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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0D971 it is the complementary color #2F268E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0D971. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0D971 shade: #D5D96C, #E6EB7F, #F7FD92, #FFFFA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0D971. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0D971 shade: #D0D971, #BFC75E, #AEB54B, #9DA338 and #8C9125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0D971 shade: #D0D971, #D9C671, #D9AA71, #D98E71 and #D97271

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0D971 shade: #D0D971, #B4D971, #98D971, #7CD971 and #71D983

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0D971 shade matches the following richer shades: #D0D971, #DCE763 and #E8F655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0D971 shade: #D0D971, #C4CB80, #B8BC8E, #ACAE9D and #A09FAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0D971 shade: #D9AA71, #D9C671, #D0D971, #B5D971 and #99D971

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0D971 shade: #B8C434, #C5D051, #D0D971, #DBE292 and #E6EAB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0D971 shade: #D0D971, #71D98F and #B871D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0D971 shade: #D0D971, #71D0D9 and #D971D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0D971 shade: #D0D971, #71D98F, #7A71D9 and #D971BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0D971 shade: #D0D971, #71D9AE, #7A71D9 and #D9719D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

Complementary color

CMYK 67 / 73 / 0 / 44

HEX #2F268E

RGB 47 38 142

HSL 245.19, 0.58%, 0.35%

LAB 23.48, 36.85, -56

 

CMYK 2 / 0 / 50 / 15

HEX #D5D96C

RGB 213 217 108

HSL 62.2, 0.59%, 0.64%

LAB 84.41, -16.24, 52.63

 

CMYK 2 / 0 / 46 / 8

HEX #E6EB7F

RGB 230 235 127

HSL 62.78, 0.73%, 0.71%

LAB 90.68, -16.66, 51.5

 

CMYK 2 / 0 / 42 / 1

HEX #F7FD92

RGB 247 253 146

HSL 63.36, 0.96%, 0.78%

LAB 96.86, -17.01, 50.37

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 4 / 0 / 53 / 22

HEX #BFC75E

RGB 191 199 94

HSL 64.57, 0.48%, 0.57%

LAB 77.72, -17.37, 50.9

 

CMYK 4 / 0 / 59 / 29

HEX #AEB54B

RGB 174 181 75

HSL 63.96, 0.42%, 0.5%

LAB 71.25, -16.85, 51.92

 

CMYK 4 / 0 / 66 / 36

HEX #9DA338

RGB 157 163 56

HSL 63.36, 0.49%, 0.43%

LAB 64.68, -16.21, 52.72

 

CMYK 3 / 0 / 74 / 43

HEX #8C9125

RGB 140 145 37

HSL 62.78, 0.59%, 0.36%

LAB 58, -15.38, 53.03

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 0 / 9 / 48 / 15

HEX #D9C671

RGB 217 198 113

HSL 49.04, 0.58%, 0.65%

LAB 79.8, -4.55, 44.76

 

CMYK 0 / 22 / 48 / 15

HEX #D9AA71

RGB 217 170 113

HSL 32.88, 0.58%, 0.65%

LAB 72.69, 10.2, 35.86

 

CMYK 0 / 35 / 48 / 15

HEX #D98E71

RGB 217 142 113

HSL 16.73, 0.58%, 0.65%

LAB 65.97, 25.28, 27.16

 

CMYK 0 / 47 / 48 / 15

HEX #D97271

RGB 217 114 113

HSL 0.58, 0.58%, 0.65%

LAB 59.87, 40.07, 18.97

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 17 / 0 / 48 / 15

HEX #B4D971

RGB 180 217 113

HSL 81.35, 0.58%, 0.65%

LAB 82.12, -28.63, 46.95

 

CMYK 30 / 0 / 48 / 15

HEX #98D971

RGB 152 217 113

HSL 97.5, 0.58%, 0.65%

LAB 80.46, -38.76, 44.54

 

CMYK 43 / 0 / 48 / 15

HEX #7CD971

RGB 124 217 113

HSL 113.65, 0.58%, 0.65%

LAB 79.1, -47.8, 42.56

 

CMYK 48 / 0 / 40 / 15

HEX #71D983

RGB 113 217 131

HSL 130.38, 0.58%, 0.65%

LAB 78.91, -48.28, 33.26

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 5 / 0 / 57 / 9

HEX #DCE763

RGB 220 231 99

HSL 65, 0.73%, 0.65%

LAB 88.58, -21.02, 61.6

 

