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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0F06D it is the complementary color #2F0F92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0F06D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0F06D shade: #D5F068, #E6FF7B, #F7FF8E, #FFFFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0F06D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0F06D shade: #D0F06D, #BFDE5A, #AECC47, #9DBA34 and #8CA821

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0F06D shade: #CFEF6B, #EFEC6B, #EFC86B, #EFA46B and #EF816B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0F06D shade: #CFEF6B, #ABEF6B, #87EF6B, #6BEF72 and #6BEF96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0F06D shade matches the following richer shades: #CFEF6B and #D5FC5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0F06D shade: #CFEF6B, #C8E278, #C1D585, #BAC792 and #B4BAA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0F06D shade: #EFC76B, #EFEB6B, #D0EF6B, #ADEF6B and #8AEF6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0F06D shade: #B7E720, #C3EB45, #CFEF6B, #DBF390 and #E7F7B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0F06D shade: #D0F06D, #6BEFA4 and #D96BEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0F06D shade: #D0F06D, #6BD0EF and #EF6BD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0F06D shade: #D0F06D, #6BEFA4, #8A6BEF and #EF6BB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0F06D shade: #D0F06D, #6BEFCC, #8A6BEF and #EF6B8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 55 / 6

HEX #D0F06D

RGB 208 240 109

HSL 74.66, 0.81%, 0.68%

LAB 90.25, -29.2, 58.88

 

Complementary color

CMYK 68 / 90 / 0 / 43

HEX #2F0F92

RGB 47 15 146

HSL 254.66, 0.81%, 0.32%

LAB 20.13, 49.07, -64.03

 

CMYK 11 / 0 / 57 / 6

HEX #D5F068

RGB 213 240 104

HSL 71.91, 0.82%, 0.67%

LAB 90.54, -27.68, 61.49

 

CMYK 10 / 0 / 52 / 0

HEX #E6FF7B

RGB 230 255 123

HSL 71.36, 1%, 0.74%

LAB 95.9, -26.61, 59.59

 

CMYK 3 / 0 / 44 / 0

HEX #F7FF8E

RGB 247 255 142

HSL 64.25, 1%, 0.78%

LAB 97.33, -18.37, 52.84

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 13 / 0 / 55 / 6

HEX #D0F06D

RGB 208 240 109

HSL 74.66, 0.81%, 0.68%

LAB 90.25, -29.2, 58.88

 

CMYK 14 / 0 / 59 / 13

HEX #BFDE5A

RGB 191 222 90

HSL 74.09, 0.67%, 0.61%

LAB 84, -28.87, 59.81

 

CMYK 15 / 0 / 65 / 20

HEX #AECC47

RGB 174 204 71

HSL 73.53, 0.57%, 0.54%

LAB 77.66, -28.44, 60.53

 

CMYK 16 / 0 / 72 / 27

HEX #9DBA34

RGB 157 186 52

HSL 72.99, 0.56%, 0.47%

LAB 71.24, -27.89, 60.88

 

CMYK 17 / 0 / 80 / 34

HEX #8CA821

RGB 140 168 33

HSL 72.44, 0.67%, 0.39%

LAB 64.72, -27.16, 60.53

 

CMYK 13 / 0 / 55 / 6

HEX #CFEF6B

RGB 207 239 107

HSL 74.55, 0.8%, 0.68%

LAB 89.89, -29.28, 59.34

 

CMYK 0 / 1 / 55 / 6

HEX #EFEC6B

RGB 239 236 107

HSL 58.64, 0.8%, 0.68%

LAB 91.42, -15.27, 61.7

 

CMYK 0 / 16 / 55 / 6

HEX #EFC86B

RGB 239 200 107

HSL 42.27, 0.8%, 0.68%

LAB 82.23, 2.89, 51.07

 

CMYK 0 / 31 / 55 / 6

HEX #EFA46B

RGB 239 164 107

HSL 25.91, 0.8%, 0.68%

LAB 73.52, 21.82, 40.53

 

CMYK 0 / 46 / 55 / 6

HEX #EF816B

RGB 239 129 107

HSL 10, 0.8%, 0.68%

LAB 65.84, 40.11, 30.81

 

CMYK 13 / 0 / 55 / 6

HEX #CFEF6B

RGB 207 239 107

HSL 74.55, 0.8%, 0.68%

LAB 89.89, -29.28, 59.34

 

CMYK 28 / 0 / 55 / 6

HEX #ABEF6B

RGB 171 239 107

HSL 90.91, 0.8%, 0.68%

LAB 87.7, -42.53, 56.25

 

CMYK 44 / 0 / 55 / 6

HEX #87EF6B

RGB 135 239 107

HSL 107.27, 0.8%, 0.68%

LAB 85.98, -54.21, 53.8

 

CMYK 55 / 0 / 52 / 6

HEX #6BEF72

RGB 107 239 114

HSL 123.18, 0.8%, 0.68%

LAB 85.03, -60.9, 49.22

 

CMYK 55 / 0 / 37 / 6

HEX #6BEF96

RGB 107 239 150

HSL 139.55, 0.8%, 0.68%

LAB 85.53, -55.5, 32.35

 

CMYK 13 / 0 / 55 / 6

HEX #CFEF6B

RGB 207 239 107

HSL 74.55, 0.8%, 0.68%

LAB 89.89, -29.28, 59.34

 

CMYK 15 / 0 / 63 / 1

HEX #D5FC5E

RGB 213 252 94

HSL 74.81, 0.96%, 0.68%

LAB 93.7, -33.98, 69.12

 

CMYK 13 / 0 / 55 / 6

HEX #CFEF6B

RGB 207 239 107

HSL 74.55, 0.8%, 0.68%

LAB 89.89, -29.28, 59.34

 

