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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E645 it is the complementary color #2F19BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E645. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E645 shade: #D5E640, #E6F853, #F7FF66, #FFFF79 and #FFFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E645. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E645 shade: #D0E645, #BFD432, #AEC21F, #9DB00C and #8C9E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E645 shade: #D0E546, #E5D046, #E5A546, #E57B46 and #E55046

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E645 shade: #D0E546, #A5E546, #7AE546, #4FE546 and #46E569

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E645 shade matches the following richer shades: #D0E546 and #DCF636

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E645 shade: #D0E546, #C3D457, #B7C468, #ABB379 and #9FA28A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E645 shade: #E5A646, #E5D046, #D0E546, #A6E546 and #7BE546

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E645 shade: #A9C01A, #C6E022, #D0E546, #D9EA6B and #E2EF8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E645 shade: #D0E645, #46E57B and #BB46E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E645 shade: #D0E645, #46D0E5 and #E546D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E645 shade: #D0E645, #46E57B, #5C46E5 and #E546B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E645 shade: #D0E645, #46E5AB, #5C46E5 and #E54681

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 70 / 10

HEX #D0E645

RGB 208 230 69

HSL 68.2, 0.76%, 0.59%

LAB 87.21, -27.24, 71.74

 

Complementary color

CMYK 75 / 87 / 0 / 27

HEX #2F19BA

RGB 47 25 186

HSL 248.2, 0.76%, 0.41%

LAB 26.29, 56.74, -78.07

 

CMYK 7 / 0 / 72 / 10

HEX #D5E640

RGB 213 230 64

HSL 66.14, 0.77%, 0.58%

LAB 87.54, -25.47, 73.88

 

CMYK 7 / 0 / 67 / 3

HEX #E6F853

RGB 230 248 83

HSL 66.55, 0.92%, 0.65%

LAB 93.7, -26.19, 73.7

 

CMYK 3 / 0 / 60 / 0

HEX #F7FF66

RGB 247 255 102

HSL 63.14, 1%, 0.7%

LAB 96.92, -21.61, 70.07

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 10 / 0 / 70 / 10

HEX #D0E645

RGB 208 230 69

HSL 68.2, 0.76%, 0.59%

LAB 87.21, -27.24, 71.74

 

CMYK 10 / 0 / 76 / 17

HEX #BFD432

RGB 191 212 50

HSL 67.78, 0.65%, 0.51%

LAB 80.96, -26.48, 71.59

 

CMYK 10 / 0 / 84 / 24

HEX #AEC21F

RGB 174 194 31

HSL 67.36, 0.72%, 0.44%

LAB 74.62, -25.55, 70.6

 

CMYK 11 / 0 / 93 / 31

HEX #9DB00C

RGB 157 176 12

HSL 66.95, 0.87%, 0.37%

LAB 68.2, -24.42, 68.33

 

CMYK 11 / 0 / 100 / 38

HEX #8C9E00

RGB 140 158 0

HSL 66.84, 1%, 0.31%

LAB 61.68, -23.06, 64.37

 

CMYK 9 / 0 / 69 / 10

HEX #D0E546

RGB 208 229 70

HSL 67.92, 0.75%, 0.59%

LAB 86.94, -26.72, 71.12

 

CMYK 0 / 9 / 69 / 10

HEX #E5D046

RGB 229 208 70

HSL 52.08, 0.75%, 0.59%

LAB 83.03, -7.73, 67.78

 

CMYK 0 / 28 / 69 / 10

HEX #E5A546

RGB 229 165 70

HSL 35.85, 0.75%, 0.59%

LAB 72.24, 14.71, 56.73

 

CMYK 0 / 46 / 69 / 10

HEX #E57B46

RGB 229 123 70

HSL 20, 0.75%, 0.59%

LAB 62.73, 36.89, 46.44

 

CMYK 0 / 65 / 69 / 10

HEX #E55046

RGB 229 80 70

HSL 3.77, 0.75%, 0.59%

LAB 54.9, 57.1, 37.48

 

CMYK 9 / 0 / 69 / 10

HEX #D0E546

RGB 208 229 70

HSL 67.92, 0.75%, 0.59%

LAB 86.94, -26.72, 71.12

 

CMYK 28 / 0 / 69 / 10

HEX #A5E546

RGB 165 229 70

HSL 84.15, 0.75%, 0.59%

LAB 84.22, -43.3, 67.49

 

CMYK 47 / 0 / 69 / 10

HEX #7AE546

RGB 122 229 70

HSL 100.38, 0.75%, 0.59%

LAB 82.17, -57.58, 64.75

 

CMYK 66 / 0 / 69 / 10

HEX #4FE546

RGB 79 229 70

HSL 116.6, 0.75%, 0.59%

LAB 80.82, -68.22, 62.92

 

CMYK 69 / 0 / 54 / 10

HEX #46E569

RGB 70 229 105

HSL 133.21, 0.75%, 0.59%

LAB 80.94, -66.08, 48.22

 

CMYK 9 / 0 / 69 / 10

HEX #D0E546

RGB 208 229 70

HSL 67.92, 0.75%, 0.59%

LAB 86.94, -26.72, 71.12

 

CMYK 11 / 0 / 78 / 4

HEX #DCF636

RGB 220 246 54

HSL 68.13, 0.91%, 0.59%

LAB 92.31, -30.57, 81.48

 

CMYK 9 / 0 / 69 / 10

HEX #D0E546

RGB 208 229 70

HSL 67.92, 0.75%, 0.59%

LAB 86.94, -26.72, 71.12

 

