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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E7BA it is the complementary color #2F1845. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E7BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E7BA shade: #D5E7B5, #E6F9C8, #F7FFDB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E7BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E7BA shade: #D0E7BA, #BFD5A7, #AEC394, #9DB181 and #8C9F6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E7BA shade: #D0E7BB, #DCE7BB, #E7E5BB, #E7DABB and #E7CEBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E7BA shade: #D0E7BB, #C4E7BB, #BBE7BD, #BBE7C9 and #BBE7D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E7BA shade matches the following richer shades: #D0E7BB, #D0EEB3, #D0F5AC and #D0FDA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E7BA shade: #D0E7BB, #D0DFC2, #D0D8C9, #D1D0D1 and #D1C9D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E7BA shade: #E7E5BB, #DCE7BB, #D1E7BB, #C5E7BB and #BBE7BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E7BA shade: #A6D17E, #BBDC9C, #D0E7BB, #E5F1D9 and #FAFCF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E7BA shade: #D0E7BA, #BBE7D9 and #E7BBE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E7BA shade: #D0E7BA, #BBD1E7 and #E7BBD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E7BA shade: #D0E7BA, #BBE7D9, #D1BBE7 and #E7BBC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E7BA shade: #D0E7BA, #BBE7E7, #D1BBE7 and #E7BBBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 19 / 9

HEX #D0E7BA

RGB 208 231 186

HSL 90.67, 0.48%, 0.82%

LAB 88.97, -15.48, 19.41

 

Complementary color

CMYK 32 / 65 / 0 / 73

HEX #2F1845

RGB 47 24 69

HSL 270.67, 0.48%, 0.18%

LAB 13.75, 21.89, -24.04

 

CMYK 8 / 0 / 22 / 9

HEX #D5E7B5

RGB 213 231 181

HSL 81.6, 0.51%, 0.81%

LAB 89.22, -14.48, 22.4

 

CMYK 8 / 0 / 20 / 2

HEX #E6F9C8

RGB 230 249 200

HSL 83.27, 0.8%, 0.88%

LAB 95.47, -14.51, 21.48

 

CMYK 3 / 0 / 14 / 0

HEX #F7FFDB

RGB 247 255 219

HSL 73.33, 1%, 0.93%

LAB 98.59, -8.65, 16.32

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 10 / 0 / 19 / 9

HEX #D0E7BA

RGB 208 231 186

HSL 90.67, 0.48%, 0.82%

LAB 88.97, -15.48, 19.41

 

CMYK 10 / 0 / 22 / 16

HEX #BFD5A7

RGB 191 213 167

HSL 88.7, 0.35%, 0.75%

LAB 82.62, -15.49, 20.33

 

CMYK 11 / 0 / 24 / 24

HEX #AEC394

RGB 174 195 148

HSL 86.81, 0.28%, 0.67%

LAB 76.17, -15.5, 21.3

 

CMYK 11 / 0 / 27 / 31

HEX #9DB181

RGB 157 177 129

HSL 85, 0.24%, 0.6%

LAB 69.61, -15.51, 22.33

 

CMYK 12 / 0 / 31 / 38

HEX #8C9F6E

RGB 140 159 110

HSL 83.27, 0.2%, 0.53%

LAB 62.93, -15.5, 23.42

 

CMYK 10 / 0 / 19 / 9

HEX #D0E7BB

RGB 208 231 187

HSL 91.36, 0.48%, 0.82%

LAB 88.99, -15.32, 18.92

 

CMYK 5 / 0 / 19 / 9

HEX #DCE7BB

RGB 220 231 187

HSL 75, 0.48%, 0.82%

LAB 89.84, -11.08, 20.22

 

CMYK 0 / 1 / 19 / 9

HEX #E7E5BB

RGB 231 229 187

HSL 57.27, 0.48%, 0.82%

LAB 90.14, -6.11, 20.77

 

CMYK 0 / 6 / 19 / 9

HEX #E7DABB

RGB 231 218 187

HSL 42.27, 0.48%, 0.82%

LAB 87.35, -0.49, 16.87

 

