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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0C771 it is the complementary color #2F388E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0C771. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0C771 shade: #D5C76C, #E6D97F, #F7EB92, #FFFDA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0C771. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0C771 shade: #D0C771, #BFB55E, #AEA34B, #9D9138 and #8C7F25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0C771 shade: #CFC671, #CFAD71, #CF9471, #CF7A71 and #CF7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0C771 shade: #CFC671, #BFCF71, #A5CF71, #8CCF71 and #72CF71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0C771 shade matches the following richer shades: #CFC671, #DFD362, #EEDF52 and #FDEC43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0C771 shade: #CFC671, #C0BA80, #B1AE90, #A2A19F and #9295AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0C771 shade: #CF9471, #CFAD71, #CFC671, #C0CF71 and #A6CF71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0C771 shade: #B3A73B, #C5BA52, #CFC671, #DAD390 and #E4DFAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0C771 shade: #D0C771, #71CF7A and #A071CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0C771 shade: #D0C771, #71CFC6 and #C671CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0C771 shade: #D0C771, #71CF7A, #717ACF and #CF71C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0C771 shade: #D0C771, #71CF97, #717ACF and #CF71AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 46 / 18

HEX #D0C771

RGB 208 199 113

HSL 54.32, 0.5%, 0.63%

LAB 79.3, -8.72, 43.97

 

Complementary color

CMYK 67 / 61 / 0 / 44

HEX #2F388E

RGB 47 56 142

HSL 234.32, 0.5%, 0.37%

LAB 27.81, 25.34, -48.93

 

CMYK 0 / 7 / 49 / 16

HEX #D5C76C

RGB 213 199 108

HSL 52, 0.56%, 0.63%

LAB 79.66, -7.16, 46.95

 

CMYK 0 / 6 / 45 / 10

HEX #E6D97F

RGB 230 217 127

HSL 52.43, 0.67%, 0.7%

LAB 86, -7.7, 45.76

 

CMYK 0 / 5 / 41 / 3

HEX #F7EB92

RGB 247 235 146

HSL 52.87, 0.86%, 0.77%

LAB 92.25, -8.17, 44.58

 

CMYK 0 / 1 / 35 / 0

HEX #FFFDA5

RGB 255 253 165

HSL 58.67, 1%, 0.82%

LAB 97.72, -11.97, 42.39

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 4 / 46 / 18

HEX #D0C771

RGB 208 199 113

HSL 54.32, 0.5%, 0.63%

LAB 79.3, -8.72, 43.97

 

CMYK 0 / 5 / 51 / 25

HEX #BFB55E

RGB 191 181 94

HSL 53.81, 0.43%, 0.56%

LAB 72.85, -8.17, 45.17

 

CMYK 0 / 6 / 57 / 32

HEX #AEA34B

RGB 174 163 75

HSL 53.33, 0.4%, 0.49%

LAB 66.29, -7.51, 46.34

 

CMYK 0 / 8 / 64 / 38

HEX #9D9138

RGB 157 145 56

HSL 52.87, 0.47%, 0.42%

LAB 59.62, -6.69, 47.37

 

CMYK 0 / 9 / 74 / 45

HEX #8C7F25

RGB 140 127 37

HSL 52.43, 0.58%, 0.35%

LAB 52.83, -5.66, 48.04

 

CMYK 0 / 4 / 45 / 19

HEX #CFC671

RGB 207 198 113

HSL 54.26, 0.49%, 0.63%

LAB 78.95, -8.61, 43.52

 

CMYK 0 / 16 / 45 / 19

HEX #CFAD71

RGB 207 173 113

HSL 38.3, 0.49%, 0.63%

LAB 72.46, 4.49, 35.37

 

CMYK 0 / 29 / 45 / 19

HEX #CF9471

RGB 207 148 113

HSL 22.34, 0.49%, 0.63%

LAB 66.24, 18.01, 27.3

 

