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Color name
HEX #D06D2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D06D2D it is the complementary color #2F92D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D06D2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D06D2D shade: #D56D28, #E67F3B, #F7914E, #FFA361 and #FFB574

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D06D2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D06D2D shade: #D06D2D, #BF5B1A, #AE4907, #9D3700 and #8C2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D06D2D shade: #D16D2D, #D1412D and #D12D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D06D2D shade: #D16D2D, #D1992D, #D1C62D, #B0D12D and #84D12D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D06D2D shade matches the following richer shades: #D16D2D, #E56919 and #FA6504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D06D2D shade: #D16D2D, #BC7242, #A77657, #937B6B and #7E7F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D06D2D shade: #D12D46, #D1402D, #D16C2D, #D1972D and #D1C32D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D06D2D shade: #8D4A1F, #AF5C26, #D16D2D, #D8854F and #DF9C71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D06D2D shade: #D06D2D, #71D12D and #2D30D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D06D2D shade: #D06D2D, #2DD16C and #6C2DD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D06D2D shade: #D06D2D, #71D12D, #2D92D1 and #8D2DD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D06D2D shade: #D06D2D, #40D12D, #2D92D1 and #BE2DD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 78 / 18

HEX #D06D2D

RGB 208 109 45

HSL 23.56, 0.64%, 0.5%

LAB 56.62, 34.65, 51.12

 

Complementary color

CMYK 78 / 30 / 0 / 18

HEX #2F92D2

RGB 47 146 210

HSL 203.56, 0.64%, 0.5%

LAB 57.86, -6.41, -40.83

 

CMYK 0 / 49 / 81 / 16

HEX #D56D28

RGB 213 109 40

HSL 23.93, 0.68%, 0.5%

LAB 57.31, 36.49, 54.18

 

CMYK 0 / 45 / 74 / 10

HEX #E67F3B

RGB 230 127 59

HSL 23.86, 0.77%, 0.57%

LAB 63.6, 34.71, 52.74

 

CMYK 0 / 41 / 68 / 3

HEX #F7914E

RGB 247 145 78

HSL 23.79, 0.91%, 0.64%

LAB 69.88, 33.09, 51.09

 

CMYK 0 / 36 / 62 / 0

HEX #FFA361

RGB 255 163 97

HSL 25.06, 1%, 0.69%

LAB 75.02, 28.05, 47.87

 

CMYK 0 / 29 / 55 / 0

HEX #FFB574

RGB 255 181 116

HSL 28.06, 1%, 0.73%

LAB 79.37, 20.02, 43.55

 

CMYK 0 / 48 / 78 / 18

HEX #D06D2D

RGB 208 109 45

HSL 23.56, 0.64%, 0.5%

LAB 56.62, 34.65, 51.12

 

CMYK 0 / 52 / 86 / 25

HEX #BF5B1A

RGB 191 91 26

HSL 23.64, 0.76%, 0.43%

LAB 50.26, 36.53, 52.29

 

CMYK 0 / 58 / 96 / 32

HEX #AE4907

RGB 174 73 7

HSL 23.71, 0.92%, 0.35%

LAB 43.91, 38.53, 52.23

 

CMYK 0 / 65 / 100 / 38

HEX #9D3700

RGB 157 55 0

HSL 21.02, 1%, 0.31%

LAB 37.66, 40.51, 49.21

 

CMYK 0 / 74 / 100 / 45

HEX #8C2500

RGB 140 37 0

HSL 15.86, 1%, 0.27%

LAB 31.57, 42.07, 44.05

 

CMYK 0 / 48 / 78 / 18

HEX #D16D2D

RGB 209 109 45

HSL 23.41, 0.65%, 0.5%

LAB 56.76, 35.05, 51.31

 

CMYK 0 / 69 / 78 / 18

HEX #D1412D

RGB 209 65 45

HSL 7.32, 0.65%, 0.5%

LAB 48.92, 55.47, 43.53

 