CMYK 0 / 11 / 19 / 9

HEX #E7CEBB

RGB 231 206 187

HSL 25.91, 0.48%, 0.82%

LAB 84.34, 5.74, 12.63

 

CMYK 10 / 0 / 19 / 9

HEX #D0E7BB

RGB 208 231 187

HSL 91.36, 0.48%, 0.82%

LAB 88.99, -15.32, 18.92

 

CMYK 15 / 0 / 19 / 9

HEX #C4E7BB

RGB 196 231 187

HSL 107.73, 0.48%, 0.82%

LAB 88.2, -19.47, 17.69

 

CMYK 19 / 0 / 18 / 9

HEX #BBE7BD

RGB 187 231 189

HSL 122.73, 0.48%, 0.82%

LAB 87.67, -22.15, 15.83

 

CMYK 19 / 0 / 13 / 9

HEX #BBE7C9

RGB 187 231 201

HSL 139.09, 0.48%, 0.82%

LAB 87.94, -20.01, 9.94

 

CMYK 19 / 0 / 8 / 9

HEX #BBE7D5

RGB 187 231 213

HSL 155.45, 0.48%, 0.82%

LAB 88.22, -17.74, 4.06

 

CMYK 10 / 0 / 19 / 9

HEX #D0E7BB

RGB 208 231 187

HSL 91.36, 0.48%, 0.82%

LAB 88.99, -15.32, 18.92

 

CMYK 13 / 0 / 25 / 7

HEX #D0EEB3

RGB 208 238 179

HSL 90.51, 0.63%, 0.82%

LAB 90.69, -20, 25.4

 

CMYK 15 / 0 / 30 / 4

HEX #D0F5AC

RGB 208 245 172

HSL 90.41, 0.78%, 0.82%

LAB 92.44, -24.4, 31.32

 

CMYK 18 / 0 / 35 / 1

HEX #D0FDA4

RGB 208 253 164

HSL 90.34, 0.96%, 0.82%

LAB 94.46, -29.27, 38.01

 

CMYK 10 / 0 / 19 / 9

HEX #D0E7BB

RGB 208 231 187

HSL 91.36, 0.48%, 0.82%

LAB 88.99, -15.32, 18.92

 

CMYK 7 / 0 / 13 / 13

HEX #D0DFC2

RGB 208 223 194

HSL 91.03, 0.31%, 0.82%

LAB 87.04, -10.17, 12.51

 

CMYK 4 / 0 / 7 / 15

HEX #D0D8C9

RGB 208 216 201

HSL 92, 0.16%, 0.82%

LAB 85.37, -5.4, 6.45

 

CMYK 0 / 0 / 0 / 18

HEX #D1D0D1

RGB 209 208 209

HSL 300, 0.01%, 0.82%

LAB 83.58, 0.53, -0.38

 

CMYK 3 / 7 / 0 / 15

HEX #D1C9D8

RGB 209 201 216

HSL 272, 0.16%, 0.82%

LAB 81.99, 5.52, -6.46

 

CMYK 0 / 1 / 19 / 9

HEX #E7E5BB

RGB 231 229 187

HSL 57.27, 0.48%, 0.82%

LAB 90.14, -6.11, 20.77

 

CMYK 5 / 0 / 19 / 9

HEX #DCE7BB

RGB 220 231 187

HSL 75, 0.48%, 0.82%

LAB 89.84, -11.08, 20.22

 

CMYK 10 / 0 / 19 / 9

HEX #D1E7BB

RGB 209 231 187

HSL 90, 0.48%, 0.82%

LAB 89.06, -14.97, 19.02

 

CMYK 15 / 0 / 19 / 9

HEX #C5E7BB

RGB 197 231 187

HSL 106.36, 0.48%, 0.82%

LAB 88.26, -19.13, 17.79

 

CMYK 19 / 0 / 19 / 9

HEX #BBE7BC

RGB 187 231 188

HSL 121.36, 0.48%, 0.82%

LAB 87.65, -22.33, 16.32

 

