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Color name
HEX #D0A9A4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0A9A4 it is the complementary color #2F565B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0A9A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0A9A4 shade: #D5A99F, #E6BBB2, #F7CDC5, #FFDFD8 and #FFF1EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0A9A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0A9A4 shade: #D0A9A4, #BF9791, #AE857E, #9D736B and #8C6158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0A9A4 shade: #D0A9A4 and #D0A4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0A9A4 shade: #D0A9A4, #D0B5A4, #D0C0A4, #D0CCA4 and #C7D0A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0A9A4 shade matches the following richer shades: #D0A9A4, #DBA098, #E6978D, #F18F82 and #FC8677

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0A9A4 shade: #D0A9A4, #C5B1AF, #B9BABA, #AEC2C5 and #A3CBD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0A9A4 shade: #D0A4B7, #D0A4AB, #D0A8A4, #D0B4A4 and #D0C0A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0A9A4 shade: #B4756D, #C28F88, #D0A9A4, #DEC2BF and #ECDCDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0A9A4 shade: #D0A9A4, #C2D0A4 and #A4B1D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0A9A4 shade: #D0A9A4, #A4D0A8 and #A8A4D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0A9A4 shade: #D0A9A4, #C2D0A4, #A4CBD0 and #B1A4D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0A9A4 shade: #D0A9A4, #B5D0A4, #A4CBD0 and #BEA4D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

Complementary color

CMYK 48 / 5 / 0 / 64

HEX #2F565B

RGB 47 86 91

HSL 186.82, 0.32%, 0.27%

LAB 34.01, -12.29, -7.22

 

CMYK 0 / 21 / 25 / 16

HEX #D5A99F

RGB 213 169 159

HSL 11.11, 0.39%, 0.73%

LAB 72.91, 14.63, 11.29

 

CMYK 0 / 19 / 23 / 10

HEX #E6BBB2

RGB 230 187 178

HSL 10.38, 0.51%, 0.8%

LAB 79.37, 14.08, 10.38

 

CMYK 0 / 17 / 20 / 3

HEX #F7CDC5

RGB 247 205 197

HSL 9.6, 0.76%, 0.87%

LAB 85.74, 13.57, 9.52

 

CMYK 0 / 13 / 15 / 0

HEX #FFDFD8

RGB 255 223 216

HSL 10.77, 1%, 0.92%

LAB 91.23, 9.93, 7.47

 

CMYK 0 / 5 / 8 / 0

HEX #FFF1EB

RGB 255 241 235

HSL 18, 1%, 0.96%

LAB 96.07, 3.71, 4.57

 

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

CMYK 0 / 21 / 24 / 25

HEX #BF9791

RGB 191 151 145

HSL 7.83, 0.26%, 0.66%

LAB 65.95, 14.04, 8.86

 

CMYK 0 / 24 / 28 / 32

HEX #AE857E

RGB 174 133 126

HSL 8.75, 0.23%, 0.59%

LAB 59.23, 14.67, 9.84

 

CMYK 0 / 27 / 32 / 38

HEX #9D736B

RGB 157 115 107

HSL 9.6, 0.2%, 0.52%

LAB 52.39, 15.39, 10.92

 

CMYK 0 / 31 / 37 / 45

HEX #8C6158

RGB 140 97 88

HSL 10.38, 0.23%, 0.45%

LAB 45.4, 16.24, 12.13

 

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

CMYK 0 / 21 / 21 / 18

HEX #D0A4A4

RGB 208 164 164

HSL 0, 0.32%, 0.73%

LAB 71.31, 16.19, 6.2

 

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

CMYK 0 / 13 / 21 / 18

HEX #D0B5A4

RGB 208 181 164

HSL 23.18, 0.32%, 0.73%

LAB 75.54, 7.01, 12.22

 

CMYK 0 / 8 / 21 / 18

HEX #D0C0A4

RGB 208 192 164

HSL 38.18, 0.32%, 0.73%

LAB 78.34, 1.16, 16.16

 

CMYK 0 / 2 / 21 / 18

HEX #D0CCA4

RGB 208 204 164

HSL 54.55, 0.32%, 0.73%

LAB 81.44, -5.12, 20.48

 

CMYK 4 / 0 / 21 / 18

HEX #C7D0A4

RGB 199 208 164

HSL 72.27, 0.32%, 0.73%

LAB 81.8, -10.51, 20.87

 

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

CMYK 0 / 27 / 31 / 14

HEX #DBA098

RGB 219 160 152

HSL 7.16, 0.48%, 0.73%

LAB 71.19, 20.82, 12.81

 

CMYK 0 / 34 / 39 / 10

HEX #E6978D

RGB 230 151 141

HSL 6.74, 0.64%, 0.73%

LAB 70.09, 28.49, 17.52

 

CMYK 0 / 41 / 46 / 5

HEX #F18F82

RGB 241 143 130

HSL 7.03, 0.8%, 0.73%

LAB 69.44, 35.7, 22.93

 

CMYK 0 / 47 / 53 / 1

HEX #FC8677

RGB 252 134 119

HSL 6.77, 0.96%, 0.73%

LAB 68.81, 43.39, 28.41

 

