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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D052F3 it is the complementary color #2FAD0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D052F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D052F3 shade: #D552EE, #E664FF, #F776FF, #FF88FF and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D052F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D052F3 shade: #D052F3, #BF40E0, #AE2ECD, #9D1CBA and #8C0AA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D052F3 shade: #D053F3, #F353EA, #F353BF, #F35394 and #F35369

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D052F3 shade: #D053F3, #A553F3, #7A53F3 and #5353F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D052F3 shade matches the following richer shades: #D053F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D052F3 shade: #D053F3, #C762E4, #BF71D5, #B77FC6 and #AE8EB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D052F3 shade: #7853F3, #A353F3, #CD53F3, #F353ED and #F353C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D052F3 shade: #B50FE4, #C52CF0, #D053F3, #DA79F5 and #E5A0F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D052F3 shade: #D052F3, #F35358 and #53F38D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D052F3 shade: #D052F3, #F3CD53 and #53F3CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D052F3 shade: #D052F3, #F35358, #78F353 and #53F3ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D052F3 shade: #D052F3, #F37D53, #78F353 and #53C8F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 66 / 0 / 5

HEX #D052F3

RGB 208 82 243

HSL 286.96, 0.87%, 0.64%

LAB 57.96, 71.52, -58.37

 

Complementary color

CMYK 73 / 0 / 93 / 32

HEX #2FAD0C

RGB 47 173 12

HSL 106.96, 0.87%, 0.36%

LAB 62.1, -59.51, 61.24

 

CMYK 11 / 66 / 0 / 7

HEX #D552EE

RGB 213 82 238

HSL 290.38, 0.82%, 0.63%

LAB 58.37, 71.69, -54.88

 

CMYK 10 / 61 / 0 / 0

HEX #E664FF

RGB 230 100 255

HSL 290.32, 1%, 0.7%

LAB 64.29, 71.19, -54.74

 

CMYK 3 / 54 / 0 / 0

HEX #F776FF

RGB 247 118 255

HSL 296.5, 1%, 0.73%

LAB 69.43, 67.44, -46.46

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 14 / 66 / 0 / 5

HEX #D052F3

RGB 208 82 243

HSL 286.96, 0.87%, 0.64%

LAB 57.96, 71.52, -58.37

 

CMYK 15 / 71 / 0 / 12

HEX #BF40E0

RGB 191 64 224

HSL 287.63, 0.72%, 0.56%

LAB 51.98, 71.33, -57.41

 

CMYK 15 / 78 / 0 / 20

HEX #AE2ECD

RGB 174 46 205

HSL 288.3, 0.63%, 0.49%

LAB 46.12, 70.57, -56.1

 

CMYK 16 / 85 / 0 / 27

HEX #9D1CBA

RGB 157 28 186

HSL 288.99, 0.74%, 0.42%

LAB 40.48, 68.95, -54.26

 

CMYK 16 / 94 / 0 / 35

HEX #8C0AA7

RGB 140 10 167

HSL 289.68, 0.89%, 0.35%

LAB 35.17, 66.04, -51.69

 

CMYK 14 / 66 / 0 / 5

HEX #D053F3

RGB 208 83 243

HSL 286.88, 0.87%, 0.64%

LAB 58.1, 71.11, -58.14

 

CMYK 0 / 66 / 4 / 5

HEX #F353EA

RGB 243 83 234

HSL 303.38, 0.87%, 0.64%

LAB 62.66, 77.37, -45.57

 

CMYK 0 / 66 / 21 / 5

HEX #F353BF

RGB 243 83 191

HSL 319.5, 0.87%, 0.64%

LAB 60.78, 71.2, -24.23

 

CMYK 0 / 66 / 39 / 5

HEX #F35394

RGB 243 83 148

HSL 335.63, 0.87%, 0.64%

LAB 59.32, 66.18, -1.57

 

CMYK 0 / 66 / 57 / 5

HEX #F35369

RGB 243 83 105

HSL 351.75, 0.87%, 0.64%

LAB 58.28, 62.47, 22.12

 

CMYK 14 / 66 / 0 / 5

HEX #D053F3

RGB 208 83 243

HSL 286.88, 0.87%, 0.64%

LAB 58.1, 71.11, -58.14

 

CMYK 32 / 66 / 0 / 5

HEX #A553F3

RGB 165 83 243

HSL 270.75, 0.87%, 0.64%

LAB 52.57, 62.09, -67.32

 

CMYK 50 / 66 / 0 / 5

HEX #7A53F3

RGB 122 83 243

HSL 254.63, 0.87%, 0.64%

LAB 48, 54.02, -74.95

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 14 / 66 / 0 / 5

HEX #D053F3

RGB 208 83 243

HSL 286.88, 0.87%, 0.64%

LAB 58.1, 71.11, -58.14

 

CMYK 14 / 66 / 0 / 5

HEX #D053F3

RGB 208 83 243

HSL 286.88, 0.87%, 0.64%

LAB 58.1, 71.11, -58.14

 

CMYK 13 / 57 / 0 / 11

HEX #C762E4

RGB 199 98 228

HSL 286.62, 0.71%, 0.64%

LAB 58.49, 59.54, -49.22

 

CMYK 10 / 47 / 0 / 16

HEX #BF71D5

RGB 191 113 213

HSL 286.8, 0.54%, 0.64%

LAB 59.61, 46.92, -39.09

 

