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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D07AA0 it is the complementary color #2F855F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D07AA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D07AA0 shade: #D57A9B, #E68CAE, #F79EC1, #FFB0D4 and #FFC2E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D07AA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D07AA0 shade: #D07AA0, #BF688D, #AE567A, #9D4467 and #8C3254

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D07AA0 shade: #D07AA0, #D07A89 and #D07A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D07AA0 shade: #D07AA0, #D07AB7, #D07ACE, #BB7AD0 and #A37AD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D07AA0 shade matches the following richer shades: #D07AA0, #DF6C9F, #ED5E9D and #FB4F9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D07AA0 shade: #D07AA0, #C289A2, #B397A4, #A5A6A5 and #96B4A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D07AA0 shade: #D07ACF, #D07AB8, #D07AA1, #D07A8A and #D0827A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D07AA0 shade: #B84075, #C55C8A, #D07AA0, #DB99B6 and #E6B7CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D07AA0 shade: #D07AA0, #D0BB7A and #7AC3D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D07AA0 shade: #D07AA0, #A1D07A and #7AA1D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D07AA0 shade: #D07AA0, #D0BB7A, #7AD0AA and #7A90D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D07AA0 shade: #D07AA0, #CCD07A, #7AD0AA and #7F7AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

Complementary color

CMYK 65 / 0 / 29 / 48

HEX #2F855F

RGB 47 133 95

HSL 153.49, 0.48%, 0.35%

LAB 49.74, -35.19, 13.07

 

CMYK 0 / 43 / 27 / 16

HEX #D57A9B

RGB 213 122 155

HSL 338.24, 0.52%, 0.66%

LAB 62.02, 39.37, -2.16

 

CMYK 0 / 39 / 24 / 10

HEX #E68CAE

RGB 230 140 174

HSL 337.33, 0.64%, 0.73%

LAB 68.49, 38.52, -3.18

 

CMYK 0 / 36 / 22 / 3

HEX #F79EC1

RGB 247 158 193

HSL 336.4, 0.85%, 0.79%

LAB 74.87, 37.72, -4.09

 

CMYK 0 / 31 / 17 / 0

HEX #FFB0D4

RGB 255 176 212

HSL 332.66, 1%, 0.85%

LAB 80.22, 33.89, -6.46

 

CMYK 0 / 24 / 9 / 0

HEX #FFC2E7

RGB 255 194 231

HSL 323.61, 1%, 0.88%

LAB 84.8, 27.47, -9.87

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

CMYK 0 / 46 / 26 / 25

HEX #BF688D

RGB 191 104 141

HSL 334.48, 0.4%, 0.58%

LAB 54.97, 39.17, -4.78

 

CMYK 0 / 51 / 30 / 32

HEX #AE567A

RGB 174 86 122

HSL 335.45, 0.35%, 0.51%

LAB 48.33, 40.02, -3.57

 

CMYK 0 / 57 / 34 / 38

HEX #9D4467

RGB 157 68 103

HSL 336.4, 0.4%, 0.44%

LAB 41.66, 40.81, -2.08

 

CMYK 0 / 64 / 40 / 45

HEX #8C3254

RGB 140 50 84

HSL 337.33, 0.47%, 0.37%

LAB 35, 41.42, -0.19

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

CMYK 0 / 41 / 34 / 18

HEX #D07A89

RGB 208 122 137

HSL 349.53, 0.48%, 0.65%

LAB 60.9, 35.21, 6.45

 

CMYK 0 / 41 / 41 / 18

HEX #D07A7A

RGB 208 122 122

HSL 0, 0.48%, 0.65%

LAB 60.55, 33.44, 14.55

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

CMYK 0 / 41 / 12 / 18

HEX #D07AB7

RGB 208 122 183

HSL 317.44, 0.48%, 0.65%

LAB 62.29, 41.9, -17.8

 

CMYK 0 / 41 / 1 / 18

HEX #D07ACE

RGB 208 122 206

HSL 301.4, 0.48%, 0.65%

LAB 63.16, 45.89, -29.46

 

CMYK 10 / 41 / 0 / 18

HEX #BB7AD0

RGB 187 122 208

HSL 285.35, 0.48%, 0.65%

LAB 60.82, 39.93, -34.42

 

CMYK 22 / 41 / 0 / 18

HEX #A37AD0

RGB 163 122 208

HSL 268.6, 0.48%, 0.65%

LAB 58.28, 32.82, -38.57

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

CMYK 0 / 52 / 29 / 13

HEX #DF6C9F

RGB 223 108 159

HSL 333.39, 0.64%, 0.65%

LAB 60.71, 50.36, -6.25

 

CMYK 0 / 60 / 34 / 7

HEX #ED5E9D

RGB 237 94 157

HSL 333.57, 0.8%, 0.65%

LAB 60.29, 60.91, -5.49

 

