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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D03EA4 it is the complementary color #2FC15B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D03EA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D03EA4 shade: #D53E9F, #E650B2, #F762C5, #FF74D8 and #FF86EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D03EA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D03EA4 shade: #D03EA4, #BF2C91, #AE1A7E, #9D086B and #8C0058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D03EA4 shade: #D03EA4, #D03E7C, #D03E55 and #D03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D03EA4 shade: #D03EA4, #D03ECB, #AD3ED0, #863ED0 and #5E3ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D03EA4 shade matches the following richer shades: #D03EA4, #E32AAB and #F717B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D03EA4 shade: #D03EA4, #BC519C, #A96494, #96788D and #828B85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D03EA4 shade: #AE3ED0, #D03ECB, #D03EA4, #D03E7D and #D03E56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D03EA4 shade: #972474, #B82C8E, #D03EA4, #D85FB3 and #E080C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D03EA4 shade: #D03EA4, #D0873E and #3ED0C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D03EA4 shade: #D03EA4, #A4D03E and #3EA4D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D03EA4 shade: #D03EA4, #D0873E, #3ED069 and #3E87D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D03EA4 shade: #D03EA4, #D0B33E, #3ED069 and #3E5BD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

Complementary color

CMYK 76 / 0 / 53 / 24

HEX #2FC15B

RGB 47 193 91

HSL 138.08, 0.61%, 0.47%

LAB 69.11, -59.26, 40.43

 

CMYK 0 / 71 / 25 / 16

HEX #D53E9F

RGB 213 62 159

HSL 321.46, 0.64%, 0.54%

LAB 51.94, 66.95, -19.61

 

CMYK 0 / 65 / 23 / 10

HEX #E650B2

RGB 230 80 178

HSL 320.8, 0.75%, 0.61%

LAB 57.82, 67.23, -21.47

 

CMYK 0 / 60 / 20 / 3

HEX #F762C5

RGB 247 98 197

HSL 320.13, 0.9%, 0.68%

LAB 63.79, 67.12, -22.98

 

CMYK 0 / 55 / 15 / 0

HEX #FF74D8

RGB 255 116 216

HSL 316.83, 1%, 0.73%

LAB 68.54, 64.24, -26.26

 

CMYK 0 / 47 / 8 / 0

HEX #FF86EB

RGB 255 134 235

HSL 309.92, 1%, 0.76%

LAB 72.43, 58.79, -30.77

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 0 / 77 / 24 / 25

HEX #BF2C91

RGB 191 44 145

HSL 318.78, 0.63%, 0.46%

LAB 45.53, 65.49, -21.43

 

CMYK 0 / 85 / 28 / 32

HEX #AE1A7E

RGB 174 26 126

HSL 319.46, 0.74%, 0.39%

LAB 39.99, 63.75, -18.6

 

CMYK 0 / 95 / 32 / 38

HEX #9D086B

RGB 157 8 107

HSL 320.13, 0.9%, 0.32%

LAB 34.81, 60.74, -14.89

 

CMYK 0 / 100 / 37 / 45

HEX #8C0058

RGB 140 0 88

HSL 322.29, 1%, 0.27%

LAB 30.11, 56.05, -10.08

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 0 / 70 / 40 / 18

HEX #D03E7C

RGB 208 62 124

HSL 334.52, 0.61%, 0.53%

LAB 49.87, 61.62, -1.89

 

CMYK 0 / 70 / 59 / 18

HEX #D03E55

RGB 208 62 85

HSL 350.55, 0.61%, 0.53%

LAB 48.9, 58.32, 20.39

 

CMYK 0 / 70 / 70 / 18

HEX #D03E3E

RGB 208 62 62

HSL 0, 0.61%, 0.53%

LAB 48.51, 56.99, 33.59

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 0 / 70 / 2 / 18

HEX #D03ECB

RGB 208 62 203

HSL 302.05, 0.61%, 0.53%

LAB 53.13, 72.02, -43.45

 

CMYK 17 / 70 / 0 / 18

HEX #AD3ED0

RGB 173 62 208

HSL 285.62, 0.61%, 0.53%

LAB 48.11, 65.37, -54.64

 

CMYK 36 / 70 / 0 / 18

HEX #863ED0

RGB 134 62 208

HSL 269.59, 0.61%, 0.53%

LAB 42.86, 57.58, -63.37

 

CMYK 55 / 70 / 0 / 18

HEX #5E3ED0

RGB 94 62 208

HSL 253.15, 0.61%, 0.53%

LAB 38.51, 50.68, -70.65

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 0 / 81 / 25 / 11

HEX #E32AAB

RGB 227 42 171

HSL 318.16, 0.77%, 0.53%

LAB 52.87, 77.4, -25.05

 

