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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D098DD it is the complementary color #2F6722. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D098DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D098DD shade: #D598D8, #E6AAEB, #F7BCFE, #FFCEFF and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D098DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D098DD shade: #D098DD, #BF86CA, #AE74B7, #9D62A4 and #8C5091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D098DD shade: #CF97DC, #DC97D6, #DC97C4, #DC97B1 and #DC979F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D098DD shade: #CF97DC, #BD97DC, #AA97DC, #9797DC and #9797DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D098DD shade matches the following richer shades: #CF97DC, #D68CE7, #DD81F2 and #E476FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D098DD shade: #CF97DC, #C8A2D1, #C1AEC6, #BAB9BB and #B3C4B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D098DD shade: #AA97DC, #BC97DC, #CE97DC, #DC97D7 and #DC97C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D098DD shade: #B359C7, #C178D2, #CF97DC, #DDB6E6 and #ECD5F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D098DD shade: #D098DD, #DC9797 and #97DCB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D098DD shade: #D098DD, #DCCE97 and #97DCCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D098DD shade: #D098DD, #DC9797, #A5DC97 and #97DCDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D098DD shade: #D098DD, #DCAC97, #A5DC97 and #97C7DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 31 / 0 / 13

HEX #D098DD

RGB 208 152 221

HSL 288.7, 0.5%, 0.73%

LAB 70.24, 32.7, -26.91

 

Complementary color

CMYK 54 / 0 / 67 / 60

HEX #2F6722

RGB 47 103 34

HSL 108.7, 0.5%, 0.27%

LAB 38.59, -32.82, 32.45

 

CMYK 1 / 30 / 0 / 15

HEX #D598D8

RGB 213 152 216

HSL 297.19, 0.45%, 0.72%

LAB 70.57, 33.34, -23.6

 

CMYK 2 / 28 / 0 / 8

HEX #E6AAEB

RGB 230 170 235

HSL 295.38, 0.62%, 0.79%

LAB 77.02, 32.68, -23.97

 

CMYK 3 / 26 / 0 / 0

HEX #F7BCFE

RGB 247 188 254

HSL 293.64, 0.97%, 0.87%

LAB 83.39, 32.06, -24.33

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 6 / 31 / 0 / 13

HEX #D098DD

RGB 208 152 221

HSL 288.7, 0.5%, 0.73%

LAB 70.24, 32.7, -26.91

 

CMYK 5 / 34 / 0 / 21

HEX #BF86CA

RGB 191 134 202

HSL 290.29, 0.39%, 0.66%

LAB 63.66, 33.4, -26.6

 

CMYK 5 / 37 / 0 / 28

HEX #AE74B7

RGB 174 116 183

HSL 291.94, 0.32%, 0.59%

LAB 56.99, 34.14, -26.28

 

CMYK 4 / 40 / 0 / 36

HEX #9D62A4

RGB 157 98 164

HSL 293.64, 0.27%, 0.51%

LAB 50.2, 34.91, -25.93

 

CMYK 3 / 45 / 0 / 43

HEX #8C5091

RGB 140 80 145

HSL 295.38, 0.29%, 0.44%

LAB 43.3, 35.71, -25.51

 

CMYK 6 / 31 / 0 / 14

HEX #CF97DC

RGB 207 151 220

HSL 288.7, 0.5%, 0.73%

LAB 69.87, 32.73, -26.93

 

CMYK 0 / 31 / 3 / 14

HEX #DC97D6

RGB 220 151 214

HSL 305.22, 0.5%, 0.73%

LAB 71.01, 35.77, -21.76

 

CMYK 0 / 31 / 11 / 14

HEX #DC97C4

RGB 220 151 196

HSL 320.87, 0.5%, 0.73%

LAB 70.41, 32.64, -12.71

 

CMYK 0 / 31 / 20 / 14

HEX #DC97B1

RGB 220 151 177

HSL 337.39, 0.5%, 0.73%

LAB 69.84, 29.6, -3

 

