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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D02E8F it is the complementary color #2FD170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D02E8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D02E8F shade: #D52E8A, #E6409D, #F752B0, #FF64C3 and #FF76D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D02E8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D02E8F shade: #D02E8F, #BF1C7C, #AE0A69, #9D0056 and #8C0043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D02E8F shade: #D12D8F, #D12D63, #D12D37 and #D12D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D02E8F shade: #D12D8F, #D12DBB, #BA2DD1, #8E2DD1 and #622DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D02E8F shade matches the following richer shades: #D12D8F, #E51993 and #FA0497

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D02E8F shade: #D12D8F, #BC428B, #A75787, #936B83 and #7E807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D02E8F shade: #BB2DD1, #D12DBB, #D12D8F, #D12D64 and #D12D38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D02E8F shade: #8D1F61, #AF2678, #D12D8F, #D84FA1 and #DF71B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D02E8F shade: #D02E8F, #D18F2D and #2DD1D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D02E8F shade: #D02E8F, #8FD12D and #2D8FD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D02E8F shade: #D02E8F, #D18F2D, #2DD16F and #2D6FD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D02E8F shade: #D02E8F, #D1C02D, #2DD16F and #2D3ED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 31 / 18

HEX #D02E8F

RGB 208 46 143

HSL 324.07, 0.64%, 0.5%

LAB 48.69, 68.79, -15.11

 

Complementary color

CMYK 78 / 0 / 46 / 18

HEX #2FD170

RGB 47 209 112

HSL 144.07, 0.64%, 0.5%

LAB 74.43, -61.51, 36.7

 

CMYK 0 / 78 / 35 / 16

HEX #D52E8A

RGB 213 46 138

HSL 326.95, 0.67%, 0.51%

LAB 49.42, 69.47, -10.92

 

CMYK 0 / 72 / 32 / 10

HEX #E6409D

RGB 230 64 157

HSL 326.39, 0.77%, 0.58%

LAB 54.99, 70.4, -13.53

 

CMYK 0 / 67 / 29 / 3

HEX #F752B0

RGB 247 82 176

HSL 325.82, 0.91%, 0.65%

LAB 60.73, 70.75, -15.64

 

CMYK 0 / 61 / 24 / 0

HEX #FF64C3

RGB 255 100 195

HSL 323.23, 1%, 0.7%

LAB 65.21, 68.24, -19.57

 

CMYK 0 / 54 / 16 / 0

HEX #FF76D6

RGB 255 118 214

HSL 317.96, 1%, 0.73%

LAB 68.8, 63.04, -24.75

 

CMYK 0 / 78 / 31 / 18

HEX #D02E8F

RGB 208 46 143

HSL 324.07, 0.64%, 0.5%

LAB 48.69, 68.79, -15.11

 

CMYK 0 / 85 / 35 / 25

HEX #BF1C7C

RGB 191 28 124

HSL 324.66, 0.74%, 0.43%

LAB 43.3, 67.03, -12.01

 

CMYK 0 / 94 / 40 / 32

HEX #AE0A69

RGB 174 10 105

HSL 325.24, 0.89%, 0.36%

LAB 38.26, 64.07, -8.06

 

CMYK 0 / 100 / 45 / 38

HEX #9D0056

RGB 157 0 86

HSL 327.13, 1%, 0.31%

LAB 33.65, 59.67, -3.09

 

CMYK 0 / 100 / 52 / 45

HEX #8C0043

RGB 140 0 67

HSL 331.29, 1%, 0.27%

LAB 29.36, 54.1, 2.78

 

CMYK 0 / 78 / 32 / 18

HEX #D12D8F

RGB 209 45 143

HSL 324.15, 0.65%, 0.5%

LAB 48.78, 69.31, -14.97

 

CMYK 0 / 78 / 53 / 18

HEX #D12D63

RGB 209 45 99

HSL 340.24, 0.65%, 0.5%

LAB 47.41, 65.16, 9.84

 

