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Color name
HEX #D077F7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D077F7 it is the complementary color #2F8808. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D077F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D077F7 shade: #D577F2, #E689FF, #F79BFF, #FFADFF and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D077F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D077F7 shade: #D077F7, #BF65E4, #AE53D1, #9D41BE and #8C2FAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D077F7 shade: #D078F7, #F278F7, #F778D9, #F778B7 and #F77894

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D077F7 shade: #D078F7, #AE78F7, #8B78F7 and #7878F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D077F7 shade matches the following richer shades: #D078F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D077F7 shade: #D078F7, #CB83EB, #C78FE0, #C29AD4 and #BEA6C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D077F7 shade: #8B78F7, #AD78F7, #CE78F7, #F078F7 and #F778DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D077F7 shade: #B52AF2, #C251F4, #D078F7, #DD9FF9 and #EBC6FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D077F7 shade: #D077F7, #F77886 and #78F79C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D077F7 shade: #D077F7, #F7CE78 and #78F7CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D077F7 shade: #D077F7, #F77886, #A0F778 and #78F7E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D077F7 shade: #D077F7, #F78F78, #A0F778 and #78DFF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 52 / 0 / 3

HEX #D077F7

RGB 208 119 247

HSL 281.72, 0.89%, 0.72%

LAB 64.42, 55.37, -50.3

 

Complementary color

CMYK 65 / 0 / 94 / 47

HEX #2F8808

RGB 47 136 8

HSL 101.72, 0.89%, 0.28%

LAB 49.77, -47.31, 51.55

 

CMYK 12 / 51 / 0 / 5

HEX #D577F2

RGB 213 119 242

HSL 285.85, 0.83%, 0.71%

LAB 64.76, 55.68, -46.96

 

CMYK 10 / 46 / 0 / 0

HEX #E689FF

RGB 230 137 255

HSL 287.29, 1%, 0.77%

LAB 70.83, 53.78, -44.42

 

CMYK 3 / 39 / 0 / 0

HEX #F79BFF

RGB 247 155 255

HSL 295.2, 1%, 0.8%

LAB 76.34, 49.47, -35.69

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 16 / 52 / 0 / 3

HEX #D077F7

RGB 208 119 247

HSL 281.72, 0.89%, 0.72%

LAB 64.42, 55.37, -50.3

 

CMYK 16 / 56 / 0 / 11

HEX #BF65E4

RGB 191 101 228

HSL 282.52, 0.7%, 0.65%

LAB 58.02, 56.08, -50.02

 

CMYK 17 / 60 / 0 / 18

HEX #AE53D1

RGB 174 83 209

HSL 283.33, 0.58%, 0.57%

LAB 51.6, 56.68, -49.62

 

CMYK 17 / 66 / 0 / 25

HEX #9D41BE

RGB 157 65 190

HSL 284.16, 0.49%, 0.5%

LAB 45.17, 57.06, -49.06

 

CMYK 18 / 73 / 0 / 33

HEX #8C2FAB

RGB 140 47 171

HSL 285, 0.57%, 0.43%

LAB 38.81, 57.04, -48.2

 

CMYK 16 / 51 / 0 / 3

HEX #D078F7

RGB 208 120 247

HSL 281.57, 0.89%, 0.72%

LAB 64.61, 54.87, -50

 

CMYK 2 / 51 / 0 / 3

HEX #F278F7

RGB 242 120 247

HSL 297.64, 0.89%, 0.72%

LAB 68.77, 63.82, -43.17

 

CMYK 0 / 51 / 12 / 3

HEX #F778D9

RGB 247 120 217

HSL 314.17, 0.89%, 0.72%

LAB 68.18, 60.27, -27.46

 

CMYK 0 / 51 / 26 / 3

HEX #F778B7

RGB 247 120 183

HSL 330.24, 0.89%, 0.72%

LAB 67, 55.41, -10.21

 

CMYK 0 / 51 / 40 / 3

HEX #F77894

RGB 247 120 148

HSL 346.77, 0.89%, 0.72%

LAB 66.02, 51.23, 8.18

 

CMYK 16 / 51 / 0 / 3

HEX #D078F7

RGB 208 120 247

HSL 281.57, 0.89%, 0.72%

LAB 64.61, 54.87, -50

 

CMYK 30 / 51 / 0 / 3

HEX #AE78F7

RGB 174 120 247

HSL 265.51, 0.89%, 0.72%

LAB 60.91, 46.16, -56.1

 

CMYK 44 / 51 / 0 / 3

HEX #8B78F7

RGB 139 120 247

HSL 248.98, 0.89%, 0.72%

LAB 57.69, 37.83, -61.44

 

CMYK 51 / 51 / 0 / 3

HEX #7878F7

RGB 120 120 247

HSL 240, 0.89%, 0.72%

LAB 56.23, 33.77, -63.86

 

CMYK 16 / 51 / 0 / 3

HEX #D078F7

RGB 208 120 247

HSL 281.57, 0.89%, 0.72%

LAB 64.61, 54.87, -50

 

CMYK 16 / 51 / 0 / 3

HEX #D078F7

RGB 208 120 247

HSL 281.57, 0.89%, 0.72%

LAB 64.61, 54.87, -50

 

CMYK 14 / 44 / 0 / 8

HEX #CB83EB

RGB 203 131 235

HSL 281.54, 0.72%, 0.72%

LAB 65.69, 45.33, -41.72

 

