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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D147BA it is the complementary color #2EB845. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D147BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D147BA shade: #D647B5, #E759C8, #F86BDB, #FF7DEE and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D147BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D147BA shade: #D147BA, #C035A7, #AF2394, #9E1181 and #8D006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D147BA shade: #D147BA, #D14795, #D1476F, #D1474A and #D14747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D147BA shade: #D147BA, #C247D1, #9D47D1, #7847D1 and #5347D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D147BA shade matches the following richer shades: #D147BA, #E334C6 and #F622D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D147BA shade: #D147BA, #BE59AD, #AB6CA1, #997F95 and #869188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D147BA shade: #9E47D1, #C347D1, #D147BA, #D14795 and #D14770

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D147BA shade: #9E278A, #BF2FA7, #D147BA, #D968C6 and #E189D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D147BA shade: #D147BA, #D17947 and #47D1B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D147BA shade: #D147BA, #BAD147 and #47BAD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D147BA shade: #D147BA, #D17947, #47D15E and #479ED1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D147BA shade: #D147BA, #D1A347, #47D15E and #4775D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

Complementary color

CMYK 75 / 0 / 63 / 28

HEX #2EB845

RGB 46 184 69

HSL 130, 0.6%, 0.45%

LAB 65.97, -59.25, 47.01

 

CMYK 0 / 67 / 15 / 16

HEX #D647B5

RGB 214 71 181

HSL 313.85, 0.64%, 0.56%

LAB 54.17, 66.92, -29.05

 

CMYK 0 / 61 / 13 / 9

HEX #E759C8

RGB 231 89 200

HSL 313.1, 0.75%, 0.63%

LAB 60.16, 66.97, -30.47

 

CMYK 0 / 57 / 12 / 3

HEX #F86BDB

RGB 248 107 219

HSL 312.34, 0.91%, 0.7%

LAB 66.2, 66.72, -31.62

 

CMYK 0 / 51 / 7 / 0

HEX #FF7DEE

RGB 255 125 238

HSL 307.85, 1%, 0.75%

LAB 70.94, 63.52, -34.72

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 0 / 72 / 13 / 25

HEX #C035A7

RGB 192 53 167

HSL 310.79, 0.57%, 0.48%

LAB 47.68, 65.9, -31.23

 

CMYK 0 / 80 / 15 / 31

HEX #AF2394

RGB 175 35 148

HSL 311.57, 0.67%, 0.41%

LAB 41.93, 64.68, -29.06

 

CMYK 0 / 89 / 18 / 38

HEX #9E1181

RGB 158 17 129

HSL 312.34, 0.81%, 0.34%

LAB 36.47, 62.36, -26.16

 

CMYK 0 / 100 / 22 / 45

HEX #8D006E

RGB 141 0 110

HSL 313.19, 1%, 0.28%

LAB 31.32, 58.82, -22.47

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 0 / 66 / 29 / 18

HEX #D14795

RGB 209 71 149

HSL 326.09, 0.6%, 0.55%

LAB 52.1, 61.31, -13.52

 

CMYK 0 / 66 / 47 / 18

HEX #D1476F

RGB 209 71 111

HSL 342.61, 0.6%, 0.55%

LAB 50.93, 57.21, 7.51

 

CMYK 0 / 66 / 65 / 18

HEX #D1474A

RGB 209 71 74

HSL 358.7, 0.6%, 0.55%

LAB 50.16, 54.42, 28.63

 

CMYK 0 / 66 / 66 / 18

HEX #D14747

RGB 209 71 71

HSL 0, 0.6%, 0.55%

LAB 50.12, 54.25, 30.33

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 7 / 66 / 0 / 18

HEX #C247D1

RGB 194 71 209

HSL 293.48, 0.6%, 0.55%

LAB 52.49, 66.6, -48.04

 

CMYK 25 / 66 / 0 / 18

HEX #9D47D1

RGB 157 71 209

HSL 277.39, 0.6%, 0.55%

LAB 47.34, 58.36, -56.57

 

CMYK 43 / 66 / 0 / 18

HEX #7847D1

RGB 120 71 209

HSL 261.3, 0.6%, 0.55%

LAB 42.92, 50.73, -63.94

 

CMYK 60 / 66 / 0 / 18

HEX #5347D1

RGB 83 71 209

HSL 245.22, 0.6%, 0.55%

LAB 39.49, 44.32, -69.66

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 0 / 77 / 13 / 11

HEX #E334C6

RGB 227 52 198

HSL 309.94, 0.76%, 0.55%

LAB 54.93, 78.39, -37.53

 