CMYK 0 / 91 / 28 / 3

HEX #F717B3

RGB 247 23 179

HSL 318.21, 0.93%, 0.53%

LAB 55.73, 85.66, -25.03

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 0 / 57 / 17 / 26

HEX #BC519C

RGB 188 81 156

HSL 317.94, 0.44%, 0.53%

LAB 50.66, 51.9, -20.16

 

CMYK 0 / 41 / 12 / 34

HEX #A96494

RGB 169 100 148

HSL 318.26, 0.29%, 0.53%

LAB 51.48, 34.8, -14.42

 

CMYK 0 / 20 / 6 / 41

HEX #96788D

RGB 150 120 141

HSL 318, 0.13%, 0.53%

LAB 53.86, 15.37, -6.96

 

CMYK 6 / 0 / 4 / 45

HEX #828B85

RGB 130 139 133

HSL 140, 0.04%, 0.53%

LAB 56.98, -4.49, 2.07

 

CMYK 16 / 70 / 0 / 18

HEX #AE3ED0

RGB 174 62 208

HSL 286.03, 0.61%, 0.53%

LAB 48.26, 65.58, -54.4

 

CMYK 0 / 70 / 2 / 18

HEX #D03ECB

RGB 208 62 203

HSL 302.05, 0.61%, 0.53%

LAB 53.13, 72.02, -43.45

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 0 / 70 / 40 / 18

HEX #D03E7D

RGB 208 62 125

HSL 334.11, 0.61%, 0.53%

LAB 49.9, 61.73, -2.45

 

CMYK 0 / 70 / 59 / 18

HEX #D03E56

RGB 208 62 86

HSL 350.14, 0.61%, 0.53%

LAB 48.92, 58.39, 19.81

 

CMYK 0 / 76 / 23 / 41

HEX #972474

RGB 151 36 116

HSL 318.26, 0.61%, 0.37%

LAB 36.18, 54.27, -18.58

 

CMYK 0 / 76 / 23 / 28

HEX #B82C8E

RGB 184 44 142

HSL 318, 0.61%, 0.45%

LAB 44.15, 63.41, -21.84

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 0 / 56 / 17 / 15

HEX #D85FB3

RGB 216 95 179

HSL 318.35, 0.61%, 0.61%

LAB 58.07, 57.12, -21.85

 

CMYK 0 / 43 / 13 / 12

HEX #E080C3

RGB 224 128 195

HSL 318.13, 0.61%, 0.69%

LAB 65.92, 45.91, -18.88

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 0 / 35 / 70 / 18

HEX #D0873E

RGB 208 135 62

HSL 30, 0.61%, 0.53%

LAB 62.58, 21.53, 49.39

 

CMYK 70 / 0 / 7 / 18

HEX #3ED0C1

RGB 62 208 193

HSL 173.84, 0.61%, 0.53%

LAB 76.06, -41.29, -3.68

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 21 / 0 / 70 / 18

HEX #A4D03E

RGB 164 208 62

HSL 78.08, 0.61%, 0.53%

LAB 78.08, -34.82, 64.2

 

CMYK 70 / 21 / 0 / 18

HEX #3EA4D0

RGB 62 164 208

HSL 198.08, 0.61%, 0.53%

LAB 63.45, -15.21, -30.96

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 0 / 35 / 70 / 18

HEX #D0873E

RGB 208 135 62

HSL 30, 0.61%, 0.53%

LAB 62.58, 21.53, 49.39

 

CMYK 70 / 0 / 50 / 18

HEX #3ED069

RGB 62 208 105

HSL 137.67, 0.61%, 0.53%

LAB 74.29, -60.12, 40.05

 

CMYK 70 / 35 / 0 / 18

HEX #3E87D0

RGB 62 135 208

HSL 210, 0.61%, 0.53%

LAB 54.98, 1.23, -44.23

 

CMYK 0 / 70 / 21 / 18

HEX #D03EA4

RGB 208 62 164

HSL 318.08, 0.61%, 0.53%

LAB 51.31, 66.33, -23.61

 

CMYK 0 / 14 / 70 / 18

HEX #D0B33E

RGB 208 179 62

HSL 48.08, 0.61%, 0.53%

LAB 73.54, -2.12, 60.76

 

CMYK 70 / 0 / 50 / 18

HEX #3ED069

RGB 62 208 105

HSL 137.67, 0.61%, 0.53%

LAB 74.29, -60.12, 40.05

 

CMYK 70 / 56 / 0 / 18

HEX #3E5BD0

RGB 62 91 208

HSL 228.08, 0.61%, 0.53%

LAB 42.85, 28.65, -63.67

 

Description

Color code: HEX #D03EA4 | qconv.com Color code: HEX #D03EA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 62 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 62 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 21 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 21% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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