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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D09F47 it is the complementary color #2F60B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D09F47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D09F47 shade: #D59F42, #E6B155, #F7C368, #FFD57B and #FFE78E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D09F47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D09F47 shade: #D09F47, #BF8D34, #AE7B21, #9D690E and #8C5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D09F47 shade: #CF9F48, #CF7B48, #CF5648 and #CF4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D09F47 shade: #CF9F48, #CFC448, #B7CF48, #92CF48 and #6ECF48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D09F47 shade matches the following richer shades: #CF9F48, #E2A435 and #F5AA23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D09F47 shade: #CF9F48, #BD9A5B, #AA946D, #988F80 and #858A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D09F47 shade: #CF5648, #CF7A48, #CF9E48, #CFC248 and #B9CF48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D09F47 shade: #9D7328, #BE8B31, #CF9F48, #D8B069 and #E0C18A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D09F47 shade: #D09F47, #5FCF48 and #6848CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D09F47 shade: #D09F47, #48CF9E and #9E48CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D09F47 shade: #D09F47, #5FCF48, #487ACF and #B948CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D09F47 shade: #D09F47, #48CF5A, #487ACF and #CF48BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 66 / 18

HEX #D09F47

RGB 208 159 71

HSL 38.54, 0.59%, 0.55%

LAB 68.51, 9.03, 51.6

 

Complementary color

CMYK 74 / 48 / 0 / 28

HEX #2F60B8

RGB 47 96 184

HSL 218.54, 0.59%, 0.45%

LAB 41.89, 14.56, -51.34

 

CMYK 0 / 25 / 69 / 16

HEX #D59F42

RGB 213 159 66

HSL 37.96, 0.64%, 0.55%

LAB 68.99, 10.89, 54.55

 

CMYK 0 / 23 / 63 / 10

HEX #E6B155

RGB 230 177 85

HSL 38.07, 0.74%, 0.62%

LAB 75.4, 9.63, 53.38

 

CMYK 0 / 21 / 58 / 3

HEX #F7C368

RGB 247 195 104

HSL 38.18, 0.9%, 0.69%

LAB 81.73, 8.55, 52.11

 

CMYK 0 / 16 / 52 / 0

HEX #FFD57B

RGB 255 213 123

HSL 40.91, 1%, 0.74%

LAB 87.13, 3.98, 49.6

 

CMYK 0 / 9 / 44 / 0

HEX #FFE78E

RGB 255 231 142

HSL 47.26, 1%, 0.78%

LAB 91.85, -3.45, 46.17

 

CMYK 0 / 24 / 66 / 18

HEX #D09F47

RGB 208 159 71

HSL 38.54, 0.59%, 0.55%

LAB 68.51, 9.03, 51.6

 

CMYK 0 / 26 / 73 / 25

HEX #BF8D34

RGB 191 141 52

HSL 38.42, 0.57%, 0.48%

LAB 61.98, 10.39, 52.66

 

CMYK 0 / 29 / 81 / 32

HEX #AE7B21

RGB 174 123 33

HSL 38.3, 0.68%, 0.41%

LAB 55.35, 12, 53.25

 

CMYK 0 / 33 / 91 / 38

HEX #9D690E

RGB 157 105 14

HSL 38.18, 0.84%, 0.34%

LAB 48.64, 13.92, 52.75

 

CMYK 0 / 38 / 100 / 45

HEX #8C5700

RGB 140 87 0

HSL 37.29, 1%, 0.27%

LAB 41.83, 16.18, 50.3

 

CMYK 0 / 23 / 65 / 19

HEX #CF9F48

RGB 207 159 72

HSL 38.67, 0.58%, 0.55%

LAB 68.41, 8.66, 51

 

CMYK 0 / 41 / 65 / 19

HEX #CF7B48

RGB 207 123 72

HSL 22.67, 0.58%, 0.55%

LAB 59.8, 28.17, 41.29

 