CMYK 6 / 0 / 65 / 4

HEX #E8F655

RGB 232 246 85

HSL 65.22, 0.9%, 0.65%

LAB 93.33, -24.34, 72.62

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 3 / 0 / 37 / 20

HEX #C4CB80

RGB 196 203 128

HSL 65.6, 0.42%, 0.65%

LAB 79.62, -13.92, 36.62

 

CMYK 2 / 0 / 24 / 26

HEX #B8BC8E

RGB 184 188 142

HSL 65.22, 0.26%, 0.65%

LAB 74.89, -9.04, 22.87

 

CMYK 1 / 0 / 10 / 32

HEX #ACAE9D

RGB 172 174 157

HSL 67.06, 0.09%, 0.65%

LAB 70.51, -3.78, 8.48

 

CMYK 6 / 7 / 0 / 33

HEX #A09FAB

RGB 160 159 171

HSL 245, 0.07%, 0.65%

LAB 65.91, 2.72, -6.1

 

CMYK 0 / 22 / 48 / 15

HEX #D9AA71

RGB 217 170 113

HSL 32.88, 0.58%, 0.65%

LAB 72.69, 10.2, 35.86

 

CMYK 0 / 9 / 48 / 15

HEX #D9C671

RGB 217 198 113

HSL 49.04, 0.58%, 0.65%

LAB 79.8, -4.55, 44.76

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 17 / 0 / 48 / 15

HEX #B5D971

RGB 181 217 113

HSL 80.77, 0.58%, 0.65%

LAB 82.19, -28.25, 47.05

 

CMYK 29 / 0 / 48 / 15

HEX #99D971

RGB 153 217 113

HSL 96.92, 0.58%, 0.65%

LAB 80.51, -38.42, 44.62

 

CMYK 6 / 0 / 73 / 23

HEX #B8C434

RGB 184 196 52

HSL 65, 0.58%, 0.49%

LAB 76.02, -21.54, 66.16

 

CMYK 5 / 0 / 61 / 18

HEX #C5D051

RGB 197 208 81

HSL 65.2, 0.57%, 0.57%

LAB 80.5, -20.38, 59.93

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 3 / 0 / 35 / 11

HEX #DBE292

RGB 219 226 146

HSL 65.25, 0.58%, 0.73%

LAB 87.74, -14.47, 38.36

 

CMYK 2 / 0 / 24 / 8

HEX #E6EAB3

RGB 230 234 179

HSL 64.36, 0.57%, 0.81%

LAB 91.2, -10.12, 26.34

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 48 / 0 / 34 / 15

HEX #71D98F

RGB 113 217 143

HSL 137.31, 0.58%, 0.65%

LAB 79.11, -46.26, 27.37

 

CMYK 15 / 48 / 0 / 15

HEX #B871D9

RGB 184 113 217

HSL 280.96, 0.58%, 0.65%

LAB 58.98, 45.77, -42.38

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 48 / 4 / 0 / 15

HEX #71D0D9

RGB 113 208 217

HSL 185.19, 0.58%, 0.65%

LAB 78.25, -25.73, -13.18

 

CMYK 0 / 48 / 4 / 15

HEX #D971D0

RGB 217 113 208

HSL 305.19, 0.58%, 0.65%

LAB 62.61, 53.48, -31.36

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 48 / 0 / 34 / 15

HEX #71D98F

RGB 113 217 143

HSL 137.31, 0.58%, 0.65%

LAB 79.11, -46.26, 27.37

 

CMYK 44 / 48 / 0 / 15

HEX #7A71D9

RGB 122 113 217

HSL 245.19, 0.58%, 0.65%

LAB 52.9, 29.46, -52.4

 

CMYK 0 / 48 / 13 / 15

HEX #D971BC

RGB 217 113 188

HSL 316.73, 0.58%, 0.65%

LAB 61.82, 50.17, -21.26

 

CMYK 4 / 0 / 48 / 15

HEX #D0D971

RGB 208 217 113

HSL 65.19, 0.58%, 0.65%

LAB 84.08, -17.78, 49.79

 

CMYK 48 / 0 / 20 / 15

HEX #71D9AE

RGB 113 217 174

HSL 155.19, 0.58%, 0.65%

LAB 79.72, -40.22, 11.96

 

CMYK 44 / 48 / 0 / 15

HEX #7A71D9

RGB 122 113 217

HSL 245.19, 0.58%, 0.65%

LAB 52.9, 29.46, -52.4

 

CMYK 0 / 48 / 28 / 15

HEX #D9719D

RGB 217 113 157

HSL 334.62, 0.58%, 0.65%

LAB 60.78, 45.64, -5.09

 

Description

Color code: HEX #D0D971 | qconv.com Color code: HEX #D0D971 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 217 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 217 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 48 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 48% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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