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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D08B5C it is the complementary color #2F74A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D08B5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D08B5C shade: #D58B57, #E69D6A, #F7AF7D, #FFC190 and #FFD3A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D08B5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D08B5C shade: #D08B5C, #BF7949, #AE6736, #9D5523 and #8C4310

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D08B5C shade: #CF8B5C, #CF6C5C and #CF5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D08B5C shade: #CF8B5C, #CFAA5C, #CFC95C, #B7CF5C and #98CF5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D08B5C shade matches the following richer shades: #CF8B5C, #E0884C and #F1853B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D08B5C shade: #CF8B5C, #BF8E6D, #AE917E, #9D958F and #8C98A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D08B5C shade: #CF5C6C, #CF6C5C, #CF8A5C, #CFA95C and #CFC85C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D08B5C shade: #A96131, #C6743C, #CF8B5C, #D9A27C and #E2B99C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D08B5C shade: #D08B5C, #8ACF5C and #5C5CCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D08B5C shade: #D08B5C, #5CCF8A and #8A5CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D08B5C shade: #D08B5C, #8ACF5C, #5CA1CF and #A15CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D08B5C shade: #D08B5C, #68CF5C, #5CA1CF and #C45CCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 56 / 18

HEX #D08B5C

RGB 208 139 92

HSL 24.31, 0.55%, 0.59%

LAB 63.87, 21.38, 35.66

 

Complementary color

CMYK 71 / 29 / 0 / 36

HEX #2F74A3

RGB 47 116 163

HSL 204.31, 0.55%, 0.41%

LAB 46.63, -5.72, -31.52

 

CMYK 0 / 35 / 59 / 16

HEX #D58B57

RGB 213 139 87

HSL 24.76, 0.6%, 0.59%

LAB 64.4, 23.05, 39.09

 

CMYK 0 / 32 / 54 / 10

HEX #E69D6A

RGB 230 157 106

HSL 24.68, 0.71%, 0.66%

LAB 70.86, 21.83, 37.51

 

CMYK 0 / 29 / 49 / 3

HEX #F7AF7D

RGB 247 175 125

HSL 24.59, 0.88%, 0.73%

LAB 77.23, 20.75, 36.03

 

CMYK 0 / 24 / 44 / 0

HEX #FFC190

RGB 255 193 144

HSL 26.49, 1%, 0.78%

LAB 82.6, 16.29, 33.26

 

CMYK 0 / 17 / 36 / 0

HEX #FFD3A3

RGB 255 211 163

HSL 31.3, 1%, 0.82%

LAB 87.24, 8.99, 29.57

 

CMYK 0 / 33 / 56 / 18

HEX #D08B5C

RGB 208 139 92

HSL 24.31, 0.55%, 0.59%

LAB 63.87, 21.38, 35.66

 

CMYK 0 / 37 / 62 / 25

HEX #BF7949

RGB 191 121 73

HSL 24.41, 0.48%, 0.52%

LAB 57.3, 22.68, 37.31

 

CMYK 0 / 41 / 69 / 32

HEX #AE6736

RGB 174 103 54

HSL 24.5, 0.53%, 0.45%

LAB 50.65, 24.18, 39.06

 

CMYK 0 / 46 / 78 / 38

HEX #9D5523

RGB 157 85 35

HSL 24.59, 0.64%, 0.38%

LAB 43.93, 25.91, 40.77

 

CMYK 0 / 52 / 89 / 45

HEX #8C4310

RGB 140 67 16

HSL 24.68, 0.79%, 0.31%

LAB 37.16, 27.9, 41.99

 

CMYK 0 / 33 / 56 / 19

HEX #CF8B5C

RGB 207 139 92

HSL 24.52, 0.55%, 0.59%

LAB 63.76, 20.96, 35.49

 

CMYK 0 / 48 / 56 / 19

HEX #CF6C5C

RGB 207 108 92

HSL 8.35, 0.55%, 0.59%

LAB 56.84, 37.53, 26.7

 