CMYK 0 / 69 / 38 / 2

HEX #FB4F9B

RGB 251 79 155

HSL 333.49, 0.96%, 0.65%

LAB 60.31, 70.62, -4.05

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

CMYK 0 / 29 / 16 / 24

HEX #C289A2

RGB 194 137 162

HSL 333.68, 0.32%, 0.65%

LAB 63.32, 25.53, -4.51

 

CMYK 0 / 16 / 8 / 30

HEX #B397A4

RGB 179 151 164

HSL 332.14, 0.16%, 0.65%

LAB 65.28, 12.63, -2.92

 

CMYK 1 / 0 / 1 / 35

HEX #A5A6A5

RGB 165 166 165

HSL 120, 0.01%, 0.65%

LAB 68.01, -0.54, 0.38

 

CMYK 17 / 0 / 7 / 29

HEX #96B4A7

RGB 150 180 167

HSL 154, 0.17%, 0.65%

LAB 70.81, -12.85, 3.22

 

CMYK 0 / 41 / 0 / 18

HEX #D07ACF

RGB 208 122 207

HSL 300.7, 0.48%, 0.65%

LAB 63.21, 46.07, -29.96

 

CMYK 0 / 41 / 12 / 18

HEX #D07AB8

RGB 208 122 184

HSL 316.74, 0.48%, 0.65%

LAB 62.33, 42.07, -18.31

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA1

RGB 208 122 161

HSL 332.79, 0.48%, 0.65%

LAB 61.57, 38.47, -6.34

 

CMYK 0 / 41 / 34 / 18

HEX #D07A8A

RGB 208 122 138

HSL 348.84, 0.48%, 0.65%

LAB 60.93, 35.34, 5.91

 

CMYK 0 / 38 / 41 / 18

HEX #D0827A

RGB 208 130 122

HSL 5.58, 0.48%, 0.65%

LAB 62.32, 29.15, 17.01

 

CMYK 0 / 65 / 36 / 28

HEX #B84075

RGB 184 64 117

HSL 333.5, 0.48%, 0.49%

LAB 45.83, 53.05, -4.06

 

CMYK 0 / 53 / 30 / 23

HEX #C55C8A

RGB 197 92 138

HSL 333.71, 0.48%, 0.57%

LAB 53.34, 46.91, -5.33

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

CMYK 0 / 30 / 17 / 14

HEX #DB99B6

RGB 219 153 182

HSL 333.64, 0.48%, 0.73%

LAB 70.33, 28.94, -5.07

 

CMYK 0 / 20 / 11 / 10

HEX #E6B7CC

RGB 230 183 204

HSL 333.19, 0.48%, 0.81%

LAB 79.07, 20.24, -4.11

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

CMYK 0 / 10 / 41 / 18

HEX #D0BB7A

RGB 208 187 122

HSL 45.35, 0.48%, 0.65%

LAB 76.29, -1.57, 35.61

 

CMYK 41 / 6 / 0 / 18

HEX #7AC3D0

RGB 122 195 208

HSL 189.07, 0.48%, 0.65%

LAB 74.65, -19.42, -13.68

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

CMYK 23 / 0 / 41 / 18

HEX #A1D07A

RGB 161 208 122

HSL 92.79, 0.48%, 0.65%

LAB 78.52, -30.33, 37.77

 

CMYK 41 / 23 / 0 / 18

HEX #7AA1D0

RGB 122 161 208

HSL 212.79, 0.48%, 0.65%

LAB 65.11, -1.2, -28.2

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

CMYK 0 / 10 / 41 / 18

HEX #D0BB7A

RGB 208 187 122

HSL 45.35, 0.48%, 0.65%

LAB 76.29, -1.57, 35.61

 

CMYK 41 / 0 / 18 / 18

HEX #7AD0AA

RGB 122 208 170

HSL 153.49, 0.48%, 0.65%

LAB 77.37, -34.65, 10.8

 

CMYK 41 / 31 / 0 / 18

HEX #7A90D0

RGB 122 144 208

HSL 224.65, 0.48%, 0.65%

LAB 60.46, 8.51, -35.4

 

CMYK 0 / 41 / 23 / 18

HEX #D07AA0

RGB 208 122 160

HSL 333.49, 0.48%, 0.65%

LAB 61.54, 38.33, -5.81

 

CMYK 2 / 0 / 41 / 18

HEX #CCD07A

RGB 204 208 122

HSL 62.79, 0.48%, 0.65%

LAB 81.49, -13.98, 42.15

 

CMYK 41 / 0 / 18 / 18

HEX #7AD0AA

RGB 122 208 170

HSL 153.49, 0.48%, 0.65%

LAB 77.37, -34.65, 10.8

 

CMYK 39 / 41 / 0 / 18

HEX #7F7AD0

RGB 127 122 208

HSL 243.49, 0.48%, 0.65%

LAB 55.06, 22.8, -43.86

 

Description

Color code: HEX #D07AA0 | qconv.com Color code: HEX #D07AA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 122 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 122 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 23 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 23% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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