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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D123AD it is the complementary color #2EDC52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D123AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D123AD shade: #D623A8, #E735BB, #F847CE, #FF59E1 and #FF6BF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D123AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D123AD shade: #D123AD, #C0119A, #AF0087, #9E0074 and #8D0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D123AD shade: #D123AD, #D1237E, #D1234F and #D12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D123AD shade: #D123AD, #C623D1, #9723D1, #6823D1 and #3923D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D123AD shade matches the following richer shades: #D123AD and #E50FB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D123AD shade: #D123AD, #BD37A1, #A94B96, #955E8A and #82727E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D123AD shade: #9723D1, #C523D1, #D123AE, #D12380 and #D12351

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D123AD shade: #8A1772, #AE1D90, #D123AD, #DE3FBD and #E462C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D123AD shade: #D123AD, #D16923 and #23D1AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D123AD shade: #D123AD, #AED123 and #23AED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D123AD shade: #D123AD, #D16923, #23D146 and #238BD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D123AD shade: #D123AD, #D19D23, #23D146 and #2357D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

Complementary color

CMYK 79 / 0 / 63 / 14

HEX #2EDC52

RGB 46 220 82

HSL 132.41, 0.71%, 0.52%

LAB 77.51, -69.39, 54.37

 

CMYK 0 / 84 / 21 / 16

HEX #D623A8

RGB 214 35 168

HSL 315.42, 0.72%, 0.49%

LAB 49.89, 75.74, -28.09

 

CMYK 0 / 77 / 19 / 9

HEX #E735BB

RGB 231 53 187

HSL 314.83, 0.79%, 0.56%

LAB 55.2, 77.53, -30.72

 

CMYK 0 / 71 / 17 / 3

HEX #F847CE

RGB 248 71 206

HSL 314.24, 0.93%, 0.63%

LAB 60.71, 78.57, -32.82

 

CMYK 0 / 65 / 12 / 0

HEX #FF59E1

RGB 255 89 225

HSL 310.84, 1%, 0.67%

LAB 64.84, 76.65, -37.01

 

CMYK 0 / 58 / 4 / 0

HEX #FF6BF4

RGB 255 107 244

HSL 304.46, 1%, 0.71%

LAB 68.25, 72.42, -42.22

 

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

CMYK 0 / 91 / 20 / 25

HEX #C0119A

RGB 192 17 154

HSL 313.03, 0.84%, 0.41%

LAB 44.15, 72.53, -28.99

 

CMYK 0 / 100 / 23 / 31

HEX #AF0087

RGB 175 0 135

HSL 313.71, 1%, 0.34%

LAB 39.35, 68.66, -25.14

 

CMYK 0 / 100 / 27 / 38

HEX #9E0074

RGB 158 0 116

HSL 315.95, 1%, 0.31%

LAB 35.06, 63, -20.2

 

CMYK 0 / 100 / 31 / 45

HEX #8D0061

RGB 141 0 97

HSL 318.72, 1%, 0.28%

LAB 30.7, 57.25, -15.04

 

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

CMYK 0 / 83 / 40 / 18

HEX #D1237E

RGB 209 35 126

HSL 328.62, 0.71%, 0.48%

LAB 47.32, 69.99, -6.86

 

CMYK 0 / 83 / 62 / 18

HEX #D1234F

RGB 209 35 79

HSL 344.83, 0.71%, 0.48%

LAB 46.07, 66.35, 20.34

 

CMYK 0 / 83 / 83 / 18

HEX #D12323

RGB 209 35 35

HSL 0, 0.71%, 0.48%

LAB 45.47, 64.54, 45.38

 

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

CMYK 5 / 83 / 0 / 18

HEX #C623D1

RGB 198 35 209

HSL 296.21, 0.71%, 0.48%

LAB 49.27, 78.42, -53.15

 

CMYK 28 / 83 / 0 / 18

HEX #9723D1

RGB 151 35 209

HSL 280, 0.71%, 0.48%

LAB 41.82, 70.58, -65.54

 

CMYK 50 / 83 / 0 / 18

HEX #6823D1

RGB 104 35 209

HSL 263.79, 0.71%, 0.48%

LAB 35.5, 64.2, -76.15

 

CMYK 73 / 83 / 0 / 18

HEX #3923D1

RGB 57 35 209

HSL 247.59, 0.71%, 0.48%

LAB 31.06, 59.95, -83.64

 

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

CMYK 0 / 93 / 20 / 10

HEX #E50FB8

RGB 229 15 184

HSL 312.62, 0.88%, 0.48%

LAB 52.35, 83.58, -33.44

 

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

CMYK 0 / 71 / 15 / 26

HEX #BD37A1

RGB 189 55 161

HSL 312.54, 0.55%, 0.48%

LAB 47.14, 63.63, -28.55

 

