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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D118BE it is the complementary color #2EE741. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D118BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D118BE shade: #D618B9, #E72ACC, #F83CDF, #FF4EF2 and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D118BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D118BE shade: #D118BE, #C006AB, #AF0098, #9E0085 and #8D0072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D118BE shade: #D118BE, #D1188C, #D1185A, #D11829 and #D11818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D118BE shade: #D118BE, #B318D1, #8118D1, #4F18D1 and #1D18D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D118BE shade matches the following richer shades: #D118BE and #E405CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D118BE shade: #D118BE, #BE2BAF, #AC3EA0, #995191 and #866482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D118BE shade: #8118D1, #B318D1, #D118BF, #D1188E and #D1185C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D118BE shade: #880F7B, #AD149D, #D118BE, #E62DD3 and #EA52DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D118BE shade: #D118BE, #D15018 and #18D19A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D118BE shade: #D118BE, #BFD118 and #18BFD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D118BE shade: #D118BE, #D15018, #18D12B and #189AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D118BE shade: #D118BE, #D18718, #18D12B and #1862D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

Complementary color

CMYK 80 / 0 / 72 / 9

HEX #2EE741

RGB 46 231 65

HSL 126.16, 0.79%, 0.54%

LAB 80.8, -74.35, 64.53

 

CMYK 0 / 89 / 14 / 16

HEX #D618B9

RGB 214 24 185

HSL 309.16, 0.8%, 0.47%

LAB 50.04, 79.82, -37.84

 

CMYK 0 / 82 / 12 / 9

HEX #E72ACC

RGB 231 42 204

HSL 308.57, 0.8%, 0.54%

LAB 55.08, 82.41, -40.7

 

CMYK 0 / 76 / 10 / 3

HEX #F83CDF

RGB 248 60 223

HSL 307.98, 0.93%, 0.6%

LAB 60.35, 84.11, -42.99

 

CMYK 0 / 69 / 5 / 0

HEX #FF4EF2

RGB 255 78 242

HSL 304.41, 1%, 0.65%

LAB 64.26, 82.96, -47.38

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

CMYK 0 / 97 / 11 / 25

HEX #C006AB

RGB 192 6 171

HSL 306.77, 0.94%, 0.39%

LAB 44.63, 75.88, -38.41

 

CMYK 0 / 100 / 13 / 31

HEX #AF0098

RGB 175 0 152

HSL 307.89, 1%, 0.34%

LAB 40.21, 70.83, -34.18

 

CMYK 0 / 100 / 16 / 38

HEX #9E0085

RGB 158 0 133

HSL 309.49, 1%, 0.31%

LAB 35.91, 65.14, -29.53

 

CMYK 0 / 100 / 19 / 45

HEX #8D0072

RGB 141 0 114

HSL 311.49, 1%, 0.28%

LAB 31.53, 59.34, -24.7

 

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

CMYK 0 / 89 / 33 / 18

HEX #D1188C

RGB 209 24 140

HSL 322.38, 0.79%, 0.46%

LAB 47.11, 73.46, -15.7

 

CMYK 0 / 89 / 57 / 18

HEX #D1185A

RGB 209 24 90

HSL 338.59, 0.79%, 0.46%

LAB 45.56, 69.18, 12.83

 

CMYK 0 / 89 / 80 / 18

HEX #D11829

RGB 209 24 41

HSL 354.49, 0.79%, 0.46%

LAB 44.76, 66.89, 41.48

 

CMYK 0 / 89 / 89 / 18

HEX #D11818

RGB 209 24 24

HSL 0, 0.79%, 0.46%

LAB 44.62, 66.5, 49.99

 

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

CMYK 14 / 89 / 0 / 18

HEX #B318D1

RGB 179 24 209

HSL 290.27, 0.79%, 0.46%

LAB 45.41, 77.32, -59.51

 

CMYK 38 / 89 / 0 / 18

HEX #8118D1

RGB 129 24 209

HSL 274.05, 0.79%, 0.46%

LAB 37.71, 70.25, -72.4

 

CMYK 62 / 89 / 0 / 18

HEX #4F18D1

RGB 79 24 209

HSL 257.84, 0.79%, 0.46%

LAB 31.62, 65.29, -82.64

 

CMYK 86 / 89 / 0 / 18

HEX #1D18D1

RGB 29 24 209

HSL 241.62, 0.79%, 0.46%

LAB 28.16, 62.84, -88.49

 

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

CMYK 0 / 98 / 10 / 11

HEX #E405CE

RGB 228 5 206

HSL 305.92, 0.96%, 0.46%

LAB 53.01, 86.93, -45.14

 

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

CMYK 0 / 77 / 8 / 25

HEX #BE2BAF

RGB 190 43 175

HSL 306.12, 0.63%, 0.46%

LAB 46.67, 69.68, -37.57

 