CMYK 11 / 36 / 0 / 12

HEX #C78FE0

RGB 199 143 224

HSL 281.48, 0.57%, 0.72%

LAB 67.4, 35.41, -33.01

 

CMYK 8 / 27 / 0 / 17

HEX #C29AD4

RGB 194 154 212

HSL 281.38, 0.4%, 0.72%

LAB 68.99, 25.33, -23.97

 

CMYK 5 / 17 / 0 / 22

HEX #BEA6C8

RGB 190 166 200

HSL 282.35, 0.24%, 0.72%

LAB 71.14, 14.95, -14.13

 

CMYK 44 / 51 / 0 / 3

HEX #8B78F7

RGB 139 120 247

HSL 248.98, 0.89%, 0.72%

LAB 57.69, 37.83, -61.44

 

CMYK 30 / 51 / 0 / 3

HEX #AD78F7

RGB 173 120 247

HSL 265.04, 0.89%, 0.72%

LAB 60.81, 45.91, -56.27

 

CMYK 17 / 51 / 0 / 3

HEX #CE78F7

RGB 206 120 247

HSL 280.63, 0.89%, 0.72%

LAB 64.38, 54.34, -50.38

 

CMYK 3 / 51 / 0 / 3

HEX #F078F7

RGB 240 120 247

HSL 296.69, 0.89%, 0.72%

LAB 68.51, 63.29, -43.59

 

CMYK 0 / 51 / 11 / 3

HEX #F778DB

RGB 247 120 219

HSL 313.23, 0.89%, 0.72%

LAB 68.26, 60.58, -28.46

 

CMYK 25 / 83 / 0 / 5

HEX #B52AF2

RGB 181 42 242

HSL 281.7, 0.88%, 0.56%

LAB 49.36, 79.73, -71.87

 

CMYK 20 / 67 / 0 / 4

HEX #C251F4

RGB 194 81 244

HSL 281.6, 0.88%, 0.64%

LAB 55.97, 69.15, -62.21

 

CMYK 16 / 51 / 0 / 3

HEX #D078F7

RGB 208 120 247

HSL 281.57, 0.89%, 0.72%

LAB 64.61, 54.87, -50

 

CMYK 11 / 36 / 0 / 2

HEX #DD9FF9

RGB 221 159 249

HSL 281.33, 0.88%, 0.8%

LAB 74.19, 38.51, -35.98

 

CMYK 6 / 21 / 0 / 2

HEX #EBC6FB

RGB 235 198 251

HSL 281.89, 0.87%, 0.88%

LAB 84.49, 22.36, -21.16

 

CMYK 16 / 52 / 0 / 3

HEX #D077F7

RGB 208 119 247

HSL 281.72, 0.89%, 0.72%

LAB 64.42, 55.37, -50.3

 

CMYK 0 / 51 / 46 / 3

HEX #F77886

RGB 247 120 134

HSL 353.39, 0.89%, 0.72%

LAB 65.69, 49.82, 15.68

 

CMYK 51 / 0 / 37 / 3

HEX #78F79C

RGB 120 247 156

HSL 137.01, 0.89%, 0.72%

LAB 88.41, -54.62, 33.22

 

CMYK 16 / 52 / 0 / 3

HEX #D077F7

RGB 208 119 247

HSL 281.72, 0.89%, 0.72%

LAB 64.42, 55.37, -50.3

 

CMYK 0 / 17 / 51 / 3

HEX #F7CE78

RGB 247 206 120

HSL 40.63, 0.89%, 0.72%

LAB 84.62, 4.11, 47.83

 

CMYK 51 / 0 / 17 / 3

HEX #78F7CE

RGB 120 247 206

HSL 160.63, 0.89%, 0.72%

LAB 89.38, -44.9, 8.98

 

CMYK 16 / 52 / 0 / 3

HEX #D077F7

RGB 208 119 247

HSL 281.72, 0.89%, 0.72%

LAB 64.42, 55.37, -50.3

 

CMYK 0 / 51 / 46 / 3

HEX #F77886

RGB 247 120 134

HSL 353.39, 0.89%, 0.72%

LAB 65.69, 49.82, 15.68

 

CMYK 35 / 0 / 51 / 3

HEX #A0F778

RGB 160 247 120

HSL 101.1, 0.89%, 0.72%

LAB 89.56, -48.29, 52.41

 

CMYK 51 / 0 / 6 / 3

HEX #78F7E8

RGB 120 247 232

HSL 172.91, 0.89%, 0.72%

LAB 90.02, -38.88, -3.61

 

CMYK 16 / 52 / 0 / 3

HEX #D077F7

RGB 208 119 247

HSL 281.72, 0.89%, 0.72%

LAB 64.42, 55.37, -50.3

 

CMYK 0 / 42 / 51 / 3

HEX #F78F78

RGB 247 143 120

HSL 10.87, 0.89%, 0.72%

LAB 70.02, 37.04, 29.33

 

CMYK 35 / 0 / 51 / 3

HEX #A0F778

RGB 160 247 120

HSL 101.1, 0.89%, 0.72%

LAB 89.56, -48.29, 52.41

 

CMYK 51 / 10 / 0 / 3

HEX #78DFF7

RGB 120 223 247

HSL 191.34, 0.89%, 0.72%

LAB 83.7, -23.63, -20.93

 

Description

Color code: HEX #D077F7 | qconv.com Color code: HEX #D077F7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 119 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 119 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 52 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 52% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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