CMYK 0 / 58 / 65 / 19

HEX #CF5648

RGB 207 86 72

HSL 6.22, 0.58%, 0.55%

LAB 52.27, 47.01, 32.33

 

CMYK 0 / 65 / 65 / 19

HEX #CF4848

RGB 207 72 72

HSL 0, 0.58%, 0.55%

LAB 49.94, 53.23, 29.45

 

CMYK 0 / 23 / 65 / 19

HEX #CF9F48

RGB 207 159 72

HSL 38.67, 0.58%, 0.55%

LAB 68.41, 8.66, 51

 

CMYK 0 / 5 / 65 / 19

HEX #CFC448

RGB 207 196 72

HSL 55.11, 0.58%, 0.55%

LAB 78, -10.79, 61.26

 

CMYK 12 / 0 / 65 / 19

HEX #B7CF48

RGB 183 207 72

HSL 70.67, 0.58%, 0.55%

LAB 79.13, -26.19, 61.86

 

CMYK 29 / 0 / 65 / 19

HEX #92CF48

RGB 146 207 72

HSL 87.11, 0.58%, 0.55%

LAB 76.8, -40.48, 58.7

 

CMYK 47 / 0 / 65 / 19

HEX #6ECF48

RGB 110 207 72

HSL 103.11, 0.58%, 0.55%

LAB 75.08, -52.49, 56.34

 

CMYK 0 / 23 / 65 / 19

HEX #CF9F48

RGB 207 159 72

HSL 38.67, 0.58%, 0.55%

LAB 68.41, 8.66, 51

 

CMYK 0 / 27 / 77 / 11

HEX #E2A435

RGB 226 164 53

HSL 38.5, 0.75%, 0.55%

LAB 71.54, 13.19, 62.92

 

CMYK 0 / 31 / 86 / 4

HEX #F5AA23

RGB 245 170 35

HSL 38.57, 0.91%, 0.55%

LAB 75, 17.56, 72.61

 

CMYK 0 / 23 / 65 / 19

HEX #CF9F48

RGB 207 159 72

HSL 38.67, 0.58%, 0.55%

LAB 68.41, 8.66, 51

 

CMYK 0 / 19 / 52 / 26

HEX #BD9A5B

RGB 189 154 91

HSL 38.57, 0.43%, 0.55%

LAB 65.5, 5.12, 37.74

 

CMYK 0 / 13 / 36 / 33

HEX #AA946D

RGB 170 148 109

HSL 38.36, 0.26%, 0.55%

LAB 62.36, 2.38, 23.66

 

CMYK 0 / 6 / 16 / 40

HEX #988F80

RGB 152 143 128

HSL 37.5, 0.1%, 0.55%

LAB 59.78, 0.7, 9.18

 

CMYK 9 / 5 / 0 / 43

HEX #858A92

RGB 133 138 146

HSL 216.92, 0.06%, 0.55%

LAB 57.31, -0.17, -4.9

 

CMYK 0 / 58 / 65 / 19

HEX #CF5648

RGB 207 86 72

HSL 6.22, 0.58%, 0.55%

LAB 52.27, 47.01, 32.33

 

CMYK 0 / 41 / 65 / 19

HEX #CF7A48

RGB 207 122 72

HSL 22.22, 0.58%, 0.55%

LAB 59.57, 28.71, 41.03

 

CMYK 0 / 24 / 65 / 19

HEX #CF9E48

RGB 207 158 72

HSL 38.22, 0.58%, 0.55%

LAB 68.16, 9.2, 50.73

 

CMYK 0 / 6 / 65 / 19

HEX #CFC248

RGB 207 194 72

HSL 54.22, 0.58%, 0.55%

LAB 77.47, -9.77, 60.71

 

CMYK 11 / 0 / 65 / 19

HEX #B9CF48

RGB 185 207 72

HSL 69.78, 0.58%, 0.55%

LAB 79.28, -25.38, 62.06

 

