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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0B8E5 it is the complementary color #2F471A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0B8E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0B8E5 shade: #D5B8E0, #E6CAF3, #F7DCFF and #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0B8E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0B8E5 shade: #D0B8E5, #BFA6D2, #AE94BF, #9D82AC and #8C7099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0B8E5 shade: #D0B8E4, #DCB8E4, #E4B8E1, #E4B8D5 and #E4B8C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0B8E5 shade: #D0B8E4, #C4B8E4 and #B8B8E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0B8E5 shade matches the following richer shades: #D0B8E4, #D0B0EC, #D1A8F4 and #D1A0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0B8E5 shade: #D0B8E4, #CFC0DC, #CEC7D5, #CECFCD and #CDD7C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0B8E5 shade: #B8B8E4, #C4B8E4, #D0B8E4, #DBB8E4 and #E4B8E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0B8E5 shade: #A87CCE, #BC9AD9, #D0B8E4, #E4D6EF and #F8F4FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0B8E5 shade: #D0B8E5, #E4B8C4 and #B8E4BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0B8E5 shade: #D0B8E5, #E4D0B8 and #B8E4D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0B8E5 shade: #D0B8E5, #E4B8C4, #CDE4B8 and #B8E4D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0B8E5 shade: #D0B8E5, #E4B9B8, #CDE4B8 and #B8E3E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 20 / 0 / 10

HEX #D0B8E5

RGB 208 184 229

HSL 272, 0.46%, 0.81%

LAB 78.08, 16.86, -19.31

 

Complementary color

CMYK 34 / 0 / 63 / 72

HEX #2F471A

RGB 47 71 26

HSL 92, 0.46%, 0.19%

LAB 27.26, -18.35, 23.75

 

CMYK 5 / 18 / 0 / 12

HEX #D5B8E0

RGB 213 184 224

HSL 283.5, 0.39%, 0.8%

LAB 78.35, 17.5, -16.17

 

CMYK 5 / 17 / 0 / 5

HEX #E6CAF3

RGB 230 202 243

HSL 280.98, 0.63%, 0.87%

LAB 84.76, 17.08, -16.55

 

CMYK 3 / 14 / 0 / 0

HEX #F7DCFF

RGB 247 220 255

HSL 286.29, 1%, 0.93%

LAB 90.86, 15.38, -13.58

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 9 / 20 / 0 / 10

HEX #D0B8E5

RGB 208 184 229

HSL 272, 0.46%, 0.81%

LAB 78.08, 16.86, -19.31

 

CMYK 9 / 21 / 0 / 18

HEX #BFA6D2

RGB 191 166 210

HSL 274.09, 0.33%, 0.74%

LAB 71.56, 17.3, -18.99

 

CMYK 9 / 23 / 0 / 25

HEX #AE94BF

RGB 174 148 191

HSL 276.28, 0.25%, 0.66%

LAB 64.91, 17.78, -18.67

 

CMYK 9 / 24 / 0 / 33

HEX #9D82AC

RGB 157 130 172

HSL 278.57, 0.2%, 0.59%

LAB 58.14, 18.31, -18.36

 

CMYK 8 / 27 / 0 / 40

HEX #8C7099

RGB 140 112 153

HSL 280.98, 0.17%, 0.52%

LAB 51.23, 18.89, -18.05

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 4 / 19 / 0 / 11

HEX #DCB8E4

RGB 220 184 228

HSL 289.09, 0.45%, 0.81%

LAB 79.1, 20.58, -17.14

 

CMYK 0 / 19 / 1 / 11

HEX #E4B8E1

RGB 228 184 225

HSL 304.09, 0.45%, 0.81%

LAB 79.73, 22.67, -14.49

 

CMYK 0 / 19 / 7 / 11

HEX #E4B8D5

RGB 228 184 213

HSL 320.45, 0.45%, 0.81%

LAB 79.37, 20.54, -8.55

 

CMYK 0 / 19 / 12 / 11

HEX #E4B8C9

RGB 228 184 201

HSL 336.82, 0.45%, 0.81%

LAB 79.04, 18.51, -2.56

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 14 / 19 / 0 / 11

HEX #C4B8E4

RGB 196 184 228

HSL 256.36, 0.45%, 0.81%

LAB 77.05, 12.8, -20.43

 

CMYK 19 / 19 / 0 / 11

HEX #B8B8E4

RGB 184 184 228

HSL 240, 0.45%, 0.81%

LAB 76.11, 9.02, -21.94

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 12 / 25 / 0 / 7

HEX #D0B0EC

RGB 208 176 236

HSL 272, 0.61%, 0.81%

LAB 76.39, 22.64, -25.68

 

CMYK 14 / 31 / 0 / 4

HEX #D1A8F4

RGB 209 168 244

HSL 272.37, 0.78%, 0.81%

LAB 74.88, 28.99, -32.3

 

CMYK 17 / 37 / 0 / 1

HEX #D1A0FC

RGB 209 160 252

HSL 271.96, 0.94%, 0.81%

LAB 73.37, 35.05, -38.99

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 6 / 13 / 0 / 14

HEX #CFC0DC

RGB 207 192 220

HSL 272.14, 0.29%, 0.81%

LAB 79.69, 10.42, -12.05

 