CMYK 0 / 56 / 11 / 34

HEX #A94B96

RGB 169 75 150

HSL 312.13, 0.39%, 0.48%

LAB 46.54, 48.15, -23.17

 

CMYK 0 / 37 / 7 / 42

HEX #955E8A

RGB 149 94 138

HSL 312, 0.23%, 0.48%

LAB 47.27, 29.46, -15.1

 

CMYK 0 / 12 / 3 / 49

HEX #82727E

RGB 130 114 126

HSL 315, 0.07%, 0.48%

LAB 49.84, 8.5, -4.31

 

CMYK 28 / 83 / 0 / 18

HEX #9723D1

RGB 151 35 209

HSL 280, 0.71%, 0.48%

LAB 41.82, 70.58, -65.54

 

CMYK 6 / 83 / 0 / 18

HEX #C523D1

RGB 197 35 209

HSL 295.86, 0.71%, 0.48%

LAB 49.1, 78.24, -53.42

 

CMYK 0 / 83 / 17 / 18

HEX #D123AE

RGB 209 35 174

HSL 312.07, 0.71%, 0.48%

LAB 49.27, 75.46, -32.66

 

CMYK 0 / 83 / 39 / 18

HEX #D12380

RGB 209 35 128

HSL 327.93, 0.71%, 0.48%

LAB 47.39, 70.19, -7.98

 

CMYK 0 / 83 / 61 / 18

HEX #D12351

RGB 209 35 81

HSL 344.14, 0.71%, 0.48%

LAB 46.11, 66.47, 19.16

 

CMYK 0 / 83 / 17 / 46

HEX #8A1772

RGB 138 23 114

HSL 312.52, 0.71%, 0.32%

LAB 32.33, 54.65, -23.49

 

CMYK 0 / 83 / 17 / 32

HEX #AE1D90

RGB 174 29 144

HSL 312.41, 0.71%, 0.4%

LAB 41.04, 65.38, -28.03

 

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

CMYK 0 / 72 / 15 / 13

HEX #DE3FBD

RGB 222 63 189

HSL 312.45, 0.71%, 0.56%

LAB 54.82, 72.79, -32.57

 

CMYK 0 / 57 / 12 / 11

HEX #E462C9

RGB 228 98 201

HSL 312.46, 0.71%, 0.64%

LAB 61.17, 62.48, -29.5

 

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

CMYK 0 / 50 / 83 / 18

HEX #D16923

RGB 209 105 35

HSL 24.14, 0.71%, 0.48%

LAB 55.87, 36.79, 54.7

 

CMYK 83 / 0 / 17 / 18

HEX #23D1AE

RGB 35 209 174

HSL 167.93, 0.71%, 0.48%

LAB 75.46, -49.56, 5.62

 

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

CMYK 17 / 0 / 83 / 18

HEX #AED123

RGB 174 209 35

HSL 72.07, 0.71%, 0.48%

LAB 78.88, -32.53, 73.31

 

CMYK 83 / 17 / 0 / 18

HEX #23AED1

RGB 35 174 209

HSL 192.07, 0.71%, 0.48%

LAB 65.93, -23.1, -27.73

 

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

CMYK 0 / 50 / 83 / 18

HEX #D16923

RGB 209 105 35

HSL 24.14, 0.71%, 0.48%

LAB 55.87, 36.79, 54.7

 

CMYK 83 / 0 / 67 / 18

HEX #23D146

RGB 35 209 70

HSL 132.07, 0.71%, 0.48%

LAB 73.8, -68.45, 55.22

 

CMYK 83 / 33 / 0 / 18

HEX #238BD1

RGB 35 139 209

HSL 204.14, 0.71%, 0.48%

LAB 55.51, -3.88, -43.99

 

CMYK 0 / 83 / 17 / 18

HEX #D123AD

RGB 209 35 173

HSL 312.41, 0.71%, 0.48%

LAB 49.22, 75.33, -32.15

 

CMYK 0 / 25 / 83 / 18

HEX #D19D23

RGB 209 157 35

HSL 42.07, 0.71%, 0.48%

LAB 67.87, 8.95, 65.06

 

CMYK 83 / 0 / 67 / 18

HEX #23D146

RGB 35 209 70

HSL 132.07, 0.71%, 0.48%

LAB 73.8, -68.45, 55.22

 

CMYK 83 / 58 / 0 / 18

HEX #2357D1

RGB 35 87 209

HSL 222.07, 0.71%, 0.48%

LAB 40.86, 28.73, -67.53

 

Description

Color code: HEX #D123AD | qconv.com Color code: HEX #D123AD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 35 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 35 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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