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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D080AA it is the complementary color #2F7F55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D080AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D080AA shade: #D580A5, #E692B8, #F7A4CB, #FFB6DE and #FFC8F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D080AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D080AA shade: #D080AA, #BF6E97, #AE5C84, #9D4A71 and #8C385E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D080AA shade: #D080AA, #D08094 and #D08080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D080AA shade: #D080AA, #D080BF, #CB80D0, #B580D0 and #A080D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D080AA shade matches the following richer shades: #D080AA, #DE72AA, #EC64AB and #FA56AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D080AA shade: #D080AA, #C28EA9, #B49CA8, #A6AAA8 and #98B8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D080AA shade: #CA80D0, #D080C0, #D080AA, #D08095 and #D08080

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D080AA shade: #B94481, #C56296, #D080AA, #DB9EBE and #E6BCD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D080AA shade: #D080AA, #D0B580 and #80CAD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D080AA shade: #D080AA, #AAD080 and #80AAD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D080AA shade: #D080AA, #D0B580, #80D0A5 and #809BD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D080AA shade: #D080AA, #D0CD80, #80D0A5 and #8083D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

Complementary color

CMYK 63 / 0 / 33 / 50

HEX #2F7F55

RGB 47 127 85

HSL 148.5, 0.46%, 0.34%

LAB 47.55, -34.74, 15.8

 

CMYK 0 / 40 / 23 / 16

HEX #D580A5

RGB 213 128 165

HSL 333.88, 0.5%, 0.67%

LAB 63.59, 37.63, -5.56

 

CMYK 0 / 37 / 20 / 10

HEX #E692B8

RGB 230 146 184

HSL 332.86, 0.63%, 0.74%

LAB 70.06, 36.82, -6.44

 

CMYK 0 / 34 / 18 / 3

HEX #F7A4CB

RGB 247 164 203

HSL 331.81, 0.84%, 0.81%

LAB 76.46, 36.06, -7.23

 

CMYK 0 / 29 / 13 / 0

HEX #FFB6DE

RGB 255 182 222

HSL 327.12, 1%, 0.86%

LAB 81.83, 32.31, -9.46

 

CMYK 0 / 22 / 5 / 0

HEX #FFC8F1

RGB 255 200 241

HSL 315.27, 1%, 0.89%

LAB 86.46, 26, -12.7

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 0 / 42 / 21 / 25

HEX #BF6E97

RGB 191 110 151

HSL 329.63, 0.39%, 0.59%

LAB 56.55, 37.46, -8.27

 

CMYK 0 / 47 / 24 / 32

HEX #AE5C84

RGB 174 92 132

HSL 330.73, 0.34%, 0.52%

LAB 49.88, 38.29, -7.27

 

CMYK 0 / 53 / 28 / 38

HEX #9D4A71

RGB 157 74 113

HSL 331.81, 0.36%, 0.45%

LAB 43.15, 39.1, -6.06

 

CMYK 0 / 60 / 33 / 45

HEX #8C385E

RGB 140 56 94

HSL 332.86, 0.43%, 0.38%

LAB 36.39, 39.8, -4.53

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 0 / 38 / 29 / 18

HEX #D08094

RGB 208 128 148

HSL 345, 0.46%, 0.66%

LAB 62.5, 33.44, 2.45

 

CMYK 0 / 38 / 38 / 18

HEX #D08080

RGB 208 128 128

HSL 0, 0.46%, 0.66%

LAB 62, 30.91, 13.16

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 0 / 38 / 8 / 18

HEX #D080BF

RGB 208 128 191

HSL 312.75, 0.46%, 0.66%

LAB 63.84, 40.09, -19.97

 

CMYK 2 / 38 / 0 / 18

HEX #CB80D0

RGB 203 128 208

HSL 296.25, 0.46%, 0.66%

LAB 63.91, 41.57, -29.48

 

CMYK 13 / 38 / 0 / 18

HEX #B580D0

RGB 181 128 208

HSL 279.75, 0.46%, 0.66%

LAB 61.5, 34.83, -33.41

 

CMYK 23 / 38 / 0 / 18

HEX #A080D0

RGB 160 128 208

HSL 264, 0.46%, 0.66%

LAB 59.4, 28.53, -36.83

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 0 / 49 / 23 / 13

HEX #DE72AA

RGB 222 114 170

HSL 328.89, 0.62%, 0.66%

LAB 62.05, 48.57, -10.57

 

CMYK 0 / 58 / 28 / 7

HEX #EC64AB

RGB 236 100 171

HSL 328.68, 0.78%, 0.66%

LAB 61.56, 59.68, -11.69

 

