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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0B347 it is the complementary color #2F4CB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0B347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0B347 shade: #D5B342, #E6C555, #F7D768, #FFE97B and #FFFB8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0B347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0B347 shade: #D0B347, #BFA134, #AE8F21, #9D7D0E and #8C6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0B347 shade: #CFB348, #CF8E48, #CF6A48 and #CF4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0B347 shade: #CFB348, #C8CF48, #A3CF48, #7FCF48 and #5ACF48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0B347 shade matches the following richer shades: #CFB348, #E2BD35 and #F5C823

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0B347 shade: #CFB348, #BDA85B, #AA9D6D, #989380 and #858892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0B347 shade: #CF6A48, #CF8E48, #CFB248, #C9CF48 and #A5CF48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0B347 shade: #9D8428, #BEA031, #CFB348, #D8C069 and #E0CE8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0B347 shade: #D0B347, #4ACF48 and #7C48CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0B347 shade: #D0B347, #48CFB2 and #B248CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0B347 shade: #D0B347, #4ACF48, #4865CF and #CD48CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0B347 shade: #D0B347, #48CF6E, #4865CF and #CF48A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 66 / 18

HEX #D0B347

RGB 208 179 71

HSL 47.3, 0.59%, 0.55%

LAB 73.61, -1.63, 57.1

 

Complementary color

CMYK 74 / 59 / 0 / 28

HEX #2F4CB8

RGB 47 76 184

HSL 227.3, 0.59%, 0.45%

LAB 36.43, 27.65, -60.19

 

CMYK 0 / 16 / 69 / 16

HEX #D5B342

RGB 213 179 66

HSL 46.12, 0.64%, 0.55%

LAB 74.05, 0.24, 59.81

 

CMYK 0 / 14 / 63 / 10

HEX #E6C555

RGB 230 197 85

HSL 46.34, 0.74%, 0.62%

LAB 80.41, -0.84, 58.92

 

CMYK 0 / 13 / 58 / 3

HEX #F7D768

RGB 247 215 104

HSL 46.57, 0.9%, 0.69%

LAB 86.69, -1.76, 57.85

 

CMYK 0 / 9 / 52 / 0

HEX #FFE97B

RGB 255 233 123

HSL 50, 1%, 0.74%

LAB 92.12, -6.14, 55.59

 

CMYK 0 / 2 / 44 / 0

HEX #FFFB8E

RGB 255 251 142

HSL 57.88, 1%, 0.78%

LAB 96.91, -13.36, 52.46

 

CMYK 0 / 14 / 66 / 18

HEX #D0B347

RGB 208 179 71

HSL 47.3, 0.59%, 0.55%

LAB 73.61, -1.63, 57.1

 

CMYK 0 / 16 / 73 / 25

HEX #BFA134

RGB 191 161 52

HSL 47.05, 0.57%, 0.48%

LAB 67.14, -0.48, 57.8

 

CMYK 0 / 18 / 81 / 32

HEX #AE8F21

RGB 174 143 33

HSL 46.81, 0.68%, 0.41%

LAB 60.56, 0.9, 57.91

 

CMYK 0 / 20 / 91 / 38

HEX #9D7D0E

RGB 157 125 14

HSL 46.57, 0.84%, 0.34%

LAB 53.89, 2.56, 56.82

 

CMYK 0 / 24 / 100 / 45

HEX #8C6B00

RGB 140 107 0

HSL 45.86, 1%, 0.27%

LAB 47.09, 4.54, 53.83

 

CMYK 0 / 14 / 65 / 19

HEX #CFB348

RGB 207 179 72

HSL 47.56, 0.58%, 0.55%

LAB 73.53, -2, 56.55

 

CMYK 0 / 31 / 65 / 19

HEX #CF8E48

RGB 207 142 72

HSL 31.11, 0.58%, 0.55%

LAB 64.23, 17.88, 46.35

 

