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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D09A7B it is the complementary color #2F6584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D09A7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D09A7B shade: #D59A76, #E6AC89, #F7BE9C, #FFD0AF and #FFE2C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D09A7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D09A7B shade: #D09A7B, #BF8868, #AE7655, #9D6442 and #8C522F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D09A7B shade: #CF9A7B, #CF837B and #CF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D09A7B shade: #CF9A7B, #CFB17B, #CFC77B, #C1CF7B and #AACF7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D09A7B shade matches the following richer shades: #CF9A7B, #DE966D, #EC925E and #FB8E50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D09A7B shade: #CF9A7B, #C19E8A, #B2A298, #A4A6A7 and #95AAB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D09A7B shade: #CF7B8B, #CF827B, #CF997B, #CFAF7B and #CFC57B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D09A7B shade: #B76C41, #C4835D, #CF9A7B, #DAB19A and #E5C8B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D09A7B shade: #D09A7B, #A1CF7B and #7B7FCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D09A7B shade: #D09A7B, #7BCF99 and #997BCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D09A7B shade: #D09A7B, #A1CF7B, #7BB2CF and #A97BCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D09A7B shade: #D09A7B, #88CF7B, #7BB2CF and #C37BCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 41 / 18

HEX #D09A7B

RGB 208 154 123

HSL 21.88, 0.47%, 0.65%

LAB 67.98, 16.23, 24.16

 

Complementary color

CMYK 64 / 23 / 0 / 48

HEX #2F6584

RGB 47 101 132

HSL 201.88, 0.47%, 0.35%

LAB 40.54, -7.72, -22.56

 

CMYK 0 / 28 / 45 / 16

HEX #D59A76

RGB 213 154 118

HSL 22.74, 0.53%, 0.65%

LAB 68.44, 17.7, 27.59

 

CMYK 0 / 25 / 40 / 10

HEX #E6AC89

RGB 230 172 137

HSL 22.58, 0.65%, 0.72%

LAB 74.91, 16.83, 26.28

 

CMYK 0 / 23 / 37 / 3

HEX #F7BE9C

RGB 247 190 156

HSL 22.42, 0.85%, 0.79%

LAB 81.29, 16.06, 25.07

 

CMYK 0 / 18 / 31 / 0

HEX #FFD0AF

RGB 255 208 175

HSL 24.75, 1%, 0.84%

LAB 86.73, 11.99, 22.63

 

CMYK 0 / 11 / 24 / 0

HEX #FFE2C2

RGB 255 226 194

HSL 31.48, 1%, 0.88%

LAB 91.48, 5.18, 19.3

 

CMYK 0 / 26 / 41 / 18

HEX #D09A7B

RGB 208 154 123

HSL 21.88, 0.47%, 0.65%

LAB 67.98, 16.23, 24.16

 

CMYK 0 / 29 / 46 / 25

HEX #BF8868

RGB 191 136 104

HSL 22.07, 0.4%, 0.58%

LAB 61.38, 17.13, 25.51

 

CMYK 0 / 32 / 51 / 32

HEX #AE7655

RGB 174 118 85

HSL 22.25, 0.35%, 0.51%

LAB 54.67, 18.18, 27

 

CMYK 0 / 36 / 58 / 38

HEX #9D6442

RGB 157 100 66

HSL 22.42, 0.41%, 0.44%

LAB 47.85, 19.41, 28.66

 

CMYK 0 / 41 / 66 / 45

HEX #8C522F

RGB 140 82 47

HSL 22.58, 0.5%, 0.37%

LAB 40.92, 20.86, 30.49

 

CMYK 0 / 26 / 41 / 19

HEX #CF9A7B

RGB 207 154 123

HSL 22.14, 0.47%, 0.65%

LAB 67.88, 15.83, 24

 

CMYK 0 / 37 / 41 / 19

HEX #CF837B

RGB 207 131 123

HSL 5.71, 0.47%, 0.65%

LAB 62.45, 28.34, 16.6

 