CMYK 0 / 41 / 45 / 19

HEX #CF7A71

RGB 207 122 113

HSL 5.74, 0.49%, 0.63%

LAB 60.23, 32.1, 19.24

 

CMYK 0 / 45 / 45 / 19

HEX #CF7171

RGB 207 113 113

HSL 0, 0.49%, 0.63%

LAB 58.29, 36.86, 16.58

 

CMYK 0 / 4 / 45 / 19

HEX #CFC671

RGB 207 198 113

HSL 54.26, 0.49%, 0.63%

LAB 78.95, -8.61, 43.52

 

CMYK 8 / 0 / 45 / 19

HEX #BFCF71

RGB 191 207 113

HSL 70.21, 0.49%, 0.63%

LAB 80.12, -19.54, 44.68

 

CMYK 20 / 0 / 45 / 19

HEX #A5CF71

RGB 165 207 113

HSL 86.81, 0.49%, 0.63%

LAB 78.36, -29.49, 42.1

 

CMYK 32 / 0 / 45 / 19

HEX #8CCF71

RGB 140 207 113

HSL 102.77, 0.49%, 0.63%

LAB 76.92, -38.38, 40

 

CMYK 45 / 0 / 45 / 19

HEX #72CF71

RGB 114 207 113

HSL 119.36, 0.49%, 0.63%

LAB 75.7, -46.57, 38.2

 

CMYK 0 / 4 / 45 / 19

HEX #CFC671

RGB 207 198 113

HSL 54.26, 0.49%, 0.63%

LAB 78.95, -8.61, 43.52

 

CMYK 0 / 5 / 56 / 13

HEX #DFD362

RGB 223 211 98

HSL 54.24, 0.66%, 0.63%

LAB 83.53, -10, 56.41

 

CMYK 0 / 6 / 66 / 7

HEX #EEDF52

RGB 238 223 82

HSL 54.23, 0.82%, 0.63%

LAB 87.76, -10.89, 68.19

 

CMYK 0 / 7 / 74 / 1

HEX #FDEC43

RGB 253 236 67

HSL 54.52, 0.98%, 0.63%

LAB 92.26, -11.85, 78.47

 

CMYK 0 / 4 / 45 / 19

HEX #CFC671

RGB 207 198 113

HSL 54.26, 0.49%, 0.63%

LAB 78.95, -8.61, 43.52

 

CMYK 0 / 3 / 33 / 25

HEX #C0BA80

RGB 192 186 128

HSL 54.38, 0.34%, 0.63%

LAB 74.75, -6.76, 30.22

 

CMYK 0 / 2 / 19 / 31

HEX #B1AE90

RGB 177 174 144

HSL 54.55, 0.17%, 0.63%

LAB 70.62, -4.04, 15.81

 

CMYK 0 / 1 / 2 / 36

HEX #A2A19F

RGB 162 161 159

HSL 40, 0.02%, 0.63%

LAB 66.27, -0.01, 1.16

 

CMYK 16 / 14 / 0 / 32

HEX #9295AE

RGB 146 149 174

HSL 233.57, 0.15%, 0.63%

LAB 62.22, 4.18, -13.41

 

CMYK 0 / 29 / 45 / 19

HEX #CF9471

RGB 207 148 113

HSL 22.34, 0.49%, 0.63%

LAB 66.24, 18.01, 27.3

 

CMYK 0 / 16 / 45 / 19

HEX #CFAD71

RGB 207 173 113

HSL 38.3, 0.49%, 0.63%

LAB 72.46, 4.49, 35.37

 

CMYK 0 / 4 / 45 / 19

HEX #CFC671

RGB 207 198 113

HSL 54.26, 0.49%, 0.63%

LAB 78.95, -8.61, 43.52

 

CMYK 7 / 0 / 45 / 19

HEX #C0CF71

RGB 192 207 113

HSL 69.57, 0.49%, 0.63%

LAB 80.19, -19.15, 44.79

 

CMYK 20 / 0 / 45 / 19

HEX #A6CF71

RGB 166 207 113

HSL 86.17, 0.49%, 0.63%

LAB 78.42, -29.12, 42.2

 