CMYK 8 / 0 / 59 / 17

HEX #C3D457

RGB 195 212 87

HSL 68.16, 0.59%, 0.59%

LAB 81.5, -22.72, 58.42

 

CMYK 7 / 0 / 47 / 23

HEX #B7C468

RGB 183 196 104

HSL 68.48, 0.44%, 0.59%

LAB 76.4, -18.16, 44.41

 

CMYK 4 / 0 / 32 / 30

HEX #ABB379

RGB 171 179 121

HSL 68.28, 0.28%, 0.59%

LAB 71.06, -12.28, 28.74

 

CMYK 2 / 0 / 15 / 36

HEX #9FA28A

RGB 159 162 138

HSL 67.5, 0.11%, 0.59%

LAB 65.78, -5.39, 12.13

 

CMYK 0 / 28 / 69 / 10

HEX #E5A646

RGB 229 166 70

HSL 36.23, 0.75%, 0.59%

LAB 72.48, 14.18, 56.98

 

CMYK 0 / 9 / 69 / 10

HEX #E5D046

RGB 229 208 70

HSL 52.08, 0.75%, 0.59%

LAB 83.03, -7.73, 67.78

 

CMYK 9 / 0 / 69 / 10

HEX #D0E546

RGB 208 229 70

HSL 67.92, 0.75%, 0.59%

LAB 86.94, -26.72, 71.12

 

CMYK 28 / 0 / 69 / 10

HEX #A6E546

RGB 166 229 70

HSL 83.77, 0.75%, 0.59%

LAB 84.27, -42.94, 67.57

 

CMYK 46 / 0 / 69 / 10

HEX #7BE546

RGB 123 229 70

HSL 100, 0.75%, 0.59%

LAB 82.21, -57.29, 64.81

 

CMYK 12 / 0 / 86 / 25

HEX #A9C01A

RGB 169 192 26

HSL 68.31, 0.76%, 0.43%

LAB 73.68, -26.82, 70.75

 

CMYK 12 / 0 / 85 / 12

HEX #C6E022

RGB 198 224 34

HSL 68.21, 0.75%, 0.51%

LAB 84.71, -29.82, 79.1

 

CMYK 9 / 0 / 69 / 10

HEX #D0E546

RGB 208 229 70

HSL 67.92, 0.75%, 0.59%

LAB 86.94, -26.72, 71.12

 

CMYK 7 / 0 / 54 / 8

HEX #D9EA6B

RGB 217 234 107

HSL 68.03, 0.75%, 0.67%

LAB 89.23, -23.03, 58.77

 

CMYK 5 / 0 / 40 / 6

HEX #E2EF8F

RGB 226 239 143

HSL 68.13, 0.75%, 0.75%

LAB 91.63, -18.53, 44.93

 

CMYK 10 / 0 / 70 / 10

HEX #D0E645

RGB 208 230 69

HSL 68.2, 0.76%, 0.59%

LAB 87.21, -27.24, 71.74

 

CMYK 69 / 0 / 46 / 10

HEX #46E57B

RGB 70 229 123

HSL 140, 0.75%, 0.59%

LAB 81.17, -63.46, 39.91

 

CMYK 18 / 69 / 0 / 10

HEX #BB46E5

RGB 187 70 229

HSL 284.15, 0.75%, 0.59%

LAB 52.51, 69.2, -59.42

 

CMYK 10 / 0 / 70 / 10

HEX #D0E645

RGB 208 230 69

HSL 68.2, 0.76%, 0.59%

LAB 87.21, -27.24, 71.74

 

CMYK 69 / 9 / 0 / 10

HEX #46D0E5

RGB 70 208 229

HSL 187.92, 0.75%, 0.59%

LAB 77.32, -30, -21.14

 

CMYK 0 / 69 / 9 / 10

HEX #E546D0

RGB 229 70 208

HSL 307.92, 0.75%, 0.59%

LAB 57.65, 74.8, -38.97

 

CMYK 10 / 0 / 70 / 10

HEX #D0E645

RGB 208 230 69

HSL 68.2, 0.76%, 0.59%

LAB 87.21, -27.24, 71.74

 

CMYK 69 / 0 / 46 / 10

HEX #46E57B

RGB 70 229 123

HSL 140, 0.75%, 0.59%

LAB 81.17, -63.46, 39.91

 

CMYK 60 / 69 / 0 / 10

HEX #5C46E5

RGB 92 70 229

HSL 248.3, 0.75%, 0.59%

LAB 41.71, 52.31, -77.45

 

CMYK 0 / 69 / 23 / 10

HEX #E546B0

RGB 229 70 176

HSL 320, 0.75%, 0.59%

LAB 56.26, 70.39, -22.72

 

CMYK 10 / 0 / 70 / 10

HEX #D0E645

RGB 208 230 69

HSL 68.2, 0.76%, 0.59%

LAB 87.21, -27.24, 71.74

 

CMYK 69 / 0 / 25 / 10

HEX #46E5AB

RGB 70 229 171

HSL 158.11, 0.75%, 0.59%

LAB 81.99, -54.37, 16.56

 

CMYK 60 / 69 / 0 / 10

HEX #5C46E5

RGB 92 70 229

HSL 248.3, 0.75%, 0.59%

LAB 41.71, 52.31, -77.45

 

CMYK 0 / 69 / 44 / 10

HEX #E54681

RGB 229 70 129

HSL 337.74, 0.75%, 0.59%

LAB 54.68, 65.18, 2.57

 

Description

Color code: HEX #D0E645 | qconv.com Color code: HEX #D0E645 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 230 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 230 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 70 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 70% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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