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Color name
HEX #D03A90

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D03A90 it is the complementary color #2FC56F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D03A90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D03A90 shade: #D53A8B, #E64C9E, #F75EB1, #FF70C4 and #FF82D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D03A90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D03A90 shade: #D03A90, #BF287D, #AE166A, #9D0457 and #8C0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D03A90 shade: #CF398F, #CF3967, #CF393F and #CF3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D03A90 shade: #CF398F, #CF39B7, #BE39CF, #9639CF and #6D39CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D03A90 shade matches the following richer shades: #CF398F, #E32692 and #F61295

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D03A90 shade: #CF398F, #BB4D8C, #A76189, #937586 and #808983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D03A90 shade: #BD39CF, #CF39B8, #CF3991, #CF3969 and #CF3941

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D03A90 shade: #932363, #B42B79, #CF398F, #D75BA2 and #DF7CB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D03A90 shade: #D03A90, #CF9639 and #39CCCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D03A90 shade: #D03A90, #91CF39 and #3991CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D03A90 shade: #D03A90, #CF9639, #39CF78 and #3973CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D03A90 shade: #D03A90, #CFC239, #39CF78 and #3946CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 31 / 18

HEX #D03A90

RGB 208 58 144

HSL 325.6, 0.61%, 0.52%

LAB 50.04, 65.21, -13.67

 

Complementary color

CMYK 76 / 0 / 44 / 23

HEX #2FC56F

RGB 47 197 111

HSL 145.6, 0.61%, 0.48%

LAB 70.65, -57.44, 32.36

 

CMYK 0 / 73 / 35 / 16

HEX #D53A8B

RGB 213 58 139

HSL 328.65, 0.65%, 0.53%

LAB 50.73, 65.96, -9.55

 

CMYK 0 / 67 / 31 / 10

HEX #E64C9E

RGB 230 76 158

HSL 328.05, 0.75%, 0.6%

LAB 56.55, 66.28, -11.78

 

CMYK 0 / 62 / 28 / 3

HEX #F75EB1

RGB 247 94 177

HSL 327.45, 0.91%, 0.67%

LAB 62.47, 66.2, -13.59

 

CMYK 0 / 56 / 23 / 0

HEX #FF70C4

RGB 255 112 196

HSL 324.76, 1%, 0.72%

LAB 67.15, 63.23, -17.19

 

CMYK 0 / 49 / 16 / 0

HEX #FF82D7

RGB 255 130 215

HSL 319.2, 1%, 0.75%

LAB 70.96, 57.6, -22

 

CMYK 0 / 72 / 31 / 18

HEX #D03A90

RGB 208 58 144

HSL 325.6, 0.61%, 0.52%

LAB 50.04, 65.21, -13.67

 

CMYK 0 / 79 / 35 / 25

HEX #BF287D

RGB 191 40 125

HSL 326.23, 0.65%, 0.45%

LAB 44.34, 64.27, -11.06

 

CMYK 0 / 87 / 39 / 32

HEX #AE166A

RGB 174 22 106

HSL 326.84, 0.78%, 0.38%

LAB 38.92, 62.36, -7.7

 

CMYK 0 / 97 / 45 / 38

HEX #9D0457

RGB 157 4 87

HSL 327.45, 0.95%, 0.32%

LAB 33.86, 59.23, -3.43

 

CMYK 0 / 100 / 51 / 45

HEX #8C0044

RGB 140 0 68

HSL 330.86, 1%, 0.27%

LAB 29.39, 54.18, 2.16

 

CMYK 0 / 72 / 31 / 19

HEX #CF398F

RGB 207 57 143

HSL 325.6, 0.61%, 0.52%

LAB 49.71, 65.17, -13.59

 

CMYK 0 / 72 / 50 / 19

HEX #CF3967

RGB 207 57 103

HSL 341.6, 0.61%, 0.52%

LAB 48.47, 61.17, 8.83

 