CMYK 0 / 7 / 67 / 30

HEX #B3A73B

RGB 179 167 59

HSL 54, 0.5%, 0.47%

LAB 67.68, -8.56, 55.15

 

CMYK 0 / 6 / 58 / 23

HEX #C5BA52

RGB 197 186 82

HSL 54.26, 0.5%, 0.55%

LAB 74.57, -9.23, 52.98

 

CMYK 0 / 4 / 45 / 19

HEX #CFC671

RGB 207 198 113

HSL 54.26, 0.49%, 0.63%

LAB 78.95, -8.61, 43.52

 

CMYK 0 / 3 / 34 / 15

HEX #DAD390

RGB 218 211 144

HSL 54.32, 0.5%, 0.71%

LAB 83.71, -7.54, 34.09

 

CMYK 0 / 2 / 23 / 11

HEX #E4DFAF

RGB 228 223 175

HSL 54.34, 0.5%, 0.79%

LAB 88.14, -5.86, 24.2

 

CMYK 0 / 4 / 46 / 18

HEX #D0C771

RGB 208 199 113

HSL 54.32, 0.5%, 0.63%

LAB 79.3, -8.72, 43.97

 

CMYK 45 / 0 / 41 / 19

HEX #71CF7A

RGB 113 207 122

HSL 125.74, 0.49%, 0.63%

LAB 75.79, -45.51, 33.77

 

CMYK 23 / 45 / 0 / 19

HEX #A071CF

RGB 160 113 207

HSL 270, 0.49%, 0.63%

LAB 55.88, 36.81, -41.81

 

CMYK 0 / 4 / 46 / 18

HEX #D0C771

RGB 208 199 113

HSL 54.32, 0.5%, 0.63%

LAB 79.3, -8.72, 43.97

 

CMYK 45 / 0 / 4 / 19

HEX #71CFC6

RGB 113 207 198

HSL 174.26, 0.49%, 0.63%

LAB 77.41, -30.08, -4.21

 

CMYK 4 / 45 / 0 / 19

HEX #C671CF

RGB 198 113 207

HSL 294.26, 0.49%, 0.63%

LAB 60.18, 47.76, -34.75

 

CMYK 0 / 4 / 46 / 18

HEX #D0C771

RGB 208 199 113

HSL 54.32, 0.5%, 0.63%

LAB 79.3, -8.72, 43.97

 

CMYK 45 / 0 / 41 / 19

HEX #71CF7A

RGB 113 207 122

HSL 125.74, 0.49%, 0.63%

LAB 75.79, -45.51, 33.77

 

CMYK 45 / 41 / 0 / 19

HEX #717ACF

RGB 113 122 207

HSL 234.26, 0.49%, 0.63%

LAB 53.96, 18.95, -45.11

 

CMYK 0 / 45 / 4 / 19

HEX #CF71C6

RGB 207 113 198

HSL 305.74, 0.49%, 0.63%

LAB 60.92, 48.79, -28.43

 

CMYK 0 / 4 / 46 / 18

HEX #D0C771

RGB 208 199 113

HSL 54.32, 0.5%, 0.63%

LAB 79.3, -8.72, 43.97

 

CMYK 45 / 0 / 27 / 19

HEX #71CF97

RGB 113 207 151

HSL 144.26, 0.49%, 0.63%

LAB 76.3, -40.44, 19.35

 

CMYK 45 / 41 / 0 / 19

HEX #717ACF

RGB 113 122 207

HSL 234.26, 0.49%, 0.63%

LAB 53.96, 18.95, -45.11

 

CMYK 0 / 45 / 18 / 19

HEX #CF71AA

RGB 207 113 170

HSL 323.62, 0.49%, 0.63%

LAB 59.87, 44.18, -14.06

 

Description

Color code: HEX #D0C771 | qconv.com Color code: HEX #D0C771 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 199 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 199 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 46 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 46% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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