CMYK 21 / 0 / 40 / 18

HEX #A6D17E

RGB 166 209 126

HSL 91.08, 0.47%, 0.66%

LAB 79.16, -28.47, 36.64

 

CMYK 15 / 0 / 29 / 14

HEX #BBDC9C

RGB 187 220 156

HSL 90.94, 0.48%, 0.74%

LAB 84.04, -22.06, 27.96

 

CMYK 10 / 0 / 19 / 9

HEX #D0E7BB

RGB 208 231 187

HSL 91.36, 0.48%, 0.82%

LAB 88.99, -15.32, 18.92

 

CMYK 5 / 0 / 10 / 5

HEX #E5F1D9

RGB 229 241 217

HSL 90, 0.46%, 0.9%

LAB 93.7, -8.17, 10.22

 

CMYK 1 / 0 / 2 / 1

HEX #FAFCF8

RGB 250 252 248

HSL 90, 0.4%, 0.98%

LAB 98.72, -1.35, 1.67

 

CMYK 10 / 0 / 19 / 9

HEX #D0E7BA

RGB 208 231 186

HSL 90.67, 0.48%, 0.82%

LAB 88.97, -15.48, 19.41

 

CMYK 19 / 0 / 6 / 9

HEX #BBE7D9

RGB 187 231 217

HSL 160.91, 0.48%, 0.82%

LAB 88.32, -16.96, 2.11

 

CMYK 0 / 19 / 2 / 9

HEX #E7BBE2

RGB 231 187 226

HSL 306.82, 0.48%, 0.82%

LAB 80.75, 22.25, -13.47

 

CMYK 10 / 0 / 19 / 9

HEX #D0E7BA

RGB 208 231 186

HSL 90.67, 0.48%, 0.82%

LAB 88.97, -15.48, 19.41

 

CMYK 19 / 10 / 0 / 9

HEX #BBD1E7

RGB 187 209 231

HSL 210, 0.48%, 0.82%

LAB 82.88, -2.79, -13.32

 

CMYK 0 / 19 / 10 / 9

HEX #E7BBD1

RGB 231 187 209

HSL 330, 0.48%, 0.82%

LAB 80.25, 19.29, -5.06

 

CMYK 10 / 0 / 19 / 9

HEX #D0E7BA

RGB 208 231 186

HSL 90.67, 0.48%, 0.82%

LAB 88.97, -15.48, 19.41

 

CMYK 19 / 0 / 6 / 9

HEX #BBE7D9

RGB 187 231 217

HSL 160.91, 0.48%, 0.82%

LAB 88.32, -16.96, 2.11

 

CMYK 10 / 19 / 0 / 9

HEX #D1BBE7

RGB 209 187 231

HSL 270, 0.48%, 0.82%

LAB 78.96, 15.96, -19.05

 

CMYK 0 / 19 / 13 / 9

HEX #E7BBC8

RGB 231 187 200

HSL 342.27, 0.48%, 0.82%

LAB 80.01, 17.8, -0.56

 

CMYK 10 / 0 / 19 / 9

HEX #D0E7BA

RGB 208 231 186

HSL 90.67, 0.48%, 0.82%

LAB 88.97, -15.48, 19.41

 

CMYK 19 / 0 / 0 / 9

HEX #BBE7E7

RGB 187 231 231

HSL 180, 0.48%, 0.82%

LAB 88.68, -14.12, -4.71

 

CMYK 10 / 19 / 0 / 9

HEX #D1BBE7

RGB 209 187 231

HSL 270, 0.48%, 0.82%

LAB 78.96, 15.96, -19.05

 

CMYK 0 / 19 / 19 / 9

HEX #E7BBBB

RGB 231 187 187

HSL 0, 0.48%, 0.82%

LAB 79.68, 15.77, 5.98

 

Description

Color code: HEX #D0E7BA | qconv.com Color code: HEX #D0E7BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 231 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 231 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 19% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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