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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0694C it is the complementary color #2F96B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0694C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0694C shade: #D56947, #E67B5A, #F78D6D, #FF9F80 and #FFB193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0694C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0694C shade: #D0694C, #BF5739, #AE4526, #9D3313 and #8C2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0694C shade: #CF6A4D and #CF4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0694C shade: #CF6A4D, #CF8D4D, #CFB04D, #CCCF4D and #A9CF4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0694C shade matches the following richer shades: #CF6A4D, #E2603B and #F45529

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0694C shade: #CF6A4D, #BD745F, #AB7E72, #998884 and #879396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0694C shade: #CF4D76, #CF4D54, #CF694D, #CF8C4D and #CFAF4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0694C shade: #A0442A, #C15233, #CF6A4D, #D8856E and #E1A08E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0694C shade: #D0694C, #99CF4D and #4D65CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0694C shade: #D0694C, #4DCF69 and #694DCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0694C shade: #D0694C, #99CF4D, #4DB3CF and #834DCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0694C shade: #D0694C, #72CF4D, #4DB3CF and #AA4DCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 63 / 18

HEX #D0694C

RGB 208 105 76

HSL 13.18, 0.58%, 0.56%

LAB 56.12, 38.29, 34.81

 

Complementary color

CMYK 74 / 16 / 0 / 30

HEX #2F96B3

RGB 47 150 179

HSL 193.18, 0.58%, 0.44%

LAB 57.72, -19.32, -23.54

 

CMYK 0 / 51 / 67 / 16

HEX #D56947

RGB 213 105 71

HSL 14.37, 0.63%, 0.56%

LAB 56.79, 39.91, 38.51

 

CMYK 0 / 47 / 61 / 10

HEX #E67B5A

RGB 230 123 90

HSL 14.14, 0.74%, 0.63%

LAB 63.12, 38.49, 36.42

 

CMYK 0 / 43 / 56 / 3

HEX #F78D6D

RGB 247 141 109

HSL 13.91, 0.9%, 0.7%

LAB 69.42, 37.17, 34.53

 

CMYK 0 / 38 / 50 / 0

HEX #FF9F80

RGB 255 159 128

HSL 14.65, 1%, 0.75%

LAB 74.58, 32.52, 31.18

 

CMYK 0 / 31 / 42 / 0

HEX #FFB193

RGB 255 177 147

HSL 16.67, 1%, 0.79%

LAB 78.93, 24.97, 26.8

 

CMYK 0 / 50 / 63 / 18

HEX #D0694C

RGB 208 105 76

HSL 13.18, 0.58%, 0.56%

LAB 56.12, 38.29, 34.81

 

CMYK 0 / 54 / 70 / 25

HEX #BF5739

RGB 191 87 57

HSL 13.43, 0.54%, 0.49%

LAB 49.72, 39.75, 37.08

 

CMYK 0 / 60 / 78 / 32

HEX #AE4526

RGB 174 69 38

HSL 13.68, 0.64%, 0.42%

LAB 43.35, 41.24, 39.55

 

CMYK 0 / 68 / 88 / 38

HEX #9D3313

RGB 157 51 19

HSL 13.91, 0.78%, 0.35%

LAB 37.08, 42.63, 41.89

 

CMYK 0 / 76 / 100 / 45

HEX #8C2100

RGB 140 33 0

HSL 14.14, 1%, 0.27%

LAB 31.03, 43.58, 43.66

 

CMYK 0 / 49 / 63 / 19

HEX #CF6A4D

RGB 207 106 77

HSL 13.38, 0.58%, 0.56%

LAB 56.2, 37.46, 34.31

 

CMYK 0 / 63 / 63 / 19

HEX #CF4D4D

RGB 207 77 77

HSL 0, 0.58%, 0.56%

LAB 50.81, 51.4, 27.62

 

CMYK 0 / 49 / 63 / 19

HEX #CF6A4D

RGB 207 106 77

HSL 13.38, 0.58%, 0.56%

LAB 56.2, 37.46, 34.31

 

CMYK 0 / 32 / 63 / 19

HEX #CF8D4D

RGB 207 141 77

HSL 29.54, 0.58%, 0.56%

LAB 64.04, 18.75, 43.64

 

CMYK 0 / 15 / 63 / 19

HEX #CFB04D

RGB 207 176 77

HSL 45.69, 0.58%, 0.56%

LAB 72.79, -0.1, 53.53

 

CMYK 1 / 0 / 63 / 19

HEX #CCCF4D

RGB 204 207 77

HSL 61.38, 0.58%, 0.56%

LAB 80.74, -17.28, 62.01

 

CMYK 18 / 0 / 63 / 19

HEX #A9CF4D

RGB 169 207 77

HSL 77.54, 0.58%, 0.56%

LAB 78.23, -31.41, 58.58

 

CMYK 0 / 49 / 63 / 19

HEX #CF6A4D

RGB 207 106 77

HSL 13.38, 0.58%, 0.56%

LAB 56.2, 37.46, 34.31

 

CMYK 0 / 58 / 74 / 11

HEX #E2603B

RGB 226 96 59

HSL 13.29, 0.74%, 0.56%

LAB 56.93, 48.54, 45.55

 

CMYK 0 / 65 / 83 / 4

HEX #F45529

RGB 244 85 41

HSL 13, 0.9%, 0.56%

LAB 57.93, 58.98, 56.15

 

CMYK 0 / 49 / 63 / 19

HEX #CF6A4D

RGB 207 106 77

HSL 13.38, 0.58%, 0.56%

LAB 56.2, 37.46, 34.31

 