CMYK 0 / 31 / 28 / 14

HEX #DC979F

RGB 220 151 159

HSL 353.04, 0.5%, 0.73%

LAB 69.36, 26.99, 6.34

 

CMYK 6 / 31 / 0 / 14

HEX #CF97DC

RGB 207 151 220

HSL 288.7, 0.5%, 0.73%

LAB 69.87, 32.73, -26.93

 

CMYK 14 / 31 / 0 / 14

HEX #BD97DC

RGB 189 151 220

HSL 273.04, 0.5%, 0.73%

LAB 68.11, 27.08, -29.79

 

CMYK 23 / 31 / 0 / 14

HEX #AA97DC

RGB 170 151 220

HSL 256.52, 0.5%, 0.73%

LAB 66.4, 21.26, -32.56

 

CMYK 31 / 31 / 0 / 14

HEX #9797DC

RGB 151 151 220

HSL 240, 0.5%, 0.73%

LAB 64.87, 15.68, -35.07

 

CMYK 31 / 31 / 0 / 14

HEX #9797DC

RGB 151 151 220

HSL 240, 0.5%, 0.73%

LAB 64.87, 15.68, -35.07

 

CMYK 6 / 31 / 0 / 14

HEX #CF97DC

RGB 207 151 220

HSL 288.7, 0.5%, 0.73%

LAB 69.87, 32.73, -26.93

 

CMYK 7 / 39 / 0 / 9

HEX #D68CE7

RGB 214 140 231

HSL 288.79, 0.65%, 0.73%

LAB 68.62, 42.96, -34.85

 

CMYK 9 / 47 / 0 / 5

HEX #DD81F2

RGB 221 129 242

HSL 288.85, 0.81%, 0.73%

LAB 67.64, 52.83, -42.38

 

CMYK 10 / 53 / 0 / 1

HEX #E476FD

RGB 228 118 253

HSL 288.89, 0.97%, 0.73%

LAB 66.93, 62.2, -49.47

 

CMYK 6 / 31 / 0 / 14

HEX #CF97DC

RGB 207 151 220

HSL 288.7, 0.5%, 0.73%

LAB 69.87, 32.73, -26.93

 

CMYK 4 / 22 / 0 / 18

HEX #C8A2D1

RGB 200 162 209

HSL 288.51, 0.34%, 0.73%

LAB 71.37, 22.28, -18.65

 

CMYK 3 / 12 / 0 / 22

HEX #C1AEC6

RGB 193 174 198

HSL 287.5, 0.17%, 0.73%

LAB 73.34, 11.19, -9.7

 

CMYK 1 / 1 / 0 / 27

HEX #BAB9BB

RGB 186 185 187

HSL 270, 0.01%, 0.73%

LAB 75.28, 0.73, -0.9

 

CMYK 9 / 0 / 10 / 23

HEX #B3C4B0

RGB 179 196 176

HSL 111, 0.14%, 0.73%

LAB 77.4, -9.55, 8.06

 

CMYK 23 / 31 / 0 / 14

HEX #AA97DC

RGB 170 151 220

HSL 256.52, 0.5%, 0.73%

LAB 66.4, 21.26, -32.56

 

CMYK 15 / 31 / 0 / 14

HEX #BC97DC

RGB 188 151 220

HSL 272.17, 0.5%, 0.73%

LAB 68.01, 26.77, -29.94

 

CMYK 6 / 31 / 0 / 14

HEX #CE97DC

RGB 206 151 220

HSL 287.83, 0.5%, 0.73%

LAB 69.77, 32.42, -27.09

 

CMYK 0 / 31 / 2 / 14

HEX #DC97D7

RGB 220 151 215

HSL 304.35, 0.5%, 0.73%

LAB 71.05, 35.95, -22.25

 

CMYK 0 / 31 / 10 / 14

HEX #DC97C5

RGB 220 151 197

HSL 320, 0.5%, 0.73%

LAB 70.44, 32.8, -13.22

 