CMYK 0 / 78 / 74 / 18

HEX #D12D37

RGB 209 45 55

HSL 356.34, 0.65%, 0.5%

LAB 46.59, 62.61, 35.47

 

CMYK 0 / 78 / 78 / 18

HEX #D12D2D

RGB 209 45 45

HSL 0, 0.65%, 0.5%

LAB 46.47, 62.24, 41.02

 

CMYK 0 / 78 / 32 / 18

HEX #D12D8F

RGB 209 45 143

HSL 324.15, 0.65%, 0.5%

LAB 48.78, 69.31, -14.97

 

CMYK 0 / 78 / 11 / 18

HEX #D12DBB

RGB 209 45 187

HSL 308.05, 0.65%, 0.5%

LAB 50.71, 74.9, -38.01

 

CMYK 11 / 78 / 0 / 18

HEX #BA2DD1

RGB 186 45 209

HSL 291.59, 0.65%, 0.5%

LAB 48.16, 73.8, -55.03

 

CMYK 32 / 78 / 0 / 18

HEX #8E2DD1

RGB 142 45 209

HSL 275.49, 0.65%, 0.5%

LAB 41.58, 66.08, -65.99

 

CMYK 53 / 78 / 0 / 18

HEX #622DD1

RGB 98 45 209

HSL 259.39, 0.65%, 0.5%

LAB 36.13, 59.66, -75.13

 

CMYK 0 / 78 / 32 / 18

HEX #D12D8F

RGB 209 45 143

HSL 324.15, 0.65%, 0.5%

LAB 48.78, 69.31, -14.97

 

CMYK 0 / 89 / 36 / 10

HEX #E51993

RGB 229 25 147

HSL 324.12, 0.8%, 0.5%

LAB 51.22, 78.36, -13.31

 

CMYK 0 / 98 / 40 / 2

HEX #FA0497

RGB 250 4 151

HSL 324.15, 0.97%, 0.5%

LAB 54.7, 85.09, -10.05

 

CMYK 0 / 78 / 32 / 18

HEX #D12D8F

RGB 209 45 143

HSL 324.15, 0.65%, 0.5%

LAB 48.78, 69.31, -14.97

 

CMYK 0 / 65 / 26 / 26

HEX #BC428B

RGB 188 66 139

HSL 324.1, 0.48%, 0.5%

LAB 47.56, 56.11, -14.74

 

CMYK 0 / 48 / 19 / 35

HEX #A75787

RGB 167 87 135

HSL 324, 0.31%, 0.5%

LAB 47.98, 39, -12.01

 

CMYK 0 / 27 / 11 / 42

HEX #936B83

RGB 147 107 131

HSL 324, 0.16%, 0.5%

LAB 49.93, 19.95, -6.96

 

CMYK 2 / 0 / 1 / 50

HEX #7E807F

RGB 126 128 127

HSL 150, 0.01%, 0.5%

LAB 53.39, -0.94, 0.27

 

CMYK 11 / 78 / 0 / 18

HEX #BB2DD1

RGB 187 45 209

HSL 291.95, 0.65%, 0.5%

LAB 48.32, 73.98, -54.77

 

CMYK 0 / 78 / 11 / 18

HEX #D12DBB

RGB 209 45 187

HSL 308.05, 0.65%, 0.5%

LAB 50.71, 74.9, -38.01

 

CMYK 0 / 78 / 32 / 18

HEX #D12D8F

RGB 209 45 143

HSL 324.15, 0.65%, 0.5%

LAB 48.78, 69.31, -14.97

 

CMYK 0 / 78 / 52 / 18

HEX #D12D64

RGB 209 45 100

HSL 339.88, 0.65%, 0.5%

LAB 47.43, 65.24, 9.26

 

CMYK 0 / 78 / 73 / 18

HEX #D12D38

RGB 209 45 56

HSL 355.98, 0.65%, 0.5%

LAB 46.6, 62.65, 34.9

 

