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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E117 it is the complementary color #2F1EE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E117 shade: #D5E112, #E6F325, #F7FF38, #FFFF4B and #FFFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E117 shade: #D0E117, #BFCF04, #AEBD00, #9DAB00 and #8C9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E117 shade: #D1E217, #E2BC17, #E28617, #E24F17 and #E21817

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E117 shade: #D1E217, #9AE217, #63E217, #2DE217 and #17E238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E117 shade matches the following richer shades: #D1E217 and #E1F603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E117 shade: #D1E217, #C0CD2B, #AFB940, #9EA554 and #8D9168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E117 shade: #E28717, #E2BD17, #D1E217, #9BE217 and #65E217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E117 shade: #8C970F, #AEBC13, #D1E217, #DBEA38 and #E2EE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E117 shade: #D0E117, #17E251 and #A217E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E117 shade: #D0E117, #17D1E2 and #E217D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E117 shade: #D0E117, #17E251, #2817E2 and #E217A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E117 shade: #D0E117, #17E28D, #2817E2 and #E2176C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 90 / 12

HEX #D0E117

RGB 208 225 23

HSL 65.05, 0.81%, 0.49%

LAB 85.67, -26.43, 82.12

 

Complementary color

CMYK 80 / 87 / 0 / 9

HEX #2F1EE8

RGB 47 30 232

HSL 245.05, 0.81%, 0.51%

LAB 32.61, 67.71, -94.31

 

CMYK 5 / 0 / 92 / 12

HEX #D5E112

RGB 213 225 18

HSL 63.48, 0.85%, 0.48%

LAB 86.03, -24.44, 83.23

 

CMYK 5 / 0 / 85 / 5

HEX #E6F325

RGB 230 243 37

HSL 63.79, 0.9%, 0.55%

LAB 92.16, -25.64, 85.61

 

CMYK 3 / 0 / 78 / 0

HEX #F7FF38

RGB 247 255 56

HSL 62.41, 1%, 0.61%

LAB 96.65, -23.86, 85.53

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 8 / 0 / 90 / 12

HEX #D0E117

RGB 208 225 23

HSL 65.05, 0.81%, 0.49%

LAB 85.67, -26.43, 82.12

 

CMYK 8 / 0 / 98 / 19

HEX #BFCF04

RGB 191 207 4

HSL 64.73, 0.96%, 0.41%

LAB 79.45, -25.15, 78.89

 

CMYK 8 / 0 / 100 / 26

HEX #AEBD00

RGB 174 189 0

HSL 64.76, 1%, 0.37%

LAB 73.15, -23.67, 74.04

 

CMYK 8 / 0 / 100 / 33

HEX #9DAB00

RGB 157 171 0

HSL 64.91, 1%, 0.34%

LAB 66.74, -22.12, 68.71

 

CMYK 8 / 0 / 100 / 40

HEX #8C9900

RGB 140 153 0

HSL 65.1, 1%, 0.3%

LAB 60.21, -20.54, 63.27

 

CMYK 8 / 0 / 90 / 11

HEX #D1E217

RGB 209 226 23

HSL 65.02, 0.82%, 0.49%

LAB 86.01, -26.5, 82.42

 

CMYK 0 / 17 / 90 / 11

HEX #E2BC17

RGB 226 188 23

HSL 48.77, 0.82%, 0.49%

LAB 77.4, -0.3, 76.31

 

CMYK 0 / 41 / 90 / 11

HEX #E28617

RGB 226 134 23

HSL 32.81, 0.82%, 0.49%

LAB 64.39, 28.33, 66.39

 

CMYK 0 / 65 / 90 / 11

HEX #E24F17

RGB 226 79 23

HSL 16.55, 0.82%, 0.49%

LAB 53.84, 55, 58.6

 

CMYK 0 / 89 / 90 / 11

HEX #E21817

RGB 226 24 23

HSL 0.3, 0.82%, 0.49%

LAB 48.11, 70.92, 54.53

 

CMYK 8 / 0 / 90 / 11

HEX #D1E217

RGB 209 226 23

HSL 65.02, 0.82%, 0.49%

LAB 86.01, -26.5, 82.42

 

CMYK 32 / 0 / 90 / 11

HEX #9AE217

RGB 154 226 23

HSL 81.28, 0.82%, 0.49%

LAB 82.55, -48, 78.19

 

CMYK 56 / 0 / 90 / 11

HEX #63E217

RGB 99 226 23

HSL 97.54, 0.82%, 0.49%

LAB 80.24, -65.2, 75.33

 

CMYK 80 / 0 / 90 / 11

HEX #2DE217

RGB 45 226 23

HSL 113.5, 0.82%, 0.49%

LAB 79.05, -75.29, 73.85

 

CMYK 90 / 0 / 75 / 11

HEX #17E238

RGB 23 226 56

HSL 129.75, 0.82%, 0.49%

LAB 78.96, -75.58, 65.65

 

CMYK 8 / 0 / 90 / 11

HEX #D1E217

RGB 209 226 23

HSL 65.02, 0.82%, 0.49%

LAB 86.01, -26.5, 82.42

 

CMYK 9 / 0 / 99 / 4

HEX #E1F603

RGB 225 246 3

HSL 65.19, 0.98%, 0.49%

LAB 92.54, -29.55, 89.87

 

CMYK 8 / 0 / 90 / 11

HEX #D1E217

RGB 209 226 23

HSL 65.02, 0.82%, 0.49%

LAB 86.01, -26.5, 82.42

 