CMYK 0 / 39 / 50 / 26

HEX #BD745F

RGB 189 116 95

HSL 13.4, 0.42%, 0.56%

LAB 56.22, 26.44, 23.72

 

CMYK 0 / 26 / 33 / 33

HEX #AB7E72

RGB 171 126 114

HSL 12.63, 0.25%, 0.56%

LAB 56.87, 15.75, 13.36

 

CMYK 0 / 11 / 14 / 40

HEX #998884

RGB 153 136 132

HSL 11.43, 0.09%, 0.56%

LAB 58.08, 5.7, 4.48

 

CMYK 10 / 2 / 0 / 41

HEX #879396

RGB 135 147 150

HSL 192, 0.07%, 0.56%

LAB 60.09, -3.68, -3.07

 

CMYK 0 / 63 / 43 / 19

HEX #CF4D76

RGB 207 77 118

HSL 341.08, 0.58%, 0.56%

LAB 51.7, 54.76, 4.36

 

CMYK 0 / 63 / 59 / 19

HEX #CF4D54

RGB 207 77 84

HSL 356.77, 0.58%, 0.56%

LAB 50.94, 51.86, 23.65

 

CMYK 0 / 49 / 63 / 19

HEX #CF694D

RGB 207 105 77

HSL 12.92, 0.58%, 0.56%

LAB 55.99, 37.97, 34.06

 

CMYK 0 / 32 / 63 / 19

HEX #CF8C4D

RGB 207 140 77

HSL 29.08, 0.58%, 0.56%

LAB 63.8, 19.29, 43.37

 

CMYK 0 / 15 / 63 / 19

HEX #CFAF4D

RGB 207 175 77

HSL 45.23, 0.58%, 0.56%

LAB 72.54, 0.43, 53.24

 

CMYK 0 / 58 / 74 / 37

HEX #A0442A

RGB 160 68 42

HSL 13.22, 0.58%, 0.4%

LAB 40.86, 36.54, 34.03

 

CMYK 0 / 58 / 74 / 24

HEX #C15233

RGB 193 82 51

HSL 13.1, 0.58%, 0.48%

LAB 49.02, 42.67, 39.63

 

CMYK 0 / 49 / 63 / 19

HEX #CF6A4D

RGB 207 106 77

HSL 13.38, 0.58%, 0.56%

LAB 56.2, 37.46, 34.31

 

CMYK 0 / 38 / 49 / 15

HEX #D8856E

RGB 216 133 110

HSL 13.02, 0.58%, 0.64%

LAB 63.75, 29.43, 25.86

 

CMYK 0 / 29 / 37 / 12

HEX #E1A08E

RGB 225 160 142

HSL 13.01, 0.58%, 0.72%

LAB 71.62, 21.87, 19

 

CMYK 0 / 50 / 63 / 18

HEX #D0694C

RGB 208 105 76

HSL 13.18, 0.58%, 0.56%

LAB 56.12, 38.29, 34.81

 

CMYK 26 / 0 / 63 / 19

HEX #99CF4D

RGB 153 207 77

HSL 84.92, 0.58%, 0.56%

LAB 77.24, -37.51, 57.22

 

CMYK 63 / 51 / 0 / 19

HEX #4D65CF

RGB 77 101 207

HSL 228.92, 0.58%, 0.56%

LAB 46.16, 24.29, -57.7

 

CMYK 0 / 50 / 63 / 18

HEX #D0694C

RGB 208 105 76

HSL 13.18, 0.58%, 0.56%

LAB 56.12, 38.29, 34.81

 

CMYK 63 / 0 / 49 / 19

HEX #4DCF69

RGB 77 207 105

HSL 132.92, 0.58%, 0.56%

LAB 74.33, -56.98, 40.18

 

CMYK 49 / 63 / 0 / 19

HEX #694DCF

RGB 105 77 207

HSL 252.92, 0.58%, 0.56%

LAB 42.48, 44.02, -63.56

 

CMYK 0 / 50 / 63 / 18

HEX #D0694C

RGB 208 105 76

HSL 13.18, 0.58%, 0.56%

LAB 56.12, 38.29, 34.81

 

CMYK 26 / 0 / 63 / 19

HEX #99CF4D

RGB 153 207 77

HSL 84.92, 0.58%, 0.56%

LAB 77.24, -37.51, 57.22

 

CMYK 63 / 14 / 0 / 19

HEX #4DB3CF

RGB 77 179 207

HSL 192.92, 0.58%, 0.56%

LAB 68.26, -21.08, -22.98

 

CMYK 37 / 63 / 0 / 19

HEX #834DCF

RGB 131 77 207

HSL 264.92, 0.58%, 0.56%

LAB 45.13, 49.31, -59.14

 

CMYK 0 / 50 / 63 / 18

HEX #D0694C

RGB 208 105 76

HSL 13.18, 0.58%, 0.56%

LAB 56.12, 38.29, 34.81

 

CMYK 45 / 0 / 63 / 19

HEX #72CF4D

RGB 114 207 77

HSL 102.92, 0.58%, 0.56%

LAB 75.29, -50.83, 54.52

 

CMYK 63 / 14 / 0 / 19

HEX #4DB3CF

RGB 77 179 207

HSL 192.92, 0.58%, 0.56%

LAB 68.26, -21.08, -22.98

 

CMYK 18 / 63 / 0 / 19

HEX #AA4DCF

RGB 170 77 207

HSL 282.92, 0.58%, 0.56%

LAB 49.93, 58.12, -51.18

 

Description

Color code: HEX #D0694C | qconv.com Color code: HEX #D0694C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 105 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 105 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 63 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 63% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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