CMYK 0 / 66 / 31 / 2

HEX #FA56AC

RGB 250 86 172

HSL 328.54, 0.94%, 0.66%

LAB 61.62, 69.6, -11.96

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 0 / 27 / 13 / 24

HEX #C28EA9

RGB 194 142 169

HSL 328.85, 0.3%, 0.66%

LAB 64.71, 23.93, -6.41

 

CMYK 0 / 13 / 7 / 29

HEX #B49CA8

RGB 180 156 168

HSL 330, 0.14%, 0.66%

LAB 66.75, 10.93, -2.98

 

CMYK 2 / 0 / 1 / 33

HEX #A6AAA8

RGB 166 170 168

HSL 150, 0.02%, 0.66%

LAB 69.24, -1.79, 0.53

 

CMYK 17 / 0 / 9 / 28

HEX #98B8A7

RGB 152 184 167

HSL 148.13, 0.18%, 0.66%

LAB 72.06, -14.27, 5.03

 

CMYK 3 / 38 / 0 / 18

HEX #CA80D0

RGB 202 128 208

HSL 295.5, 0.46%, 0.66%

LAB 63.79, 41.27, -29.67

 

CMYK 0 / 38 / 8 / 18

HEX #D080C0

RGB 208 128 192

HSL 312, 0.46%, 0.66%

LAB 63.88, 40.26, -20.48

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 0 / 38 / 28 / 18

HEX #D08095

RGB 208 128 149

HSL 344.25, 0.46%, 0.66%

LAB 62.52, 33.58, 1.92

 

CMYK 0 / 38 / 38 / 18

HEX #D08080

RGB 208 128 128

HSL 0, 0.46%, 0.66%

LAB 62, 30.91, 13.16

 

CMYK 0 / 63 / 30 / 27

HEX #B94481

RGB 185 68 129

HSL 328.72, 0.46%, 0.5%

LAB 47.02, 53.1, -9.57

 

CMYK 0 / 50 / 24 / 23

HEX #C56296

RGB 197 98 150

HSL 328.48, 0.46%, 0.58%

LAB 54.87, 45.57, -10.11

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 0 / 28 / 13 / 14

HEX #DB9EBE

RGB 219 158 190

HSL 328.52, 0.46%, 0.74%

LAB 71.71, 27.53, -7.46

 

CMYK 0 / 18 / 9 / 10

HEX #E6BCD2

RGB 230 188 210

HSL 328.57, 0.46%, 0.82%

LAB 80.43, 18.57, -5.35

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 0 / 13 / 38 / 18

HEX #D0B580

RGB 208 181 128

HSL 39.75, 0.46%, 0.66%

LAB 74.84, 2.26, 30.59

 

CMYK 38 / 3 / 0 / 18

HEX #80CAD0

RGB 128 202 208

HSL 184.5, 0.46%, 0.66%

LAB 76.91, -21.44, -10.27

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 18 / 0 / 38 / 18

HEX #AAD080

RGB 170 208 128

HSL 88.5, 0.46%, 0.66%

LAB 79.17, -26.27, 35.68

 

CMYK 38 / 18 / 0 / 18

HEX #80AAD0

RGB 128 170 208

HSL 208.5, 0.46%, 0.66%

LAB 67.94, -4.59, -23.82

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 0 / 13 / 38 / 18

HEX #D0B580

RGB 208 181 128

HSL 39.75, 0.46%, 0.66%

LAB 74.84, 2.26, 30.59

 

CMYK 38 / 0 / 21 / 18

HEX #80D0A5

RGB 128 208 165

HSL 147.75, 0.46%, 0.66%

LAB 77.53, -34, 13.73

 

CMYK 38 / 25 / 0 / 18

HEX #809BD0

RGB 128 155 208

HSL 219.75, 0.46%, 0.66%

LAB 63.82, 3.8, -30.15

 

CMYK 0 / 38 / 18 / 18

HEX #D080AA

RGB 208 128 170

HSL 328.5, 0.46%, 0.66%

LAB 63.14, 36.65, -9.14

 

CMYK 0 / 1 / 38 / 18

HEX #D0CD80

RGB 208 205 128

HSL 57.75, 0.46%, 0.66%

LAB 81.09, -10.23, 38.7

 

CMYK 38 / 0 / 21 / 18

HEX #80D0A5

RGB 128 208 165

HSL 147.75, 0.46%, 0.66%

LAB 77.53, -34, 13.73

 

CMYK 38 / 37 / 0 / 18

HEX #8083D0

RGB 128 131 208

HSL 237.75, 0.46%, 0.66%

LAB 57.44, 17.73, -40.1

 

Description

Color code: HEX #D080AA | qconv.com Color code: HEX #D080AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 128 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 128 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 18 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 18% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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