CMYK 6 / 0 / 79 / 20

HEX #C0CD2B

RGB 192 205 43

HSL 64.81, 0.65%, 0.49%

LAB 79.07, -22.96, 71.93

 

CMYK 5 / 0 / 65 / 27

HEX #AFB940

RGB 175 185 64

HSL 64.96, 0.49%, 0.49%

LAB 72.35, -19.21, 57.83

 

CMYK 4 / 0 / 49 / 35

HEX #9EA554

RGB 158 165 84

HSL 65.19, 0.33%, 0.49%

LAB 65.61, -14.55, 40.8

 

CMYK 3 / 0 / 28 / 43

HEX #8D9168

RGB 141 145 104

HSL 65.85, 0.16%, 0.49%

LAB 58.89, -8.52, 21.33

 

CMYK 0 / 40 / 90 / 11

HEX #E28717

RGB 226 135 23

HSL 33.1, 0.82%, 0.49%

LAB 64.61, 27.8, 66.56

 

CMYK 0 / 16 / 90 / 11

HEX #E2BD17

RGB 226 189 23

HSL 49.06, 0.82%, 0.49%

LAB 77.65, -0.82, 76.51

 

CMYK 8 / 0 / 90 / 11

HEX #D1E217

RGB 209 226 23

HSL 65.02, 0.82%, 0.49%

LAB 86.01, -26.5, 82.42

 

CMYK 31 / 0 / 90 / 11

HEX #9BE217

RGB 155 226 23

HSL 80.99, 0.82%, 0.49%

LAB 82.61, -47.64, 78.26

 

CMYK 55 / 0 / 90 / 11

HEX #65E217

RGB 101 226 23

HSL 96.95, 0.82%, 0.49%

LAB 80.3, -64.69, 75.41

 

CMYK 7 / 0 / 90 / 41

HEX #8C970F

RGB 140 151 15

HSL 64.85, 0.82%, 0.33%

LAB 59.66, -19.26, 60.54

 

CMYK 7 / 0 / 90 / 26

HEX #AEBC13

RGB 174 188 19

HSL 64.97, 0.82%, 0.41%

LAB 72.9, -22.92, 71.55

 

CMYK 8 / 0 / 90 / 11

HEX #D1E217

RGB 209 226 23

HSL 65.02, 0.82%, 0.49%

LAB 86.01, -26.5, 82.42

 

CMYK 6 / 0 / 76 / 8

HEX #DBEA38

RGB 219 234 56

HSL 65.06, 0.81%, 0.57%

LAB 89.01, -25.28, 77.92

 

CMYK 5 / 0 / 61 / 7

HEX #E2EE5E

RGB 226 238 94

HSL 65, 0.81%, 0.65%

LAB 90.84, -22.35, 66.31

 

CMYK 8 / 0 / 90 / 12

HEX #D0E117

RGB 208 225 23

HSL 65.05, 0.81%, 0.49%

LAB 85.67, -26.43, 82.12

 

CMYK 90 / 0 / 64 / 11

HEX #17E251

RGB 23 226 81

HSL 137.14, 0.82%, 0.49%

LAB 79.14, -73.34, 56.54

 

CMYK 28 / 90 / 0 / 11

HEX #A217E2

RGB 162 23 226

HSL 281.08, 0.82%, 0.49%

LAB 43.92, 78.06, -71.8

 

CMYK 8 / 0 / 90 / 12

HEX #D0E117

RGB 208 225 23

HSL 65.05, 0.81%, 0.49%

LAB 85.67, -26.43, 82.12

 

CMYK 90 / 8 / 0 / 11

HEX #17D1E2

RGB 23 209 226

HSL 185.02, 0.82%, 0.49%

LAB 76.84, -35.5, -20.32

 

CMYK 0 / 90 / 8 / 11

HEX #E217D1

RGB 226 23 209

HSL 305.02, 0.82%, 0.49%

LAB 53.37, 85.37, -46.32

 

CMYK 8 / 0 / 90 / 12

HEX #D0E117

RGB 208 225 23

HSL 65.05, 0.81%, 0.49%

LAB 85.67, -26.43, 82.12

 

CMYK 90 / 0 / 64 / 11

HEX #17E251

RGB 23 226 81

HSL 137.14, 0.82%, 0.49%

LAB 79.14, -73.34, 56.54

 

CMYK 82 / 90 / 0 / 11

HEX #2817E2

RGB 40 23 226

HSL 245.02, 0.82%, 0.49%

LAB 30.77, 68.05, -93.95

 

CMYK 0 / 90 / 26 / 11

HEX #E217A8

RGB 226 23 168

HSL 317.14, 0.82%, 0.49%

LAB 51.39, 80.23, -25.59

 

CMYK 8 / 0 / 90 / 12

HEX #D0E117

RGB 208 225 23

HSL 65.05, 0.81%, 0.49%

LAB 85.67, -26.43, 82.12

 

CMYK 90 / 0 / 38 / 11

HEX #17E28D

RGB 23 226 141

HSL 154.88, 0.82%, 0.49%

LAB 79.9, -64.22, 29.12

 

CMYK 82 / 90 / 0 / 11

HEX #2817E2

RGB 40 23 226

HSL 245.02, 0.82%, 0.49%

LAB 30.77, 68.05, -93.95

 

CMYK 0 / 90 / 52 / 11

HEX #E2176C

RGB 226 23 108

HSL 334.88, 0.82%, 0.49%

LAB 49.33, 74.64, 7.49

 

Description

Color code: HEX #D0E117 | qconv.com Color code: HEX #D0E117 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 225 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 225 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 90 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 90% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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