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

CMYK 0 / 10 / 11 / 23

HEX #C5B1AF

RGB 197 177 175

HSL 5.45, 0.16%, 0.73%

LAB 73.81, 6.83, 3.63

 

CMYK 1 / 0 / 0 / 27

HEX #B9BABA

RGB 185 186 186

HSL 180, 0.01%, 0.73%

LAB 75.44, -0.34, -0.13

 

CMYK 12 / 2 / 0 / 23

HEX #AEC2C5

RGB 174 194 197

HSL 187.83, 0.17%, 0.73%

LAB 77.05, -6.18, -3.83

 

CMYK 22 / 2 / 0 / 18

HEX #A3CBD0

RGB 163 203 208

HSL 186.67, 0.32%, 0.73%

LAB 79.07, -12.05, -6.85

 

CMYK 0 / 21 / 12 / 18

HEX #D0A4B7

RGB 208 164 183

HSL 334.09, 0.32%, 0.73%

LAB 71.81, 19.22, -3.57

 

CMYK 0 / 21 / 18 / 18

HEX #D0A4AB

RGB 208 164 171

HSL 350.45, 0.32%, 0.73%

LAB 71.49, 17.27, 2.59

 

CMYK 0 / 19 / 21 / 18

HEX #D0A8A4

RGB 208 168 164

HSL 5.45, 0.32%, 0.73%

LAB 72.29, 14.02, 7.6

 

CMYK 0 / 13 / 21 / 18

HEX #D0B4A4

RGB 208 180 164

HSL 21.82, 0.32%, 0.73%

LAB 75.28, 7.54, 11.86

 

CMYK 0 / 8 / 21 / 18

HEX #D0C0A4

RGB 208 192 164

HSL 38.18, 0.32%, 0.73%

LAB 78.34, 1.16, 16.16

 

CMYK 0 / 35 / 39 / 29

HEX #B4756D

RGB 180 117 109

HSL 6.76, 0.32%, 0.57%

LAB 55.61, 23.79, 14.66

 

CMYK 0 / 26 / 30 / 24

HEX #C28F88

RGB 194 143 136

HSL 7.24, 0.32%, 0.65%

LAB 64.07, 18.34, 11.3

 

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

CMYK 0 / 13 / 14 / 13

HEX #DEC2BF

RGB 222 194 191

HSL 5.81, 0.32%, 0.81%

LAB 80.67, 9.41, 5.14

 

CMYK 0 / 7 / 8 / 7

HEX #ECDCDA

RGB 236 220 218

HSL 6.67, 0.32%, 0.89%

LAB 88.96, 5.14, 2.94

 

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

CMYK 7 / 0 / 21 / 18

HEX #C2D0A4

RGB 194 208 164

HSL 79.09, 0.32%, 0.73%

LAB 81.44, -12.34, 20.3

 

CMYK 21 / 15 / 0 / 18

HEX #A4B1D0

RGB 164 177 208

HSL 222.27, 0.32%, 0.73%

LAB 72.16, 2.11, -17.19

 

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

CMYK 21 / 0 / 19 / 18

HEX #A4D0A8

RGB 164 208 168

HSL 125.45, 0.32%, 0.73%

LAB 79.52, -22.21, 15.21

 

CMYK 19 / 21 / 0 / 18

HEX #A8A4D0

RGB 168 164 208

HSL 245.45, 0.32%, 0.73%

LAB 69.06, 10.56, -21.86

 

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

CMYK 7 / 0 / 21 / 18

HEX #C2D0A4

RGB 194 208 164

HSL 79.09, 0.32%, 0.73%

LAB 81.44, -12.34, 20.3

 

CMYK 21 / 2 / 0 / 18

HEX #A4CBD0

RGB 164 203 208

HSL 186.82, 0.32%, 0.73%

LAB 79.13, -11.74, -6.76

 

CMYK 15 / 21 / 0 / 18

HEX #B1A4D0

RGB 177 164 208

HSL 257.73, 0.32%, 0.73%

LAB 69.79, 13.43, -20.68

 

CMYK 0 / 19 / 21 / 18

HEX #D0A9A4

RGB 208 169 164

HSL 6.82, 0.32%, 0.73%

LAB 72.54, 13.48, 7.96

 

CMYK 13 / 0 / 21 / 18

HEX #B5D0A4

RGB 181 208 164

HSL 96.82, 0.32%, 0.73%

LAB 80.52, -17.02, 18.9

 

CMYK 21 / 2 / 0 / 18

HEX #A4CBD0

RGB 164 203 208

HSL 186.82, 0.32%, 0.73%

LAB 79.13, -11.74, -6.76

 

CMYK 9 / 21 / 0 / 18

HEX #BEA4D0

RGB 190 164 208

HSL 275.45, 0.32%, 0.73%

LAB 70.91, 17.67, -18.88

 

Description

Color code: HEX #D0A9A4 | qconv.com Color code: HEX #D0A9A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 169 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 169 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 21 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 21% 18% C M Y K

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Provide designers and agencies with accurate color values.

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