CMYK 0 / 27 / 75 / 38

HEX #9D7328

RGB 157 115 40

HSL 38.46, 0.59%, 0.39%

LAB 51.36, 9.1, 45.93

 

CMYK 0 / 27 / 74 / 25

HEX #BE8B31

RGB 190 139 49

HSL 38.3, 0.59%, 0.47%

LAB 61.34, 10.91, 53.26

 

CMYK 0 / 23 / 65 / 19

HEX #CF9F48

RGB 207 159 72

HSL 38.67, 0.58%, 0.55%

LAB 68.41, 8.66, 51

 

CMYK 0 / 19 / 51 / 15

HEX #D8B069

RGB 216 176 105

HSL 38.38, 0.59%, 0.63%

LAB 73.98, 5.85, 41.58

 

CMYK 0 / 14 / 38 / 12

HEX #E0C18A

RGB 224 193 138

HSL 38.37, 0.58%, 0.71%

LAB 79.51, 3.44, 31.77

 

CMYK 0 / 24 / 66 / 18

HEX #D09F47

RGB 208 159 71

HSL 38.54, 0.59%, 0.55%

LAB 68.51, 9.03, 51.6

 

CMYK 54 / 0 / 65 / 19

HEX #5FCF48

RGB 95 207 72

HSL 109.78, 0.58%, 0.55%

LAB 74.53, -56.7, 55.57

 

CMYK 50 / 65 / 0 / 19

HEX #6848CF

RGB 104 72 207

HSL 254.22, 0.58%, 0.55%

LAB 41.35, 46.64, -65.41

 

CMYK 0 / 24 / 66 / 18

HEX #D09F47

RGB 208 159 71

HSL 38.54, 0.59%, 0.55%

LAB 68.51, 9.03, 51.6

 

CMYK 65 / 0 / 24 / 19

HEX #48CF9E

RGB 72 207 158

HSL 158.22, 0.58%, 0.55%

LAB 75.12, -48.01, 13.79

 

CMYK 24 / 65 / 0 / 19

HEX #9E48CF

RGB 158 72 207

HSL 278.22, 0.58%, 0.55%

LAB 47.51, 57.69, -55.15

 

CMYK 0 / 24 / 66 / 18

HEX #D09F47

RGB 208 159 71

HSL 38.54, 0.59%, 0.55%

LAB 68.51, 9.03, 51.6

 

CMYK 54 / 0 / 65 / 19

HEX #5FCF48

RGB 95 207 72

HSL 109.78, 0.58%, 0.55%

LAB 74.53, -56.7, 55.57

 

CMYK 65 / 41 / 0 / 19

HEX #487ACF

RGB 72 122 207

HSL 217.78, 0.58%, 0.55%

LAB 51.61, 10.33, -48.98

 

CMYK 11 / 65 / 0 / 19

HEX #B948CF

RGB 185 72 207

HSL 290.22, 0.58%, 0.55%

LAB 51.21, 63.78, -49

 

CMYK 0 / 24 / 66 / 18

HEX #D09F47

RGB 208 159 71

HSL 38.54, 0.59%, 0.55%

LAB 68.51, 9.03, 51.6

 

CMYK 65 / 0 / 57 / 19

HEX #48CF5A

RGB 72 207 90

HSL 128, 0.58%, 0.55%

LAB 74.02, -60.04, 46.93

 

CMYK 65 / 41 / 0 / 19

HEX #487ACF

RGB 72 122 207

HSL 217.78, 0.58%, 0.55%

LAB 51.61, 10.33, -48.98

 

CMYK 0 / 65 / 9 / 19

HEX #CF48BD

RGB 207 72 189

HSL 308, 0.58%, 0.55%

LAB 53.57, 65.97, -34.7

 

Description

Color code: HEX #D09F47 | qconv.com Color code: HEX #D09F47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 159 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 159 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 66 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 66% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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