CMYK 3 / 7 / 0 / 16

HEX #CEC7D5

RGB 206 199 213

HSL 270, 0.14%, 0.81%

LAB 81.17, 5, -6.1

 

CMYK 0 / 0 / 1 / 19

HEX #CECFCD

RGB 206 207 205

HSL 90, 0.02%, 0.81%

LAB 83, -0.7, 0.86

 

CMYK 5 / 0 / 8 / 16

HEX #CDD7C5

RGB 205 215 197

HSL 93.33, 0.18%, 0.81%

LAB 84.8, -6.62, 7.71

 

CMYK 19 / 19 / 0 / 11

HEX #B8B8E4

RGB 184 184 228

HSL 240, 0.45%, 0.81%

LAB 76.11, 9.02, -21.94

 

CMYK 14 / 19 / 0 / 11

HEX #C4B8E4

RGB 196 184 228

HSL 256.36, 0.45%, 0.81%

LAB 77.05, 12.8, -20.43

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 4 / 19 / 0 / 11

HEX #DBB8E4

RGB 219 184 228

HSL 287.73, 0.45%, 0.81%

LAB 79.01, 20.25, -17.28

 

CMYK 0 / 19 / 1 / 11

HEX #E4B8E1

RGB 228 184 225

HSL 304.09, 0.45%, 0.81%

LAB 79.73, 22.67, -14.49

 

CMYK 18 / 40 / 0 / 19

HEX #A87CCE

RGB 168 124 206

HSL 272.2, 0.46%, 0.65%

LAB 59.16, 32.71, -36.03

 

CMYK 13 / 29 / 0 / 15

HEX #BC9AD9

RGB 188 154 217

HSL 272.38, 0.45%, 0.73%

LAB 68.62, 24.45, -27.36

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 5 / 10 / 0 / 6

HEX #E4D6EF

RGB 228 214 239

HSL 273.6, 0.44%, 0.89%

LAB 87.4, 9.32, -10.5

 

CMYK 1 / 3 / 0 / 2

HEX #F8F4FB

RGB 248 244 251

HSL 274.29, 0.47%, 0.97%

LAB 96.67, 2.57, -2.89

 

CMYK 9 / 20 / 0 / 10

HEX #D0B8E5

RGB 208 184 229

HSL 272, 0.46%, 0.81%

LAB 78.08, 16.86, -19.31

 

CMYK 0 / 19 / 14 / 11

HEX #E4B8C4

RGB 228 184 196

HSL 343.64, 0.45%, 0.81%

LAB 78.9, 17.7, -0.05

 

CMYK 19 / 0 / 17 / 11

HEX #B8E4BE

RGB 184 228 190

HSL 128.18, 0.45%, 0.81%

LAB 86.7, -21.5, 13.91

 

CMYK 9 / 20 / 0 / 10

HEX #D0B8E5

RGB 208 184 229

HSL 272, 0.46%, 0.81%

LAB 78.08, 16.86, -19.31

 

CMYK 0 / 9 / 19 / 11

HEX #E4D0B8

RGB 228 208 184

HSL 32.73, 0.45%, 0.81%

LAB 84.52, 3.15, 14.44

 

CMYK 19 / 0 / 9 / 11

HEX #B8E4D0

RGB 184 228 208

HSL 152.73, 0.45%, 0.81%

LAB 87.11, -18.17, 5.06

 

CMYK 9 / 20 / 0 / 10

HEX #D0B8E5

RGB 208 184 229

HSL 272, 0.46%, 0.81%

LAB 78.08, 16.86, -19.31

 

CMYK 0 / 19 / 14 / 11

HEX #E4B8C4

RGB 228 184 196

HSL 343.64, 0.45%, 0.81%

LAB 78.9, 17.7, -0.05

 

CMYK 10 / 0 / 19 / 11

HEX #CDE4B8

RGB 205 228 184

HSL 91.36, 0.45%, 0.81%

LAB 87.93, -15.36, 18.97

 

CMYK 19 / 0 / 5 / 11

HEX #B8E4D8

RGB 184 228 216

HSL 163.64, 0.45%, 0.81%

LAB 87.31, -16.6, 1.14

 

CMYK 9 / 20 / 0 / 10

HEX #D0B8E5

RGB 208 184 229

HSL 272, 0.46%, 0.81%

LAB 78.08, 16.86, -19.31

 

CMYK 0 / 19 / 19 / 11

HEX #E4B9B8

RGB 228 185 184

HSL 1.36, 0.45%, 0.81%

LAB 78.84, 15.29, 6.35

 

CMYK 10 / 0 / 19 / 11

HEX #CDE4B8

RGB 205 228 184

HSL 91.36, 0.45%, 0.81%

LAB 87.93, -15.36, 18.97

 

CMYK 19 / 0 / 0 / 11

HEX #B8E3E4

RGB 184 227 228

HSL 181.36, 0.45%, 0.81%

LAB 87.35, -13.64, -5.11

 

Description

Color code: HEX #D0B8E5 | qconv.com Color code: HEX #D0B8E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 184 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 184 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 20 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 20% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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