CMYK 0 / 41 / 41 / 19

HEX #CF7B7B

RGB 207 123 123

HSL 0, 0.47%, 0.65%

LAB 60.66, 32.64, 14.12

 

CMYK 0 / 26 / 41 / 19

HEX #CF9A7B

RGB 207 154 123

HSL 22.14, 0.47%, 0.65%

LAB 67.88, 15.83, 24

 

CMYK 0 / 14 / 41 / 19

HEX #CFB17B

RGB 207 177 123

HSL 38.57, 0.47%, 0.65%

LAB 73.64, 3.42, 31.64

 

CMYK 0 / 4 / 41 / 19

HEX #CFC77B

RGB 207 199 123

HSL 54.29, 0.47%, 0.65%

LAB 79.35, -8.1, 39

 

CMYK 7 / 0 / 41 / 19

HEX #C1CF7B

RGB 193 207 123

HSL 70, 0.47%, 0.65%

LAB 80.4, -17.68, 40.1

 

CMYK 18 / 0 / 41 / 19

HEX #AACF7B

RGB 170 207 123

HSL 86.43, 0.47%, 0.65%

LAB 78.81, -26.43, 37.76

 

CMYK 0 / 26 / 41 / 19

HEX #CF9A7B

RGB 207 154 123

HSL 22.14, 0.47%, 0.65%

LAB 67.88, 15.83, 24

 

CMYK 0 / 32 / 51 / 13

HEX #DE966D

RGB 222 150 109

HSL 21.77, 0.63%, 0.65%

LAB 68.35, 22.61, 32.54

 

CMYK 0 / 38 / 60 / 7

HEX #EC925E

RGB 236 146 94

HSL 21.97, 0.79%, 0.65%

LAB 68.9, 29.16, 41.53

 

CMYK 0 / 43 / 68 / 2

HEX #FB8E50

RGB 251 142 80

HSL 21.75, 0.96%, 0.65%

LAB 69.78, 36.31, 50.15

 

CMYK 0 / 26 / 41 / 19

HEX #CF9A7B

RGB 207 154 123

HSL 22.14, 0.47%, 0.65%

LAB 67.88, 15.83, 24

 

CMYK 0 / 18 / 28 / 24

HEX #C19E8A

RGB 193 158 138

HSL 21.82, 0.31%, 0.65%

LAB 67.74, 9.96, 15.32

 

CMYK 0 / 9 / 15 / 30

HEX #B2A298

RGB 178 162 152

HSL 23.08, 0.14%, 0.65%

LAB 67.7, 4.12, 7.3

 

CMYK 2 / 1 / 0 / 35

HEX #A4A6A7

RGB 164 166 167

HSL 200, 0.02%, 0.65%

LAB 67.99, -0.52, -0.77

 

CMYK 18 / 6 / 0 / 29

HEX #95AAB5

RGB 149 170 181

HSL 200.63, 0.18%, 0.65%

LAB 68.37, -4.91, -8.1

 

CMYK 0 / 41 / 33 / 19

HEX #CF7B8B

RGB 207 123 139

HSL 348.57, 0.47%, 0.65%

LAB 61.04, 34.56, 5.49

 

CMYK 0 / 37 / 41 / 19

HEX #CF827B

RGB 207 130 123

HSL 5, 0.47%, 0.65%

LAB 62.22, 28.88, 16.29

 

CMYK 0 / 26 / 41 / 19

HEX #CF997B

RGB 207 153 123

HSL 21.43, 0.47%, 0.65%

LAB 67.63, 16.37, 23.67

 

CMYK 0 / 15 / 41 / 19

HEX #CFAF7B

RGB 207 175 123

HSL 37.14, 0.47%, 0.65%

LAB 73.13, 4.49, 30.97

 

CMYK 0 / 5 / 41 / 19

HEX #CFC57B

RGB 207 197 123

HSL 52.86, 0.47%, 0.65%

LAB 78.83, -7.07, 38.33

 