CMYK 10 / 55 / 0 / 22

HEX #B359C7

RGB 179 89 199

HSL 289.09, 0.5%, 0.56%

LAB 52.79, 53.04, -41.97

 

CMYK 8 / 43 / 0 / 18

HEX #C178D2

RGB 193 120 210

HSL 288.67, 0.5%, 0.65%

LAB 61.15, 43.2, -34.97

 

CMYK 6 / 31 / 0 / 14

HEX #CF97DC

RGB 207 151 220

HSL 288.7, 0.5%, 0.73%

LAB 69.87, 32.73, -26.93

 

CMYK 4 / 21 / 0 / 10

HEX #DDB6E6

RGB 221 182 230

HSL 288.75, 0.49%, 0.81%

LAB 78.78, 22.37, -18.69

 

CMYK 2 / 12 / 0 / 5

HEX #ECD5F1

RGB 236 213 241

HSL 289.29, 0.5%, 0.89%

LAB 87.86, 12.85, -10.8

 

CMYK 6 / 31 / 0 / 13

HEX #D098DD

RGB 208 152 221

HSL 288.7, 0.5%, 0.73%

LAB 70.24, 32.7, -26.91

 

CMYK 0 / 31 / 31 / 14

HEX #DC9797

RGB 220 151 151

HSL 0, 0.5%, 0.73%

LAB 69.17, 25.92, 10.52

 

CMYK 31 / 0 / 19 / 14

HEX #97DCB3

RGB 151 220 179

HSL 144.35, 0.5%, 0.73%

LAB 82.39, -30.13, 13.33

 

CMYK 6 / 31 / 0 / 13

HEX #D098DD

RGB 208 152 221

HSL 288.7, 0.5%, 0.73%

LAB 70.24, 32.7, -26.91

 

CMYK 0 / 6 / 31 / 14

HEX #DCCE97

RGB 220 206 151

HSL 47.83, 0.5%, 0.73%

LAB 82.7, -3.34, 29.17

 

CMYK 31 / 0 / 6 / 14

HEX #97DCCE

RGB 151 220 206

HSL 167.83, 0.5%, 0.73%

LAB 83.03, -24.59, -0.04

 

CMYK 6 / 31 / 0 / 13

HEX #D098DD

RGB 208 152 221

HSL 288.7, 0.5%, 0.73%

LAB 70.24, 32.7, -26.91

 

CMYK 0 / 31 / 31 / 14

HEX #DC9797

RGB 220 151 151

HSL 0, 0.5%, 0.73%

LAB 69.17, 25.92, 10.52

 

CMYK 25 / 0 / 31 / 14

HEX #A5DC97

RGB 165 220 151

HSL 107.83, 0.5%, 0.73%

LAB 82.6, -30.48, 28.37

 

CMYK 31 / 0 / 0 / 14

HEX #97DCDC

RGB 151 220 220

HSL 180, 0.5%, 0.73%

LAB 83.41, -21.45, -6.91

 

CMYK 6 / 31 / 0 / 13

HEX #D098DD

RGB 208 152 221

HSL 288.7, 0.5%, 0.73%

LAB 70.24, 32.7, -26.91

 

CMYK 0 / 22 / 31 / 14

HEX #DCAC97

RGB 220 172 151

HSL 18.26, 0.5%, 0.73%

LAB 74.16, 14.61, 17.52

 

CMYK 25 / 0 / 31 / 14

HEX #A5DC97

RGB 165 220 151

HSL 107.83, 0.5%, 0.73%

LAB 82.6, -30.48, 28.37

 

CMYK 31 / 10 / 0 / 14

HEX #97C7DC

RGB 151 199 220

HSL 198.26, 0.5%, 0.73%

LAB 77.63, -10.74, -15.53

 

Description

Color code: HEX #D098DD | qconv.com Color code: HEX #D098DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 152 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 152 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 31 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 31% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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