CMYK 0 / 72 / 70 / 19

HEX #CF393F

RGB 207 57 63

HSL 357.6, 0.61%, 0.52%

LAB 47.69, 58.54, 31.98

 

CMYK 0 / 72 / 72 / 19

HEX #CF3939

RGB 207 57 57

HSL 0, 0.61%, 0.52%

LAB 47.61, 58.26, 35.37

 

CMYK 0 / 72 / 31 / 19

HEX #CF398F

RGB 207 57 143

HSL 325.6, 0.61%, 0.52%

LAB 49.71, 65.17, -13.59

 

CMYK 0 / 72 / 12 / 19

HEX #CF39B7

RGB 207 57 183

HSL 309.6, 0.61%, 0.52%

LAB 51.39, 70.41, -34.63

 

CMYK 8 / 72 / 0 / 19

HEX #BE39CF

RGB 190 57 207

HSL 293.2, 0.61%, 0.52%

LAB 49.95, 70.52, -50.97

 

CMYK 28 / 72 / 0 / 19

HEX #9639CF

RGB 150 57 207

HSL 277.2, 0.61%, 0.52%

LAB 44.11, 62.55, -60.68

 

CMYK 47 / 72 / 0 / 19

HEX #6D39CF

RGB 109 57 207

HSL 260.8, 0.61%, 0.52%

LAB 39.04, 55.28, -69.15

 

CMYK 0 / 72 / 31 / 19

HEX #CF398F

RGB 207 57 143

HSL 325.6, 0.61%, 0.52%

LAB 49.71, 65.17, -13.59

 

CMYK 0 / 83 / 36 / 11

HEX #E32692

RGB 227 38 146

HSL 325.71, 0.77%, 0.52%

LAB 51.6, 75.53, -12.18

 

CMYK 0 / 93 / 39 / 4

HEX #F61295

RGB 246 18 149

HSL 325.53, 0.93%, 0.52%

LAB 54.23, 83.02, -9.65

 

CMYK 0 / 72 / 31 / 19

HEX #CF398F

RGB 207 57 143

HSL 325.6, 0.61%, 0.52%

LAB 49.71, 65.17, -13.59

 

CMYK 0 / 59 / 25 / 27

HEX #BB4D8C

RGB 187 77 140

HSL 325.64, 0.45%, 0.52%

LAB 49.21, 51.14, -12.86

 

CMYK 0 / 42 / 18 / 35

HEX #A76189

RGB 167 97 137

HSL 325.71, 0.28%, 0.52%

LAB 50.18, 33.92, -9.89

 

CMYK 0 / 20 / 9 / 42

HEX #937586

RGB 147 117 134

HSL 326, 0.12%, 0.52%

LAB 52.56, 14.68, -4.82

 

CMYK 7 / 0 / 4 / 46

HEX #808983

RGB 128 137 131

HSL 140, 0.04%, 0.52%

LAB 56.21, -4.5, 2.07

 

CMYK 9 / 72 / 0 / 19

HEX #BD39CF

RGB 189 57 207

HSL 292.8, 0.61%, 0.52%

LAB 49.8, 70.32, -51.23

 

CMYK 0 / 72 / 11 / 19

HEX #CF39B8

RGB 207 57 184

HSL 309.2, 0.61%, 0.52%

LAB 51.44, 70.55, -35.14

 

CMYK 0 / 72 / 30 / 19

HEX #CF3991

RGB 207 57 145

HSL 324.8, 0.61%, 0.52%

LAB 49.78, 65.4, -14.68

 

CMYK 0 / 72 / 49 / 19

HEX #CF3969

RGB 207 57 105

HSL 340.8, 0.61%, 0.52%

LAB 48.53, 61.34, 7.68

 

CMYK 0 / 72 / 69 / 19

HEX #CF3941

RGB 207 57 65

HSL 356.8, 0.61%, 0.52%

LAB 47.72, 58.64, 30.84

 

