

HEX #ADD12D

RGB 173 209 45

HSL 73.17, 0.65%, 0.5%

LAB 78.85, -32.58, 70.67

 

CMYK 78 / 0 / 22 / 18

HEX #2DD1A2

RGB 45 209 162

HSL 162.8, 0.65%, 0.5%

LAB 75.31, -51.61, 11.84

 

CMYK 61 / 78 / 0 / 18

HEX #512DD1

RGB 81 45 209

HSL 253.17, 0.65%, 0.5%

LAB 34.46, 57.67, -77.95

 

Description

Color code: HEX #D02E5B | qconv.com Color code: HEX #D02E5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 46 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 46 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 56 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 56% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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