CMYK 0 / 78 / 78 / 18

HEX #D12D2D

RGB 209 45 45

HSL 0, 0.65%, 0.5%

LAB 46.47, 62.24, 41.02

 

CMYK 0 / 48 / 78 / 18

HEX #D16D2D

RGB 209 109 45

HSL 23.41, 0.65%, 0.5%

LAB 56.76, 35.05, 51.31

 

CMYK 0 / 27 / 78 / 18

HEX #D1992D

RGB 209 153 45

HSL 39.51, 0.65%, 0.5%

LAB 66.92, 11.44, 60.9

 

CMYK 0 / 5 / 78 / 18

HEX #D1C62D

RGB 209 198 45

HSL 55.98, 0.65%, 0.5%

LAB 78.54, -12.21, 71.41

 

CMYK 16 / 0 / 78 / 18

HEX #B0D12D

RGB 176 209 45

HSL 72.07, 0.65%, 0.5%

LAB 79.05, -31.37, 70.93

 

CMYK 37 / 0 / 78 / 18

HEX #84D12D

RGB 132 209 45

HSL 88.17, 0.65%, 0.5%

LAB 76.49, -48.01, 67.64

 

CMYK 0 / 48 / 78 / 18

HEX #D16D2D

RGB 209 109 45

HSL 23.41, 0.65%, 0.5%

LAB 56.76, 35.05, 51.31

 

CMYK 0 / 54 / 89 / 10

HEX #E56919

RGB 229 105 25

HSL 23.53, 0.8%, 0.5%

LAB 58.82, 44.36, 61.85

 

CMYK 0 / 60 / 98 / 2

HEX #FA6504

RGB 250 101 4

HSL 23.66, 0.97%, 0.5%

LAB 61.34, 53.71, 69.69

 

CMYK 0 / 48 / 78 / 18

HEX #D16D2D

RGB 209 109 45

HSL 23.41, 0.65%, 0.5%

LAB 56.76, 35.05, 51.31

 

CMYK 0 / 39 / 65 / 26

HEX #BC7242

RGB 188 114 66

HSL 23.61, 0.48%, 0.5%

LAB 55.2, 24.78, 38.45

 

CMYK 0 / 29 / 48 / 35

HEX #A77657

RGB 167 118 87

HSL 23.25, 0.31%, 0.5%

LAB 53.88, 15.42, 24.69

 

CMYK 0 / 16 / 27 / 42

HEX #937B6B

RGB 147 123 107

HSL 24, 0.16%, 0.5%

LAB 53.42, 6.71, 12.2

HEX #937B6B

CMYK 2 / 1 / 0 / 50

HEX #7E7F80

RGB 126 127 128

HSL 210, 0.01%, 0.5%

LAB 53.14, -0.17, -0.68

HEX #7E7F80

CMYK 0 / 78 / 67 / 18

HEX #D12D46

RGB 209 45 70

HSL 350.85, 0.65%, 0.5%

LAB 46.81, 63.3, 26.8

 

CMYK 0 / 69 / 78 / 18

HEX #D1402D

RGB 209 64 45

HSL 6.95, 0.65%, 0.5%

LAB 48.77, 55.86, 43.38

 

CMYK 0 / 48 / 78 / 18

HEX #D16C2D

RGB 209 108 45

HSL 23.05, 0.65%, 0.5%

LAB 56.56, 35.57, 51.11

 

CMYK 0 / 28 / 78 / 18

HEX #D1972D

RGB 209 151 45

HSL 38.78, 0.65%, 0.5%

LAB 66.43, 12.52, 60.45

 

CMYK 0 / 7 / 78 / 18

HEX #D1C32D

RGB 209 195 45

HSL 54.88, 0.65%, 0.5%

LAB 77.74, -10.69, 70.7

 

