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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0EDB0 it is the complementary color #2F124F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0EDB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0EDB0 shade: #D5EDAB, #E6FFBE, #F7FFD1, #FFFFE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0EDB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0EDB0 shade: #D0EDB0, #BFDB9D, #AEC98A, #9DB777 and #8CA564

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0EDB0 shade: #D0EDB0, #E0EDB0, #EDE9B0, #EDD8B0 and #EDC8B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0EDB0 shade: #D0EDB0, #BFEDB0, #B0EDB0, #B0EDC1 and #B0EDD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0EDB0 shade matches the following richer shades: #D0EDB0, #D0F4A8 and #D0FCA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0EDB0 shade: #D0EDB0, #CFE5B7, #CFDDBF, #CED5C7 and #CECDCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0EDB0 shade: #EDE9B0, #E0EDB0, #D0EDB0, #C0EDB0 and #B0EDB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0EDB0 shade: #A8DD6C, #BCE58E, #D0EDB0, #E4F4D1 and #F8FCF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0EDB0 shade: #D0EDB0, #B0EDD8 and #EDB0E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0EDB0 shade: #D0EDB0, #B0D0ED and #EDB0D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0EDB0 shade: #D0EDB0, #B0EDD8, #CCB0ED and #EDB0C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0EDB0 shade: #D0EDB0, #B0EDEB, #CCB0ED and #EDB0B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

Complementary color

CMYK 41 / 77 / 0 / 69

HEX #2F124F

RGB 47 18 79

HSL 268.52, 0.63%, 0.19%

LAB 13.24, 28.39, -31.79

 

CMYK 10 / 0 / 28 / 7

HEX #D5EDAB

RGB 213 237 171

HSL 81.82, 0.65%, 0.8%

LAB 90.62, -18.89, 29.44

 

CMYK 10 / 0 / 25 / 0

HEX #E6FFBE

RGB 230 255 190

HSL 83.08, 1%, 0.87%

LAB 96.85, -18.91, 28.44

 

CMYK 3 / 0 / 18 / 0

HEX #F7FFD1

RGB 247 255 209

HSL 70.43, 1%, 0.91%

LAB 98.39, -10.16, 21.13

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 13 / 0 / 28 / 14

HEX #BFDB9D

RGB 191 219 157

HSL 87.1, 0.46%, 0.74%

LAB 84.06, -19.98, 27.51

 

CMYK 13 / 0 / 31 / 21

HEX #AEC98A

RGB 174 201 138

HSL 85.71, 0.37%, 0.66%

LAB 77.64, -20, 28.57

 

CMYK 14 / 0 / 35 / 28

HEX #9DB777

RGB 157 183 119

HSL 84.38, 0.31%, 0.59%

LAB 71.12, -20.01, 29.69

 

CMYK 15 / 0 / 39 / 35

HEX #8CA564

RGB 140 165 100

HSL 83.08, 0.27%, 0.52%

LAB 64.49, -20, 30.86

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 5 / 0 / 26 / 7

HEX #E0EDB0

RGB 224 237 176

HSL 72.79, 0.63%, 0.81%

LAB 91.48, -14.22, 28.19

 

CMYK 0 / 2 / 26 / 7

HEX #EDE9B0

RGB 237 233 176

HSL 56.07, 0.63%, 0.81%

LAB 91.42, -7.45, 28.27

 

CMYK 0 / 9 / 26 / 7

HEX #EDD8B0

RGB 237 216 176

HSL 39.34, 0.63%, 0.81%

LAB 87.12, 1.21, 22.38

 

CMYK 0 / 16 / 26 / 7

HEX #EDC8B0

RGB 237 200 176

HSL 23.61, 0.63%, 0.81%

LAB 83.15, 9.53, 16.87

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 19 / 0 / 26 / 7

HEX #BFEDB0

RGB 191 237 176

HSL 105.25, 0.63%, 0.81%

LAB 89.29, -25.86, 24.84

 

CMYK 26 / 0 / 26 / 7

HEX #B0EDB0

RGB 176 237 176

HSL 120, 0.63%, 0.81%

LAB 88.42, -30.84, 23.5

 

CMYK 26 / 0 / 19 / 7

HEX #B0EDC1

RGB 176 237 193

HSL 136.72, 0.63%, 0.81%

LAB 88.76, -27.89, 15.18

 

CMYK 26 / 0 / 12 / 7

HEX #B0EDD1

RGB 176 237 209

HSL 152.46, 0.63%, 0.81%

LAB 89.11, -24.87, 7.36

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 15 / 0 / 31 / 4

HEX #D0F4A8

RGB 208 244 168

HSL 88.42, 0.78%, 0.81%

LAB 92.1, -24.48, 32.89

 

