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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0ADDB it is the complementary color #2F5224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0ADDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0ADDB shade: #D5ADD6, #E6BFE9, #F7D1FC, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0ADDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0ADDB shade: #D0ADDB, #BF9BC8, #AE89B5, #9D77A2 and #8C658F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0ADDB shade: #D0ADDB, #DBADD9, #DBADCD, #DBADC1 and #DBADB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0ADDB shade: #D0ADDB, #C3ADDB, #B7ADDB and #ADADDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0ADDB shade matches the following richer shades: #D0ADDB, #D5A3E4, #DA9AEE and #DF91F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0ADDB shade: #D0ADDB, #CBB6D1, #C6C0C8, #C1C9BE and #BCD3B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0ADDB shade: #B7ADDB, #C3ADDB, #CFADDB, #DBADDA and #DBADCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0ADDB shade: #AF74C2, #BF90CE, #D0ADDB, #E0CAE7 and #F1E6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0ADDB shade: #D0ADDB, #DBADAF and #ADDBBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0ADDB shade: #D0ADDB, #DBCFAD and #ADDBCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0ADDB shade: #D0ADDB, #DBADAF, #B8DBAD and #ADDBD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0ADDB shade: #D0ADDB, #DBB8AD, #B8DBAD and #ADCFDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

Complementary color

CMYK 43 / 0 / 56 / 68

HEX #2F5224

RGB 47 82 36

HSL 105.65, 0.39%, 0.23%

LAB 31.27, -22.76, 22.91

 

CMYK 0 / 19 / 0 / 16

HEX #D5ADD6

RGB 213 173 214

HSL 298.54, 0.33%, 0.76%

LAB 75.38, 21.56, -15.21

 

CMYK 1 / 18 / 0 / 9

HEX #E6BFE9

RGB 230 191 233

HSL 295.71, 0.49%, 0.83%

LAB 81.82, 21.06, -15.63

 

CMYK 2 / 17 / 0 / 1

HEX #F7D1FC

RGB 247 209 252

HSL 293.02, 0.88%, 0.9%

LAB 88.16, 20.6, -16.05

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

CMYK 5 / 23 / 0 / 22

HEX #BF9BC8

RGB 191 155 200

HSL 288, 0.29%, 0.7%

LAB 68.53, 21.38, -18.06

 

CMYK 4 / 24 / 0 / 29

HEX #AE89B5

RGB 174 137 181

HSL 290.45, 0.23%, 0.62%

LAB 61.85, 21.94, -17.7

 

CMYK 3 / 27 / 0 / 36

HEX #9D77A2

RGB 157 119 162

HSL 293.02, 0.19%, 0.55%

LAB 55.04, 22.56, -17.32

 

CMYK 2 / 29 / 0 / 44

HEX #8C658F

RGB 140 101 143

HSL 295.71, 0.17%, 0.48%

LAB 48.09, 23.24, -16.93

 

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

CMYK 0 / 21 / 1 / 14

HEX #DBADD9

RGB 219 173 217

HSL 302.61, 0.39%, 0.77%

LAB 76.04, 24.12, -15.79

 

CMYK 0 / 21 / 6 / 14

HEX #DBADCD

RGB 219 173 205

HSL 318.26, 0.39%, 0.77%

LAB 75.67, 21.97, -9.81

 

CMYK 0 / 21 / 12 / 14

HEX #DBADC1

RGB 219 173 193

HSL 333.91, 0.39%, 0.77%

LAB 75.33, 19.92, -3.77

 

CMYK 0 / 21 / 18 / 14

HEX #DBADB4

RGB 219 173 180

HSL 350.87, 0.39%, 0.77%

LAB 74.98, 17.83, 2.84

 

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

CMYK 11 / 21 / 0 / 14

HEX #C3ADDB

RGB 195 173 219

HSL 268.7, 0.39%, 0.77%

LAB 73.94, 16.61, -20.28

 

CMYK 16 / 21 / 0 / 14

HEX #B7ADDB

RGB 183 173 219

HSL 253.04, 0.39%, 0.77%

LAB 72.94, 12.76, -21.89

 

CMYK 21 / 21 / 0 / 14

HEX #ADADDB

RGB 173 173 219

HSL 240, 0.39%, 0.77%

LAB 72.15, 9.63, -23.15

 

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

CMYK 7 / 29 / 0 / 11

HEX #D5A3E4

RGB 213 163 228

HSL 286.15, 0.55%, 0.77%

LAB 73.51, 29.69, -25.69

 

CMYK 8 / 35 / 0 / 7

HEX #DA9AEE

RGB 218 154 238

HSL 285.71, 0.71%, 0.77%

LAB 72.36, 38.08, -32.88

 

CMYK 10 / 41 / 0 / 3

HEX #DF91F7

RGB 223 145 247

HSL 285.88, 0.86%, 0.77%

LAB 71.32, 46.12, -39.35

 