CMYK 0 / 49 / 65 / 19

HEX #CF6A48

RGB 207 106 72

HSL 15.11, 0.58%, 0.55%

LAB 56.13, 37.14, 36.98

 

CMYK 0 / 65 / 65 / 19

HEX #CF4848

RGB 207 72 72

HSL 0, 0.58%, 0.55%

LAB 49.94, 53.23, 29.45

 

CMYK 0 / 14 / 65 / 19

HEX #CFB348

RGB 207 179 72

HSL 47.56, 0.58%, 0.55%

LAB 73.53, -2, 56.55

 

CMYK 3 / 0 / 65 / 19

HEX #C8CF48

RGB 200 207 72

HSL 63.11, 0.58%, 0.55%

LAB 80.39, -19.24, 63.56

 

CMYK 21 / 0 / 65 / 19

HEX #A3CF48

RGB 163 207 72

HSL 79.56, 0.58%, 0.55%

LAB 77.8, -34.1, 60.06

 

CMYK 39 / 0 / 65 / 19

HEX #7FCF48

RGB 127 207 72

HSL 95.56, 0.58%, 0.55%

LAB 75.83, -47.12, 57.36

 

CMYK 57 / 0 / 65 / 19

HEX #5ACF48

RGB 90 207 72

HSL 112, 0.58%, 0.55%

LAB 74.36, -57.99, 55.34

 

CMYK 0 / 14 / 65 / 19

HEX #CFB348

RGB 207 179 72

HSL 47.56, 0.58%, 0.55%

LAB 73.53, -2, 56.55

 

CMYK 0 / 16 / 77 / 11

HEX #E2BD35

RGB 226 189 53

HSL 47.17, 0.75%, 0.55%

LAB 77.77, -0, 68.76

 

CMYK 0 / 18 / 86 / 4

HEX #F5C823

RGB 245 200 35

HSL 47.14, 0.91%, 0.55%

LAB 82.29, 1.91, 78.51

 

CMYK 0 / 14 / 65 / 19

HEX #CFB348

RGB 207 179 72

HSL 47.56, 0.58%, 0.55%

LAB 73.53, -2, 56.55

 

CMYK 0 / 11 / 52 / 26

HEX #BDA85B

RGB 189 168 91

HSL 47.14, 0.43%, 0.55%

LAB 69.17, -2.43, 42.2

 

CMYK 0 / 8 / 36 / 33

HEX #AA9D6D

RGB 170 157 109

HSL 47.21, 0.26%, 0.55%

LAB 64.77, -2.54, 26.86

 

CMYK 0 / 3 / 16 / 40

HEX #989380

RGB 152 147 128

HSL 47.5, 0.1%, 0.55%

LAB 60.87, -1.53, 10.72

 

CMYK 9 / 7 / 0 / 43

HEX #858892

RGB 133 136 146

HSL 226.15, 0.06%, 0.55%

LAB 56.75, 0.96, -5.72

 

CMYK 0 / 49 / 65 / 19

HEX #CF6A48

RGB 207 106 72

HSL 15.11, 0.58%, 0.55%

LAB 56.13, 37.14, 36.98

 

CMYK 0 / 31 / 65 / 19

HEX #CF8E48

RGB 207 142 72

HSL 31.11, 0.58%, 0.55%

LAB 64.23, 17.88, 46.35

 

CMYK 0 / 14 / 65 / 19

HEX #CFB248

RGB 207 178 72

HSL 47.11, 0.58%, 0.55%

LAB 73.27, -1.47, 56.27

 

CMYK 3 / 0 / 65 / 19

HEX #C9CF48

RGB 201 207 72

HSL 62.67, 0.58%, 0.55%

LAB 80.47, -18.82, 63.66

 

CMYK 20 / 0 / 65 / 19

HEX #A5CF48

RGB 165 207 72

HSL 78.67, 0.58%, 0.55%

LAB 77.93, -33.33, 60.23

 