CMYK 0 / 56 / 56 / 19

HEX #CF5C5C

RGB 207 92 92

HSL 0, 0.55%, 0.59%

LAB 53.7, 45.55, 22.57

 

CMYK 0 / 33 / 56 / 19

HEX #CF8B5C

RGB 207 139 92

HSL 24.52, 0.55%, 0.59%

LAB 63.76, 20.96, 35.49

 

CMYK 0 / 18 / 56 / 19

HEX #CFAA5C

RGB 207 170 92

HSL 40.7, 0.55%, 0.59%

LAB 71.41, 4.19, 44.8

 

CMYK 0 / 3 / 56 / 19

HEX #CFC95C

RGB 207 201 92

HSL 56.87, 0.55%, 0.59%

LAB 79.51, -11.98, 54.22

 

CMYK 12 / 0 / 56 / 19

HEX #B7CF5C

RGB 183 207 92

HSL 72.52, 0.55%, 0.59%

LAB 79.31, -24.69, 53.5

 

CMYK 27 / 0 / 56 / 19

HEX #98CF5C

RGB 152 207 92

HSL 88.7, 0.55%, 0.59%

LAB 77.32, -36.54, 50.7

 

CMYK 0 / 33 / 56 / 19

HEX #CF8B5C

RGB 207 139 92

HSL 24.52, 0.55%, 0.59%

LAB 63.76, 20.96, 35.49

 

CMYK 0 / 39 / 66 / 12

HEX #E0884C

RGB 224 136 76

HSL 24.32, 0.7%, 0.59%

LAB 64.94, 28.43, 45.73

 

CMYK 0 / 45 / 76 / 5

HEX #F1853B

RGB 241 133 59

HSL 24.4, 0.87%, 0.59%

LAB 66.36, 36, 56.02

 

CMYK 0 / 33 / 56 / 19

HEX #CF8B5C

RGB 207 139 92

HSL 24.52, 0.55%, 0.59%

LAB 63.76, 20.96, 35.49

 

CMYK 0 / 26 / 43 / 25

HEX #BF8E6D

RGB 191 142 109

HSL 24.15, 0.39%, 0.59%

LAB 62.95, 14.35, 24.82

 

CMYK 0 / 17 / 28 / 32

HEX #AE917E

RGB 174 145 126

HSL 23.75, 0.23%, 0.59%

LAB 62.3, 7.95, 14.15

 

CMYK 0 / 5 / 9 / 38

HEX #9D958F

RGB 157 149 143

HSL 25.71, 0.07%, 0.59%

LAB 62.21, 1.85, 4.21

 

CMYK 13 / 5 / 0 / 37

HEX #8C98A0

RGB 140 152 160

HSL 204, 0.1%, 0.59%

LAB 62.14, -2.6, -5.66

 

CMYK 0 / 56 / 48 / 19

HEX #CF5C6C

RGB 207 92 108

HSL 351.65, 0.55%, 0.59%

LAB 54.03, 46.95, 13.61

 

CMYK 0 / 48 / 56 / 19

HEX #CF6C5C

RGB 207 108 92

HSL 8.35, 0.55%, 0.59%

LAB 56.84, 37.53, 26.7

 

CMYK 0 / 33 / 56 / 19

HEX #CF8A5C

RGB 207 138 92

HSL 24, 0.55%, 0.59%

LAB 63.52, 21.51, 35.19

 

CMYK 0 / 18 / 56 / 19

HEX #CFA95C

RGB 207 169 92

HSL 40.17, 0.55%, 0.59%

LAB 71.16, 4.72, 44.5

 

CMYK 0 / 3 / 56 / 19

HEX #CFC85C

RGB 207 200 92

HSL 56.35, 0.55%, 0.59%

LAB 79.24, -11.47, 53.91

 

