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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0533E it is the complementary color #2FACC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0533E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0533E shade: #D55339, #E6654C, #F7775F, #FF8972 and #FF9B85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0533E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0533E shade: #D0533E, #BF412B, #AE2F18, #9D1D05 and #8C0B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0533E shade: #D0533E and #D03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0533E shade: #D0533E, #D07A3E, #D0A13E, #D0C93E and #AFD03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0533E shade matches the following richer shades: #D0533E, #E3452A and #F73717

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0533E shade: #D0533E, #BC6051, #A96E64, #967C78 and #828A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0533E shade: #D03E78, #D03E51, #D0513E, #D0783E and #D09F3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0533E shade: #973524, #B8402C, #D0533E, #D8705F and #E08E80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0533E shade: #D0533E, #9FD03E and #3E65D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0533E shade: #D0533E, #3ED051 and #513ED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0533E shade: #D0533E, #9FD03E, #3EBCD0 and #6E3ED0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0533E shade: #D0533E, #73D03E, #3EBCD0 and #9A3ED0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

Complementary color

CMYK 76 / 11 / 0 / 24

HEX #2FACC1

RGB 47 172 193

HSL 188.63, 0.61%, 0.47%

LAB 64.93, -26.15, -20.38

 

CMYK 0 / 61 / 73 / 16

HEX #D55339

RGB 213 83 57

HSL 10, 0.65%, 0.53%

LAB 52.54, 49.75, 41.21

 

CMYK 0 / 56 / 67 / 10

HEX #E6654C

RGB 230 101 76

HSL 9.74, 0.75%, 0.6%

LAB 58.65, 48.47, 38.63

 

CMYK 0 / 52 / 62 / 3

HEX #F7775F

RGB 247 119 95

HSL 9.47, 0.9%, 0.67%

LAB 64.8, 47.17, 36.31

 

CMYK 0 / 46 / 55 / 0

HEX #FF8972

RGB 255 137 114

HSL 9.79, 1%, 0.72%

LAB 69.73, 42.6, 32.43

 

CMYK 0 / 39 / 48 / 0

HEX #FF9B85

RGB 255 155 133

HSL 10.82, 1%, 0.76%

LAB 73.8, 35.05, 27.45

 

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

CMYK 0 / 66 / 77 / 25

HEX #BF412B

RGB 191 65 43

HSL 8.92, 0.63%, 0.46%

LAB 45.68, 49.35, 40.23

 

CMYK 0 / 73 / 86 / 32

HEX #AE2F18

RGB 174 47 24

HSL 9.2, 0.76%, 0.39%

LAB 39.74, 50.2, 43.13

 

CMYK 0 / 82 / 97 / 38

HEX #9D1D05

RGB 157 29 5

HSL 9.47, 0.94%, 0.32%

LAB 34.1, 50.41, 45.33

 

CMYK 0 / 92 / 100 / 45

HEX #8C0B00

RGB 140 11 0

HSL 4.71, 1%, 0.27%

LAB 28.94, 49.47, 42.09

 

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

CMYK 0 / 70 / 70 / 18

HEX #D03E3E

RGB 208 62 62

HSL 0, 0.61%, 0.53%

LAB 48.51, 56.99, 33.59

 

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

CMYK 0 / 41 / 70 / 18

HEX #D07A3E

RGB 208 122 62

HSL 24.66, 0.61%, 0.53%

LAB 59.6, 28.54, 46.17

 

CMYK 0 / 23 / 70 / 18

HEX #D0A13E

RGB 208 161 62

HSL 40.68, 0.61%, 0.53%

LAB 68.93, 7.45, 56.06

 

CMYK 0 / 3 / 70 / 18

HEX #D0C93E

RGB 208 201 62

HSL 57.12, 0.61%, 0.53%

LAB 79.35, -13.44, 66.52

 

CMYK 16 / 0 / 70 / 18

HEX #AFD03E

RGB 175 208 62

HSL 73.56, 0.61%, 0.53%

LAB 78.79, -30.49, 65.15

 

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

CMYK 0 / 70 / 81 / 11

HEX #E3452A

RGB 227 69 42

HSL 8.76, 0.77%, 0.53%

LAB 52.68, 59.68, 49.82

 

CMYK 0 / 78 / 91 / 3

HEX #F73717

RGB 247 55 23

HSL 8.57, 0.93%, 0.53%

LAB 54.62, 69.9, 60.93

 

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

CMYK 0 / 49 / 57 / 26

HEX #BC6051

RGB 188 96 81

HSL 8.41, 0.44%, 0.53%

LAB 51.44, 35.57, 25.49

 