CMYK 0 / 41 / 64 / 28

HEX #B76C41

RGB 183 108 65

HSL 21.86, 0.48%, 0.49%

LAB 53.14, 25.91, 36.41

 

CMYK 0 / 33 / 53 / 23

HEX #C4835D

RGB 196 131 93

HSL 22.14, 0.47%, 0.57%

LAB 60.57, 20.88, 30.65

 

CMYK 0 / 26 / 41 / 19

HEX #CF9A7B

RGB 207 154 123

HSL 22.14, 0.47%, 0.65%

LAB 67.88, 15.83, 24

 

CMYK 0 / 19 / 29 / 15

HEX #DAB19A

RGB 218 177 154

HSL 21.56, 0.46%, 0.73%

LAB 75.25, 11.55, 17.38

 

CMYK 0 / 13 / 20 / 10

HEX #E5C8B8

RGB 229 200 184

HSL 21.33, 0.46%, 0.81%

LAB 82.61, 7.71, 11.75

 

CMYK 0 / 26 / 41 / 18

HEX #D09A7B

RGB 208 154 123

HSL 21.88, 0.47%, 0.65%

LAB 67.98, 16.23, 24.16

 

CMYK 22 / 0 / 41 / 19

HEX #A1CF7B

RGB 161 207 123

HSL 92.86, 0.47%, 0.65%

LAB 78.25, -29.72, 36.92

 

CMYK 41 / 39 / 0 / 19

HEX #7B7FCF

RGB 123 127 207

HSL 237.14, 0.47%, 0.65%

LAB 55.98, 18.5, -41.86

 

CMYK 0 / 26 / 41 / 18

HEX #D09A7B

RGB 208 154 123

HSL 21.88, 0.47%, 0.65%

LAB 67.98, 16.23, 24.16

 

CMYK 41 / 0 / 26 / 19

HEX #7BCF99

RGB 123 207 153

HSL 141.43, 0.47%, 0.65%

LAB 76.76, -37.3, 19

 

CMYK 26 / 41 / 0 / 19

HEX #997BCF

RGB 153 123 207

HSL 261.43, 0.47%, 0.65%

LAB 57.5, 29.12, -39.29

 

CMYK 0 / 26 / 41 / 18

HEX #D09A7B

RGB 208 154 123

HSL 21.88, 0.47%, 0.65%

LAB 67.98, 16.23, 24.16

 

CMYK 22 / 0 / 41 / 19

HEX #A1CF7B

RGB 161 207 123

HSL 92.86, 0.47%, 0.65%

LAB 78.25, -29.72, 36.92

 

CMYK 41 / 14 / 0 / 19

HEX #7BB2CF

RGB 123 178 207

HSL 200.71, 0.47%, 0.65%

LAB 69.86, -10.53, -20.36

 

CMYK 18 / 41 / 0 / 19

HEX #A97BCF

RGB 169 123 207

HSL 272.86, 0.47%, 0.65%

LAB 59.07, 33.79, -36.72

 

CMYK 0 / 26 / 41 / 18

HEX #D09A7B

RGB 208 154 123

HSL 21.88, 0.47%, 0.65%

LAB 67.98, 16.23, 24.16

 

CMYK 34 / 0 / 41 / 19

HEX #88CF7B

RGB 136 207 123

HSL 110.71, 0.47%, 0.65%

LAB 76.85, -38.33, 34.85

 

CMYK 41 / 14 / 0 / 19

HEX #7BB2CF

RGB 123 178 207

HSL 200.71, 0.47%, 0.65%

LAB 69.86, -10.53, -20.36

 

CMYK 6 / 41 / 0 / 19

HEX #C37BCF

RGB 195 123 207

HSL 291.43, 0.47%, 0.65%

LAB 61.89, 41.6, -32.12

 

Description

Color code: HEX #D09A7B | qconv.com Color code: HEX #D09A7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 154 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 154 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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