CMYK 0 / 43 / 71 / 34

HEX #A96131

RGB 169 97 49

HSL 24, 0.55%, 0.43%

LAB 48.52, 25.09, 39.1

 

CMYK 0 / 41 / 70 / 22

HEX #C6743C

RGB 198 116 60

HSL 24.35, 0.55%, 0.51%

LAB 56.9, 27.52, 43.83

 

CMYK 0 / 33 / 56 / 19

HEX #CF8B5C

RGB 207 139 92

HSL 24.52, 0.55%, 0.59%

LAB 63.76, 20.96, 35.49

 

CMYK 0 / 25 / 43 / 15

HEX #D9A27C

RGB 217 162 124

HSL 24.52, 0.55%, 0.67%

LAB 70.9, 15.61, 27.69

 

CMYK 0 / 18 / 31 / 11

HEX #E2B99C

RGB 226 185 156

HSL 24.86, 0.55%, 0.75%

LAB 78.03, 10.62, 20.27

 

CMYK 0 / 33 / 56 / 18

HEX #D08B5C

RGB 208 139 92

HSL 24.31, 0.55%, 0.59%

LAB 63.87, 21.38, 35.66

 

CMYK 33 / 0 / 56 / 19

HEX #8ACF5C

RGB 138 207 92

HSL 96, 0.55%, 0.59%

LAB 76.56, -41.52, 49.61

 

CMYK 56 / 56 / 0 / 19

HEX #5C5CCF

RGB 92 92 207

HSL 240, 0.55%, 0.59%

LAB 44.85, 32.63, -59.77

 

CMYK 0 / 33 / 56 / 18

HEX #D08B5C

RGB 208 139 92

HSL 24.31, 0.55%, 0.59%

LAB 63.87, 21.38, 35.66

 

CMYK 56 / 0 / 33 / 19

HEX #5CCF8A

RGB 92 207 138

HSL 144, 0.55%, 0.59%

LAB 75.29, -48.15, 24.69

 

CMYK 33 / 56 / 0 / 19

HEX #8A5CCF

RGB 138 92 207

HSL 264, 0.55%, 0.59%

LAB 48.96, 42.77, -52.94

 

CMYK 0 / 33 / 56 / 18

HEX #D08B5C

RGB 208 139 92

HSL 24.31, 0.55%, 0.59%

LAB 63.87, 21.38, 35.66

 

CMYK 33 / 0 / 56 / 19

HEX #8ACF5C

RGB 138 207 92

HSL 96, 0.55%, 0.59%

LAB 76.56, -41.52, 49.61

 

CMYK 56 / 22 / 0 / 19

HEX #5CA1CF

RGB 92 161 207

HSL 204, 0.55%, 0.59%

LAB 63.57, -8.6, -30.14

 

CMYK 22 / 56 / 0 / 19

HEX #A15CCF

RGB 161 92 207

HSL 276, 0.55%, 0.59%

LAB 51.54, 48.52, -48.67

 

CMYK 0 / 33 / 56 / 18

HEX #D08B5C

RGB 208 139 92

HSL 24.31, 0.55%, 0.59%

LAB 63.87, 21.38, 35.66

 

CMYK 50 / 0 / 56 / 19

HEX #68CF5C

RGB 104 207 92

HSL 113.74, 0.55%, 0.59%

LAB 75.04, -52.16, 47.45

 

CMYK 56 / 22 / 0 / 19

HEX #5CA1CF

RGB 92 161 207

HSL 204, 0.55%, 0.59%

LAB 63.57, -8.6, -30.14

 

CMYK 5 / 56 / 0 / 19

HEX #C45CCF

RGB 196 92 207

HSL 294.26, 0.55%, 0.59%

LAB 55.98, 57.6, -41.35

 

Description

Color code: HEX #D08B5C | qconv.com Color code: HEX #D08B5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 139 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 139 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 56 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 56% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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