CMYK 12 / 0 / 47 / 11

HEX #C8E278

RGB 200 226 120

HSL 74.72, 0.65%, 0.68%

LAB 86.02, -24.59, 48.67

 

CMYK 9 / 0 / 38 / 16

HEX #C1D585

RGB 193 213 133

HSL 75, 0.49%, 0.68%

LAB 82.17, -19.48, 37.33

 

CMYK 7 / 0 / 27 / 22

HEX #BAC792

RGB 186 199 146

HSL 74.72, 0.32%, 0.68%

LAB 78.09, -13.38, 25.12

 

CMYK 3 / 0 / 14 / 27

HEX #B4BAA0

RGB 180 186 160

HSL 73.85, 0.16%, 0.68%

LAB 74.42, -6.72, 12.48

 

CMYK 0 / 17 / 55 / 6

HEX #EFC76B

RGB 239 199 107

HSL 41.82, 0.8%, 0.68%

LAB 81.98, 3.41, 50.78

 

CMYK 0 / 2 / 55 / 6

HEX #EFEB6B

RGB 239 235 107

HSL 58.18, 0.8%, 0.68%

LAB 91.16, -14.78, 61.4

 

CMYK 13 / 0 / 55 / 6

HEX #D0EF6B

RGB 208 239 107

HSL 74.09, 0.8%, 0.68%

LAB 89.95, -28.9, 59.43

 

CMYK 28 / 0 / 55 / 6

HEX #ADEF6B

RGB 173 239 107

HSL 90, 0.8%, 0.68%

LAB 87.81, -41.83, 56.41

 

CMYK 42 / 0 / 55 / 6

HEX #8AEF6B

RGB 138 239 107

HSL 105.91, 0.8%, 0.68%

LAB 86.11, -53.31, 53.98

 

CMYK 21 / 0 / 86 / 9

HEX #B7E720

RGB 183 231 32

HSL 74.47, 0.81%, 0.52%

LAB 85.67, -39.04, 79.9

 

CMYK 17 / 0 / 71 / 8

HEX #C3EB45

RGB 195 235 69

HSL 74.46, 0.81%, 0.6%

LAB 87.7, -34.71, 71.93

 

CMYK 13 / 0 / 55 / 6

HEX #CFEF6B

RGB 207 239 107

HSL 74.55, 0.8%, 0.68%

LAB 89.89, -29.28, 59.34

 

CMYK 10 / 0 / 41 / 5

HEX #DBF390

RGB 219 243 144

HSL 74.55, 0.8%, 0.76%

LAB 92.21, -22.99, 45.07

 

CMYK 6 / 0 / 27 / 3

HEX #E7F7B5

RGB 231 247 181

HSL 74.55, 0.8%, 0.84%

LAB 94.67, -15.91, 30.05

 

CMYK 13 / 0 / 55 / 6

HEX #D0F06D

RGB 208 240 109

HSL 74.66, 0.81%, 0.68%

LAB 90.25, -29.2, 58.88

 

CMYK 55 / 0 / 31 / 6

HEX #6BEFA4

RGB 107 239 164

HSL 145.91, 0.8%, 0.68%

LAB 85.78, -52.98, 25.56

 

CMYK 9 / 55 / 0 / 6

HEX #D96BEF

RGB 217 107 239

HSL 290, 0.8%, 0.68%

LAB 62.93, 61.95, -48.17

 

CMYK 13 / 0 / 55 / 6

HEX #D0F06D

RGB 208 240 109

HSL 74.66, 0.81%, 0.68%

LAB 90.25, -29.2, 58.88

 

CMYK 55 / 13 / 0 / 6

HEX #6BD0EF

RGB 107 208 239

HSL 194.09, 0.8%, 0.68%

LAB 78.73, -20.97, -24.25

 

CMYK 0 / 55 / 13 / 6

HEX #EF6BD0

RGB 239 107 208

HSL 314.09, 0.8%, 0.68%

LAB 64.5, 62.58, -28.19

 

CMYK 13 / 0 / 55 / 6

HEX #D0F06D

RGB 208 240 109

HSL 74.66, 0.81%, 0.68%

LAB 90.25, -29.2, 58.88

 

CMYK 55 / 0 / 31 / 6

HEX #6BEFA4

RGB 107 239 164

HSL 145.91, 0.8%, 0.68%

LAB 85.78, -52.98, 25.56

 

CMYK 42 / 55 / 0 / 6

HEX #8A6BEF

RGB 138 107 239

HSL 254.09, 0.8%, 0.68%

LAB 54.19, 42.82, -62.63

 

CMYK 0 / 55 / 24 / 6

HEX #EF6BB6

RGB 239 107 182

HSL 325.91, 0.8%, 0.68%

LAB 63.54, 58.87, -14.95

 

CMYK 13 / 0 / 55 / 6

HEX #D0F06D

RGB 208 240 109

HSL 74.66, 0.81%, 0.68%

LAB 90.25, -29.2, 58.88

 

CMYK 55 / 0 / 15 / 6

HEX #6BEFCC

RGB 107 239 204

HSL 164.09, 0.8%, 0.68%

LAB 86.61, -44.59, 5.99

 

CMYK 42 / 55 / 0 / 6

HEX #8A6BEF

RGB 138 107 239

HSL 254.09, 0.8%, 0.68%

LAB 54.19, 42.82, -62.63

 

CMYK 0 / 55 / 41 / 6

HEX #EF6B8E

RGB 239 107 142

HSL 344.09, 0.8%, 0.68%

LAB 62.35, 54.08, 6.22

 

Description

Color code: HEX #D0F06D | qconv.com Color code: HEX #D0F06D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 240 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 240 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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