CMYK 0 / 64 / 7 / 33

HEX #AC3EA0

RGB 172 62 160

HSL 306.55, 0.47%, 0.46%

LAB 45.3, 56.5, -31.04

 

CMYK 0 / 47 / 5 / 40

HEX #995191

RGB 153 81 145

HSL 306.67, 0.31%, 0.46%

LAB 45.22, 39.29, -22.39

 

CMYK 0 / 25 / 3 / 47

HEX #866482

RGB 134 100 130

HSL 307.06, 0.15%, 0.46%

LAB 46.7, 19.06, -11.34

 

CMYK 38 / 89 / 0 / 18

HEX #8118D1

RGB 129 24 209

HSL 274.05, 0.79%, 0.46%

LAB 37.71, 70.25, -72.4

 

CMYK 14 / 89 / 0 / 18

HEX #B318D1

RGB 179 24 209

HSL 290.27, 0.79%, 0.46%

LAB 45.41, 77.32, -59.51

 

CMYK 0 / 89 / 9 / 18

HEX #D118BF

RGB 209 24 191

HSL 305.84, 0.79%, 0.46%

LAB 49.46, 79.69, -42.32

 

CMYK 0 / 89 / 32 / 18

HEX #D1188E

RGB 209 24 142

HSL 321.73, 0.79%, 0.46%

LAB 47.19, 73.68, -16.79

 

CMYK 0 / 89 / 56 / 18

HEX #D1185C

RGB 209 24 92

HSL 337.95, 0.79%, 0.46%

LAB 45.61, 69.31, 11.65

 

CMYK 0 / 89 / 10 / 47

HEX #880F7B

RGB 136 15 123

HSL 306.45, 0.8%, 0.3%

LAB 31.82, 57.3, -30.01

 

CMYK 0 / 88 / 9 / 32

HEX #AD149D

RGB 173 20 157

HSL 306.27, 0.79%, 0.38%

LAB 40.93, 68.75, -36.11

 

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

CMYK 0 / 80 / 8 / 10

HEX #E62DD3

RGB 230 45 211

HSL 306.16, 0.79%, 0.54%

LAB 55.48, 82.52, -44.07

 

CMYK 0 / 65 / 6 / 8

HEX #EA52DB

RGB 234 82 219

HSL 305.92, 0.78%, 0.62%

LAB 60.46, 73.33, -40.72

 

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

CMYK 0 / 62 / 89 / 18

HEX #D15018

RGB 209 80 24

HSL 18.16, 0.79%, 0.46%

LAB 51.1, 48.63, 54.92

 

CMYK 89 / 0 / 26 / 18

HEX #18D19A

RGB 24 209 154

HSL 162.16, 0.79%, 0.46%

LAB 74.91, -55.19, 15.51

 

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

CMYK 9 / 0 / 89 / 18

HEX #BFD118

RGB 191 209 24

HSL 65.84, 0.79%, 0.46%

LAB 80.03, -25.84, 76.95

 

CMYK 89 / 9 / 0 / 18

HEX #18BFD1

RGB 24 191 209

HSL 185.84, 0.79%, 0.46%

LAB 70.91, -32.25, -20.12

 

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

CMYK 0 / 62 / 89 / 18

HEX #D15018

RGB 209 80 24

HSL 18.16, 0.79%, 0.46%

LAB 51.1, 48.63, 54.92

 

CMYK 89 / 0 / 79 / 18

HEX #18D12B

RGB 24 209 43

HSL 126.16, 0.79%, 0.46%

LAB 73.53, -71.56, 64.38

 

CMYK 89 / 26 / 0 / 18

HEX #189AD1

RGB 24 154 209

HSL 197.84, 0.79%, 0.46%

LAB 59.81, -13.2, -37.25

 

CMYK 0 / 89 / 9 / 18

HEX #D118BE

RGB 209 24 190

HSL 306.16, 0.79%, 0.46%

LAB 49.41, 79.55, -41.82

 

CMYK 0 / 35 / 89 / 18

HEX #D18718

RGB 209 135 24

HSL 36, 0.79%, 0.46%

LAB 62.46, 20.59, 63.73

 

CMYK 89 / 0 / 79 / 18

HEX #18D12B

RGB 24 209 43

HSL 126.16, 0.79%, 0.46%

LAB 73.53, -71.56, 64.38

 

CMYK 89 / 53 / 0 / 18

HEX #1862D1

RGB 24 98 209

HSL 216, 0.79%, 0.46%

LAB 43.56, 20.82, -63.16

 

Description

Color code: HEX #D118BE | qconv.com Color code: HEX #D118BE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 24 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 24 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 9 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 9% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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