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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0A58B it is the complementary color #2F5A74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0A58B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0A58B shade: #D5A586, #E6B799, #F7C9AC, #FFDBBF and #FFEDD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0A58B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0A58B shade: #D0A58B, #BF9378, #AE8165, #9D6F52 and #8C5D3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0A58B shade: #CFA48B, #CF928B and #CF8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0A58B shade: #CFA48B, #CFB78B, #CFC98B, #C2CF8B and #B0CF8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0A58B shade matches the following richer shades: #CFA48B, #DCA17D, #EA9E70 and #F79B63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0A58B shade: #CFA48B, #C2A898, #B5ABA5, #A8AEB2 and #9AB1BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0A58B shade: #CF8B96, #CF918B, #CFA48B, #CFB68B and #CFC88B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0A58B shade: #B77750, #C38E6D, #CFA48B, #DBBBA8 and #E7D2C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0A58B shade: #D0A58B, #A8CF8B and #8B8DCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0A58B shade: #D0A58B, #8BCFA4 and #A48BCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0A58B shade: #D0A58B, #A8CF8B, #8BB6CF and #B18BCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0A58B shade: #D0A58B, #94CF8B, #8BB6CF and #C68BCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 33 / 18

HEX #D0A58B

RGB 208 165 139

HSL 22.61, 0.42%, 0.68%

LAB 71, 12.17, 19.5

 

Complementary color

CMYK 59 / 22 / 0 / 55

HEX #2F5A74

RGB 47 90 116

HSL 202.61, 0.42%, 0.32%

LAB 36.32, -6.59, -19.29

 

CMYK 0 / 23 / 37 / 16

HEX #D5A586

RGB 213 165 134

HSL 23.54, 0.48%, 0.68%

LAB 71.4, 13.53, 22.87

 

CMYK 0 / 20 / 33 / 10

HEX #E6B799

RGB 230 183 153

HSL 23.38, 0.61%, 0.75%

LAB 77.87, 12.85, 21.71

 

CMYK 0 / 19 / 30 / 3

HEX #F7C9AC

RGB 247 201 172

HSL 23.2, 0.82%, 0.82%

LAB 84.24, 12.24, 20.64

 

CMYK 0 / 14 / 25 / 0

HEX #FFDBBF

RGB 255 219 191

HSL 26.25, 1%, 0.87%

LAB 89.71, 8.37, 18.39

 

CMYK 0 / 7 / 18 / 0

HEX #FFEDD2

RGB 255 237 210

HSL 36, 1%, 0.91%

LAB 94.52, 1.85, 15.28

 

CMYK 0 / 21 / 33 / 18

HEX #D0A58B

RGB 208 165 139

HSL 22.61, 0.42%, 0.68%

LAB 71, 12.17, 19.5

 

CMYK 0 / 23 / 37 / 25

HEX #BF9378

RGB 191 147 120

HSL 22.82, 0.36%, 0.61%

LAB 64.4, 12.87, 20.67

 

CMYK 0 / 26 / 42 / 32

HEX #AE8165

RGB 174 129 101

HSL 23.01, 0.31%, 0.54%

LAB 57.69, 13.68, 21.95

 

CMYK 0 / 29 / 48 / 38

HEX #9D6F52

RGB 157 111 82

HSL 23.2, 0.31%, 0.47%

LAB 50.86, 14.63, 23.37

 

CMYK 0 / 34 / 55 / 45

HEX #8C5D3F

RGB 140 93 63

HSL 23.38, 0.38%, 0.4%

LAB 43.89, 15.76, 24.95

 

CMYK 0 / 21 / 33 / 19

HEX #CFA48B

RGB 207 164 139

HSL 22.06, 0.41%, 0.68%

LAB 70.65, 12.32, 19.01

 

CMYK 0 / 29 / 33 / 19

HEX #CF928B

RGB 207 146 139

HSL 6.18, 0.41%, 0.68%

LAB 66.28, 22.12, 12.93

 