CMYK 0 / 78 / 31 / 45

HEX #8D1F61

RGB 141 31 97

HSL 324, 0.64%, 0.34%

LAB 32.93, 50.81, -11.63

 

CMYK 0 / 78 / 31 / 31

HEX #AF2678

RGB 175 38 120

HSL 324.09, 0.64%, 0.42%

LAB 40.99, 60.25, -13.33

 

CMYK 0 / 78 / 32 / 18

HEX #D12D8F

RGB 209 45 143

HSL 324.15, 0.65%, 0.5%

LAB 48.78, 69.31, -14.97

 

CMYK 0 / 63 / 25 / 15

HEX #D84FA1

RGB 216 79 161

HSL 324.09, 0.64%, 0.58%

LAB 54.83, 61.58, -16.35

 

CMYK 0 / 49 / 20 / 13

HEX #DF71B3

RGB 223 113 179

HSL 324, 0.63%, 0.66%

LAB 62.3, 50.68, -15.33

 

CMYK 0 / 78 / 31 / 18

HEX #D02E8F

RGB 208 46 143

HSL 324.07, 0.64%, 0.5%

LAB 48.69, 68.79, -15.11

 

CMYK 0 / 32 / 78 / 18

HEX #D18F2D

RGB 209 143 45

HSL 35.85, 0.65%, 0.5%

LAB 64.48, 16.86, 58.63

 

CMYK 78 / 0 / 0 / 18

HEX #2DD1D1

RGB 45 209 209

HSL 180, 0.65%, 0.5%

LAB 76.53, -39.14, -11.62

 

CMYK 0 / 78 / 31 / 18

HEX #D02E8F

RGB 208 46 143

HSL 324.07, 0.64%, 0.5%

LAB 48.69, 68.79, -15.11

 

CMYK 32 / 0 / 78 / 18

HEX #8FD12D

RGB 143 209 45

HSL 84.15, 0.65%, 0.5%

LAB 77.06, -44.1, 68.37

 

CMYK 78 / 32 / 0 / 18

HEX #2D8FD1

RGB 45 143 209

HSL 204.15, 0.65%, 0.5%

LAB 56.89, -5.26, -41.81

 

CMYK 0 / 78 / 31 / 18

HEX #D02E8F

RGB 208 46 143

HSL 324.07, 0.64%, 0.5%

LAB 48.69, 68.79, -15.11

 

CMYK 0 / 32 / 78 / 18

HEX #D18F2D

RGB 209 143 45

HSL 35.85, 0.65%, 0.5%

LAB 64.48, 16.86, 58.63

 

CMYK 78 / 0 / 47 / 18

HEX #2DD16F

RGB 45 209 111

HSL 144.15, 0.65%, 0.5%

LAB 74.39, -61.92, 37.14

 

CMYK 78 / 47 / 0 / 18

HEX #2D6FD1

RGB 45 111 209

HSL 215.85, 0.65%, 0.5%

LAB 47.66, 14.18, -56.5

 

CMYK 0 / 78 / 31 / 18

HEX #D02E8F

RGB 208 46 143

HSL 324.07, 0.64%, 0.5%

LAB 48.69, 68.79, -15.11

 

CMYK 0 / 8 / 78 / 18

HEX #D1C02D

RGB 209 192 45

HSL 53.78, 0.65%, 0.5%

LAB 76.95, -9.16, 69.99

 

CMYK 78 / 0 / 47 / 18

HEX #2DD16F

RGB 45 209 111

HSL 144.15, 0.65%, 0.5%

LAB 74.39, -61.92, 37.14

 

CMYK 78 / 70 / 0 / 18

HEX #2D3ED1

RGB 45 62 209

HSL 233.78, 0.65%, 0.5%

LAB 35.22, 45.26, -76.78

 

Description

Color code: HEX #D02E8F | qconv.com Color code: HEX #D02E8F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 46 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 46 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 31 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 31% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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