CMYK 0 / 76 / 33 / 42

HEX #932363

RGB 147 35 99

HSL 325.71, 0.62%, 0.36%

LAB 34.61, 51.36, -10.26

 

CMYK 0 / 76 / 33 / 29

HEX #B42B79

RGB 180 43 121

HSL 325.84, 0.61%, 0.44%

LAB 42.48, 60.14, -11.61

 

CMYK 0 / 72 / 31 / 19

HEX #CF398F

RGB 207 57 143

HSL 325.6, 0.61%, 0.52%

LAB 49.71, 65.17, -13.59

 

CMYK 0 / 58 / 25 / 16

HEX #D75BA2

RGB 215 91 162

HSL 325.65, 0.61%, 0.6%

LAB 56.62, 56.24, -14.23

 

CMYK 0 / 44 / 19 / 13

HEX #DF7CB5

RGB 223 124 181

HSL 325.45, 0.61%, 0.68%

LAB 64.52, 45.46, -13.13

 

CMYK 0 / 72 / 31 / 18

HEX #D03A90

RGB 208 58 144

HSL 325.6, 0.61%, 0.52%

LAB 50.04, 65.21, -13.67

 

CMYK 0 / 28 / 72 / 19

HEX #CF9639

RGB 207 150 57

HSL 37.2, 0.61%, 0.52%

LAB 66.04, 12.7, 55.21

 

CMYK 72 / 1 / 0 / 19

HEX #39CCCF

RGB 57 204 207

HSL 181.2, 0.61%, 0.52%

LAB 75.18, -36.19, -12.56

 

CMYK 0 / 72 / 31 / 18

HEX #D03A90

RGB 208 58 144

HSL 325.6, 0.61%, 0.52%

LAB 50.04, 65.21, -13.67

 

CMYK 30 / 0 / 72 / 19

HEX #91CF39

RGB 145 207 57

HSL 84.8, 0.61%, 0.52%

LAB 76.64, -41.87, 64.18

 

CMYK 72 / 30 / 0 / 19

HEX #3991CF

RGB 57 145 207

HSL 204.8, 0.61%, 0.52%

LAB 57.68, -5.67, -39.41

 

CMYK 0 / 72 / 31 / 18

HEX #D03A90

RGB 208 58 144

HSL 325.6, 0.61%, 0.52%

LAB 50.04, 65.21, -13.67

 

CMYK 0 / 28 / 72 / 19

HEX #CF9639

RGB 207 150 57

HSL 37.2, 0.61%, 0.52%

LAB 66.04, 12.7, 55.21

 

CMYK 72 / 0 / 42 / 19

HEX #39CF78

RGB 57 207 120

HSL 145.2, 0.61%, 0.52%

LAB 74.09, -58.08, 32.27

 

CMYK 72 / 44 / 0 / 19

HEX #3973CF

RGB 57 115 207

HSL 216.8, 0.61%, 0.52%

LAB 49.05, 12.37, -53.1

 

CMYK 0 / 72 / 31 / 18

HEX #D03A90

RGB 208 58 144

HSL 325.6, 0.61%, 0.52%

LAB 50.04, 65.21, -13.67

 

CMYK 0 / 6 / 72 / 19

HEX #CFC239

RGB 207 194 57

HSL 54.8, 0.61%, 0.52%

LAB 77.37, -10.56, 66.37

 

CMYK 72 / 0 / 42 / 19

HEX #39CF78

RGB 57 207 120

HSL 145.2, 0.61%, 0.52%

LAB 74.09, -58.08, 32.27

 

CMYK 72 / 66 / 0 / 19

HEX #3946CF

RGB 57 70 207

HSL 234.8, 0.61%, 0.52%

LAB 37.4, 40.87, -72.01

 

Description

Color code: HEX #D03A90 | qconv.com Color code: HEX #D03A90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 58 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 58 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 31 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 31% 18% C M Y K

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Provide designers and agencies with accurate color values.

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