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

CMYK 3 / 13 / 0 / 18

HEX #CBB6D1

RGB 203 182 209

HSL 286.67, 0.23%, 0.77%

LAB 76.53, 12.35, -10.86

 

CMYK 1 / 4 / 0 / 22

HEX #C6C0C8

RGB 198 192 200

HSL 285, 0.07%, 0.77%

LAB 78.39, 3.56, -3.27

 

CMYK 4 / 0 / 5 / 21

HEX #C1C9BE

RGB 193 201 190

HSL 103.64, 0.09%, 0.77%

LAB 80.08, -4.76, 4.53

 

CMYK 11 / 0 / 14 / 17

HEX #BCD3B5

RGB 188 211 181

HSL 106, 0.25%, 0.77%

LAB 82.17, -13.24, 12.28

 

CMYK 16 / 21 / 0 / 14

HEX #B7ADDB

RGB 183 173 219

HSL 253.04, 0.39%, 0.77%

LAB 72.94, 12.76, -21.89

 

CMYK 11 / 21 / 0 / 14

HEX #C3ADDB

RGB 195 173 219

HSL 268.7, 0.39%, 0.77%

LAB 73.94, 16.61, -20.28

 

CMYK 5 / 21 / 0 / 14

HEX #CFADDB

RGB 207 173 219

HSL 284.35, 0.39%, 0.77%

LAB 74.99, 20.52, -18.57

 

CMYK 0 / 21 / 0 / 14

HEX #DBADDA

RGB 219 173 218

HSL 301.3, 0.39%, 0.77%

LAB 76.07, 24.31, -16.29

 

CMYK 0 / 21 / 6 / 14

HEX #DBADCE

RGB 219 173 206

HSL 316.96, 0.39%, 0.77%

LAB 75.7, 22.14, -10.31

 

CMYK 10 / 40 / 0 / 24

HEX #AF74C2

RGB 175 116 194

HSL 285.38, 0.39%, 0.61%

LAB 57.56, 36.69, -31.67

 

CMYK 7 / 30 / 0 / 19

HEX #BF90CE

RGB 191 144 206

HSL 285.48, 0.39%, 0.69%

LAB 66.12, 28.68, -25.07

 

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

CMYK 3 / 13 / 0 / 9

HEX #E0CAE7

RGB 224 202 231

HSL 285.52, 0.38%, 0.85%

LAB 83.89, 12.83, -11.52

 

CMYK 1 / 6 / 0 / 4

HEX #F1E6F4

RGB 241 230 244

HSL 287.14, 0.39%, 0.93%

LAB 92.5, 6.19, -5.45

 

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

CMYK 0 / 21 / 20 / 14

HEX #DBADAF

RGB 219 173 175

HSL 357.39, 0.39%, 0.77%

LAB 74.85, 17.06, 5.39

 

CMYK 21 / 0 / 14 / 14

HEX #ADDBBD

RGB 173 219 189

HSL 140.87, 0.39%, 0.77%

LAB 83.56, -20.85, 9.88

 

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

CMYK 0 / 5 / 21 / 14

HEX #DBCFAD

RGB 219 207 173

HSL 44.35, 0.39%, 0.77%

LAB 83.29, -1.27, 18.41

 

CMYK 21 / 0 / 5 / 14

HEX #ADDBCF

RGB 173 219 207

HSL 164.35, 0.39%, 0.77%

LAB 83.99, -17.33, 0.98

 

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

CMYK 0 / 21 / 20 / 14

HEX #DBADAF

RGB 219 173 175

HSL 357.39, 0.39%, 0.77%

LAB 74.85, 17.06, 5.39

 

CMYK 16 / 0 / 21 / 14

HEX #B8DBAD

RGB 184 219 173

HSL 105.65, 0.39%, 0.77%

LAB 83.9, -19.98, 18.88

 

CMYK 21 / 0 / 1 / 14

HEX #ADDBD8

RGB 173 219 216

HSL 176.09, 0.39%, 0.77%

LAB 84.23, -15.46, -3.44

 

CMYK 5 / 21 / 0 / 14

HEX #D0ADDB

RGB 208 173 219

HSL 285.65, 0.39%, 0.77%

LAB 75.08, 20.85, -18.43

 

CMYK 0 / 16 / 21 / 14

HEX #DBB8AD

RGB 219 184 173

HSL 14.35, 0.39%, 0.77%

LAB 77.49, 10.86, 10.26

 

CMYK 16 / 0 / 21 / 14

HEX #B8DBAD

RGB 184 219 173

HSL 105.65, 0.39%, 0.77%

LAB 83.9, -19.98, 18.88

 

CMYK 21 / 5 / 0 / 14

HEX #ADCFDB

RGB 173 207 219

HSL 195.65, 0.39%, 0.77%

LAB 81.08, -8.66, -9.69

 

Description

Color code: HEX #D0ADDB | qconv.com Color code: HEX #D0ADDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 173 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 173 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 21 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 21% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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