CMYK 0 / 48 / 78 / 45

HEX #8D4A1F

RGB 141 74 31

HSL 23.45, 0.64%, 0.34%

LAB 39, 24.96, 37

 

CMYK 0 / 47 / 78 / 31

HEX #AF5C26

RGB 175 92 38

HSL 23.65, 0.64%, 0.42%

LAB 48.14, 29.84, 44.41

 

CMYK 0 / 48 / 78 / 18

HEX #D16D2D

RGB 209 109 45

HSL 23.41, 0.65%, 0.5%

LAB 56.76, 35.05, 51.31

 

CMYK 0 / 38 / 63 / 15

HEX #D8854F

RGB 216 133 79

HSL 23.65, 0.64%, 0.58%

LAB 63.29, 26.95, 42.03

 

CMYK 0 / 30 / 49 / 13

HEX #DF9C71

RGB 223 156 113

HSL 23.45, 0.63%, 0.66%

LAB 69.94, 20.15, 32.46

 

CMYK 0 / 48 / 78 / 18

HEX #D06D2D

RGB 208 109 45

HSL 23.56, 0.64%, 0.5%

LAB 56.62, 34.65, 51.12

 

CMYK 46 / 0 / 78 / 18

HEX #71D12D

RGB 113 209 45

HSL 95.12, 0.65%, 0.5%

LAB 75.64, -54.24, 66.54

 

CMYK 78 / 77 / 0 / 18

HEX #2D30D1

RGB 45 48 209

HSL 238.9, 0.65%, 0.5%

LAB 32.43, 53.09, -81.39

 

CMYK 0 / 48 / 78 / 18

HEX #D06D2D

RGB 208 109 45

HSL 23.56, 0.64%, 0.5%

LAB 56.62, 34.65, 51.12

 

CMYK 78 / 0 / 48 / 18

HEX #2DD16C

RGB 45 209 108

HSL 143.05, 0.65%, 0.5%

LAB 74.34, -62.4, 38.58

 

CMYK 48 / 78 / 0 / 18

HEX #6C2DD1

RGB 108 45 209

HSL 263.05, 0.65%, 0.5%

LAB 37.24, 60.97, -73.27

 

CMYK 0 / 48 / 78 / 18

HEX #D06D2D

RGB 208 109 45

HSL 23.56, 0.64%, 0.5%

LAB 56.62, 34.65, 51.12

 

CMYK 46 / 0 / 78 / 18

HEX #71D12D

RGB 113 209 45

HSL 95.12, 0.65%, 0.5%

LAB 75.64, -54.24, 66.54

 

CMYK 78 / 30 / 0 / 18

HEX #2D92D1

RGB 45 146 209

HSL 203.05, 0.65%, 0.5%

LAB 57.77, -6.98, -40.42

 

CMYK 33 / 78 / 0 / 18

HEX #8D2DD1

RGB 141 45 209

HSL 275.12, 0.65%, 0.5%

LAB 41.44, 65.92, -66.22

 

CMYK 0 / 48 / 78 / 18

HEX #D06D2D

RGB 208 109 45

HSL 23.56, 0.64%, 0.5%

LAB 56.62, 34.65, 51.12

 

CMYK 69 / 0 / 78 / 18

HEX #40D12D

RGB 64 209 45

HSL 113.05, 0.65%, 0.5%

LAB 74.11, -66.41, 64.55

 

CMYK 78 / 30 / 0 / 18

HEX #2D92D1

RGB 45 146 209

HSL 203.05, 0.65%, 0.5%

LAB 57.77, -6.98, -40.42

 

CMYK 9 / 78 / 0 / 18

HEX #BE2DD1

RGB 190 45 209

HSL 293.05, 0.65%, 0.5%

LAB 48.79, 74.54, -53.98

 

Description

Color code: HEX #D06D2D | qconv.com Color code: HEX #D06D2D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 109 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 109 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 78 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 78% 18% C M Y K

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Provide designers and agencies with accurate color values.

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