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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D13CCA it is the complementary color #2EC335. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D13CCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D13CCA shade: #D63CC5, #E74ED8, #F860EB, #FF72FE and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D13CCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D13CCA shade: #D13CCA, #C02AB7, #AF18A4, #9E0691 and #8D007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D13CCA shade: #D13CCA, #D13CA2, #D13C7A, #D13C52 and #D13C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D13CCA shade: #D13CCA, #B03CD1, #883CD1, #603CD1 and #3C3CD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D13CCA shade matches the following richer shades: #D13CCA, #E429DC and #F816ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D13CCA shade: #D13CCA, #BE50B8, #AA63A7, #977795 and #838A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D13CCA shade: #873CD1, #AE3CD1, #D13CCC, #D13CA4 and #D13C7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D13CCA shade: #982392, #B92BB2, #D13CCA, #D95ED3 and #E17FDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D13CCA shade: #D13CCA, #D15F3C and #3CD19A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D13CCA shade: #D13CCA, #CCD13C and #3CCCD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D13CCA shade: #D13CCA, #D15F3C, #3CD141 and #3CAED1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D13CCA shade: #D13CCA, #D18C3C, #3CD141 and #3C82D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

Complementary color

CMYK 76 / 0 / 73 / 24

HEX #2EC335

RGB 46 195 53

HSL 122.82, 0.62%, 0.47%

LAB 69.38, -64.37, 57.14

 

CMYK 0 / 72 / 8 / 16

HEX #D63CC5

RGB 214 60 197

HSL 306.62, 0.65%, 0.54%

LAB 53.56, 73.08, -39.27

 

CMYK 0 / 66 / 6 / 9

HEX #E74ED8

RGB 231 78 216

HSL 305.88, 0.76%, 0.61%

LAB 59.34, 73.64, -40.82

 

CMYK 0 / 61 / 5 / 3

HEX #F860EB

RGB 248 96 235

HSL 305.13, 0.92%, 0.67%

LAB 65.22, 73.76, -42.06

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FE

RGB 255 114 254

HSL 300.43, 1%, 0.72%

LAB 69.79, 71.07, -45.28

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

CMYK 0 / 78 / 5 / 25

HEX #C02AB7

RGB 192 42 183

HSL 303.6, 0.64%, 0.46%

LAB 47.34, 71.57, -41.19

 

CMYK 0 / 86 / 6 / 31

HEX #AF18A4

RGB 175 24 164

HSL 304.37, 0.76%, 0.39%

LAB 41.92, 69.45, -38.72

 

CMYK 0 / 96 / 8 / 38

HEX #9E0691

RGB 158 6 145

HSL 305.13, 0.93%, 0.32%

LAB 36.82, 66.07, -35.49

 

CMYK 0 / 100 / 11 / 45

HEX #8D007E

RGB 141 0 126

HSL 306.38, 1%, 0.28%

LAB 32.19, 60.98, -31.26

 

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

CMYK 0 / 71 / 22 / 18

HEX #D13CA2

RGB 209 60 162

HSL 318.93, 0.62%, 0.53%

LAB 51.15, 67.01, -22.67

 

CMYK 0 / 71 / 42 / 18

HEX #D13C7A

RGB 209 60 122

HSL 335.03, 0.62%, 0.53%

LAB 49.73, 62.42, -0.87

 

CMYK 0 / 71 / 61 / 18

HEX #D13C52

RGB 209 60 82

HSL 351.14, 0.62%, 0.53%

LAB 48.76, 59.16, 22.05

 

CMYK 0 / 71 / 71 / 18

HEX #D13C3C

RGB 209 60 60

HSL 0, 0.62%, 0.53%

LAB 48.4, 57.95, 34.66

 

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

CMYK 16 / 71 / 0 / 18

HEX #B03CD1

RGB 176 60 209

HSL 286.71, 0.62%, 0.53%

LAB 48.34, 66.94, -54.82

 

CMYK 35 / 71 / 0 / 18

HEX #883CD1

RGB 136 60 209

HSL 270.6, 0.62%, 0.53%

LAB 42.87, 59.09, -63.93

 

CMYK 54 / 71 / 0 / 18

HEX #603CD1

RGB 96 60 209

HSL 254.5, 0.62%, 0.53%

LAB 38.41, 52.31, -71.39

 

CMYK 71 / 71 / 0 / 18

HEX #3C3CD1

RGB 60 60 209

HSL 240, 0.62%, 0.53%

LAB 35.59, 47.77, -76.14

 

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

CMYK 0 / 82 / 4 / 11

HEX #E429DC

RGB 228 41 220

HSL 302.57, 0.78%, 0.53%

LAB 55.33, 84.29, -49.46

 

CMYK 0 / 91 / 4 / 3

HEX #F816ED

RGB 248 22 237

HSL 302.92, 0.94%, 0.53%

LAB 58.64, 93.1, -53.56

 