CMYK 0 / 35 / 41 / 34

HEX #A96E64

RGB 169 110 100

HSL 8.7, 0.29%, 0.53%

LAB 52.41, 22.22, 15.25

 

CMYK 0 / 17 / 20 / 41

HEX #967C78

RGB 150 124 120

HSL 8, 0.13%, 0.53%

LAB 54.3, 9.36, 5.94

 

CMYK 6 / 1 / 0 / 45

HEX #828A8B

RGB 130 138 139

HSL 186.67, 0.04%, 0.53%

LAB 56.87, -2.71, -1.55

 

CMYK 0 / 70 / 42 / 18

HEX #D03E78

RGB 208 62 120

HSL 336.16, 0.61%, 0.53%

LAB 49.75, 61.23, 0.35

 

CMYK 0 / 70 / 61 / 18

HEX #D03E51

RGB 208 62 81

HSL 352.19, 0.61%, 0.53%

LAB 48.82, 58.06, 22.71

 

CMYK 0 / 61 / 70 / 18

HEX #D0513E

RGB 208 81 62

HSL 7.81, 0.61%, 0.53%

LAB 51.43, 49.12, 37

 

CMYK 0 / 42 / 70 / 18

HEX #D0783E

RGB 208 120 62

HSL 23.84, 0.61%, 0.53%

LAB 59.15, 29.61, 45.68

 

CMYK 0 / 24 / 70 / 18

HEX #D09F3E

RGB 208 159 62

HSL 39.86, 0.61%, 0.53%

LAB 68.43, 8.52, 55.54

 

CMYK 0 / 65 / 76 / 41

HEX #973524

RGB 151 53 36

HSL 8.87, 0.61%, 0.37%

LAB 36.47, 40.12, 32.15

 

CMYK 0 / 65 / 76 / 28

HEX #B8402C

RGB 184 64 44

HSL 8.57, 0.61%, 0.45%

LAB 44.29, 47.39, 37.85

 

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

CMYK 0 / 48 / 56 / 15

HEX #D8705F

RGB 216 112 95

HSL 8.43, 0.61%, 0.61%

LAB 58.99, 39.14, 28.02

 

CMYK 0 / 37 / 43 / 12

HEX #E08E80

RGB 224 142 128

HSL 8.75, 0.61%, 0.69%

LAB 67.09, 29.55, 20.5

 

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

CMYK 24 / 0 / 70 / 18

HEX #9FD03E

RGB 159 208 62

HSL 80.14, 0.61%, 0.53%

LAB 77.77, -36.76, 63.79

 

CMYK 70 / 51 / 0 / 18

HEX #3E65D0

RGB 62 101 208

HSL 223.97, 0.61%, 0.53%

LAB 45.48, 22.28, -59.42

 

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

CMYK 70 / 0 / 61 / 18

HEX #3ED051

RGB 62 208 81

HSL 127.81, 0.61%, 0.53%

LAB 74.02, -63.31, 50.92

 

CMYK 61 / 70 / 0 / 18

HEX #513ED0

RGB 81 62 208

HSL 247.81, 0.61%, 0.53%

LAB 37.39, 48.81, -72.54

 

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

CMYK 24 / 0 / 70 / 18

HEX #9FD03E

RGB 159 208 62

HSL 80.14, 0.61%, 0.53%

LAB 77.77, -36.76, 63.79

 

CMYK 70 / 10 / 0 / 18

HEX #3EBCD0

RGB 62 188 208

HSL 188.22, 0.61%, 0.53%

LAB 70.56, -27.6, -20.06

 

CMYK 47 / 70 / 0 / 18

HEX #6E3ED0

RGB 110 62 208

HSL 259.73, 0.61%, 0.53%

LAB 40.1, 53.26, -67.99

 

CMYK 0 / 60 / 70 / 18

HEX #D0533E

RGB 208 83 62

HSL 8.63, 0.61%, 0.53%

LAB 51.77, 48.21, 37.4

 

CMYK 45 / 0 / 70 / 18

HEX #73D03E

RGB 115 208 62

HSL 98.22, 0.61%, 0.53%

LAB 75.52, -52.17, 60.77

 

CMYK 70 / 10 / 0 / 18

HEX #3EBCD0

RGB 62 188 208

HSL 188.22, 0.61%, 0.53%

LAB 70.56, -27.6, -20.06

 

CMYK 26 / 70 / 0 / 18

HEX #9A3ED0

RGB 154 62 208

HSL 277.81, 0.61%, 0.53%

LAB 45.45, 61.48, -59.05

 

Description

Color code: HEX #D0533E | qconv.com Color code: HEX #D0533E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 83 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 83 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 70 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 70% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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