CMYK 0 / 33 / 33 / 19

HEX #CF8B8B

RGB 207 139 139

HSL 0, 0.41%, 0.68%

LAB 64.64, 25.94, 10.62

 

CMYK 0 / 21 / 33 / 19

HEX #CFA48B

RGB 207 164 139

HSL 22.06, 0.41%, 0.68%

LAB 70.65, 12.32, 19.01

 

CMYK 0 / 12 / 33 / 19

HEX #CFB78B

RGB 207 183 139

HSL 38.82, 0.41%, 0.68%

LAB 75.45, 2.12, 25.55

 

CMYK 0 / 3 / 33 / 19

HEX #CFC98B

RGB 207 201 139

HSL 54.71, 0.41%, 0.68%

LAB 80.12, -7.29, 31.79

 

CMYK 6 / 0 / 33 / 19

HEX #C2CF8B

RGB 194 207 139

HSL 71.47, 0.41%, 0.68%

LAB 80.72, -15.36, 32.38

 

CMYK 15 / 0 / 33 / 19

HEX #B0CF8B

RGB 176 207 139

HSL 87.35, 0.41%, 0.68%

LAB 79.45, -22.1, 30.48

 

CMYK 0 / 21 / 33 / 19

HEX #CFA48B

RGB 207 164 139

HSL 22.06, 0.41%, 0.68%

LAB 70.65, 12.32, 19.01

 

CMYK 0 / 27 / 43 / 14

HEX #DCA17D

RGB 220 161 125

HSL 22.74, 0.58%, 0.68%

LAB 71, 17.46, 27.33

 

CMYK 0 / 32 / 52 / 8

HEX #EA9E70

RGB 234 158 112

HSL 22.62, 0.74%, 0.68%

LAB 71.63, 23.41, 35.42

 

CMYK 0 / 37 / 60 / 3

HEX #F79B63

RGB 247 155 99

HSL 22.7, 0.9%, 0.68%

LAB 72.31, 29.17, 43.39

 

CMYK 0 / 21 / 33 / 19

HEX #CFA48B

RGB 207 164 139

HSL 22.06, 0.41%, 0.68%

LAB 70.65, 12.32, 19.01

 

CMYK 0 / 13 / 22 / 24

HEX #C2A898

RGB 194 168 152

HSL 22.86, 0.26%, 0.68%

LAB 70.69, 6.92, 11.75

 

CMYK 0 / 6 / 9 / 29

HEX #B5ABA5

RGB 181 171 165

HSL 22.5, 0.1%, 0.68%

LAB 70.64, 2.52, 4.36

 

CMYK 6 / 2 / 0 / 30

HEX #A8AEB2

RGB 168 174 178

HSL 204, 0.06%, 0.68%

LAB 70.74, -1.32, -2.79

 

CMYK 19 / 7 / 0 / 25

HEX #9AB1BF

RGB 154 177 191

HSL 202.7, 0.22%, 0.68%

LAB 70.92, -4.87, -9.78

 

CMYK 0 / 33 / 28 / 19

HEX #CF8B96

RGB 207 139 150

HSL 350.29, 0.41%, 0.68%

LAB 64.91, 27.41, 4.79

 

CMYK 0 / 30 / 33 / 19

HEX #CF918B

RGB 207 145 139

HSL 5.29, 0.41%, 0.68%

LAB 66.04, 22.67, 12.6

 

CMYK 0 / 21 / 33 / 19

HEX #CFA48B

RGB 207 164 139

HSL 22.06, 0.41%, 0.68%

LAB 70.65, 12.32, 19.01

 

CMYK 0 / 12 / 33 / 19

HEX #CFB68B

RGB 207 182 139

HSL 37.94, 0.41%, 0.68%

LAB 75.19, 2.65, 25.2

 

CMYK 0 / 3 / 33 / 19

HEX #CFC88B

RGB 207 200 139

HSL 53.82, 0.41%, 0.68%

LAB 79.86, -6.78, 31.44

 