CMYK 8 / 36 / 0 / 22

HEX #B77FC6

RGB 183 127 198

HSL 287.32, 0.38%, 0.64%

LAB 61.07, 33.92, -28.43

 

CMYK 5 / 22 / 0 / 28

HEX #AE8EB7

RGB 174 142 183

HSL 286.83, 0.22%, 0.64%

LAB 63.15, 19.52, -16.86

 

CMYK 51 / 66 / 0 / 5

HEX #7853F3

RGB 120 83 243

HSL 253.88, 0.87%, 0.64%

LAB 47.82, 53.68, -75.26

 

CMYK 33 / 66 / 0 / 5

HEX #A353F3

RGB 163 83 243

HSL 270, 0.87%, 0.64%

LAB 52.34, 61.69, -67.72

 

CMYK 16 / 66 / 0 / 5

HEX #CD53F3

RGB 205 83 243

HSL 285.75, 0.87%, 0.64%

LAB 57.69, 70.47, -58.82

 

CMYK 0 / 66 / 2 / 5

HEX #F353ED

RGB 243 83 237

HSL 302.25, 0.87%, 0.64%

LAB 62.81, 77.83, -47.01

 

CMYK 0 / 66 / 20 / 5

HEX #F353C3

RGB 243 83 195

HSL 318, 0.87%, 0.64%

LAB 60.94, 71.73, -26.27

 

CMYK 21 / 93 / 0 / 11

HEX #B50FE4

RGB 181 15 228

HSL 286.76, 0.88%, 0.48%

LAB 46.67, 82.12, -68.34

 

CMYK 18 / 82 / 0 / 6

HEX #C52CF0

RGB 197 44 240

HSL 286.84, 0.87%, 0.56%

LAB 51.8, 81.39, -66.69

 

CMYK 14 / 66 / 0 / 5

HEX #D053F3

RGB 208 83 243

HSL 286.88, 0.87%, 0.64%

LAB 58.1, 71.11, -58.14

 

CMYK 11 / 51 / 0 / 4

HEX #DA79F5

RGB 218 121 245

HSL 286.94, 0.86%, 0.72%

LAB 65.88, 56.6, -46.81

 

CMYK 8 / 35 / 0 / 3

HEX #E5A0F8

RGB 229 160 248

HSL 287.05, 0.86%, 0.8%

LAB 75.19, 40.18, -33.84

 

CMYK 14 / 66 / 0 / 5

HEX #D052F3

RGB 208 82 243

HSL 286.96, 0.87%, 0.64%

LAB 57.96, 71.52, -58.37

 

CMYK 0 / 66 / 64 / 5

HEX #F35358

RGB 243 83 88

HSL 358.13, 0.87%, 0.64%

LAB 57.99, 61.38, 31.57

 

CMYK 66 / 0 / 42 / 5

HEX #53F38D

RGB 83 243 141

HSL 141.75, 0.87%, 0.64%

LAB 85.94, -63.37, 37.24

 

CMYK 14 / 66 / 0 / 5

HEX #D052F3

RGB 208 82 243

HSL 286.96, 0.87%, 0.64%

LAB 57.96, 71.52, -58.37

 

CMYK 0 / 16 / 66 / 5

HEX #F3CD53

RGB 243 205 83

HSL 45.75, 0.87%, 0.64%

LAB 83.62, 0.36, 63.59

 

CMYK 66 / 0 / 16 / 5

HEX #53F3CD

RGB 83 243 205

HSL 165.75, 0.87%, 0.64%

LAB 87.17, -50.32, 6.19

 

CMYK 14 / 66 / 0 / 5

HEX #D052F3

RGB 208 82 243

HSL 286.96, 0.87%, 0.64%

LAB 57.96, 71.52, -58.37

 

CMYK 0 / 66 / 64 / 5

HEX #F35358

RGB 243 83 88

HSL 358.13, 0.87%, 0.64%

LAB 57.99, 61.38, 31.57

 

CMYK 51 / 0 / 66 / 5

HEX #78F353

RGB 120 243 83

HSL 106.13, 0.87%, 0.64%

LAB 86.36, -62.34, 64.21

 

CMYK 66 / 0 / 2 / 5

HEX #53F3ED

RGB 83 243 237

HSL 177.75, 0.87%, 0.64%

LAB 87.99, -42.21, -9.33

 

CMYK 14 / 66 / 0 / 5

HEX #D052F3

RGB 208 82 243

HSL 286.96, 0.87%, 0.64%

LAB 57.96, 71.52, -58.37

 

CMYK 0 / 49 / 66 / 5

HEX #F37D53

RGB 243 125 83

HSL 15.75, 0.87%, 0.64%

LAB 65.24, 42, 43.13

 

CMYK 51 / 0 / 66 / 5

HEX #78F353

RGB 120 243 83

HSL 106.13, 0.87%, 0.64%

LAB 86.36, -62.34, 64.21

 

CMYK 66 / 18 / 0 / 5

HEX #53C8F3

RGB 83 200 243

HSL 196.13, 0.87%, 0.64%

LAB 75.83, -19.9, -30.91

 

Description

Color code: HEX #D052F3 | qconv.com Color code: HEX #D052F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 82 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 82 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 66 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 66% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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