CMYK 0 / 86 / 15 / 4

HEX #F622D2

RGB 246 34 210

HSL 310.19, 0.92%, 0.55%

LAB 57.45, 87.58, -40.21

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 0 / 53 / 9 / 25

HEX #BE59AD

RGB 190 89 173

HSL 310.1, 0.44%, 0.55%

LAB 53.07, 51.39, -26.39

 

CMYK 0 / 37 / 6 / 33

HEX #AB6CA1

RGB 171 108 161

HSL 309.52, 0.27%, 0.55%

LAB 53.98, 33.37, -18.21

 

CMYK 0 / 17 / 3 / 40

HEX #997F95

RGB 153 127 149

HSL 309.23, 0.11%, 0.55%

LAB 56.21, 13.96, -8.07

 

CMYK 8 / 0 / 6 / 43

HEX #869188

RGB 134 145 136

HSL 130.91, 0.05%, 0.55%

LAB 59.06, -5.77, 3.4

 

CMYK 24 / 66 / 0 / 18

HEX #9E47D1

RGB 158 71 209

HSL 277.83, 0.6%, 0.55%

LAB 47.47, 58.58, -56.36

 

CMYK 7 / 66 / 0 / 18

HEX #C347D1

RGB 195 71 209

HSL 293.91, 0.6%, 0.55%

LAB 52.63, 66.83, -47.8

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 0 / 66 / 29 / 18

HEX #D14795

RGB 209 71 149

HSL 326.09, 0.6%, 0.55%

LAB 52.1, 61.31, -13.52

 

CMYK 0 / 66 / 46 / 18

HEX #D14770

RGB 209 71 112

HSL 342.17, 0.6%, 0.55%

LAB 50.96, 57.3, 6.95

 

CMYK 0 / 75 / 13 / 38

HEX #9E278A

RGB 158 39 138

HSL 310.08, 0.6%, 0.39%

LAB 38.82, 58.16, -28.05

 

CMYK 0 / 75 / 13 / 25

HEX #BF2FA7

RGB 191 47 167

HSL 310, 0.61%, 0.47%

LAB 46.84, 67.57, -32.55

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 0 / 52 / 9 / 15

HEX #D968C6

RGB 217 104 198

HSL 310.09, 0.6%, 0.63%

LAB 60.54, 56.16, -28.9

 

CMYK 0 / 39 / 7 / 12

HEX #E189D2

RGB 225 137 210

HSL 310.23, 0.59%, 0.71%

LAB 68.43, 44.06, -23.44

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 0 / 42 / 66 / 18

HEX #D17947

RGB 209 121 71

HSL 21.74, 0.6%, 0.55%

LAB 59.6, 30, 41.65

 

CMYK 66 / 0 / 16 / 18

HEX #47D1B0

RGB 71 209 176

HSL 165.65, 0.6%, 0.55%

LAB 76.12, -44.79, 5.57

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 11 / 0 / 66 / 18

HEX #BAD147

RGB 186 209 71

HSL 70, 0.6%, 0.55%

LAB 79.89, -26, 63.12

 

CMYK 66 / 11 / 0 / 18

HEX #47BAD1

RGB 71 186 209

HSL 190, 0.6%, 0.55%

LAB 70.22, -25.01, -21.1

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 0 / 42 / 66 / 18

HEX #D17947

RGB 209 121 71

HSL 21.74, 0.6%, 0.55%

LAB 59.6, 30, 41.65

 

CMYK 66 / 0 / 55 / 18

HEX #47D15E

RGB 71 209 94

HSL 130, 0.6%, 0.55%

LAB 74.67, -60.43, 45.83

 

CMYK 66 / 24 / 0 / 18

HEX #479ED1

RGB 71 158 209

HSL 202.17, 0.6%, 0.55%

LAB 62, -10.23, -33.76

 

CMYK 0 / 66 / 11 / 18

HEX #D147BA

RGB 209 71 186

HSL 310, 0.6%, 0.55%

LAB 53.61, 66.4, -32.89

 

CMYK 0 / 22 / 66 / 18

HEX #D1A347

RGB 209 163 71

HSL 40, 0.6%, 0.55%

LAB 69.62, 7.31, 52.84

 

CMYK 66 / 0 / 55 / 18

HEX #47D15E

RGB 71 209 94

HSL 130, 0.6%, 0.55%

LAB 74.67, -60.43, 45.83

 

CMYK 66 / 44 / 0 / 18

HEX #4775D1

RGB 71 117 209

HSL 220, 0.6%, 0.55%

LAB 50.29, 13.95, -52.22

 

Description

Color code: HEX #D147BA | qconv.com Color code: HEX #D147BA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 71 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 71 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 11 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 11% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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