CMYK 0 / 35 / 56 / 28

HEX #B77750

RGB 183 119 80

HSL 22.72, 0.42%, 0.52%

LAB 55.93, 20.96, 31.61

 

CMYK 0 / 27 / 44 / 24

HEX #C38E6D

RGB 195 142 109

HSL 23.02, 0.42%, 0.6%

LAB 63.39, 15.99, 25.48

 

CMYK 0 / 21 / 33 / 19

HEX #CFA48B

RGB 207 164 139

HSL 22.06, 0.41%, 0.68%

LAB 70.65, 12.32, 19.01

 

CMYK 0 / 15 / 23 / 14

HEX #DBBBA8

RGB 219 187 168

HSL 22.35, 0.41%, 0.76%

LAB 78.13, 8.53, 13.86

 

CMYK 0 / 9 / 15 / 9

HEX #E7D2C5

RGB 231 210 197

HSL 22.94, 0.41%, 0.84%

LAB 85.56, 5.18, 9.07

 

CMYK 0 / 21 / 33 / 18

HEX #D0A58B

RGB 208 165 139

HSL 22.61, 0.42%, 0.68%

LAB 71, 12.17, 19.5

 

CMYK 19 / 0 / 33 / 19

HEX #A8CF8B

RGB 168 207 139

HSL 94.41, 0.41%, 0.68%

LAB 78.93, -25, 29.7

 

CMYK 33 / 32 / 0 / 19

HEX #8B8DCF

RGB 139 141 207

HSL 238.24, 0.41%, 0.68%

LAB 60.82, 14.65, -34.19

 

CMYK 0 / 21 / 33 / 18

HEX #D0A58B

RGB 208 165 139

HSL 22.61, 0.42%, 0.68%

LAB 71, 12.17, 19.5

 

CMYK 33 / 0 / 21 / 19

HEX #8BCFA4

RGB 139 207 164

HSL 142.06, 0.41%, 0.68%

LAB 77.75, -30.48, 14.66

 

CMYK 21 / 33 / 0 / 19

HEX #A48BCF

RGB 164 139 207

HSL 262.06, 0.41%, 0.68%

LAB 62.39, 23.21, -31.59

 

CMYK 0 / 21 / 33 / 18

HEX #D0A58B

RGB 208 165 139

HSL 22.61, 0.42%, 0.68%

LAB 71, 12.17, 19.5

 

CMYK 19 / 0 / 33 / 19

HEX #A8CF8B

RGB 168 207 139

HSL 94.41, 0.41%, 0.68%

LAB 78.93, -25, 29.7

 

CMYK 33 / 12 / 0 / 19

HEX #8BB6CF

RGB 139 182 207

HSL 202.06, 0.41%, 0.68%

LAB 71.86, -8.31, -17.25

 

CMYK 14 / 33 / 0 / 19

HEX #B18BCF

RGB 177 139 207

HSL 273.53, 0.41%, 0.68%

LAB 63.6, 27.23, -29.61

 

CMYK 0 / 21 / 33 / 18

HEX #D0A58B

RGB 208 165 139

HSL 22.61, 0.42%, 0.68%

LAB 71, 12.17, 19.5

 

CMYK 29 / 0 / 33 / 19

HEX #94CF8B

RGB 148 207 139

HSL 112.06, 0.41%, 0.68%

LAB 77.75, -31.95, 27.91

 

CMYK 33 / 12 / 0 / 19

HEX #8BB6CF

RGB 139 182 207

HSL 202.06, 0.41%, 0.68%

LAB 71.86, -8.31, -17.25

 

CMYK 4 / 33 / 0 / 19

HEX #C68BCF

RGB 198 139 207

HSL 292.06, 0.41%, 0.68%

LAB 65.73, 33.87, -26.16

 

Description

Color code: HEX #D0A58B | qconv.com Color code: HEX #D0A58B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 165 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 165 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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