CMYK 0 / 16 / 75 / 38

HEX #9D8428

RGB 157 132 40

HSL 47.18, 0.59%, 0.39%

LAB 55.91, -0.48, 50.42

 

CMYK 0 / 16 / 74 / 25

HEX #BEA031

RGB 190 160 49

HSL 47.23, 0.59%, 0.47%

LAB 66.76, -0.52, 58.56

 

CMYK 0 / 14 / 65 / 19

HEX #CFB348

RGB 207 179 72

HSL 47.56, 0.58%, 0.55%

LAB 73.53, -2, 56.55

 

CMYK 0 / 11 / 51 / 15

HEX #D8C069

RGB 216 192 105

HSL 47.03, 0.59%, 0.63%

LAB 78.06, -2.57, 46.56

 

CMYK 0 / 8 / 38 / 12

HEX #E0CE8A

RGB 224 206 138

HSL 47.44, 0.58%, 0.71%

LAB 82.82, -3.32, 36.1

 

CMYK 0 / 14 / 66 / 18

HEX #D0B347

RGB 208 179 71

HSL 47.3, 0.59%, 0.55%

LAB 73.61, -1.63, 57.1

 

CMYK 64 / 0 / 65 / 19

HEX #4ACF48

RGB 74 207 72

HSL 119.11, 0.58%, 0.55%

LAB 73.9, -61.66, 54.71

 

CMYK 40 / 65 / 0 / 19

HEX #7C48CF

RGB 124 72 207

HSL 263.11, 0.58%, 0.55%

LAB 43.4, 50.47, -61.99

 

CMYK 0 / 14 / 66 / 18

HEX #D0B347

RGB 208 179 71

HSL 47.3, 0.59%, 0.55%

LAB 73.61, -1.63, 57.1

 

CMYK 65 / 0 / 14 / 19

HEX #48CFB2

RGB 72 207 178

HSL 167.11, 0.58%, 0.55%

LAB 75.59, -43.27, 3.73

 

CMYK 14 / 65 / 0 / 19

HEX #B248CF

RGB 178 72 207

HSL 287.11, 0.58%, 0.55%

LAB 50.22, 62.18, -50.64

 

CMYK 0 / 14 / 66 / 18

HEX #D0B347

RGB 208 179 71

HSL 47.3, 0.59%, 0.55%

LAB 73.61, -1.63, 57.1

 

CMYK 64 / 0 / 65 / 19

HEX #4ACF48

RGB 74 207 72

HSL 119.11, 0.58%, 0.55%

LAB 73.9, -61.66, 54.71

 

CMYK 65 / 51 / 0 / 19

HEX #4865CF

RGB 72 101 207

HSL 227.11, 0.58%, 0.55%

LAB 45.89, 23.45, -58.15

 

CMYK 1 / 65 / 0 / 19

HEX #CD48CF

RGB 205 72 207

HSL 299.11, 0.58%, 0.55%

LAB 54.15, 68.39, -44.15

 

CMYK 0 / 14 / 66 / 18

HEX #D0B347

RGB 208 179 71

HSL 47.3, 0.59%, 0.55%

LAB 73.61, -1.63, 57.1

 

CMYK 65 / 0 / 47 / 19

HEX #48CF6E

RGB 72 207 110

HSL 136.89, 0.58%, 0.55%

LAB 74.27, -57.21, 37.6

 

CMYK 65 / 51 / 0 / 19

HEX #4865CF

RGB 72 101 207

HSL 227.11, 0.58%, 0.55%

LAB 45.89, 23.45, -58.15

 

CMYK 0 / 65 / 18 / 19

HEX #CF48A9

RGB 207 72 169

HSL 316.89, 0.58%, 0.55%

LAB 52.69, 63.02, -24.43

 

Description

Color code: HEX #D0B347 | qconv.com Color code: HEX #D0B347 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 179 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 179 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 66 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 66% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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