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

CMYK 0 / 58 / 3 / 25

HEX #BE50B8

RGB 190 80 184

HSL 303.27, 0.46%, 0.53%

LAB 52, 57.44, -34.45

 

CMYK 0 / 42 / 2 / 33

HEX #AA63A7

RGB 170 99 167

HSL 302.54, 0.29%, 0.53%

LAB 52.13, 39.09, -24.56

 

CMYK 0 / 21 / 1 / 41

HEX #977795

RGB 151 119 149

HSL 303.75, 0.13%, 0.53%

LAB 53.97, 17.86, -11.45

 

CMYK 5 / 0 / 4 / 46

HEX #838A84

RGB 131 138 132

HSL 128.57, 0.03%, 0.53%

LAB 56.75, -3.76, 2.32

 

CMYK 35 / 71 / 0 / 18

HEX #873CD1

RGB 135 60 209

HSL 270.2, 0.62%, 0.53%

LAB 42.74, 58.9, -64.14

 

CMYK 17 / 71 / 0 / 18

HEX #AE3CD1

RGB 174 60 209

HSL 285.91, 0.62%, 0.53%

LAB 48.05, 66.53, -55.3

 

CMYK 0 / 71 / 2 / 18

HEX #D13CCC

RGB 209 60 204

HSL 302.01, 0.62%, 0.53%

LAB 53.11, 73.05, -44.05

 

CMYK 0 / 71 / 22 / 18

HEX #D13CA4

RGB 209 60 164

HSL 318.12, 0.62%, 0.53%

LAB 51.23, 67.27, -23.72

 

CMYK 0 / 71 / 40 / 18

HEX #D13C7D

RGB 209 60 125

HSL 333.83, 0.62%, 0.53%

LAB 49.82, 62.72, -2.55

 

CMYK 0 / 77 / 4 / 40

HEX #982392

RGB 152 35 146

HSL 303.08, 0.63%, 0.37%

LAB 37.76, 59.29, -34.69

 

CMYK 0 / 77 / 4 / 27

HEX #B92BB2

RGB 185 43 178

HSL 302.96, 0.62%, 0.45%

LAB 45.98, 69.08, -40.48

 

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

CMYK 0 / 57 / 3 / 15

HEX #D95ED3

RGB 217 94 211

HSL 302.93, 0.62%, 0.61%

LAB 59.4, 62.9, -38.05

 

CMYK 0 / 44 / 2 / 12

HEX #E17FDC

RGB 225 127 220

HSL 303.06, 0.62%, 0.69%

LAB 66.79, 50.93, -31.51

 

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

CMYK 0 / 55 / 71 / 18

HEX #D15F3C

RGB 209 95 60

HSL 14.09, 0.62%, 0.53%

LAB 54.1, 42.78, 41.16

 

CMYK 71 / 0 / 26 / 18

HEX #3CD19A

RGB 60 209 154

HSL 157.85, 0.62%, 0.53%

LAB 75.39, -51.6, 16.26

 

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

CMYK 2 / 0 / 71 / 18

HEX #CCD13C

RGB 204 209 60

HSL 62.01, 0.62%, 0.53%

LAB 81.16, -19.2, 68.89

 

CMYK 71 / 2 / 0 / 18

HEX #3CCCD1

RGB 60 204 209

HSL 182.01, 0.62%, 0.53%

LAB 75.3, -35.25, -13.45

 

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

CMYK 0 / 55 / 71 / 18

HEX #D15F3C

RGB 209 95 60

HSL 14.09, 0.62%, 0.53%

LAB 54.1, 42.78, 41.16

 

CMYK 71 / 0 / 69 / 18

HEX #3CD141

RGB 60 209 65

HSL 122.01, 0.62%, 0.53%

LAB 74.15, -65.61, 57.69

 

CMYK 71 / 17 / 0 / 18

HEX #3CAED1

RGB 60 174 209

HSL 194.09, 0.62%, 0.53%

LAB 66.39, -20.46, -26.98

 

CMYK 0 / 71 / 3 / 18

HEX #D13CCA

RGB 209 60 202

HSL 302.82, 0.62%, 0.53%

LAB 53.01, 72.74, -43.06

 

CMYK 0 / 33 / 71 / 18

HEX #D18C3C

RGB 209 140 60

HSL 32.21, 0.62%, 0.53%

LAB 63.87, 19.14, 51.72

 

CMYK 71 / 0 / 69 / 18

HEX #3CD141

RGB 60 209 65

HSL 122.01, 0.62%, 0.53%

LAB 74.15, -65.61, 57.69

 

CMYK 71 / 38 / 0 / 18

HEX #3C82D1

RGB 60 130 209

HSL 211.81, 0.62%, 0.53%

LAB 53.52, 4.29, -47.1

 

Description

Color code: HEX #D13CCA | qconv.com Color code: HEX #D13CCA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 60 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 60 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 3 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 3% 18% C M Y K

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Provide designers and agencies with accurate color values.

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HKS® to Sherwin Williams®

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