CMYK 17 / 0 / 37 / 1

HEX #D0FCA0

RGB 208 252 160

HSL 88.7, 0.94%, 0.81%

LAB 94.13, -29.33, 39.55

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 10 / 0 / 20 / 10

HEX #CFE5B7

RGB 207 229 183

HSL 88.7, 0.47%, 0.81%

LAB 88.32, -15.31, 20.04

 

CMYK 6 / 0 / 14 / 13

HEX #CFDDBF

RGB 207 221 191

HSL 88, 0.31%, 0.81%

LAB 86.38, -10, 13.14

 

CMYK 3 / 0 / 7 / 16

HEX #CED5C7

RGB 206 213 199

HSL 90, 0.14%, 0.81%

LAB 84.4, -4.89, 6.08

 

CMYK 0 / 1 / 0 / 19

HEX #CECDCF

RGB 206 205 207

HSL 270, 0.02%, 0.81%

LAB 82.53, 0.71, -0.88

 

CMYK 0 / 2 / 26 / 7

HEX #EDE9B0

RGB 237 233 176

HSL 56.07, 0.63%, 0.81%

LAB 91.42, -7.45, 28.27

 

CMYK 5 / 0 / 26 / 7

HEX #E0EDB0

RGB 224 237 176

HSL 72.79, 0.63%, 0.81%

LAB 91.48, -14.22, 28.19

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 19 / 0 / 26 / 7

HEX #C0EDB0

RGB 192 237 176

HSL 104.26, 0.63%, 0.81%

LAB 89.35, -25.52, 24.93

 

CMYK 26 / 0 / 26 / 7

HEX #B0EDB0

RGB 176 237 176

HSL 120, 0.63%, 0.81%

LAB 88.42, -30.84, 23.5

 

CMYK 24 / 0 / 51 / 13

HEX #A8DD6C

RGB 168 221 108

HSL 88.14, 0.62%, 0.65%

LAB 82.44, -35.46, 49.54

 

CMYK 18 / 0 / 38 / 10

HEX #BCE58E

RGB 188 229 142

HSL 88.28, 0.63%, 0.73%

LAB 86.35, -27.95, 38.14

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 7 / 0 / 14 / 4

HEX #E4F4D1

RGB 228 244 209

HSL 87.43, 0.61%, 0.89%

LAB 94.23, -11.33, 15.09

 

CMYK 2 / 0 / 4 / 1

HEX #F8FCF3

RGB 248 252 243

HSL 86.67, 0.6%, 0.97%

LAB 98.45, -2.88, 3.83

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 26 / 0 / 9 / 7

HEX #B0EDD8

RGB 176 237 216

HSL 159.34, 0.63%, 0.81%

LAB 89.28, -23.48, 3.95

 

CMYK 0 / 26 / 2 / 7

HEX #EDB0E9

RGB 237 176 233

HSL 303.93, 0.63%, 0.81%

LAB 79.01, 31.37, -19.82

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 26 / 12 / 0 / 7

HEX #B0D0ED

RGB 176 208 237

HSL 208.52, 0.63%, 0.81%

LAB 82.09, -4.25, -17.78

 

CMYK 0 / 26 / 12 / 7

HEX #EDB0D0

RGB 237 176 208

HSL 328.52, 0.63%, 0.81%

LAB 78.23, 27.07, -7.44

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 26 / 0 / 9 / 7

HEX #B0EDD8

RGB 176 237 216

HSL 159.34, 0.63%, 0.81%

LAB 89.28, -23.48, 3.95

 

CMYK 14 / 26 / 0 / 7

HEX #CCB0ED

RGB 204 176 237

HSL 267.54, 0.63%, 0.81%

LAB 76.07, 21.59, -26.73

 

CMYK 0 / 26 / 17 / 7

HEX #EDB0C4

RGB 237 176 196

HSL 340.33, 0.63%, 0.81%

LAB 77.9, 25.17, -1.41

 

CMYK 12 / 0 / 26 / 7

HEX #D0EDB0

RGB 208 237 176

HSL 88.52, 0.63%, 0.81%

LAB 90.37, -19.96, 26.49

 

CMYK 26 / 0 / 1 / 7

HEX #B0EDEB

RGB 176 237 235

HSL 178.03, 0.63%, 0.81%

LAB 89.76, -19.51, -5.27

 

CMYK 14 / 26 / 0 / 7

HEX #CCB0ED

RGB 204 176 237

HSL 267.54, 0.63%, 0.81%

LAB 76.07, 21.59, -26.73

 

CMYK 0 / 26 / 25 / 7

HEX #EDB0B2

RGB 237 176 178

HSL 358.03, 0.63%, 0.81%

LAB 77.44, 22.51, 7.71

 

Description

Color code: HEX #D0EDB0 | qconv.com Color code: HEX #D0EDB0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 237 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 237 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 26 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 26% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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